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User manual HAFLER XL-600
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Manual abstract: user guide HAFLER XL-600
Detailed instructions for use are in the User's Guide. OWNER'S MANUAL XL-600 POWER AMPLIFIER
A Division of Rockford Corporation 613 South Rockford Drive Tempe, Arizona 85281 602 - 967 - 3565
SPECIFICATIONS
POWER RATING: Less than 0.08% THD at any power level up to 305 watts per channel into 8 ohms at any frequency from 20 - 20 kHz with both channels driven. CONTINUOUS POWER OUTPUT: 450 watts per channel into 4 ohms at less than 0.1% THD, 20 - 20 kHz. 900 watts in mono into 8 ohms at less than 0.1% THD, 20 - 20 kHz. CONTINUOUS POWER AT CLIPPING: * Into 8 ohms, per channel: 360 watts Into 4 ohms, per channel: 500 watts Into 2 ohms, per channel: 750 watts Into 1 ohms, per channel: 900 watts Into 8 ohms, per channel: 1000 watts Into 4 ohms, per channel: 1500 watts IM DISTORTION (SMPTE): Less than 0.04% from 1 watt to 305 watts into 8 ohms. FREQUENCY RESPONSE @ 1 WATT INTO 8 OHMS: +/- 0.1 dB, 10 Hz to 50 kHz +/- 3 dB, 0.1 Hz to 500 kHz POWER BANDWIDTH: Greater than 100 kHz PHASE SHIFT FROM 20 - 20 kHz: Less than 1/4 of one degree SLEW RATE: 10 kHz, 130 volts peak-to-peak square wave: 100 V/us SIGNAL TO NOISE RATIO, UNWEIGHTED: More than 100 dB @ 305 watts into 8 ohms INPUT: 47,000 ohms; 1.8 volts for 305 watts into 8 ohms DAMPING FACTOR INTO 8 OHMS: > 200 to 1 kHz; 150 @ 10 kHz PHYSICAL: 7" high, 19" wide, and 13" deep, plus 1/2" for feet, plus 2" for handles. Net weight 51 Ibs.; Shipping weight 55 Ibs.
*Continuous duty cycle across the audio band. Depending on impedance, time may be thermally limited to several minutes. Congratulations on your purchase of this EXCELINEAR POWER AMPLIFIER. We are confident that this amplifier is capable of driving any known loudspeaker load, with sufficient power reserves to suit any home listening situation. Furthermore, its refined circuitry will deliver that power with an accuracy that is sure to satisfy the most demanding of audiophiles.
INSTALLATION
The gloss black insert on the faceplate of your new Hafler Equipment has been packaged with a removable protective coating. Please peel off this coating following installation. When cleaning the faceplate, we advise a soft cotton cloth with a non-abrasive cleaner that is safe for Lexan and painted surfaces. DO NOT use paper towels or any coarse materials to clean the faceplate as these materials may scratch the insert.
Ventilation
Adequate air flow is important to the continuing reliability of any power amplifier. The XL-600 uses a quiet, continuously variable speed fan to cool the entire chassis Cool air must circulate freely into the side vents and out the rear vent. Allow at least one inch on each side, and at least three inches to the rear for unimpeded flow.
AC Line Connections and Switching
NOTE: BE SURE YOUR AMPLIFIER IS WIRED FOR YOUR LOCAL LINE (MAINS) VOLTAGE BEFORE CONNECTING AC POWER!
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The XL-600 is normally wired for use on 120 Volt 60 Hz power lines. If your line (mains) voltage is different, you will require the optional export multi-voltage transformer, which accommodates voltages from 100 to 240 VAC, at 50-60 Hz. The XL-6003 power switch may be left ON, and the amplifier switched remotely via a preamplifier or other control center, provided that device has a switched AC outlet capable of supplying 20 amperes for the amplifier, in addition to the requirements of other units being switched. Alternately, you may connectthe amplifier directly to a wall outlet, and use the front panel power switch provided on the amplifier. As a general rule, power amplifiers should be turned ON LAST, and turned OFF FIRST, before other equipment, to avoid switching transients that may be generated by prior stages Hafler OH-100, OH-110, IRIS and SE-100 preamplifiers employ protective muting circuitry which obviate this concern.
