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User manual CASIO WK-3800
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User guide CASIO WK-3800
Detailed instructions for use are in the User's Guide. MIDI Implementation for the WK-3300, WK-3800, WK-8000, PX-410R and PX-575R
Important! · All mentions of "this Model" in this document refer to the CASIO WK-3300, WK-3800, WK-8000, PX-410R and PX-575R.
Contents Part I
1
1.1 1.2 1.3 1.4 1.5
MIDI Message Overview
Controller Block ................................................................................................................................... 7 Sound Source Block ............................................................................................................................ 7 Sound Source Common Sub-blocks ................................................................................................... 8 Sound Source Instrument Part Sub-block ........................................................................................... 8 MIDI Send by Auto-accompaniment, Song Memory, and the SMF Player.......................................... 8
Product Configuration as a MIDI Device.......................................................................................... 7
2 3 4
Conditions that Disable Message Send and Receive ...................................................................... 8 Conditions that Disable Bulk Dump Message Send and Receive ................................................... 8 Different Operations Depending on Part Mode................................................................................ 9
Part II
5 6 7 8 9
Channel Message
Receive Channel ............................................................................................................................. 9 Send Channel .................................................................................................................................. 9 Note Off ........................................................................................................................................... 9 Note On ......................................................................................................................................... 10 Polyphonic Key Pressure............................................................................................................... 10
10 Control Change.............................................................................................................................. 10
10.1 10.2 10.3 10.4 10.5 10.6 10.7 10.8 10.9 10.10 10.11 10.12 10.13 10.14 10.15 Bank Select (00H) ............................................................................................................................. 11 Modulation (01H) ............................................................................................................................... 11 Data Entry (06H,26H) ........................................................................................................................ 11 Volume (07H) .................................................................................................................................... 12 Pan (0AH).......................................................................................................................................... 12 Expression (0BH) .............................................................................................................................. 12 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)..................................... 13 Hold1 (40H) ....................................................................................................................................... 13 Sostenuto (42H) ................................................................................................................................ 14 Soft (43H) .......................................................................................................................................... 14 Envelope Release Time (48H) .......................................................................................................... 14 Envelope Attack Time (49H).............................................................................................................. 15 Filter Cutoff (4AH).............................................................................................................................. 15 Filter Resonance (47H) ..................................................................................................................... 15 Vibrato Rate (4CH) ............................................................................................................................ 16
1
10.16 10.17 10.18 10.19 10.20
10.21
10.22 10.23
Vibrato Depth (4DH) .......................................................................................................................... 16 Vibrato Delay (4EH)........................................................................................................................... 16 Reverb Send (5BH) ........................................................................................................................... 17 Chorus Send (5DH) ........................................................................................................................... 17 NRPN (62H,63H)............................................................................................................................... 17 10.20.1 Filter Cutoff..........................................................................................................................................17 10.20.2 Filter Resonance ................................................................................................................................... 18 10.20.3 Drawbar Position..................................................................................................................................18 10.20.4 Drawbar Organ Click ........................................................................................................................... 19 10.20.5 Drawbar Organ 2nd Percussion............................................................................................................19 10.20.6 Drawbar Organ 3rd Percussion ............................................................................................................19 10.20.7 Percussion Decay Time ........................................................................................................................20 RPN (64H,65H) ................................................................................................................................. 20 10.21.1 Pitch Bend Sensitivity ..........................................................................................................................20 10.21.2 Fine Tune.............................................................................................................................................. 21 10.21.3 Coarse Tune..........................................................................................................................................21 10.21.4 Modulation Depth ................................................................................................................................21 10.21.5 Null.......................................................................................................................................................22 All Sound Off (78H) ........................................................................................................................... 22 Reset All Controllers (79H)................................................................................................................ 22
11 Mode Message .............................................................................................................................. 23
11.1 11.2 11.3 11.4 11.5 All Notes Off (7BH) ............................................................................................................................ 23 Omni Off (7CH).................................................................................................................................. 23 Omni On (7DH).................................................................................................................................. 23 Mono (7EH) ....................................................................................................................................... 23 Poly (7FH) ......................................................................................................................................... 23
12 Program Change ........................................................................................................................... 24
12.1 About the Part Mode.......................................................................................................................... 24
13 Channel Aftertouch ........................................................................................................................ 24 14 Pitch Bend ..................................................................................................................................... 25
Part III
System Message
15 Active Sensing ............................................................................................................................... 25 16 System Exclusive Message ........................................................................................................... 26
16.1 Universal Realtime System Exclusive Message................................................................................ 26 16.1.1 Master Volume .....................................................................................................................................26 16.1.2 Master Balance .....................................................................................................................................26 16.1.3 Master Fine Tuning ..............................................................................................................................27 16.1.4 Master Coarse Tuning ..........................................................................................................................27 16.1.5 Reverb Parameter .................................................................................................................................27 16.1.6 Chorus Parameter .................................................................................................................................28 16.1.7 GM System Message............................................................................................................................30 16.1.8 GS Message .........................................................................................................................................30 This Model's System Exclusive Message.......................................................................................... 30
16.2
2
Part IV
17.1 17.2
This Model's System Exclusive Messages
