User manual GENELEC S30D

Genelec S30D Digital Monitoring System Operating Manual S30D Digital Monitoring System 1. General description The Genelec S30D is a three-way Digital Monitoring System including a digital audio interface, balanced analog audio input, loudspeaker drivers, speaker enclosure, multiple power amplifiers and active, low level crossovers. All these are carefully aligned and housed within the loudspeaker cabinet. Featuring a 96 kHz/24-bit digital audio interface and a proprietary ribbon tweeter capable of reproducing up to 50 kHz acoustic output, the S30D is a no compromise design. The fast, low distortion amplifiers are capable of driving a stereo system to peak output levels in excess of 122 dB SPL at 1 m with program signals. Versatile crossover controls allow for precise matching of the speaker system to different acoustic conditions. Designed for relatively small control rooms and available in vertical and horizontal versions, this system is ideal for multichannel digital workstations, mastering work, general purpose broadcasting and television studios, post production facilities and mobile recording vehicles. The high output and absolute reproduction accuracy make the S30D an ultimate nearfield monitor in recording studios. formance. It may be misaligned with the amplifiers. The interface between the converter and the amplifier may distort the signal or it may change the frequency balance. Genelec S30D solves all of these problems. The alignment of the whole system is carefully balanced to ensure precise monitoring of the digital signal. Amplifiers The bass, midrange and treble amplifiers each produce 120 W of short term power with very low THD and IM distortion. Special attention is paid to electronics design to obtain the best possible subjective sound quality. The output impedance of the woofer amplifier is negative to improve acoustic transient response. Drivers and amplifiers are also protected from thermal overload. 3. Integrated construction As the digital interface and amplifiers are built into the speaker enclosure, the only connections required are the mains supply and the digital (or analog) input signal, making the S30D very easy to set up and use. The rugged amplifier is mounted into the enclosure with vibration isolators which act also as quick release hinges making possible maintenance operations very easy and straightforward. The speaker cabinet is constructed of veneered MDF, which is heavily braced to eliminate structural resonances. Drivers The 210 mm (8") woofer is loaded with a 24 liters (0.85 cu.ft.) vented cabinet. The woofer has a very large magnet and a long linear excursion capability. These are needed to reproduce low frequencies with high efficiency and acoustic output (SPL) in a small enclosure. The -3dB point is 35 Hz and the low frequency response extends down to 31 Hz (-6dB). A carefully designed 80 mm cone driver, sealed in a cast aluminum alloy housing, reproduces the critical midrange frequencies where the ear is the most sensitive. To minimize coloration the diaphgram is specially impregnated. As a result, the midrange driver's response actually extends well beyond the range required by the crossovers. The high frequency driver is a proprietary ribbon tweeter with a moving mass of only 32 mg and frequency response extending up to 50 kHz. The dispersion characteristics of both the tweeter and midrange driver are matched for constant tonal balance in different rooms. Digital interface The digital audio interface consists of a digital audio receiver and a digital-to-analog converter (D/A converter). The digital input accepts an AES/ EBU digital audio signal having a word length up to 24 bits. With an impedance adapter, the S30D can also accept SP-DIF signal. Digital thru allows the digital audio signal to be retransmitted to other S30D loudspeakers and digital audio equipment. 