User manual YAMAHA 01V96V2 - 1

Owner's Manual Keep This Manual For Future Reference. E FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. (class B) ADVARSEL! Lithiumbatteri--Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows: The wire which is coloured GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN-and-YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. · This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (3 wires) VARNING Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktion. VAROITUS Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti. (lithium caution) NEDERLAND / THE NETHERLANDS · Dit apparaat bevat een lithium batterij voor geheugen back-up. · This apparatus contains a lithium battery for memory back-up. · Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur afdankt of de volgende Yamaha Service Afdeiing: Yamaha Music Nederland Service Afdeiing Kanaalweg 18-G, 3526 KL UTRECHT Tel. 030-2828425 · For the removal of the battery at the moment of the disposal at the end of the service life please consult your retailer or Yamaha Service Center as follows: Yamaha Music Nederland Service Center Address : Kanaalweg 18-G, 3526 KL UTRECHT Tel : 030-2828425 · Gooi de batterij niet weg, maar lever hem in als KCA. · Do not throw away the battery. Instead, hand it in as small chemical waste. (lithium disposal) · Explanation of Graphical Symbols CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The above warning is located on the side of the unit IMPORTANT SAFETY INSTRUCTIONS 1 2 3 4 5 6 7 Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10 Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11 Only use attachments/accessories specified by the manufacturer. 12 Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over. 13 Unplug this apparatus during lightning storms or when unused for long periods of time. 14 Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as powersupply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 8 9 WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord · Only use the voltage specified as correct for the device. The required voltage is printed on the name plate of the device. · Use only the specified power code. · Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. Water warning · Do not expose the device to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. · Never insert or remove an electric plug with wet hands. If you notice any abnormality · If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the device, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel. · If this device should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel. Do not open · Do not open the device or attempt to disassemble the internal parts or modify them in any way. The device contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following: Power supply/Power cord · Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms. · When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. · Do not block the vents. This device has ventilation holes at the top/front/rear/ sides to prevent the internal temperature from rising too high. In particular, do not place the device on its side or upside down, or place it in any poorlyventilated location, such as a bookcase or closet. · Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the device, TV, or radio may generate noise. Location · Before moving the device, remove all connected cables. · Avoid setting all equalizer controls and faders to their maximum. Depending on the condition of the connected devices, doing so may cause feedback and may damage the speakers. · Do not expose the device to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. · Do not place the device in an unstable position where it might accidentally fall over. Connections · Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum. · Be sure to connect to a properly grounded power source. A ground screw terminal is provided on the rear panel for safely grounding the device and preventing electrical shock. (5)-1 1/2 Handling caution · Do not insert your fingers or hand in any gaps or openings on the device (vents, etc.). · Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device (vents, etc.) If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel. · Do not use headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. · Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause problems with electrical contact or fader motion. · Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors. · This device has a rear-panel slot for installing mini-YGDAI cards. For technical reasons, certain card combinations are not supported. Before installing any cards, check the Yamaha web site (see page 6) to see whether your card is compatible. Installing cards that are not endorsed by Yamaha may cause electrical shock, fire, or damage to the unit. Backup battery · This device has a built-in backup battery. When you unplug the power cord from the AC outlet, the internal data is retained. However, if the backup battery fully discharges, this data will be lost. If the backup battery is running low, when you turn on the device the display indicates "WARNING Low Battery!." In this case, immediately save the data to an external media using MIDI Bulk Dump, then have qualified Yamaha service personnel replace the backup battery. · Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit. · The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise occurs, relocate the affected equipment. · When you change the wordclock settings on any device in your digital audio system, some devices may output noise, so turn down your power amps beforehand, otherwise your speakers may be damaged. XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-). Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return. Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed. Always turn the power off when the device is not in use. The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualifi ed Yamaha service personnel about replacing defective components. * The illustrations and screen displays as shown in this Owner's Manual are for instructional purposes only, and may be different from the ones on your device. * The company names and product names in this Owner's Manual are the trademarks or registered trademarks of their respective companies. (5)-1 2/2 6 Yamaha Pro Audio global website Yamaha Pro Audio global website http://www.yamahaproaudio.com/ Package Contents · · · · · 01V96 Digital Mixing Console CD-ROM Power cord This manual Studio Manager Installation Guide Optional Extras · · RK1 Rack Mount Kit mini YGDAI I/O cards About this Owner's Manual This Owner's Manual explains how to operate the 01V96 Digital Mixing Console. The Table of Contents can help you to familiarize yourself with the manual's organization and to locate tasks and topics. The index can help you locate specific information. Before diving in, it's recommend that you read the "Operating Basics" chapter, starting on page 27. Each chapter in this manual discusses a specific section or function of the 01V96. The Input and Output Channels are explained in the following chapters: "Input Channels," "Bus Outs," and "Aux Outs." Where possible, these chapters have been organized in order of signal flow, from input to output. Conventions Used in this Manual The 01V96 features two types of buttons: physical buttons that you can press (e.g., ENTER and DISPLAY) and buttons that appear on the display pages. References to physical buttons are enclosed in square brackets, for example, "press the [ENTER] button." References to display page buttons are not emphasized, for example, "move the cursor to the ON button." You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right Tab Scroll, and F1­4 buttons below the display. In order to simplify explanations, the procedures reference only the [DISPLAY] button method. See "Selecting Display Pages" on page 28 for details on all the ways in which you can select pages. 01V96 Version 2--Owner's Manual New Functions in 01V96 Version 2 7 New Functions in 01V96 Version 2 The following functions have been added to the 01V96 as part of the upgrade of the firmware from version 1.0 to version 2.0. Aux Sends · If an Aux Send is set to pre-fader, you can set the Pre point before or after channel mute. page 114 Monitor · · You can select whether the Input Channel's Pan setting is used when the Input Channel Solo signal is set to Pre Fader. page 132 Raising the channel faders for soloed Channels from ­ can unsolo the Channels. page 132 Surround Pan · The on/off status of the Follow Pan button is reflected in the pan and Surround Pan settings. page 135 Group/Link · The Fader Group Master function enables you to control the overall level of the Fader group channels simultaneously while maintaining the relative level balance of each channel. page 152 The Mute Group Master function enables you to mute all channels in a Mute group simultaneously. page 153 · Internal Effects · You can add optional Add-On Effects to the preset effects. page 162 Scene Memory · · Any channel or parameter settings in the current scene can be copied and pasted into other scenes. page 173 You can select additional parameters for the Recall Safe function. page 172 Remote Control · · Cubase SX has been added as a target of the Remote layer. page 189 Yamaha's proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and General DAW. This enables you to control these devices using the 01V96's SELECTED CHANNEL section. (Controllable functions vary depending on the DAW software and version you are using.) Other Functions · · · You can set the Routing ST Pair Link so that the routing from paired channels to the Stereo Bus is linked. page 232 You can assign the selected channels to a Fader or Mute group using the USER DEFINED KEYS. page 247 You can switch the windows of the included Studio Manager software application using the USER DEFINED KEYS. page 247 01V96 Version 2--Owner's Manual 8 Contents Contents 1 2 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . . . . . Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tutorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Initial Track Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Overdubbing to Other Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mixing Recorded Tracks into Stereo (Mixdown) . . . . . . . . . . . . . . . . . . . . . . . . . Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Converting Sampling Rates of Signals Received at I/O Card Inputs . . . . . . . . . . Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bus Out 1­8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Setting the Stereo Out and Bus Out 1­8 from the Display . . . . . . . . . . . . . . . . . . Setting the Stereo Out and Bus Out 1­8 from the Control Surface . . . . . . . . . . . Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 13 23 26 27 27 28 29 31 32 33 34 37 37 40 43 47 47 49 60 63 69 69 71 72 73 74 75 77 77 79 90 92 94 97 97 98 99 104 105 106 107 3 4 5 6 7 8 9 Aux Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Aux Out 1­8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Setting Aux Out 1­8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 Viewing Aux Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 Setting Aux Out 1­8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 01V96 Version 2--Owner's Manual Contents 9 Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . 117 Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . 120 10 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . 121 Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 11 Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Monitor and Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 Using the Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134 12 Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135 About Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135 Setting Up and Selecting Surround Pan Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . 136 Surround Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142 13 Grouping Channels & Linking Parameters . . . . . . . . . . . . . 149 Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149 Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150 Using Fader Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Using Mute Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 14 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157 About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157 Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160 Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 About Add-On Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162 About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 15 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 What is Stored in a Scene? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 About Scene Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166 Storing and Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167 Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169 Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170 Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172 Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173 Copying and Pasting a Scene (Global Paste) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173 16 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175 About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175 General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175 Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177 17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189 About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 Nuendo/Cubase SX Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206 Other DAW Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206 MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212 01V96 Version 2--Owner's Manual 10 Contents 18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 MIDI & the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215 MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216 Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . 219 Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 220 Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . 225 Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . 226 19 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229 Changing the Input and Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . 229 Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230 Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . 233 Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234 Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235 Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237 Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238 Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242 Initializing the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243 Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244 Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . 247 USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247 USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249 Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249 Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251 Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253 Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255 User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . 256 Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260 Effects and tempo synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270 Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271 Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272 Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 273 Dynamics Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275 Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280 General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285 Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286 Analog Output Specs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286 Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287 Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287 I/O SLOT Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287 CONTROL I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288 Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288 Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289 Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289 Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290 MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306 Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319 MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . End of Manual 01V96 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . End of Manual 01V96 Level Diagram . . . . . . . . . . . . . . . . . . . . . . . . . End of Manual 01V96 Version 2--Owner's Manual Welcome 11 1 Welcome Thank you for choosing the Yamaha 01V96 Digital Mixing Console. The compact 01V96 Digital Console features 24-bit/96 kHz digital audio processing without compromise, as well as 40-channel simultaneous mixing. The 01V96 covers a broad range of needs and applications, including multi-track recording, 2-channel mixdown, and cutting-edge surround sound production. This integrated, comprehensive audio system features remote control function for DAWs (Digital Audio Workstations) as popularized by the DM2000 and 02R96 Digital Mixing Consoles. The 01V96 offers the following features: 1 Welcome Hardware Features · · · · · · · · 100-mm motorized faders x 17 Faders can set levels for Input Channels, Aux send levels, and Bus Outs. Four selectable software layers determine the function of channel faders. 