Message Classifications .................................................................................................................... 31 Message Structures........................................................................................................................... 32 17.2.1 1...SYSEX : System Exclusive message Status ..................................................................................32 17.2.2 2...MAN : Manufacturer's ID ..............................................................................................................32 17.2.3 3...MOD : Model ID ............................................................................................................................32 17.2.4 4...dev : MIDI Device ID 00H through 1FH,7FH ................................................................................32 17.2.5 5...act : Action .....................................................................................................................................33 17.2.6 6...cat : Category ..................................................................................................................................33 17.2.7 7...prm : Parameter ID .........................................................................................................................34 17.2.8 8...ilen/dlen : index length / data length .............................................................................................. 35 17.2.9 9....ps : Parameter Set Number ............................................................................................................35 17.2.10 10...index Parameter Index Number ....................................................................................................36 17.2.11 11...data Parameter Data .....................................................................................................................37 17.2.12 12...sum Check Sum ............................................................................................................................38 17.2.13 14...EOX : End of System Exclusive Message ................................................................................... 38
17 Format ........................................................................................................................................... 31
18 Parameter Operations ................................................................................................................... 39 19 Parameter Set Transfer Protocols ................................................................................................. 39
19.1 Communication Protocols.................................................................................................................. 39 19.1.1 One-way and Handshake......................................................................................................................39 19.1.2 Session and Subsession ........................................................................................................................40 One-way Protocol Communication Flow ........................................................................................... 40 Handshake Protocol Communication Flow........................................................................................ 41
19.2 19.3
Part V
20.1 20.2 20.3
Parameter Lists
System Parameter List ...................................................................................................................... 44 Data Management Command Parameter List ................................................................................... 45 Command Parameter List.................................................................................................................. 47
20 Command Parameters................................................................................................................... 44
21 Patch Parameter ............................................................................................................................ 48
21.1 21.2 Patch Common Parameter List ......................................................................................................... 48 Patch Part Parameter List ................................................................................................................. 53
22 Wave Data Parameters ................................................................................................................. 56
22.1 Wave Data Information...................................................................................................................... 56
23 Song Data Parameter .................................................................................................................... 57
23.1 Song Data Information....................................................................................................................... 57
24 Rhythm Data Parameters .............................................................................................................. 58
24.1 Rhythm Data Information................................................................................................................... 58
25 SMF Data Parameters ................................................................................................................... 59
25.1 SMF Data Information ....................................................................................................................... 59
3
Part VI
Parameter Set List
26 User Tone Parameter Set .............................................................................................................. 60 27 User Timbre Parameter Set ........................................................................................................... 60 28 User Drum Parameter Set ............................................................................................................. 61 29 User Voice Parameter Set ............................................................................................................. 61 30 User Instrument Parameter Set ..................................................................................................... 62 31 User Wave Parameter Set............................................................................................................. 62 32 User Wave Data ............................................................................................................................ 63 33 User DSP Parameter Set............................................................................................................... 63 34 Song Data...................................................................................................................................... 64 35 User Rhythm Pattern ..................................................................................................................... 64 36 Registration Data ........................................................................................................................... 65 37 User Drawbar Parameter Set ........................................................................................................ 66 38 SMF Parameter Set ....................................................................................................................... 66 39 Flash Memory Image Parameter Set ............................................................................................. 67 40 About Parameter Set (PS) numbers .............................................................................................. 68
40.1 40.2 WK-3300/WK-3800/WK-8000............................................................................................................ 68 PX-410R/PX-575R ............................................................................................................................ 68
Part VII DSP Parameter List
41 DSP Algorithm List (Single Effect) ................................................................................................. 69
41.1 41.2 41.3 41.4 41.5 41.6 41.7 41.8 41.9 41.10 41.11 41.12 41.13 41.14 41.15 41.16 41.17 Algorithm 00 (00H) : Auto Pan .......................................................................................................... 69 Algorithm 01 (01H) : Tremolo ........................................................................................................... 69 Algorithm 02 (02H) : 2BandEQ ......................................................................................................... 69 Algorithm 03 (03H) : 3BandEQ ......................................................................................................... 69 Algorithm 04 (04H) : LFO Wah ......................................................................................................... 69 Algorithm 05 (05H) : Auto Wah ......................................................................................................... 69 Algorithm 06 (06H) : Compressor ..................................................................................................... 70 Algorithm 07 (07H) : Limiter .............................................................................................................. 70 Algorithm 08 (08H) : Distortion .......................................................................................................... 70 Algorithm 09 (09H) : Stereo Phaser ................................................................................................. 70 Algorithm 10 (0AH) : Phaser ............................................................................................................. 70 Algorithm 11 (0BH) : Rotary ............................................................................................................. 70 Algorithm 12 (0CH) : Overdrive Rotary ............................................................................................. 70 Algorithm 13 (0DH) : Enhancer ........................................................................................................ 70 Algorithm 14 (0EH) : Ring Modulator ................................................................................................ 71 Algorithm 15 (0FH) : LoFi ................................................................................................................. 71 Algorithm 16 (10H) : 1-Phase Chorus .............................................................................................. 71
4
41.18 41.19 41.20 41.21 41.22 41.23 41.24 41.25 41.26 41.27 41.28 41.29 41.30
