Detailed instructions for use are in the User's Guide.
Auto-Tune
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© 1999 Antares Audio Technologies All Rights Reserved Antares Audio Technologies 464 Montery Ave. 2nd Floor Los Gatos, CA 95030 (408) 399-0008 web: www.antarestech.com
Auto-Tune software and this UserÕs Manual are protected by copyright law. Making copies, adaptations, or derivative works without the prior written authorization of Antares Audio Technologies, is prohibited by law and constitutes a punishable violation of the law. Antares Audio Technologies retains all ownership rights to the Auto-Tune software and other software offered by Antares Audio Technologies and their documentation. Use of Auto-Tune is limited by the license agreement printed on the envelope containing your original diskette and distributed on Þles with Auto-Tune. This license agreement also appears below. All trademarks are the property of their respective holders.
Auto-Tune License Agreement
Carefully read all the terms and conditions of this license agreement. If you do not agree with the terms and conditions of this Agreement, notifying Antares Audio Technologies and destroying all copies of the manual, and erasing Auto-Tune from all machine-readable media, whether on-line or on archival copies.
Software License Agreement
Antares Audio Technologies grants you a non-transferable, non-exclusive license to use Auto-Tune, under the terms and conditions stated in this agreement. Use of Auto-Tune indicates your agreement to the following terms and conditions.
License
You may: 1. use Auto-Tune on only one computer at a time; 2. physically transfer the program from one computer to another, provided that the program is used on only one computer at a time. You may not: 1. make copies of Auto-Tune or of the user manual in whole or in part except as expressly provided for in this agreement. Your right to copy Auto-Tune and the user manual is limited by copyright law. Making copies, verbal or media translations,
ii Auto-Tune UserÕs Manual
2. 3.
adaptations, derivative works, or telecommunication data transmission of AutoTune without prior written authorization of Antares Audio Technologies, is prohibited by law and constitutes a punishable violation of the law. make alteration or modifications to Auto-Tune (or any copy) or disassemble or decompile Auto-Tune (or any copy), or attempt to discover the source code of AutoTune. sub license, lease, lend, rent, or grant other rights in all or any portion of Auto-Tune (or any copy) to others.
Term of the Agreement
This agreement is effective until terminated by you or Antares Audio Technologies. You may terminate the agreement at any time by notifying Antares Audio Technologies and destroying all copies of the manual, and erasing Auto-Tune from all machine-readable media, whether on-line or on archival copies. In the event of breach of any of the terms of this agreement, you shall pay the attorney's fees of Antares Audio Technologies that are reasonably necessary to enforce the agreement plus resulting damages.
Limited Warranty and Disclaimer
Auto-Tune AND ACCOMPANYING MATERIALS ARE PROVIDED "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. Antares Audio Technologies does not warrant that the functions contained in the program will meet your requirements. The entire risk as to the use, quality, and performance of Auto-Tune is with you. Antares Audio Technologies warrants the diskettes on which the program is furnished to be free from defects in materials and workmanship under normal use for a period of ninety (90) days from the day of delivery to you as evidenced by a copy of your receipt. Antares Audio Technologies' entire liability and your exclusive remedy as to the diskettes will be the replacement of the diskettes. SOME JURISDICTIONS DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS, SO THE ABOVE LIMITATION MAY NOT APPLY TO YOU. THIS WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS. YOU MAY ALSO HAVE OTHER RIGHTS WHICH VARY FROM JURISDICTION TO JURISDICTION.
Limitation of Liability
IN NO EVENT WILL ANTARES BE LIABLE FOR ANY DAMAGES, INCLUDING LOSS OF DATA, LOST PROFITS OR OTHER SPECIAL, INCIDENTAL, CONSEQUENTIAL OR INDIRECT DAMAGES ARISING FROM THE USE OF Auto-Tune OR ACCOMPANYING MATERIALS. THIS LIMITATION WILL APPLY EVEN IF ANTARES OR ITS AUTHORIZED AGENT HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. YOU ACKNOWLEDGE THAT THE LICENSE FEE REFLECTS THIS ALLOCATION OF RISK. SOME JURISDICTIONS DO NOT ALLOW LIMITATION OR EXCLUSION OF LIABILITY FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION MAY NOT APPLY TO YOU.