Input Connections
Conventional shielded RCA type cables should be used to connect the amplifier's gold input jacks to the preamplifier's output, Gold connectors provide added assurance against signal degradation due to contact corrosion. Regardless of cable or connector material, verify that the contacts are clean, and that the plug's outer shield is tight on the jack, to avoid hum. If you wish to install the XL-600 at some distance from the preamp, the preamp's output impedance and cable capacitance determine the maximum cable length to avoid high frequency losses. If, as with Hafler preamps, the output impedance is 600 ohms or less, and the cable capacitance is 50 picofarads (pF) or less per foot, then up to 50 feet of cable may be used. On long runs, keep the left and right cables close together, and avoid running them parallel to AC power wiring to minimize hum pick up.
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Output Connections
To preserve the high damping factor of the XL-600, and to 16 gauge speaker minimize power loss, the use of at least 16 gauge speaker wire is recommended, especially for speakers of less than 8 ohms impedance, or for wire runs of 15 feet or more. Your dealer can advise you on the wide variety of premium cables available from specialty manufacturers. The gold plated output binding posts on the XL-600 are of the "5-way" type, and will accept single or dual banana plugs dual banana plugs, spade plugs pin plugs, spade plugs , pin plugs or bare wire through the hole in the center post. If using bare wire connections, tinning the end of the wire with solder is recommended, to avoid any frayed ends of the wire shorting to adjacent terminals or the chassis. Be sure to follow proper phasing relationships when connecting the speakers, FOR STEREO OPERATION, the amplifier "+",or RED terminal, must be connected to the speaker's "+", or RED terminal, and the amplifier's "--", or BLACK terminal must be connected to the speakers "--" or BLACK terminal. Speaker cables identify one conductor from the other by the wire color, or by marking or coloring the insulation, FOR MONO OPERATION, see the following section.
Monophonic Operation
To drive a single speaker with increased power capability, the XL-600 can be operated in a "bridged" mono configuration, to deliver over 900 watts into 8 ohms. To use this mode, set the stereo/mono switch to MONO, connect the input signal to the LEFT INPUT ONLY, and connect the speaker load to the two RED BINDING POSTS ONLY. These output terminals are "floating", with the right red terminal the "-" connection, and the left red terminal the "+" connection. In this mode, THERE ARE NO CONNECTIONS TO EITHER BLACK BINDING POST OR RIGHT INPUT JACK. Make all changes with the power off. It is recommended to place a piece of tape over the unused connections to avoid later confusion.
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Grounding
The XL-600 employs a common ground between the two channels, which, for the input, is connected directly to chassis, and for the output, is connected to chassis through a 5 ohm thermistor to avoid ground loops. This common ground allows the use of external devices which also have common grounds, such as headphone or speaker switching boxes. Make sure that the "-", or black terminal of the amplifier is connected to the corresponding terminal of the accessory device.
OPERATION Power Switch and Pilot Lamp
The red bar above the power switch will glow when the power is switched on unless excessive, long term, heat sink temperature has opened a thermal breaker, or the AC line fuse has blown. If the unit has tripped off thermally, reduce the input signal to avoid high turn-on level. The red pilot bar will light a few seconds before operation is automatically restored if the XL-600 has cooled down and the power switch is left on. If a second shutdown occurs, check for inadequate ventilation, continued excessive input signal, or a severely reduced load impedance.
Belayed Turn On and Protective Relay
To avoid the turn-on transients generated by some preamplifiers, the XL-600 provides a 3 second delay before a relay connects the output terminals, If your preamp requires a longer delay period, consult the factory on extending the delay. The relay will also disconnect the load if significant DC is present at the output, or if the short term heat sink temperature becomes excessive, while allowing the fan to continue cooling the amplifier.
