1 Live Version 5.2 for Windows and Mac OS Created by Bernd Roggendorf, Gerhard Behles, Robert Henke, awi, Reiner Rudolph, Stefan Haller, Torsten Slama, Eduard Mueller, Stefan Franke, Frank Hoffmann, Andreas Zapf, HansThomas Mueller, Henrik Hahn, Ralf Suckow, Gregor Klinke, Matthias Mayrock, Friedemann Schautz, Ingo Koehne. Reference Manual by Rose Knudsen, Gerhard Behles, Jakob Rang, Robert Henke, Torsten Slama. Loops and samples provided by Big Fish Audio. Web: www.big shaudio.com E-mail: info@big shaudio.com Address: 11003 Penrose Street, Suite C, Los Angeles, CA 91352 Copyright 2006 Ableton AG. All rights reserved. This manual, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. The content of this manual is furnished for informational use only, is subject to change without notice and should not be construed as a commitment by Ableton. Ableton assumes no responsibility or liability for any errors or inaccuracies that may appear in this book. Except as permitted by such license, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of Ableton. Macintosh, Audio Units and QuickTime are registered trademarks of Apple Computer, Inc. Windows is a registered trademark of Microsoft Corporation. VST is a trademark of Steinberg Media Technologies GmbH. ReWire is a trademark of Propellerhead Software AB. Mackie Control is a trademark of LOUD Technologies Inc. Ogg Vorbis and FLAC are trademarks of Xiph.Org. Ableton is a trademark of Ableton AG. All other product and company names are trademarks or registered trademarks of their respective holders. Chapter 1 Welcome to Live 1.1 The Ableton Team Says: Thank You Live is the result of musicians wanting a better way to create, produce and perform music using a computer. A great deal of effort has been put into making Live easy and fun to use, yet at the same time capable of helping you create music with unlimited depth and sophistication. This effort continues even as you read these lines... in fact, a new, improved Live version might already be available for download! Please check on our website now1 , or choose Check for Updates from the Help menu. We hope you enjoy using Live and that it enhances your creative process. Should you have suggestions about how we can improve Live, please let us know2 . 1 http://www.ableton.com/downloads 2 contact@ableton.com 1 1.2. WHAT'S NEW IN LIVE 5? 2 Your Ableton Team. 1.2 1.2.1 What's New in Live 5? Remix Features Support for MP3, Ogg Vorbis, Ogg FLAC and FLAC compressed audio les Auto-Warp Complex Warp Mode for warping music containing beats, tones and textures Clip scrub, nudge and improved transport controls 1.2.2 Organizational Tools for Files and Sets File search function Better browsing for les and folders Live Clip format for easy storage and retrieval of clip and device settings Import and export of Live Sets and their components directly from the Browser Open Recent Set command 1.2.3 Clip and Track Enhancements Track Freeze for conserving CPU resources and simplifying project sharing 1.2. WHAT'S NEW IN LIVE 5? Track Delay controls to control for human, acoustic and hardware delays Multi-selection clip editing Clip deactivation option 3 1.2.4 Working with Arrangements Launchable Arrangement Locators New Arrangement Transport Track I/O in the Arrangement View 1.2.5 Editing MIDI Detailed and adaptive MIDI quantization options Preview in the MIDI Editor MIDI note deactivation option 1.2.6 MIDI and Key Remote Control Mackie Control support Improved mapping for the crossfader 1.2. WHAT'S NEW IN LIVE 5? 4 1.2.7 Resources Valuable library of clips, device presets and Live Sets Library expansion and customization with Live Packs New interactive built-in program lessons 1.2.8 Live Effects and Instruments Beat Repeat for reorganizing and shredding beats and vocals Phaser and Flanger Auto Pan for LFO-driven manipulation of amplitude and panning Saturator for subtle-to-drastic distortion effects Arpeggiator New features for Simpler and Operator 1.2.9 Using Devices Browser-based device preset management Device groups for saving multi-effect combinations together with instruments Device delay compensation for Live and plug-in instruments and effects Live can receive MIDI messages from plug-ins VST Plug-ins can be stored in various directories 1.2. WHAT'S NEW IN LIVE 5? 5 1.2.10 Miscellaneous (PC) / Ctrl (Mac) context menus for many commands and settings Zoom-adaptive or xed grid options Count-in recording Monitoring status easily visible when the In/Out section is hidden Files, Sets and presets can be dragged into Live from the Explorer (Windows) / Finder (Mac) Chapter 2 First Steps When you install Live and run it for the rst time, you will be presented with the Products Preferences tab. If you own Live, you can authorize your copy of the software by selecting it from the listed products and clicking the Unlock button at the bottom of the window. Please see the chapter on unlocking Live should you have questions or concerns that arise during the unlocking process. If you do not (yet) own Live, you can close the Preferences and proceed, as Live will run in Demo Mode by default. In Demo Mode, you will be able to work with all of Live's features with the exception of saving and exporting. 