2. Digital audio The quality of a digital audio signal is defined by two parameters: word length and sampling rate. The word length defines how precisely the audio signal is represented. Studio recording systems use word lengths of 20 bits and above, typically 24 bits. The sampling rate determines what frequencies can be represented in the digital audio signal. A higher sampling rate allows higher frequencies to be recorded. Converting the digital presentation to an analog signal involves potential sources of error. The digital-to-analog converter may have inferior per- Crossover filters The crossover frequencies of the active crossover network are 420 Hz and 4 kHz. Special calibrated controls are included in the crossover to reach uniform frequency balance in different acoustic conditions. A high pass filter is included in the LF channel to protect the woofer from subsonic signals. Variable level control allows for accurate level matching to the digital or analog signals. 4. Installation Every Genelec S30D is delivered with a mains cable and an Operating Manual. Signal cables are not included. After unpacking, check that the mains voltage selector (see figure 2) is correctly set for your local mains volt- age, and place the loudspeakers at their listening position, taking note of the reference axis (see figure 1). The reference axis should be aimed directly at the listening position. Ensure that the mains switches are off and connect the mains cables. to play "Left (A)", "Right (B)" or "Left+Right (A+B)" channel. Adjust the desired maximum SPL at 1m for a full scale digital signal using the "DIGITAL LEVEL" switches. This compensates for differing amounts of headroom on the digital signal and enables the speaker to work at its maximum SPL if required. The "DIGITAL LEVEL" can be set to 112, 100 or 88 dB SPL at 1m with a full scale sine wave digital signal. How to set up for digital signals Connect a digital audio interface cable to your digital audio source. You can identify the right connector on your audio source by looking for the words "Digital Output" or "AES/EBU OUT". Make absolutely sure that the connectors are carrying the AES/EBU formatted digital audio signal. NEVER connect an analog signal cable to S30D's digital input connector! Connect the digital signal cable to the "DIGITAL INPUT" female XLR connector on a S30D (see figure 2). Next connect a second signal cable from speaker's "DIGITAL THRU" male XLR connector to the "DIGITAL INPUT" connector of another S30D as shown in Figure 3 below. You can daisy-chain practically any number of S30D's in this manner. Figure 4 overleaf shows an example of a cabling scheme for a digital 5.1 channel console. Use the "CHANNEL SELECT" switches to select loudspeaker mode. Any S30D in the chain can be designated The "LEVEL CONTROL" trimmer adjusts the level of both the digital and analog signals. Use this trimmer to give the digital level an extra 0 to -12 dB attenuation in addition to the "DIGITAL LEVEL" switches. Combining these makes it possible to adjust the maximum SPL at 1m for a full scale sinusoidal digital signal anywhere between 112 dB and 76 dB. Switch on the mains power and feed an AES/EBU digital signal to the sys- Figure 2: S30D backpanel Figure 1: S30D outer dimensions, with the reference axis located at the tweeter axis. Figure 3. Using the "DIGITAL IN" and "DIGITAL THRU" connectors in a digital setup tem. When the S30D detects a digital signal it switches automatically to the digital input, and the mode LED turns yellow. The S30D will switch back to the analog input if significant errors are detected in the digital audio or the digital signal is not present. The mode LED indicates this by turning green. If the LED turns red, it indicates an error in the digital signal. How to set up for analog signals Turn all mains switches off and remove the digital audio cables. Run balanced XLR cables from your line level analog audio source to the "ANALOG INPUT" XLR connector on each S30D unit. Switch on the power and observe that the mode indicator LEDs should turn green. The output levels can be adjusted at the "LEVEL CONTROL" trimmer. Figure 4. Cabling scheme for a 5.1 channel digital console Setting tone controls The response of the system may have to be adjusted to match the acoustic environment. The adjustment is done by setting the tone control switches on the rear panel. The tone controls are in five groups: Treble, Mid and Bass Level, which work in 1 dB steps and Bass Tilt and Bass Roll-Off, which work in 2 dB steps. The factory settings for these are 'ALL OFF' to