Auto-Tune UserÕs Manual
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Welcome!
On behalf of everyone at Antares Audio Technologies, weÕd like to offer both our thanks and congratulations on your decision to purchase the absolute best intonation correction software in the world. Before you proceed much farther, weÕd like to strongly encourage you to Þll out and return the Auto-Tune registration card. As an Auto-Tune owner, you are entitled to receive notiÞcation of any upgrades, technical support, and advance announcements of upcoming products. But we canÕt send you stuff unless we know who and where you are. So please, send it in. At Antares, we are committed to excellence in quality, customer service, and technological innovation. With your purchase of Auto-Tune, you have created a relationship with Antares, which we hope will be long and gratifying. Let us know what you think. You can count on us to listen to you. Again, thanks. The Whole Antares Crew
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Table of Contents
CHAPTER 1
Getting Started
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A few words from Dr. Andy 7 How To Use This Manual 8 The Contents Of This Manual
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Chapter 1: Getting Started 8 Chapter 2: Introducing Auto-Tune 8 Chapter 3: Auto-Tune Tutorial 8 Chapter 4: Auto-Tune Controls 8
Installing Auto-Tune 9 Software Notes 9 Owner Registration 9 Technical Support 9
CHAPTER 2
Introducing Auto-Tune
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What Is Pitch? 11 Some Terminology 12 The Purpose of Pitch Correction 13 How Auto-Tune Detects Pitch 14 How Auto-Tune Corrects Pitch 15 Auto-Tune Modes: Automatic and Graphical The Automatic Mode 16 The Graphical Mode 18
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CHAPTER 3
Auto-Tune Tutorial
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Lesson 1: Automatic Mode Controls 21 Lesson 2: Graphical Mode 24 Keyboard equivalents: 28 Lesson 3: A Quiz 29 Lesson 4: Precision 30 Lesson 5: Using the Make Curve Button 30 Lesson 6: Using the Make Auto Button 34
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More Information and Usage Tips
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CHAPTER 4
Auto-Tune Controls
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Automatic Mode Controls 39 The Scale popup 39
Modern equal temperament: 39 Historical tunings: 40 Ethnic Tunings: 40 Contemporary Tunings: 41
The Key popup 42 The Edit Scale button 42 The Scale Detune slider 44 The Retune slider 45 The Tracking slider 45 The Vibrato Section 45 The Change meter 46 Graphical Mode Controls 46 The Arrow buttons 46 The Graphical tools 47
The Line tool 47 The Curve tool 47 The Pointer tool 47 The Zoom/Select tool 48
The Undo button 48 The Cut and Copy buttons 48 The Paste Button 49 The Select All Button 49 Keyboard equivalents: 49 The Make Curve button 49 The Make Auto button 50 The Tracking slider 50 The Retune slider 51 The Playback controls 51
The Track Pitch button 51 The Correct Pitch button 52 The Buffer size control 52
The Use Cursors button
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CHAPTER 1
Getting Started
A few words from Dr. Andy
I remember, as if it were yesterday, sitting in my junior high school band, happily playing away on my ßute, when I noticed that our conductor was screaming and jumping up and down on the podium. What was this about? Suddenly, I realized she was screaming at me. And just in time too Ñ since I was able to duck and watch a baton ßy past my head, missing me by inches. ÒWhy [expletive] canÕt you play in tune?Ó she asked. But I was in tune. Everybody else was out of tune. It was then I began to learn about intonation. Many artists struggle with intonation. An entire concert can be spoiled by a single sour note. Many of our most celebrated entertainers spend hours in the studio doing retake after retake, trying to sing expressively and in tune. Afterwards, their producers spend yet more time trying to correct intonation problems using inadequate tools. Auto-Tune is dramatically changing all of that. Because of Auto-Tune, sessions can focus on feeling and expression, rather than retakes. Studio hours are reduced and production costs are lowered. Even artists in live performance situations can concentrate on interpretation, conÞdent that any pitch inaccuracies will be caught and corrected before they make it out to the audience. WhatÕs more, Auto-Tune is incredibly easy to use (a fact attested to by the thinness of this manual). So Þre up Auto-Tune, invest a half hour or so in reading the following pages, and prepare to make intonation problems a thing of the past. Andy Hildebrand Ph.D. Founder and Chief Scientist andy@antarestech.com
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Getting Started
How To Use This Manual
Auto-Tune has a transparent user-interface and is extraordinarily easy to use. However, because Auto-Tune does things that have never been done before, some aspects of the user-interface will not be immediately obvious. You must read either Chapter 3, Auto-Tune Tutorial, or Chapter 4, AutoTune Controls, to learn the essential information you will need to operate Auto-Tune.
