User manual INNOVASON SENSOFT 8.1

User Guide InnovaSON ZC du Kenyah 56400 Plougoumelen France Sensoft 8.1 full Sensoft 9 installation (Sensoft 9 Addendum updates sections 3 and 4 of this user guide) April 2005 Headquarters Zone du Kenyah F-56400 Plougoumelen FRANCE tel : +33 (0) 297 24.34.34 fax : +33 (0) 297 24.34.30 www.innovason.com TABLE OF CONTENTS 1 Attention: veuillez consulter le chapitre 10 avant toute manutention ou utilisation de la console. Warning: please read carefully section 10 before handling or using the console. Achtung: bitte lesen sie zuerst Kapitell 10 for jedem Verladen oder Verwendung des Pultes. Table of Contents Section Page 1 1.A 1.B 1.C 1.D Digital mixing in Live sound Sensoft 8.1 :a brief history Fader assignment The assignable functions Spread zones 1.1 1.1 1.2 1.3 1.4 2.1 2.1 2.3 2.3 2.6 2.6 2.8 2.8 2.8 2.9 2.9 2.10 2.12 2.13 2.13 2.13 2.13 2.14 2.14 2.14 2.14 2.15 2.17 2.18 4 4.A 4.A.1 4.A.2 Digital mixing in Live Sound Basic principle of the control surface Control surface layout Fader configuration : The Hardware Configuration window 4.1 4.1 4.1 4.2 4.3 4.3 4.3 4.4 4.4 4.5 4.6 4.6 4.10 4.15 4.16 4.17 4.18 4.21 4.22 4.25 4.27 4.27 4.28 4.32 4.37 4.41 4.47 4.49 4.58 4.58 4.59 4.60 4.62 4.63 4.64 4.65 4.65 4.66 4.66 2 2.B.1 THE Sy48 CONSOLE Sy48 : Overview of the product Personalization, options L.E.M : Optional External Mix Box 2.A 2.B 2.C 4.B 4.B.1 4.B.2 4.B.3 4.B.4 4.B.5 4.C.1 4.C.2 4.C.3 4.C.4 4.C.5 4.C.6 4.C.7 4.C.8 4.C.9 4.D.1 4.D.2 4.D.3 4.D.4 4.D.5 4.D.6 4.D.7 4.D.8 4.D.9 4.D.10 4.D.11 4.D.12 Audio inputs General characteristics Layout of physical inputs Universal analog inputs Analog line inputs Distant inputs (Stage Box) Description of the Sy48 Dimensions and general information The Quadfad module The CHANNEL CONTROL panel Screen and UTILITIES panel On the front of the console On the back of the console Control layout 2.C.1 2.C.2 2.C.3 2.C.4 2.C.5 2.C.6 2.C.7 4.C Input signal path XFAD : the principles Preamp to fader assignment grid (PATCH IN) Pre-amp settings (Gain, 48V) Delay Phase inversion and the high-pass filter Dynamics Equalizer Inserting an external device MUTE and CUE functions 2.D 2.E 2.F 2.G 2.G.1 2.G.2 2.G.3 2.G.4 2.G.5 2.G.6 2.G.7 2.G.8 Precautionary measures, safety and warnings Manipulation and transport Power supplies and EC standards Connections Audio connections Internal Screen, external Screen Connecting MIDI equipment Connection of an external power supply Connecting an external PC Connecting an optional Stage-Box Digital audio clock sync with external devices Connecting headphones 4.D Mix busses DSP resources: some important points 2.H.1 2.H.2 2.H Powering up Power up sequence First checks 2.19 2.19 2.21 3.1 3.1 3.2 3.4 3.6 3.8 3.11 3.13 3.14 3.17 3.18 3 3.A 3.A.1 3.A.2 3.A.3 3.A.4 3.A.5 3.A.6 3.A.7 3.A.8 3.A.9 Sensoft 8.1 Your first mix : a simple step-by step example Console configuration Patching.. Some routing Creating and using a subgroup Spreading inouts Creating and using a VCA Spreading a Master Spreading an Aux Creating a matrix Spreading the outputs Assignment of mix busses to physical outputs (Patch OUT) Basic principles of routing Definition `pre/post fader' and Pan settings on busses A special bus : the Matrix The Monitor bus Master busses Bus processing and inserts Hyperdrive outputs' processing control Principles of fader functions, Fader Mode MUTE and CUE functions 4.E 4.E.1 The MUXIPAIRE bus, the Direct I/O grid The Direct I/O grid 4.F 4.F.1 4.F.2 The VCA function VCA function logic VCA Assignment 4.G Talk-Back User Guide - © InnovaSON ­ February 2005 2 Section TABLE OF CONTENTS Page 5 5.A 5.B.1 5.B.2 5.B.3 5.B.4 Structure of a performance General description Files and pages management File edition Changing a file Saving a file Exporting, Importing, deleting a file 5.1 5.1 5.1 5.1 5.4 5.4 5.5 5.6 5.6 5.6 5.7 5.8 5.9 5.9 5.9 5.11 5.12 5.14 5.16 6.1 6.1 6.1 6.2 6.3 6.5 6.6 6.6 6.6 6.7 6.7 6.8 6.9 6.10 6.11 6.12 6.12 6.13 6.13 6.15 6.16 6.17 6.18 6.20 7.1 7.1 7.2 7.2 5.B 7.B.2 7.B.3 7.B.4 7.B.5 7.B.6 7.B.7 7.B.8 7.B.9 7.B.10 7.B.11 5.C 5.C.1 5.C.2 5.C.3 Pages management Saving a page LOAD and GOTO a page Inserting a page The PATCH IN grid window The PATCH OUT grid window The DIRECT I/O and Insert Grid window The LINK CHANNEL window The LINK I/O window The RELAX, FADER-START and MUTE MIDI MESSAGE windows The PAN window The PASTE and OVERRAM windows The MUXI window The main MIX window 7.3 7.5 7.6 7.7 7.8 7.9 7.10 7.11 7.13 7.14 7.16 8.1 8.1 8.2 8.2 8.4 8.5 8.8 8.10 8.10 8.10 8.11 8.12 8.16 7.C Summary of function access 5.D 5.E 5.E.1 5.E.2 5.E.3 5.E.4 5.E.5 5.E.6 Navigating in a file Automation (sequencing , calling up pages) Generalities MIDI Program Change OUT MIDI Program Change IN MIDI Time Code Automation Cross-Fade The Cross-Time Fader 8 8.A 8.B.1 8.B.2 8.B.3 INSTALLING AND CONFIGURING SENSOFT 9 Downloading and preparing the installation Installing SENSOFT Re-installation, new version Updating, new `release' Installing the Windows XPE operating system 8.B 6 6.A 6.B 6.C 6.D 6.E 6.F.1 6.F.2 Advanced Functions Generator and oscillator FLAT function for resetting parameters Copy and Paste OverRam - Updating pages in RAM Relax Mode - disconnecting parameters from the automation Link I/O - Input/ Output parameter links What are I/O parameters ? The link I/O grid 8.C 8.D 8.D.1 8.D.2 Configuration Importing files created with earlier versions of Sensoft Grand Live files Sy40 files 8.E 8.E.1 Firmware update for DSP Sy48 and DSP Sy80 Installing Sensoft on an external PC 6.F Launching the « DSP Loader » software 8.F 6.G 6.G.1 6.G.2 Link Channel ­ channel parameter links What are the channel parameters ? The channel link grid 9 9.A 9.B 9.B.1 9.B.2 9.B.3 9.B.4 9.B.5 9.B.6 9.B.7 9.B.8 9.B.8B 9.B.9 9.B.10 9.B.11 9.B.12 9.B.13 9.B.14 9.B.15 Design Features Introduction Audio rack and modules SI-8D Module SI-8D3 Module MO-8D3 Module XO-8D2 Module DI-8S Module DI-8Src Module DO-8A Module DO-8X Module DO-8XES Module DSP Sy80 Module DSP Sy40-8 Module DM-Mk9 Module MC-64 Module SC-64 Module SC-643tx Module Sync-A Module 9.1 9.1 9.2 9.3 9.4 9.5 9.6 9.7 9.8 9.9 9.10 9.10B 9.11 9.12 9.13 9.14 9.15 9.16 9.17 9.18 9.18 9.20 9.20 9.21 9.22 9.22 9.23 9.23 6.H 6.I 6.J 6.K.1 6.K.2 6.K Temporary cancellation of a link MUXI window ­ display and modification of outputs Off Line ­ disconnecting the console from the audio racks Processing libraries The BANK Menu and general operation Save and load shortcuts 6.L 6.M 6.N 6.O 6.P 6.Q Request Mode (RQST) The ADJ function ­ automatic adjustment of preamps Sending MIDI messages using the MUTE buttons Sending Fader Start MIDI messages LOCK ­ Password Protection for the console The General Preferences window 9.C 9.C.1 9.C.2 9.C.3 9.C.4 9.D.1 9.D.2 9.D.3 System Configuration and installation Use of Stage Box general rule Modules installation and racks configuration MASTER console definition Powering-up 7 7.A 7.B 7.B.1 Sensoft Offline General operation of the mouse and keyboard Detailed operation and access to the various windows The HARDWARE CONFIGURATION window 9.D Transmission on coaxial cable BNC connections Earth and perturbations Transmission defaults and adjustments User Guide - © InnovaSON - February 2005 TABLE OF CONTENTS 3 9.E.1 9.E.2 9.E.3 9.E.4 9.E Appendices Audio rack general Characteristics Audio specifications Signal path EtherSound applications 9.24 9.24 9.24 9.26 9.27 10 10.A 10.A.1 10.A.2 10.A.3 10.A.4 Sécurité . Safety . Wichtige. Précautions, sécurité, avertissements. Important messages - Wichtige Hinweise. Symboles - Symbols - Symbole Dangers ­ Warning ­ Achtung Avertissements ­ Cautions - Vorschit Remarques sur l'utilisation Operating notes ­ Hinweise zum Betrieb 10.1 10.1 10.1 10.2 10.2 10.3 User Guide - © InnovaSON ­ February 2005 INTRODUCTION 1-1 1 DIGITAL MIXING IN LIVE SOUND 1.A Sensoft 8.1: a brief history Several years have passed since InnovaSON introduced the first digital system designed to meet the needs of LIVE SOUND production: artists on-stage, impatient producers (tight budgets), live sound quality identical to studio recordings, complex productions, etc. LIVE, for InnovaSON, is a "keyword" reflected in the products; products that are reliable, sturdy, and capable of working without a problem, show after show. Thought was not only given to limit size and excess weight (as freight in a lorry, car or plane), but also to speed up the installation, and especially to "free the spirit of the sound engineer", an essential condition in the creation of quality live performances. Thanks to the success of the MUXIPAIRE system, InnovaSON was in touch with numerous users, who all wished for a digital mixing desk that would, at last, satisfy all their requirements for live shows in the 21st century: Total memory of the functions necessary for complete audio signal processing Immediate reminder of the state of the whole console Simple to use in spite of sophisticated automation Sound quality without compromise All the advantages of a completely computerised digital system These are the essentials that InnovaSON settled on throughout the design of its range of digital consoles. Designed from standard elements in InnovaSON's modular (or custom) digital audio systems, InnovaSON consoles now benefit from the field experience