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Initial System Check Out
After initial set-up, leave the XL-600 switched off (rocker switch to the left) and turn on the rest of the system. Wait 30 seconds, and switch on the amplifier. If you hear a loud sharp "thump" from the speakers, or no sound is heard after the relay engages and signal is applied, consult the section "In Case of Difficulty" at the end of this manual.
Mono / Stereo Switch
This switch should be left in the STEREO position, unless bridged operation is desired, as outlined in the section "Monophonic Operation".
Speaker Fuses
The fuse holders on the back panel provide a measure of protection against excessive power output to the speakers. They are not intended to protect the amplifier. The XL-600 is supplied with 5 ampere fast blow fuses installed. This value will afford minimal protection for most speakers. A spare pair of 10 ampere fast blow fuses has been included, for testing purposes, or high power applications. This fuse value will offer no speaker protection. IF THE MANUFACTURER OF YOUR LOUDSPEAKER RECOMMENDS A SPECIFIC FUSE VALUE, OBTAIN TYPE 3AG OR AGC AGC 3AG FUSES AND INSTALL THEM IN THE BACK PANEL FUSE HOLDERS.
THE EXCELINEAR CONCEIT
The purpose of the Excelinear technology is to detect and then minimize all possible non-linearities, or distortions. This is done by subtracting the output of the amplifier from its input, A perfect amplifier would have no residual signal. The less difference signal that remains, the better the amplifier. The test described below enables you to hear only the difference signal- the sum total of all audible
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amplifier distortion, It will already be exceedingly low on the XL-600 as you receive it because each amplifier channel has been factory adjusted using a typical loudspeaker load. But when the XL-600 is connected to your own speakers, careful readjustment by a technician may yield some slight improvement. The test is as sensitive as one's hearing, and much more precise than available measurement technology because it is able to reveal the audible effect of all distortions - even those which have not yet been identified or quantified! This is a very useful amplifier comparative technique which supplements conventional distortion measurements. With the XL-600, the total of all residual distortion products will be on the order of 60 dB or more down across the audio band - a substantial improvement over other amplifiers, where 40 dB figures are among the best. Only a few amplifiers cannot be subjected to this test: those which are phase inverting, and those which have floating (not grounded) outputs, or those which cannot tie together the output grounds. The XL-600 provides a unique internal adjustment for "fine tuning" each channel when it is connected to your speakers. This "tweaking" may fairly be described as significant only to those persons with "golden ears". The rest of us who simply wish to indulge ourselves with fine sound need not be concerned with this consummate pursuit of perfection. The range of adjustment provided is within the defined operating specifications of the amplifier. Misadjustment will not damage or impair the performance of either amplifier or speaker. The region of change is several octaves above the range of human hearing. Yet we have found that minute differences in absolute linearity can be heard, and this "tweaking" can minimize them. Do not change the factory's setting until you have at hand the appropriate gain control circuit described below. You will need the special tool provided, patience, quiet, and good hearing, but no test instruments to complete the task. Because the amplifier must be operated with the cover off, and high voltages are exposed, this should only be undertaken by a qualified technician.
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A pair of headphones which have a high degree of isolation from outside sounds may simplify your test listening, but are not essential. If a very sensitive meter is available, it can replace the listening requirement, but your ears are better than conventional meters. Using a loudspeaker, what you hear is what (distortion) you get.
PERFORMING THE ADJUSTMENTS
One channel of the amplifier may be used as a driving source to provide a signal at a conventional listening level; the other is the tested amplifier. These are then interchanged to enable adjustment of both channels. Any type of signal may be used - music, white or pink noise, etc. The accuracy of the driving amplifier is not a factor - if it 1has distortion, that distortion is simply a part of the test signal, and does not detract from the test accuracy. The circuit diagram shows the appropriate connections, and the values which provide a precise attenuator to adjust the gain so that the output level will exactly match the input level. The monitor loudspeaker is connected differentrally across the outputs of the two amplr ... |
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