The Contents Of This Manual
Chapter 1: Getting Started
The chapter you are reading.
Chapter 2: Introducing Auto-Tune
This chapter explains basic facts about pitch and how Auto-Tune functions to correct for pitch errors. The basic functionality of Auto-Tune is discussed, and information you need to use it effectively is provided.
Chapter 3: Auto-Tune Tutorial
This chapter introduces you to details of how Auto-Tune works by guiding you through several tutorials. All of the important controls are explained. Also, important hints and tips are presented that will help you use AutoTune effectively. If you only read one chapter, read this one.
Chapter 4: Auto-Tune Controls
This chapter is reference information for all of the controls used in the AutoTune interface. Much of the information in this chapter is also presented in Chapter 3, however, some of the less important controls are only explained in Chapter 4.
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Installing Auto-Tune
Installing Auto-Tune
To install Auto-Tune, double click the installer icon. Information about the authorization process call be found in the installed read-me Þle.
Software Notes
The TDM version of Auto-Tune is used within ProTools and other programs that access TDM through DAE. Auto-Tune processes one audio channel per DSP chip.
Owner Registration
Your purchase of Auto-Tune entitles you to technical support, special introductory offers on new products from Antares Audio Technologies, and notiÞcation of software updates. Software updates will be published as the program evolves. Please Þll out and return the Owner Registration Card. The information on the card will allow us to communicate more effectively with you and will enable us to serve you better in the future.
Technical Support
If you have some problem using Auto-Tune that canÕt be solved by reading the manual, call Antares Customer Support at (888) 332-2636, or (408) 3990008 Monday through Friday between 9 AM to 5 PM PaciÞc Standard Time. Also, you might Þnd what you want at our web page: www.antarestech.com You can also e-mail: techsupport@antarestech.com
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Getting Started
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CHAPTER 2
Introducing Auto-Tune
Auto-Tune is a breakthrough in digital signal processing (DSP) in the music industry. It puts you in control of pitch. Moreover, Auto-Tune is a precision instrument for controlling pitch, allowing you to apply nuances of intonation to any performance. These nuances were only previously available to synthesized music if the engineer involved was willing to do a lot of work. Access to this new level of control is achieved by any Auto-Tune user who has a basic understanding of pitch and how Auto-Tune functions to correct for pitch errors. This chapter presents basic terminology and introduces Auto-TuneÕs operating paradigm, giving you information you need to use it effectively.
What Is Pitch?
Pitch is a quality of sound relating to the frequencies of the energy involved. Some sounds are very complex and donÕt involve energy of speciÞc frequencies. Even then, there is pitch. Compare, for example the pitch of hissing steam with the rumble of an earthquake. Other sounds, although still complex, have more speciÞc pitch. A symphony orchestra playing a scale in unison is an example of this. The waveforms involved are very complex; nonetheless, you are able to easily sense the pitch. Vocalist and ...