gained from those previous products. All the team at InnovaSON sincerely thank all those who brought another small stone to the structure, by their suggestions, particular requirements, or sensible comments. Although completely digital, InnovaSON consoles will not upset a user brought up on classic analogue systems; on the contrary, their original three-part concept (mixing desk, local and distant audio system racks), brings more flexibility and quality, without compromise. Our greatest satisfaction will be to learn that each user has found, in Live Sound, a work tool perfectly adapted to their needs. User Guide - © InnovaSON - January 2004 1-2 INTRODUCTION 1.B Fader assignment Sensoft 8.1 brings something new to the world of Live Sound ­ you define the number and position of all the functions necessary for your mix. Naturally this number is determined, on one hand, by the number of faders on your control surface and, on the other hand, by the available DSP resources in your system. The figure below gives the maximum number of resources that Sensoft 8.1 can handle on various InnovaSON consoles. Resources available on InnovaSON consoles Console Sy40 Sensory Live (Upgrade Sy80) Sy80 Sensory Live (for the record) Faders 47+1 DSP module DSP Sy40-8 Mix busses 26 Input channels 48 Monitor circuits 3 71+1 DSP Sy80 48 = 32+16 80 3 80 DSP Sy80 48 = 32+16 80 3 71+1 DMMk-9 23 48 1 Console faders can handle inputs coming from distant and local audio racks, as well as controlling the busses necessary for the different mixes required for these inputs. User Guide - © InnovaSON - January 2004 INTRODUCTION 1-3 1.C The assignable functions Each of the console faders can handle the following functions: User Guide - © InnovaSON - January 2004 1-4 INTRODUCTION Each of the console faders can handle the following functions: The number of faders available in this grid corresponds to that available on the console (shown here is the Sy80). The Grid functions in the same way for any console as long as it supports Sensoft 8.1. Later on in this manual we will show you how to access and use the configuration grid. To give you the time to fully understand and master this feature, preset configurations allow you to quickly set the parameters of your console. Having first inserted the floppy disk "Examples", use the Import function to load these standard configurations. 1.D Spread zones Let's take a few moments to consider the concept used by InnovaSON to exploit more physical inputs and mix busses than there are faders on the console, without having to resort to a system of layers. As you saw previously, InnovaSON designs consoles dedicated to, among other situations, live applications. It was therefore important to establish a design that took note of the following points: A console with a size and weight lower than its analogue counterpart Retention of the user-friendliness inherent in software previous to Sensoft 8.1 To always have a global view of the general state of the console on the monitor screen To have to hand the maximum number of controls, for fast and effective user reaction This last point made InnovaSON decide to implement the XFAD function in the development of Sensoft 8.1. Whether for the management of inputs or the management of busses, the general principle is the same: a full channel can control a single physical I/O or of a set of physical I/O. In the latter case, the channel can be compared to a "fader bank", because every time it is selected, it spreads out all the channels it controls, in a zone defined by the user. User Guide - © InnovaSON - January 2004 INTRODUCTION 1-5 The principle of spread channels The channels associated with one, or a group of, physical inputs The spread zone as defined by the user, made up from as many XFAD as neccessary In the same way, Aux, Group or Master channels can spread their L, R, C and M busses if necessary, in this case you can compare them to "Bus Banks" The figure above shows an example of 8 "banks", each spreading 16 XFAD inputs. A swift calculation shows that, in theory, you could control 8 x 16 = 128 inputs with only 8 + 16 = 24 faders.......what a dream! One of the major points of Sensoft 8.1 is that the number of "banks", and their arrangement as well as the number of channels spread by the "banks", is defined by the user. Each user can effectively "draw" the console according to their own needs. User Guide - © InnovaSON - January 2004 THE Sy48 CONSOLE 2-1 2 THE Sy48 CONSOLE 2.A Sy48 : Overview of the product The Sy48 console is a single block, 'all in one' system, with the local Mix Box and the control surface within the same frame. The Mix Box provides 6 slots for housing modules of 8 inputs or 8 outputs (analog, digital AES or Ethersound). Its modular structure lets you configure the inputs and outputs according to your needs. Hence, when used by itself, it can be equipped as shown below, with 32 mic/line inputs, 16 line inputs, 16 analog outputs with processing, and 16 line outputs. 