Algorithm 17 (11H) : Sin 2-Phase Chorus ........................................................................................ 71 Algorithm 18 (12H) : 3-Phase Chorus .............................................................................................. 71 Algorithm 19 (13H) :Tri 2-Phase Chorus .......................................................................................... 71 Algorithm 20 (14H) : Stereo Delay 1.................................................................................................. 71 Algorithm 21 (15H) : Stereo Delay 2.................................................................................................. 71 Algorithm 22 (16H) : 3-Tap Delay ..................................................................................................... 72 Algorithm 23 (17H) : Gate Reverb .................................................................................................... 72 Algorithm 24 (18H) : Reverse Gate Reverb....................................................................................... 72 Algorithm 25 (19H) : Reflection ........................................................................................................ 72 Algorithm 26 (1AH) : Flanger ............................................................................................................ 72 Algorithm 27 (1BH) : Reverb ............................................................................................................ 72 Algorithm 28 (1CH) : 2-Tap Delay .................................................................................................... 72 Algorithm 29 (1DH) : Acoustic Resonance (PX-410R/PX-575R) ...................................................... 72
42 DSP Algorithm List (Multi Effect) ................................................................................................... 73
42.1 42.2 42.3 42.4 42.5 42.6 42.7 42.8 42.9 42.10 42.11 42.12 42.13 42.14 42.15 42.16 42.17 42.18 42.19 42.20 42.21 42.22 42.23 42.24 42.25 42.26 42.27 42.28 42.29 42.30 42.31 42.32 Algorithm M00 (20H) : Multi00........................................................................................................... 73 Algorithm M01 (21H) : Multi01........................................................................................................... 73 Algorithm M02 (22H) : Multi02........................................................................................................... 73 Algorithm M03 (23H) : Multi03........................................................................................................... 73 Algorithm M04 (24H) : Multi04........................................................................................................... 74 Algorithm M05 (25H) : Multi05........................................................................................................... 74 Algorithm M06 (26H) : Multi06........................................................................................................... 74 Algorithm M07 (27H) : Multi07........................................................................................................... 74 Algorithm M08 (28H) : Multi08........................................................................................................... 74 Algorithm M09 (29H) : Multi09........................................................................................................... 74 Algorithm M10 (2AH) : Multi10 .......................................................................................................... 74 Algorithm M11 (2BH) : Multi11 .......................................................................................................... 75 Algorithm M12 (2CH) : Multi12 .......................................................................................................... 75 Algorithm M13 (2DH) : Multi13 .......................................................................................................... 75 Algorithm M14 (2EH) : Multi14 .......................................................................................................... 75 Algorithm M15 (2FH) : Multi15........................................................................................................... 75 Algorithm M16 (30H) : Multi16........................................................................................................... 76 Algorithm M17 (31H) : Multi17........................................................................................................... 76 Algorithm M18 (32H) : Multi18........................................................................................................... 76 Algorithm M19 (33H) : Multi19........................................................................................................... 76 Algorithm M20 (34H) : Multi20........................................................................................................... 76 Algorithm M21 (35H) : Multi21........................................................................................................... 77 Algorithm M22 (36H) : Multi22........................................................................................................... 77 Algorithm M23 (37H) : Multi23........................................................................................................... 77 Algorithm M24 (38H) : Multi24........................................................................................................... 77 Algorithm M25 (39H) : Multi25........................................................................................................... 77 Algorithm M26 (3AH) : Multi26 .......................................................................................................... 78 Algorithm M27 (3BH) : Multi27 .......................................................................................................... 78 Algorithm M28 (3CH) : Multi28 .......................................................................................................... 78 Algorithm M29 (3DH) : Multi29 .......................................................................................................... 78 Algorithm M30 (3EH) : Multi30 .......................................................................................................... 78 Algorithm M31 (3FH) : Multi31........................................................................................................... 79
5
Part VIII Setting Values and Send/Receive Values
43 Setting Value Table ....................................................................................................................... 80
43.1 43.2 43.3 43.4 43.5 43.6 43.7 43.8 43.9 43.10 43.11 43.12 43.13 43.14 43.15 43.16 43.17 43.18 Off/On Setting Value Table ............................................................................................................... 80 Slow/Fast Setting Value Table .......................................................................................................... 80 Rotate/Break Setting Value Table ..................................................................................................... 80 -24 to 0 to 24 Setting Value Table ..................................................................................................... 80 -64 to 0 to 63 Setting Value Table ..................................................................................................... 80 Pan Setting Value Table.................................................................................................................... 80 -99 to 0 to 99 Setting Value Table ..................................................................................................... 80 Type 0 to Type 7 Setting Value Table .............................................................................................. 80 Master EQ Type Setting Value Table ................................................................................................ 80 Reverb Type Setting Value Table...................................................................................................... 81 Chorus Type Setting Value Table...................................................................................................... 81 Equalizer Low Frequency Setting Value Table.................................................................................. 81 Equalizer Mid Frequency Setting Value Table .................................................................................. 81 Equalizer High Frequency Setting Value Table................................................................................. 81 Equalizer Gain Setting Value Table................................................................................................... 82 DSP Algorithm ID Table .................................................................................................................... 82 Drawbar Position Setting Value Table............................................................................................... 82 Drawbar Percussion Setting Table .................................................................................................... 82
Part IX
43.19 43.20
MIDI Implementation Notation
Hexadecimal Notation ....................................................................................................................... 83 Binary Notation .................................................................................................................................. 83
6
Part I
MIDI Message Overview
1
·
Product Configuration as a MIDI Device
Controller Block · Keyboard Pedals, wheels, and other real-time controllers Auto accompaniment Song Memory SMF Player Parameter editing tools
This Model consists of a controller block and a sound source block as described below.
Sound Source Block Common Sub-blocks Sound source common sub-block (Drawbar Organ Waveform Synthesis) Effector sub-block (DSP, Reverb, Chorus, EQ) Mixer common sub-block Instrument part sub-block Mixer independent sub-block
Channel Independent Sub-blocks (1 to 16)
1.1
Controller Block
The Controller Block issues messages for the following: keyboard, real-time controllers (bender wheel, WK-3300 modulation switch, WK-3800/WK-8000 modulation wheel, etc.), song memory, auto-accompaniment, panel operations, etc. An operation causes the corresponding message to be sent to the sound source and from MIDI OUT. Though the Controller Block is mainly a send function, turning on MIDI IN Chord Judge configures it to perform chord judgment on received data and send the matching auto-accompaniment play data. The channel number of the sent data is in accordance with the settings configured for each of this Model's parts. Channel messages are not sent from any part that is turned off. Accompaniment part send messages are sent when this Model's Accomp MIDI Out setting is turned on.
1.2
Sound Source Block
The Sound Source Block consists of effectors and other common sub-blocks, and independent instruments for each channel. It operates in accordance with receive MIDI messages. Setting data may also be sent, depending on external requests.
7
1.3
Sound Source Common Sub-blocks
The Sound Source Common Sub-blocks include sound source settings that are not dependent on sound source parts; namely effectors, a mixer, and a drawbar organ waveform synthesizer. Basically, common sub-block parameters can be controlled using System Exclusive messages, but a number of parameters can be controlled using Channel messages. DSP Sub-block The effector DSP sub-block can be used to change DSP settings in accordance with the Channel messages associated with the channel number specified by the MIDI Global Channel (see "MIDI Channel Number" in section 10.7). Drawbar Organ Waveform Synthesis Sub-block The drawbar organ waveform synthesis sub-block can be used to change settings in accordance with the Channel messages associated with one of the channel numbers when drawbar organ is selected.