6 2.1. LEARN ABOUT LIVE 7 2.1 Learn About Live Live comes with a set of interactive lessons to take you step by step through the key features of the program. The lessons are organized in a table of contents, which can be opened directly in the program via the Help menu. We highly recommend following the lessons. Many users have told us that the lessons helped them get familiar with the program very quickly. We also recommend that you read the Live Basics chapter, which encapsulates everything that Live is and can do, and is therefore a worthwhile read for both beginners and experienced users. The remaining chapters of this manual serve as in-depth reference for the material introduced in Live Basics. 2.1.1 Using the Info View and Index Live's Info View tells you the name and function of the user interface element currently under the mouse. 2.2. SETTING UP PREFERENCES 8 The Info View. If you require more information on a speci c user interface element or topic, please consult this reference manual. The index, found at the end of the manual, contains the names of all user interface elements and will lead you to the relevant section. 2.2 Setting up Preferences Live's Preferences dialog is where you can nd various settings that govern how Live looks, behaves and interfaces with the outside world. This dialog is accessed with the Options menu's (Windows) / Live menu's (Mac OS X) Preferences entry. Live's Preferences are distributed over several tabs: The Audio Preferences are used to set up Live's audio connections with the outside world via an audio interface. Please take the time to follow the program's built-in Setting up Audio I/O lesson, which will walk you through all the steps required to set up and optimize the settings for any given system. To access the lesson, choose 2.3. THE MAIN LIVE SCREEN Lessons Table of Contents from the Help menu. 9 The MIDI/Sync Preferences are used to help Live recognize MIDI devices for three separate and distinct purposes: Playing MIDI notes. To learn how to route an external device into Live for MIDI input, or how to send MIDI to an external device, please see the chapter on routing. Controlling parts of the interface remotely. This subject is covered in detail in the chapter on remote control. Syncing the program with an external sequencer or drum machine, either as a master or a slave. Please see the manual section on sync for details. The Plug-In Preferences pertain to the use of plug-in virtual instruments and effects, as described in the chapter on using plug-ins. The Default Preferences allow customizing the default state for new projects and their components, as well as selecting options for new recordings. The Misc(ellaneous) Preferences include various options. Here, you can select Live's system language and a color scheme, or skin, for the Live user interface. The Products Preferences are used to manage licensing and installation of the Live platform, and add-on components like the Operator instrument and Live Pack library packages. 2.3 The Main Live Screen Most of your work in Live happens in the main Live screen. This screen consists of a number of views. Each view manages a speci c aspect of your project. As screen space is limited, the Live views cannot all be up at the same time. 2.3. THE MAIN LIVE SCREEN 10 Each one of the selector buttons at the screen borders calls up a speci c view; click this one, for instance, to access the Live devices: A View Selector. To hide one of Live's views and free up screen space, click on the triangle-shaped button next to it. To restore the view, click the button again. A View Show/Hide Button. You can run Live in Full Screen Mode by selecting Full Screen from the View menu. To leave Full Screen Mode, click the button that appears in the lower right corner of the screen. Full Screen Mode can also be toggled by pressing the F11 key. You can adjust the main window's horizontal split by dragging. 