give a flat anechoic response. See Figure 6 for suggested tone control settings in differing acoustic environments. Figure 7 shows the effect of the controls on the anechoic response. Always start adjustment by setting all switches to "OFF" position. Then set only one switch to "ON" to select the required response curve. To obtain an accurate attenuation value, no more than one switch within a switch group should be set to "ON" at the same time. Figure 5. Cabling scheme for analog stereo setup Speaker Mounting Position Flat anechoic response Free standing in a damped room Free standing in a reverberant room Soffit mounted in a control room wall In a corner Bass Roll-off None Bass Tilt None Bass Level None Midrange Level None Treble Level None None -2 dB None None None None -2 dB -2 dB None None 5. Monitor placement Console top mounting None -2 dB None -2 dB -4 dB -2 dB None None None None Figure 6. Suggested tone control settings for various acoustic environments Avoid mounting Genelec S30D monitors directly on the console top. Instead, position the speakers slightly behind the console by using floor stands or wall mounts. This minimizes sound colouring reflections from the console surface. Placement in a room To produce a true and accurate stereo or multichannel image the monitors must have exactly similar frequency responses, and they shall be located at identical distance from the listener. When placed in a room monitor responses change due to reflections of the sound waves from the room's boundaries. Place the monitors at the same height and also at the same distance from the front and side walls so that reflections, and therefore changes to the frequency response, are similar. Smaller objects, such as equipment racks also cause reflections and disturb the imaging, so they too should be placed symmetrically in the room. To avoid differences in low frequency responses due to reflections from the front wall, the monitors should be placed either nearer than 1m or further than 3m from the front wall. Placement close to the front wall (<1m) will boost low frequencies, and the tone controls should be adjusted appropriately (see figure 6). The monitors should be aimed toward the listening position. This maximizes the ratio of direct sound to reflected sound and the listener is able to hear more of the material and less of the room effects. Subjectively this is perceived as cleaner sound and superior imaging. S30D units may only be done by qualified service personnel. 8. Safety considerations Genelec S30D has been designed in accordance with international safety standards. To ensure safe operation and to maintain the instrument in safe operating condition, the following warnings and cautions must be observed: · Servicing and adjustment may only be performed by qualified service personnel. · Do not use this product with an unearthed mains cable as this may compromise electrical safety. · This equipment is capable of producing sound pressure levels in excess of 85 dB, which may cause permanent hearing damage. · Free flow of air behind the loudspeaker is necessary to maintain sufficient cooling. Do not obstruct airflow around the loudspeakers. · Do not insert any objects through the bass reflex port(s) on the face of the unit, as this may damage the drive units inside the loudspeaker. · Do not run an analog audio signal to the digital input XLR connector. Doing so may overload your audio equipment output and cause them permanent damage. Tr 7. Troubleshooting To help you solve any problems, here are a few pointers: · Make sure that your audio signal source has been set to transmit the audio to the AES/ EBU output. · Make sure the digital cables are specified for use with AES/EBU digital audio signals and properly connected at both ends. · Make sure the LED turns yellow as you plug in the digital audio cable to the S30D unit. If this is not the case, go back to your audio source and check once more that the right output is selected. If the LED stays green you do not have a valid digital audio carrier on the cable. · If you see the LED flashing red colour, check your cabling. Red colour indicates a bit error in transmission. 