1.4
Sound Source Instrument Part Sub-block
The parts of the sound source can be operated and their settings can be changed with System Exclusive messages and Channel messages. The following table shows the fixed relationships between the part numbers and Channel numbers of Channel messages. Part Channel 1 1 2 2 3 3 4 4 5 5 6 6 7 7 8 8 9 9 10 10 11 11 12 12 13 13 14 14 15 15 16 16
1.5
MIDI Send by Auto-accompaniment, Song Memory, and the SMF Player
This document provides information about which operations are sent by each message. Note however, that when an auto-accompaniment, Song Memory, or SMF Player operation is performed, MIDI messages may be sent as part of playback data. Such data is not covered here. Also note that auto-accompaniment and Song Memory play data is sent only when the Transpose/Function menu's Accomp/Song MIDI Out item is turned on. SMF player play data is sent only when SMF player settings are configured with MIDI as the output destination.
2
· · ·
Conditions that Disable Message Send and Receive
System Initialization FD formatting (WK-3800 only) SD memory card formatting
All MIDI message send and receive is temporarily disabled while any one of the following processes is in progress.
3
Conditions that Disable Bulk Dump Message Send and Receive
· · · SMF data playback from an SD card or floppy diskette Parameter data loading from an SD card or floppy diskette Parameter data writing to an SD card or floppy diskette
Bulk dump message send and receive is disabled while any one of the following processes is in progress. See "19 Parameter Set Transfer Protocols" for information about bulk dump.
8
4
Different Operations Depending on Part Mode
Each Part Mode (see 12.1 "About the Part Mode"), which is the sound source operational mode, has different messages for performing operations upon receipt. Each message is explained in the applicable message sections of this document.
Part II
Channel Message
5 Receive Channel
The channel number of Channel messages received by each part is in accordance with each part's receive channel setting, which is configured on this Model. Turning off the setting disabled Channel message receipt for that part. The MIDI Channel of messages that can change DSP settings is determined by the Global Channel, which is described under "10.7 MIDI Channel Number".
6
Send Channel
Basically, the MIDI Channel of the Channel message that is sent when play data or parameter setting is changed is the value that corresponds to the part that is playing or the parameter that was changed. When the performance part or part for which the parameter setting is changed is Part 1, however, the value depends on the Transpose/ Function Keyboard Channel value. The MIDI Channel of the message that is sent when the DSP setting is changed depends on the Global Channel, which is described under "10.7 MIDI Channel Number".
7
Format
Note Off
Message Format: 9nH kkH 00H 8nH kkH **H (Receive only) n: MIDI Channel Number kk: Key Number **: Ignored
Send Sent when something is played on the keyboard. Receive Received over MIDI Channels that correspond to each part. Any part whose mixer channel is turned off is not received. The velocity value is ignored.
9
8
Format
Note On
Message Format: 9nH kkH vvH n: MIDI Channel Number kk: Key Number vv: Velocity
Send Sent when something is played on the keyboard. Receive Received over MIDI Channels that correspond to each part. Any part whose mixer channel is turned off is not received.
9
Format
Polyphonic Key Pressure
Message Format: AnH kkH vvH n: MIDI Channel Number kk: Key Number vv: Pressure Value
Send Operation This message is not sent. Receive Operation This message is not received.
10
Format
Control Change
Message Format: BnH ccH vvH n: MIDI Channel Number cc: Control Number vv: Value Send Sent when this Model's modulation button (WK-3300 only), modulation wheel (WK-3800/WK-8000 only), or pedal is operated, and when a parameter is changed with a control panel operation. Receive Receipt changes this Model's performance control status or the corresponding parameter. Drawbar Organ Operation Independent drawbar organ settings cannot be configured for each part, but multiple parts can use the same drawbar organ settings. At this time, the drawbar organ related Control Change Message (NRPN) is recognized by the MIDI Channels of all parts that are using the drawbar organ tone. When Drawbar Organ is selected by Part 1 and Part 2, for example, the same parameters are applied to MIDI Channels 1 and 2.
10
10.1
Format
Bank Select (00H)
Message Format: BnH 00H vvH (MSB) BnH 20H **H (LSB) n: MIDI Channel Number vv: Value **: Ignored Send Sent when a tone is selected. See the separate
Appendix
A that accompanies with this Model for details.
Receive Receipt causes a change in the tone bank number stored in this Model's memory, but the tone is not actually changed until Program Change is received. For details, see "12 Program Change" in this document, and the separate Appendix A that accompanies with this Model.
10.2
Format
Modulation (01H)
Message Format: BnH 01H vvH n: MIDI Channel Number vv: Value Send (WK-3300/WK-3800/WK-8000) Sent when WK-3300 modulation button or WK-3800/WK-8000 modulation wheel, which is assigned to the vibrato function, is operated. A fixed value of 85 is always sent when the WK-3300 modulation button is operated. Receive Receipt adds vibrato of a depth specified by the value to the tone being sounded. In the case of a tone that already has vibrato applied, receipt of this message increases the vibrato depth.
10.3
Format
Data Entry (06H,26H)
Message Format: BnH 06H vvH (MSB) BnH 26H vvH (LSB) n: MIDI Channel Number vv: Value Send Sent when there is a change in the parameters assigned to NRPN and RPN. Receive Receipt changes the parameters assigned to NRPN and RPN.
11
10.4
Format
Volume (07H)
Message Format: BnH 07H vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: The setting value matches the value that is sent and received. Send Sent when the volume of Mixer Part 1 through 16 is changed. Receive Receipt changes the Mixer Part Volume.
10.5
Format
Pan (0AH)
Message Format: BnH 0AH vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.6 Pan Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when the pan setting of mixer parts 1 through 16 is changed. Receive Receipt changes the Mixer part pan setting.
10.6
Format
Expression (0BH)
Message Format: BnH 0BH vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: The setting value matches the value that is sent and received. Send Sent when there is a change in the Expression value by an accompaniment function. Receive Receipt changes the Expression value.