2.3. THE MAIN LIVE SCREEN 11 Adjusting the Main Window Split. Chapter 3 Unlocking Live Live is protected against illegal use by a copy protection scheme. This scheme has been designed to meet the highest security standards while avoiding hassles for the customer. If you nd this procedure to be an inconvenience, please understand that the copy protection secures your investment: It allows Ableton to provide you with support and to continue developing Live. Authorization of Ableton products takes place in the Preferences' Products tab, which will appear when you start Live for the rst time. Here you can choose to authorize ( unlock ) or purchase any Ableton products available to you, for example the Operator instrument. Please note that products such as Operator are sold separately from Live but are unlocked using the same procedure described in the following sections. They can also be individually set to Demo Mode in the Products tab so that you can try them out. 12 13 The Products Tab in the Preferences. Clicking on any product listed in the Products tab will give you the option of unlocking or buying that product. Please click the Unlock button here to complete the unlocking process in two steps. If you have not yet purchased the product, you can do so online by clicking the Buy button. You can always return to the Products Preferences tab later or visit the Ableton webshop1 to make a purchase. Live's Preferences are available via the Options menu (or the Live menu in Mac OS X). Selecting the Unlock Button in the Products Tab. 1 http://www.ableton.com/shop 3.1. STEP 1: ENTERING YOUR SERIAL NUMBER 14 3.1 Step 1: Entering Your Serial Number As an owner of Live, you have received a Serial Number from Ableton, either via e-mail (if you ordered Live directly from Ableton), or on a card as part of the Live package. The Fields for Entering Your Serial Number. After selecting Unlock in the Products tab, you will be presented with six elds for typing in your Serial Number. Each eld holds four characters. The Serial Number is composed of numbers 0..9 and letters A..F. If you accidentally type the wrong string into a eld, the eld will turn red. When you have successfully entered the Serial Number, click the Ok button to proceed. The Serial Number identi es your ownership of Live. Because your Serial Number is a valuable good, you should keep it in a safe place and out of reach of unauthorized hands. Please be aware that sharing your Serial Number will render it unusable. The only way for Ableton technical support to help you get back your Serial Number if you lose it is via your registration data. Therefore, please register your product2 , as otherwise you might lose your property! 3.2 Step 2: Unlocking Live The second step of authorizing Live is called unlocking. Unlocking means associating your Serial Number with a speci c computer. Please be aware that the standard Live license grants you the right to use Live on only one computer at a time. You can, however, unlock 2 http://www.ableton.com/register 3.2. STEP 2: UNLOCKING LIVE 15 Live with your Serial Number more than once under the legal and technical conditions described later. 3.2.1 The Unlock Key For unlocking, you require an Unlock Key that can only be created by the Ableton server. Unlocking therefore requires access to the Internet. The computer from which you connect to the Internet does not have to be the same computer for which you wish to unlock Live, but it does make things easier. 3.2.2 The Challenge Code The Ableton server creates the Unlock Key from your Serial Number and a so-called Challenge Code. The Challenge Code is a ngerprint that Live takes of your computer's components. For details, please see the corresponding section. 3.2.3 Unlocking Online Unlocking Live Online. If the computer you want to unlock Live for is connected to the Internet, the only thing you need to do is press the Unlock Online button. Live will then create a connection to the Ableton server, send your Serial Number and Challenge Code, and receive the Unlock Key 3.2. STEP 2: UNLOCKING LIVE 16 from the server. No information other than this is exchanged between your computer and the Ableton server. 3.2.4 Unlocking Of ine Unlocking Live Of ine. If the computer you want to unlock Live for is not connected to the Internet, you can use any other computer to access the Ableton server's web interface3 . This is a website with elds for entering your Serial Number and the Challenge Code, which you can copy from Live's Unlock dialog. The Live Unlocking Web Site. 3 http://www.ableton.com/unlock 3.2. STEP 2: UNLOCKING LIVE 17 If you have entered your Serial Number and Challenge Code correctly, another website will appear to provide you with the Unlock Key. There now are two options for transferring the Unlock Key to the computer that is to be unlocked: Follow the weblink to download the Unlock Key as a le. Transfer the le to the target computer via a diskette or CD-ROM. Then, press the Unlock dialog's Load Unlock Key button to load the Unlock Key le. The Unlock Key Can Be Downloaded as a Text File. OR it might be more convenient to print the webpage with the Unlock Key on it. On the target computer, press the Enter Unlock Key button to open a dialog with elds for typing in the Unlock Key. Typing it in is easier than it rst appears, because the elds will turn red if you type the wrong string. 3.2. STEP 2: UNLOCKING LIVE 18 Manually Enter Your Unlock Key.