320 x 240 dot LCD display Buttons and controls in the SELECTED CHANNEL section enable direct editing of channel EQ parameters. 8 USER-DEFINED KEYS enable you to assign functions to control 01V96 internal parameters. ADAT optical connectors Expansion slot for optional digital I/O, AD, and DA cards. Sonic Specifications · · · · · Linear 24-bit, 128-times oversampling A/D converters Linear 24-bit, 128-times oversampling D/A converters 20 Hz through 40 kHz frequency response at 96 kHz sampling rate. 106 dB typical dynamic range 32-bit internal signal processing (58-bit accumulator) Inputs and Outputs · · · · · · · · · · · 12 mic/line inputs with switchable +48 V phantom power and 4 line inputs 12 analog inserts Any Bus Outs or Channel Inserts can be routed to four Omni Outs. Individual outputs for Stereo Out and Monitor Out Analog 2TR In and Out for use with Tape In and Out signals An optional card installed in the slot permits a maximum of 16 inputs/outputs. Digital 2TR In and Out for consumer-format digital audio signals Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz legacy multi-track digital recorders. You can cascade two 01V96s while remaining in the digital domain. Input patches enable assignment of input signals to desired signal paths. Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to desired output jacks. 01V96 Version 2--Owner's Manual 12 Chapter 1--Welcome Channel Configuration · · · · · · 32 Input Channels and four ST IN channels can be mixed at a time. Group multiple channels and pair channels for stereo. Eight Bus Outs and eight Aux Sends. Bus Outs 1-8 can be routed to Stereo Buses for use as Group Buses. Channel library for storing and recalling the channel settings for each Input Channel and Output Channel Four-band EQ on each channel Dynamics processors on all channels (excluding ST IN channels) Dynamics processor settings and EQ settings can be stored in libraries and recalled. Effects · · · Four high-quality multi-channel effects (Apply effects via Aux Sends or Channel Inserts) Effect library for storing and recalling effect settings. Optional Add-On Effects packages for adding effects that utilize a variety of new algorithms. Scene Memory · Scene memories for storing and recalling mix settings as Scenes Surround Sound · · Supports 3-1, 5.1, and 6.1 channel surround sound production Surround channel outputs can be assigned to suit connected devices. Remote Control · · · Control and manage your 01V96 from your Mac or PC using bundled Studio Manager software. Remote Layer for remote control of Pro Tools, Nuendo, Cubase SX, and other DAWs that support the Pro Tools protocol Control an external recorder via MMC commands. MIDI · · Equipped with MIDI ports and a USB port for computer connection Scene recall and mix parameter changes via MIDI 01V96 Version 2--Owner's Manual Control Surface & Rear Panel 13 2 Control Surface & Rear Panel Control Surface AD Input Section (p. 14) SCENE MEMORY Section (p. 21) 2 Control Surface & Rear Panel DISPLAY ACCESS Section (p. 18) A B INPUT (BAL) CH1-4 CH5-8 CH9-12 1 2 3 4 5 6 7 8 9 10 11 12 13 15 PHANTOM +48V L A B A B A B A B A B A B A B A B A B A B A B 14 16 IN OUT R -10dBV (UNBAL) PHONES INSERT OUT IN (UNBAL) 2TR INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O INSERT I/O CH15/16 2TR IN MONITOR 2TR IN PAD 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB +4 GAIN -26 +4 GAIN -26 0 LEVEL 10 0 LEVEL 10 MONITOR OUT -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 -16 GAIN PEAK SIGNAL -60 +4 GAIN -26 +4 GAIN -26 PHONES Monitor Out & Headphones Section (p. 15) 13 PEAK 14 15 SIGNAL PEAK 16 SIGNAL DISPLAY ACCESS SCENE MEMORY SCENE DIO/SETUP MIDI UTILITY STORE RECALL FADER MODE Section (p. 17) SOLO CLEAR OVER PAN/ / INSERT/ ROUTING DELAY PAIR/ GROUP PATCH 0 -3 -6 DYNAMICS EQ EFFECT VIEW SELECTED CHANNEL SOLO Section (p. 22) PAN DEC INC FADER MODE AUX 1 AUX 2 AUX 3 AUX 4 Display Section (p. 19) -9 -12 -15 -18 -24 -30 -36 -48 Q HIGH EQUALIZER STEREO AUX 5 AUX 6 AUX 7 AUX 8 HIGH-MID Data Entry Section (p. 22) ENTER FREQUENCY HOME (METER) LOW-MID LAYER LAYER Section (p. 19) 1-16 17-32 MASTER REMOTE GAIN LOW ST IN SELECTED CHANNEL Section (p. 20) SEL SOLO SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ST IN 1 ST IN 2 +10 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 +10 5 5 0 0 5 0 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 0 10 5 10 5 10 USER DEFINED KEYS ST IN Section (p. 17) 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 1 2 10 20 10 20 10 20 10 20 10 20 10 20 10 20 10 20 10 20 10 20 10 20 10 20 10 20 10 20 10 20 10 20 20 3 15 30 15 30 15 30 15 30 15 30 15 30 15 30 15 30 15 30 15 30 15 30 15 30 15 30 15 30 15 30 15 30 30 4 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 20 40 40 5 6 30 40 50 50 30 60 40 70 50 50 30 60 40 70 50 50 30 60 40 70 50