12
10.7
Format
General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)
10H 11H 12H 13H 50H 51H 52H 53H vvH vvH vvH vvH vvH vvH vvH vvH DSP DSP DSP DSP DSP DSP DSP DSP Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter 0 1 2 3 4 5 6 7
Message Format: BnH BnH BnH BnH BnH BnH BnH BnH
n:MIDI Channel Number (Note 1) vv:Value (Note 2) Note 1:MIDI Channel Number The MIDI Channel for manipulating DSP parameters with control change messages is called the "Global Channel". The initial factory default Global Channel is Channel 1. The Global Channel cannot be changed with a control panel operation. You need to use a System Exclusive Message to change the Global Channel. For details about messages, "Global Channel" under "21.1 Patch Common Parameter List". Note 2:Value The range for a value that can be sent by any of the parameters is 0 to 127. Note, however, that the parameter values that can actually be set and the corresponding send value depend on the parameter. Send Sent when the WK-3300 modulation button or WK-3800/WK-8000 modulation wheel assigned to a DSP Parameter is operated, and when this Model's DSP edit function is used to change the DSP Parameter value. Receive Receipt changes the DSP Parameter value. Any message received that corresponds to a parameter whose number exceeds the number of parameters for the currently selected DSP is ignored.
10.8
Format
Hold1 (40H)
Message Format: BnH 40H vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see the "43.1 Off/On Setting Value Table" in "Part VIII Setting Values and Send/Receive Values." Send Sent when the assignable jack is configured for sustain and the connected pedal is operated. Receive Receipt performs an operation equivalent to a sustain pedal operation. Piano Tone Operations (PX-410R/PX-575R) Only in cases when a piano tone is selected (Part Mode set to Piano Mode), the operation that corresponds to the value assigned to Hold1 continually changes the release time. It does not toggle sustain off and on.
13
Acoustic Resonance Operations (PX-410R/PX-575R) When the Acoustic Resonance effect is selected, resonance characteristics continually change in accordance with value assigned to Hold1.
10.9
Format
Sostenuto (42H)
Message Format: BnH 42H vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see the "43.1 Off/On Setting Value Table" in "Part VIII Setting Values and Send/Receive Values." Send Sent when the assignable jack is configured for sostenuto and the connected pedal is operated. With the PX-410R and PX-575R, this message is sent when the dedicated sostenuto pedal is operated. Receive Receipt performs an operation equivalent to a sostenuto pedal operation.
10.10
Format
Soft (43H)
Message Format: BnH 43H vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see the "43.1 Off/On Setting Value Table" in "Part VIII Setting Values and Send/Receive Values." Send Sent when the assignable jack is configured for soft and the connected pedal is operated. With the PX-410R and PX-575R, this message is sent when the dedicated soft pedal is operated. Receive Receipt performs an operation equivalent to a soft pedal operation.
10.11
Format
Envelope Release Time (48H)
Message Format: BnH 48H vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.5 -64 to 0 to 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when Release Time is changed.
14
Receive Receipt changes Release Time.
10.12
Format
Envelope Attack Time (49H)
Message Format: BnH 49H vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.5 -64 to 0 to 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when Attack Time is changed with the synthesizer function. Receive Receipt changes Attack Time.
10.13
Format
Filter Cutoff (4AH)
Message Format: BnH 4AH vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.5 -64 to 0 to 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when Filter Cutoff is changed with the synthesizer function. Receive Receipt changes Filter Cutoff.
10.14
Format
Filter Resonance (47H)
Message Format: BnH 47H vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.5 -64 to 0 to 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when Filter Resonance is changed with the synthesizer function. Receive Receipt changes Filter Resonance.
15
10.15
Format
Vibrato Rate (4CH)
Message Format: BnH 4CH vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.5 -64 to 0 to 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when Vibrato Rate is changed with the synthesizer function. Receive Receipt changes Vibrato Rate of Tone Parameter.
10.16
Format
Vibrato Depth (4DH)
Message Format: BnH 4DH vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.5 -64 to 0 to 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when Vibrato Depth is changed with the synthesizer function. Receive Receipt changes Vibrato Depth of Tone Parameter.
10.17
Format
Vibrato Delay (4EH)
Message Format: BnH 4EH vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.5 -64 to 0 to 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when Vibrato Delay is changed with the synthesizer function. Receive Receipt changes Vibrato Delay of Tone Parameter.
16
10.18
Format
Reverb Send (5BH)
Message Format: BnH 5BH vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: The setting value matches the value that is sent and received. Send Sent when Reverb Send of Mixer Part 1 through 16 is changed. Receive Receipt changes Reverb Send of Mixer Part 1 through 16.
10.19
Format
Chorus Send (5DH)
Message Format: BnH 5DH vvH n: MIDI Channel Number vv: Value (Note 1) Note 1: The setting value matches the value that is sent and received. Send Sent when Chorus Send of Mixer Part 1 through 16 is changed. Receive Receipt changes Chorus Send of Mixer Part 1 through 16.
10.20
Format
NRPN (62H,63H)
Message Format: BnH 62H vvH (LSB) BnH 63H vvH (MSB) n: MIDI Channel Number vv: Value
10.20.1
Format
Filter Cutoff
Message Format: BnH 62H 20H 63H 01H 06H mmH 26H **H n: MIDI Channel Number mm: Value (Note 1) **: Ignored Note 1: For information about the relationship between setting values and send/receive values, see "43.5 -64 to 0 to 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values".
17
Send This message is never sent. Receive Receipt changes Filter Cutoff of Tone Parameter.
10.20.2
Format
Filter Resonance
Message Format: BnH 62H 21H 63H 01H 06H mmH 26H **H n: MIDI Channel Number mm: Value (Note 1) **: Ignored Note 1: For information about the relationship between setting values and send/receive values, see "43.5 -64 to 0 to 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send This message is never sent. Receive Receipt changes Filter Resonance of Tone Parameter.