6. Maintenance There are no user serviceable parts in the unit. Maintenance or repair of the Mic. B&K 4133 1/2" dBr 90 85 80 90 85 80 90 85 80 75 20 50 100 200 500 1k 2k 5k S30D 19.1.2000 BASS TILT 9. Guarantee BASS LEVEL TREBLE LEVEL BASS ROLL-OFF MIDRANGE LEVEL 10k Hz 20k Figure 7. The effect of 'treble tilt', 'bass tilt' and 'bass roll-off' controls in free field. This product is guaranteed for a period of ONE year against faults in materials or workmanship. Refer to supplier for full sales and guarantee terms. Mic. B&K 4133 1/2" dBr 95 90 85 80 S30D 19.1.2000 0° 15° 30° Mic. B&K 4135 1/4" dBr 70 65 S30D 19.1.2000 45° 60° 75 70 65 60 55 60 55 50 10k 20k 30k 40k 50k 60k 70k 80k 100k Hz 50 20 50 100 200 500 1k 2k 5k 10k Hz 20k Figure 8. Horizontal directivity characteristics and power response of S30D in its vertical configuration measured at 1m in free field. Figure 9. The on-axis free field response of the S30D between 10 and 100 kHz. SPECIFICATIONS SYSTEM SPECIFICATIONS Lower cut-off frequency, -3 dB: Upper cut-off frequency, -3 dB: <35 Hz >50 kHz CROSSOVER SECTION Analog input connector: XLR female pin1 gnd pin2 + pin3 10 kOhm DIGITAL DIGITAL SECTION Digital input : Digital thru output: Maximum input word length: Input format: Input termination impedance: XLR female XLR male 24 bits AES/EBU, SP-DIF* 110 Ohms* Free field frequency response of system: 36 Hz - 48 kHz (±2.5 dB) Input impedance: Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz: @1m >111 dB SPL @0.5m >117 dB SPL Maximum long term RMS acoustic output in same conditions with IEC-weighted noise (limited by driver unit protection circuit): @1m >102 dB SPL @0.5m >108 dB SPL Maximum peak acoustic output per pair on top of console, @ 1m from the engineer with music material: >122 dB Self generated noise level in free field @ 1m on axis: <10 dB (A-weighted) Harmonic distortion at 90 dB SPL at 1m on axis: <2% freq. <200 Hz freq. >200 Hz <1% Input level for maximum short term output of 111 dB SPL @1m: variable from +17 to +5 dBu Output level for -6 dBu analog input: variable from 88 to 100 dB SPL@1m Subsonic filter below 33 Hz : Ultrasonic filter above 60kHz: Crossover frequency: bass/mid mid/treble Crossover acoustical slopes: 18 - 24 dB/octave Crossover level control operating range in 1 dB steps: bass from 0 to -6 dB mid from 0 to -6 dB treble from 0 to -6 dB Bass roll-off control in 2 dB steps: from 0 to -8 dB Bass tilt control in 2 dB steps: from 0 to -8 dB 18 dB/octave 12dB/octave Input sampling rate: 29-100 kHz (no de-emphasis) 44.1 kHz (using de-emphasis) Jitter resiliance: Dynamic range: 113dB (A weighted, triangular PDF dither, 24 bit data) De-emphasis: 50/15us, automatic 0.15 unit intervals 420 Hz 4 kHz Recovered clock jitter: 200 picoseconds RMS typical Output level for full scale digital input: variable from 76 to 112 dB SPL @1m * An optional impedance matching adapter is required for 75 Ohm signal source. Drivers: Bass Midrange Treble 210 mm cone 80 mm cone 9x65 mm ribbon @35 Hz Weight: Dimensions: 20 kg (44 lb) Height 495 mm Width 320 mm Depth 290 mm (19 1/2") (12 5/8") (11 7/16") AMPLIFIER SECTION @80 Hz Amplifier output power with an 8 Ohm load (Short term): Bass 120 W Midrange 120 W Treble 120 W Long term output power is limited by driver unit protection circuitry. Slew rate: 80V/µs The 'CAL' position is with all tone controls set to 'off' and level control to maximum. OPTIONS Flight case Wall mount Floor stand Grille Order Code 1001-401 Order Code 1010-404-V/H* Order Code 1010-405-V/H* Order Code 1010-409 *V=Vertical (for S30D V), H=Horizontal (for S30D H) Amplifier system distortion at nominal output: <0.05% THD SMPTE-IM <0.05% CCIF-IM <0.05% <0.05% DIM 100 Signal to Noise ratio, referred to full output: Bass >100 dB Midrange >100 dB >100 dB Treble Mains voltage: 100/200V or 115/230V AC Voltage operating range: nominal ±10% Power consumption: Idle Full output 30W 200W Genelec Oy, Olvitie 5 FIN - 74100 IISALMI, FINLAND Phone: +358 - 17 - 83881 Telefax: +358 - 17 - 812267 Web: http://www.genelec.com E-mail: genelec@genelec.com Genelec Inc, 7 Tech Circle Natick, MA 01760, USA Phone: +1 - 508 - 652 - 0900 Fax: +1 - 508 - 652 - 0909 E-mail: genelec@compuserve.com Genelec document D0001R001a COPYRIGHT GENELEC OY 8.2001 All data subject to change without prior notice