Detailed instructions for use are in the User's Guide.
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D2424LV Digital 24-Track
Removable Hard Disk Recorder
A computer-based digital optional Model 8551B x 2 fitted), while individual tracks can be named and exchanged with ease. Usability is enhanced futher still, with the `All Input' and `All Ready' functions which allow you to check all input signals and make all tracks ready with single button pushes. Location facilities incorporate Recall Locate to the 99 locate memories using the jog/shuttle wheel and Prev/Next Locate by simply pressing the Prev/Next key. Other `studio' features include a Mark/Stop function which allows the D2424L to stop automatically V at a preset Mark point, Program Chain Play which allows for a compilation of programs to be played back in a certain order, and footswitch control for start/stop as well as punch in/out functions. Backing up recordings can be to external SCSI-2 media, DAT, ADAT or to an optional secondary internal hard drive or optional DVD-RAM drive. Whether in the studio or on the road, the D2424L delivers rock V solid performance.
Main Features
Record 24 tracks simultaneously - ideal
for live performance recording
multitrack set-up might be fine for studio use, where you can work around limited inputs and complex operational issues, but when it comes to live recording they simply don't cut it. There's only one chance to capture the performance. One chance to capture the magic. Y need a solution which is tough, ou reliable, proven, rack-mountable, expandable and with enough inputs for the whole band. In short, you need the new Fostex D2424L . V This ultra-high specification 24 track digital recorder is simply the most capable, most flexible, best sounding, and easy to use digital multitrack ever.
24 TRS balanced jacks for all analog
I/Os. Balanced/unbalanced selectable (ref. level: 12dB/-20dB)
56 track digital recording with no
compression (24 tracks plus 32 additional 'ghost tracks'/ 8 tracks plus 48 additional tracks for 24bit/96k)
6 recording formats: 24bit / 96kHz,
24bit / 88.2kHz, 16bit / 44.1kHz, 16bit / 48kHz, 24bit / 44.1kHz, & 24bit / 48kHz)
128 times oversampling delta-sigma
24bit AD/DA
ADAT I/O (S/P DIF switchable) Program Chain Play mode Twin drive bays. Secondary bay may be
fitted with optional 2nd hard drive or DVD-RAM drive for back-up
Export & import .WAV song files Level envelope display aids easy audio
with undo & redo
Non-destructive 99-time Copy/Paste &
Move/Paste editing across programs (songs)
INCREDIBLE EASE OF USE
The performance is about to start and the last thing you need is a machine which is difficult to use. Don`t worry, as thanks to the clear and concise interface which enables intuitive access to the facilities on offer, the D2424L is V incredibly easy to get to grips with. The front-panel remote control, for example, can be located up to 10 metres from the recorder (with
Virtual timecode track function Unlimited chronological editing
UNDOs (dependent disc space)
6 point edit memory & 99 locate
point memory
MTC/MMC & FEX implemented for
external MIDI control
Multiple tempo and signature changes
per song
Word I/O MIDI clock with song position pointer Handy `All Input' & `All Ready' feature RS-422 remote connector Optional Ethernet and timecode cards
8 track simultaneous recording is available when selecting 24bit / 96kHz mode.
Track Name: Each track can be given an individual name making them easier to manage.
The D2424LV is equipped with 56 recording tracks. 24 plus 32 `ghost' tracks.
Program Chain Mode: Programs (songs) can be played back in a pre-determined order.
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24-TRACK
24BIT
/
96KHZ
MULTITRACK
RECORDER
RECORDER SECTION Recording medium Recording format Save/Load format Sampling frequency Quantisation Data Save/Load A/D & D/A converters No. of recording tracks Simultaneous Recording Tracks Simultaneous Playback Tracks No. of programs No. of locate memories Pitch control Crossfade R/P frequency response: Dynamic range Channel Separation T.H.D. INPUT/OUTPUT Analog Input (1-24) Impedance Input level Analog Output (1-24) Impedance Output level Data In/Out Format
3.5inch, E-IDE type hard disk* FDMS-3 version 3 SCSI, FDIO-1 version 2 44.1kHz, 48kHz, 88.2kHz, 96kHz (selectable) 16bit / 24bit E-IDE HD, DVD-RAM or SCSI 24bit Delta Sigma 128 times over sampling 56 (24 plus 32 additional tracks) 24 (8 at 24bit/96kHz, 24bit/88.2kHz) 24 (8 at 24bit/96kHz, 24bit/88.2kHz) 99 99 ± 6% (0.1% step) 10msec, (5msec at 24bit/96kHz, 24bit/88.2kHz) 20Hz - 20kHz ±1dB (20Hz to 43kHz ±2dB at fs:96kHz) > 105dB (typical) > 80dB (at 1kHz, 0dB, 24bit) < 0.04% (1kHz, -12dB) (typical)
WORD Input WORD Output RS422 RS422 THRU MIDI In / Out / Thru Punch In/Out SCSI Port PHYSICAL Dimensions (mm) Weight Power requirements
TRS phone jack x 24 (balanced) >10k balanced: +4dBu, unbalanced: + 10dBV TRS phone jack x 24 (balanced) >600 balanced: +4dBu, unbalanced: - 10dBV Optical x 6 IEC 60958 Part 3 (=S/P DIF), Alesis Proprietary Multichannel Optical Digital Interface (ADAT) (selectable by setup mode) BNC connector. TTL level BNC connector. TTL level D-sub 9pin. Sony 9 pin protocol ES buss D-sub 9pin. Direct output of RS-422 DIN 5 pin x 3 Phone jack x 1 (for option model 8051) D-SUB 50pin (half pitch)
1
2
3
482 (w) x 148 (h) x 381 (d) mm Approx. 7.0kg (with controller) 120V AC, 230V AC - (50W)
4
1. 24x balanced / unbalanced analog inputs 2. 24x balanced / unbalanced analog outputs 3. Optional Timecode card
5
4. ADAT/S/P DIF interface optical interface 5. MIDI IN, OUT, THRU 6. SCSI-2 interface
6
7. RS422 interface (IN & THRU) 8. Word I/O 9. Optional Ethernet card
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8
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9043 EMPTY HARD DRIVE CADDY Robust empty caddy for housing 3rd party IDE hard drives (see Fostex website for the latest drive recommendation) 9044 DRIVE CADDY & MOUNTING KIT Complete assembly for adding a 2nd caddyheld hard drive for back-up and archive 9046 DVD-RAM Drive 4.7GB DVD-RAM drive (for back-up and archive) fits into the 2nd internal bay
8346 TIMECODE/SYNC CARD Sync to external VIDEO/WORD (10 preset sync patterns) Slave to external LTC running across 0h point. Offset can be set to external timecode Timecode can be recorded from internal or external sources to a `virtual timecode track' keeping all recording tracks free for audio. Internal timecode address can be output as LTC
Timecode converted from ABS or recorded timecode can be
output as LTC Independent timecode function generates timecode from 24hr clock or any designated timecode address. FORCE JAM also possible. Generated timecode via the output. 24, 25, 30ND, 30DF, 29.97ND & 29.97DF timecode rates Sync to Video feature for system integration with various video editors compliant with the P2 protocol
Distributor / Authorized Dealer
Fostex America · 15431 Blackburn Avenue · Norwalk, CA 90650 T 562.921.1112 Fax: 562.802.1964 el:
Fostex Corporation, 3-2-35 Musashino, Akishima, T okyo, Japan 196-0021 T +81 (0)42-546-4974 Fax: +81 (0)42-546-9222 el:
© 2002 Fostex America
In accordance with our policy of continuous development, we reserve the right to change specifications without notice. All trademarks respected.
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