10.20.3
Format
Drawbar Position
Message Format: BnH 62H ffH 63H 40H 06H mmH 26H **H n: MIDI Channel Number ff: Drawbar Foot(Feet) (Note 1) mm: Value (Note 2) **: Ignored Note 1: The table below shows the relationship between the Drawbar Foot value and the position of the foot bar. ff Foot Bar 0 Ft16' 1 Ft5 1/3' 2 Ft8' 3 Ft4' 4 Ft2 1/3' 5 Ft2' 6 Ft1 3/5' 7 Ft1 1/3' 8 Ft1' Note 2: For information about the relationship between setting values and send/receive values, see "43.17 Drawbar Position Setting Value Table" in "Part VIII Setting Values and Send/Receive Values".
18
Send Sent when Drawbar Organ Parameter is changed on this Model. Receive Receipt changes the drawbar position in accordance with the message contents.
10.20.4
Format
Drawbar Organ Click
Message Format: BnH 62H 09H 63H 40H 06H mmH 26H **H n: MIDI Channel Number mm: Value (Note 1) **: Ignored Note 1: For information about the relationship between setting values and send/receive values, see the "43.1 Off/On Setting Value Table" in "Part VIII Setting Values and Send/Receive Values." Send Sent when Click of Drawbar Organ Parameter is edited. Receive Receipt changes Click of Drawbar Organ Parameter.
10.20.5
Format
Drawbar Organ 2nd Percussion
Message Format: BnH 62H 0AH 63H 40H 06H mmH 26H **H n: MIDI Channel Number mm: Value (Note 1) **: Ignored Note 1: For information about the relationship between setting values and send/receive values, see the "43.1 Off/On Setting Value Table" in "Part VIII Setting Values and Send/Receive Values." Send Sent when 2nd Percussion of Drawbar Organ Parameter is changed on this Model. Receive Receipt changes 2nd Percussion of Drawbar Organ Parameter.
10.20.6
Format
Drawbar Organ 3rd Percussion
Message Format: BnH 62H 0BH 63H 40H 06H mmH 26H **H n: MIDI Channel Number mm: Value (Note 1) **: Ignored Note 1: For information about the relationship between setting values and send/receive values, see the "43.1 Off/On Setting Value Table" in "Part VIII Setting Values and Send/Receive Values."
19
Send Sent when 3rd Percussion of Drawbar Parameter is changed on this Model. Receive Receipt changes 3rd Percussion the Drawbar Organ Parameter.
10.20.7
Format
Percussion Decay Time
Message Format: BnH 62H 0CH 63H 40H 06H mmH 26H **H n: MIDI Channel Number mm: Value (Note 1) **: Ignored Note 1: The setting value matches the value that is sent and received. Send Sent when Percussion Decay Time of Drawbar Parameter is changed on this Model. Receive Receipt changes Decay Time of Drawbar Parameter.
10.21
Format
RPN (64H,65H)
Message Format: BnH 64H vvH (LSB) BnH 65H vvH (MSB) n: MIDI Channel Number vv: Value
10.21.1
Format
Pitch Bend Sensitivity
Message Format: BnH 64H 00H 65H 00H 06H mmH 26H **H n: MIDI Channel Number mm: Value 0-24(Note 1) **: Ignored Note 1: The setting value matches the value that is sent and received. Send Same value sent over channels 1 through 5 when the Bend Range parameter of Transpose/Function is changed. Receive Receipt changes Pitch Bend Sensitivity.
20
10.21.2
Format
Fine Tune
Message Format: BnH 64H 01H 65H 00H 06H mmH 26H llH n: MIDI Channel Number mm: Value MSB (Note 1) ll: Value LSB (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.7 -99 to 0 to 99 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when Fine Tune of Mixer Part 1 through 16 is by operation of this Model. Receive Receipt changes Fine Tune of Mixer Part 1 through 16.
10.21.3
Format
Coarse Tune
Message Format: BnH 64H 02H 65H 00H 06H mmH 26H 00H n: MIDI Channel Number mm: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.4 -24 to 0 to 24 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when Coarse Tune of Mixer Part 1 through 16 is changed by operation of this Model. Receive Receipt changes Coarse Tune of Mixer Part 1 through 16.
10.21.4
Format
Modulation Depth
Message Format: BnH 64H 05H 65H 00H 06H mmH 26H 00H n: MIDI Channel Number mm: Value (Note 1) Note 1: The setting value matches the value that is sent and received. Send This message is never sent. Receive Receipt changes Vibrato depth.
21
10.21.5
Format
Null
Message Format: BnH 64H 7FH 65H 7F n: MIDI Channel Number Send This message is never sent. Receive Receipt deselects RPN.
10.22
Format
All Sound Off (78H)
Message Format: BnH 78H 00H n: MIDI Channel Number Send This message is never sent. Receive Receipt stops all voices that are sounding.
10.23
Format
Reset All Controllers (79H)
Message Format: BnH 79H 00H n: MIDI Channel Number Send Sent when the song function is used. Receive Receipt initializes controller values as shown below. Message Control Change Number 01H 02H 04H 0BH 40H 42H 43H 65H/64H 63H/62H Controller Modulation Breath Controller Foot Controller Expression Hold1 Sostenuto Soft RPN MSB/LSB NRPN MSB/LSB Value 00H 00H 00H 7FH 00H 00H 00H 7FH/7FH 7FH/7FH 00H 40H/00H
Channel Pressure Pitch Bend Change
22
11
11.1
Format
Mode Message
All Notes Off (7BH)
Message Format: BnH 7BH 00H n: MIDI Channel Number
11.2
Format
Omni Off (7CH)
Message Format: BnH 7CH 00H n: MIDI Channel Number
11.3
Format
Omni On (7DH)
Message Format: BnH 7DH 00H n: MIDI Channel Number
11.4
Format
Mono (7EH)
Message Format: BnH 7EH 00H n: MIDI Channel Number
11.5
Format
Poly (7FH)
Message Format: BnH 7FH 00H n: MIDI Channel Number Send These messages are never sent. Receive Receipt of any of these messages releases (same as releasing the keyboard key) the currently sounding voice.
23
12
Format
Program Change
Message Format: CnH ppH n: MIDI Channel Number pp: Program Number Send Sent when a tone is selected. See the separate program numbers.
Appendix
A that accompanies with this Model for details about
Receive Receipt changes the tone of the part corresponding to the MIDI Channel. The selected tone is determined by the program value of this message and the Bank Select message value received prior to this message. See the separate Appendix A that accompanies with this Model for information about actually selecting tones, etc. Also note that receipt of this message may also change the Part Mode parameter at the same time. For more information, see "12.1 About the Part Mode" below.
12.1
About the Part Mode
Each of this Model's parts has a parameter called "Part Mode," which can be set to Normal Mode, Drum Mode, or Drawbar Organ Mode. Melody tones are set to Melody Mode, rhythm tones that use the drum map are set to the Drum Mode, and drawbar organ tones are set the to Drawbar Organ Mode.
13
Format
Channel Aftertouch
Message Format: DnH vvH n: MIDI Channel Number vv: Value Send These messages are never sent. Receive Receipt of this message adds vibrato to the voice that is sounding. Details of the effect differ according to the tone setting.
24
14
Format
Pitch Bend
Message Format: EnH llH mmH n: MIDI Channel Number ll: Value LSB mm: Value MSB Send Sent when the bender wheel is operated. Also sent when play data or auto-accompaniment data that includes bender wheel data is played back. Receive Receipt changes the pitch of the currently sounding note. The width of the change depends on the setting of the Transpose/Function's Bend Range parameter and the Pitch Bend Sensitivity, whose setting is configured by RPN.
Part III
System Message
15
Format Message Format: FEH Send This message is never sent. Receive When this message is received once, the Active Sensing mode is entered. If no MIDI Message is received for a particular amount of time, voices being sounded by this Model's sound source are released, controller is reset, and Active Sensing mode is exited.
Active Sensing
25
16
Format
System Exclusive Message
Message Format: F0H....F7H This Model can send and receive Universal System Exclusive Messages, as well as System Exclusive Messages that have a format that is unique to this Model.
16.1
Format
Universal Realtime System Exclusive Message
7FH....F7H
Message Format: F0H
16.1.1
Format
Master Volume
Message Format: F0H 7FH 7FH 04H 01H llH mmH F7H ll: Value LSB (Note 1) mm: Value MSB (Note 1) Note 1: The setting value matches the value that is sent and received. Send This message is never sent. Receive Receipt changes the Master Volume parameter. Note that the Master Volume parameter cannot be changed with an operation of this Model.
16.1.2
Format
Master Balance
Message Format: F0H 7FH 7FH 04H 02H llH mmH F7H ll: Value LSB (Note 1) mm: Value MSB (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.6 Pan Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send This message is never sent. Receive Receipt changes the Master Pan parameter. Note that the Master Pan parameter cannot be changed with an operation of this Model.
26
16.1.3
Format
Master Fine Tuning
Message Format: F0H 7FH 7FH 04H 03H 00H mmH F7H mm: Value MSB(Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.7 -99 to 0 to 99 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when the Fine Tune parameter of Transpose/Function is changed. Receive Receipt changes the Fine Tune parameter. Acoustic Resonance Operations (PX-410R/PX-575R) When Acoustic Resonance used by piano tones is selected, the Fine Tune of the piano string for which resonance is simulated is also changed in accordance with the Master Fine Tune value that is set. Because of this, receipt of this message may cause the resonance interval to change temporarily.
16.1.4
Format
Master Coarse Tuning
Message Format: F0H 7FH 7FH 04H 04H llH mmH F7H ll: Value LSB (Note 1) mm: Value MSB (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.4 -24 to 0 to 24 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values". Send Sent when the Transpose parameter of Transpose/Function is changed. Receive Receipt changes the Transpose parameter.
16.1.5
Format
Reverb Parameter
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H ppH vvH F7H pp: Parameter vv: Value Type Format Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H 00H vvH F7H vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.10 Reverb Type Setting Value Table" in "Part VIII Setting Values and Send/Receive Values."
27
Send Sent when the Reverb Type parameter of System Reverb is changed. Receive Receipt changes the Reverb Type parameter. Time Format Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H 01H vvH F7H vv: Value (Note 1) Note 1: The setting value matches the value that is sent and received. Send Sent when the Reverb Time parameter of System Reverb is changed. Receive Receipt changes the Reverb Time parameter.
16.1.6
Format
Chorus Parameter
Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H ppH vvH F7H pp: Parameter vv: Value Type Format Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 00H vvH F7H vv: Value (Note 1) Note 1: For information about the relationship between setting values and send/receive values, see "43.11 Chorus Type Setting Value Table" in "Part VIII Setting Values and Send/Receive Values." Send Sent when the Chorus Type parameter of System Chorus is changed. Receive Receipt changes the System Chorus Type parameter. Rate Format Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 01H vvH F7H vv: Value (Note 1) Note 1: The setting value matches the value that is sent and received. Send Sent when the Chorus Rate parameter of System Chorus is changed.
28
Receive Receipt changes the Chorus Rate parameter of System Chorus. Depth Format Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 02H vvH F7H vv: Value (Note 1) Note 1: The setting value matches the value that is sent and received. Send Sent when the Chorus Depth parameter of System Chorus is changed. Receive Receipt changes the Chorus Depth parameter of System Chorus. Feedback Format Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 03H vvH F7H vv: Value (Note 1) Note 1: The setting value is the same as the value that is sent. Send This message is never sent. Receive Receipt changes the Chorus Feedback parameter. The Chorus Feedback parameter cannot be changed with an operation of this Model. Send To Reverb Format Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 02H 04H vvH F7H vv: Value (Note 1) Note 1: The setting value is the same as the value that is sent. Send This message is never sent. Receive Receipt changes the Chorus Send To Reverb parameter. The Chorus Send to Reverb parameter cannot be changed with an operation of this Model.
29
16.1.7
GM System Message
GM System On Format Message Format: F0H 7EH 7FH 09H 01H F7H Send This message is never sent. Receive Receipt puts the sound source into a GM sound source mode. GM System Off Format Message Format: F0H 7EH 7FH 09H 02H F7H Send This message is never sent. Receive Receipt returns the sound source to its normal mode. GM2 System On Format Message Format: F0H 7EH 7FH 09H 03H F7H Send This message is never sent. Receive Though this Model does not support GM2, receipt of the GM2 System On message has the same result as receipt of the GM System On message.
16.1.8
GS Message
Message Format: F0H 41H 10H 42H 12H 40H 00H 7FH 00H 41H F7H Send This message is never sent. Receive Receipt performs the same operation as when the GM System On message is received.
16.2
Format
This Model's System Exclusive Message
Message Format: F0H 44H 12H 02H....F7H These messages can control most of the this Model's parameters, as well as user data send/receive with Flash memory and come commands. For more information, see "Part IV This Model's System Exclusive Messages".
30
Part IV
This Model's System Exclusive Messages
17
17.1
Format
Message Classifications
This Model's SysEx operations are classified as Parameter type for send and receive of an individual Parameter, and Parameter Set type for Bulk send and receive of a set of parameters. These SysEx types can be further broken down into parameter categories according to the item being transferred. This Model's System Exclusive Messages Individual Parameter Transfer Command Patch Status and Commands Common MIDI Tune/Mix Sys Chorus Sys Reverb Master EQ DSP Basic Tune/Mix Tone Drawbar Vibrato
Part
Wave Data Information Song Data Information Rhythm Data Information SMF Data Information Parameter Set Bulk Transfer User Tone User Timbre User Drum User Instrument User Wave Parameter User Wave Data User DSP Song User Rhythm Pattern Registration User Drawbar SMF The operation classification of a message is determined in accordance with the value of the "Action" field of this Model's SysEx message. The basic format for all operation type messages is described in "17.2 Message Structure", below.
31
17.2
Message Structures
This Model's System Exclusive Messages is formed of the 13 fields shown below. Whether or not a particular field is included in a message and the length of each field depends on the message. The minimum unit for the length of each field is bytes. If two values are contained within the same byte, they are separated by a slash (/). 1 SYSEX 2 MAN 3 MOD 4 dev 5 act 6 cat 7 prm 8 ilen/dlen 9 ps 10 index 11 data 12 sum 13 EOX
The "act" field describes the action that the message performs. The meanings of the "index" and "data" fields differ according to the content of the act field. The following describes each of the fields in detail.
17.2.1
Format:
1...SYSEX : System Exclusive message Status
11110000B
System Exclusive message Status = F0H
17.2.2
Format:
2...MAN : Manufacturer's ID
01000100B
CASIO Manufacturer's ID = 44H
17.2.3
Format:
3...MOD : Model ID
00010001B (MSB) 00000010B(LSB)
Model ID MSB = 11H, LSB = 02H The Model ID of the series to which the Instrument belongs is shown by two consecutive bytes (MSB, LSB). In order to provide compatibility for SMF data, the same Model ID is use for the following models. CTK-691, WK-3000, WK-3100, WK-3500, CTK-900,WK-3200, WK-3700, WK-3300, WK-3800, WK-8000, PX-410R, PX-575R Almost all of the parameters of these models are interchangeable. In order to distinguish between these models, it is necessary to reference the "Model Version ID" parameter, which is described under "20 Command Parameter", in the sub-section "20.1 System Parameter List".
17.2.4
Format:
4...dev : MIDI Device ID 00H through 1FH,7FH
0dddddddB
The contents of this field in a received message are compared with the Model's MIDI Device ID, and receipt of the incoming message is allowed only when the two IDs match. The default value for this field is 10H. When a message containing 7FH is received, receipt of the message is always allowed, regardless of MIDI Device ID setting. MIDI Device ID is a Patch Parameter, and it can be changed with a System Exclusive Message. When changing this setting, make the System Exclusive Message device ID 7FH.
32
17.2.5
Format:
5...act : Action
00000aaaB
aaaB = Action (3bit) This field indicates the operation of the System Exclusive Message. aaaB Message Type 00H IPC Individual Parameter Change 01H IPR Individual Parameter Request 02H BDR Oneway Parameter Set Bulk Send 03H BDR Oneway Parameter Set Bulk Request 04H HDS Handshake Parameter Set Bulk Send 05H HDR Handshake Parameter Set Bulk Request 06H Reserved 07H Communication Control for Handshake(EOD,HDA,HDJ,HDE,BSY,EOS,NOP)
17.2.6
Format:
6...cat : Category
0000ccccB
0cccccccB = Category (7bit) The category indicates the type of data handled by the System Exclusive Message. The ID number (ID) of the Category is indicated on the left, while the communication operation (Action) is indicated on the right.
33
Category ID (c) Parameter Set 00H 01H 02H 03H 04H 05H 06H 07H 08H 09H 0AH 0BH 0CH 0DH 0EH 0FH 10H 11H 12H Command Patch Tone Timbre Drum Voice Instrument Wave Parameter Wave Data DSP Song Data Rhythm Pattern Registration Drawbar Reserved Reserved SMF Flash Memory Image Reserved
Action(act)) IPC A A A T A A T T IPR R R R R BDS BDR HDS A A A A A A A A A A A A A A HDR R R R R R R R R R R R A R R Control A A A A A A A A A A A A A A -
- (Note 1)
A...Available (Includes cases here parameters are only partially available.) R...Receive Only T...Transmit Only -...Not Available Note 1...The drawbar parameter involved with the current sound production operation is provided inside Patch Parameter. To manipulate this parameter individually, manipulate Drawbar Parameter within Patch Parameter.
17.2.7
Format:
7...prm : Parameter ID
0pppppppB
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