32 mic/line inputs: SI-8D3 cards 16 processed outputs: XO-8D2 16 line I/O The platform features everything you expect from a digital mixing console in a particularly compact frame weighing less than 40 kg, including : 48 motorized and assignable faders with immediate access to the main parameters (selection, monitoring and mute) 48 LED bar-graphs for immediate metering of input or output signals A section for adjusting all the parameters of the current selected channel A section for managing memories A collapsible 12" screen for real time visualization of all the mix parameters An access panel to all the main functions (patches, monitoring, talkback circuit, ...) A PC computer handles everything in the system A keyboard/track-ball drawer for labeling and access to advanced functions Space reserved for the local audio rack, where the I/O modules, the MC-64 controller and the DSP Sy48 module can be found. The digital aspect of the console is managed by the MC-Optical controller module, which generates the audio clocks, drives the bus, and handles communications with the console's integrated PC. This module is equipped with BNC and optical connectors dedicated for the connection of a Stage Box, which then allows the remote management of 48 Mic/line inputs and up to 32 mix busses. Therefore, the slots of the local Mix Box can be equipped with more output modules, which leads to a maximum of 6 analog or AES output modules, plus the 16 line outputs available on the SubD25 connector... that gives us a total of 64 local outputs. User guide - © InnovaSON - January 2005 2-2 THE Sy48 CONSOLE Coaxial or optical cable transmission is not an option. Every InnovaSON platform is equipped with this transmission system. No need to invest in any format converter or other hardware to establish a connection between a Stage-Box and the Mix-Box. Just connect the MCoptical (card featured in the local rack) to the SCoptical (card featured in the remote rack) to immediately benefit from a digital transmission, where 64 channels can be exchanged between both audio racks.. In the local audio rack, on top of the MCOPTICAL controller, one can find the DSP (digital signal processor) Sy48 module, which handles the digital processing of signals, and all the algorithms that the console functions may use. This module is equipped with 4 Sub-D 25 connectors which can manage 16 inputs and 16 outputs of line level signals, which therefore add up to the resources provided by the I/O cards of the rack. Four Sub-D / XLR adapter cables are provided with the console. The firmware currently available in the DSP Sy48 card provides simultaneous mixing of 64 inputs (48 Muxi + 16 line inputs) to 34 mix busses (two of which are reserved for stereo monitoring). The mix busses have no predefined functionality. It's up to you to use them as groups, sub-groups, auxiliaries, masters, matrixes, ... The inputs/outputs accessible via the SubD connectors can be used as line inputs or mix bus outputs, bus also as Insert Send/Return pairs to insert external processors. As with any InnovaSON console, once the input and output cables are connected to their designated devices, you no longer need to touch them. All patching operations are done electronically and are memorized ­ all of which is managed directly from the control surface. The Control Surface is relatively easy to understand; even beginners will rapidly feel at ease with the digital mixing provided by the Sy48. The various console channels are equipped with motorized faders which move into position rapidly, quietly, and even feature a "sensory point" that can be felt under your fingers. Therefore, you always have the last memorized position in mind. The bar-graphs located just above the faders provide direct metering of various working levels, after processing (dynamics, EQ) or before processing (reflecting the output level of the pre-amps), depending on the option selected in the general preferences. User guide - © InnovaSON - January 2005 THE Sy48 CONSOLE Last but not least, as soon as the console is switched on, the flat LCD screen displays the main mix window or, depending on preference settings, the other control windows of the platform. The internal computer drives the DSP in real time according to the actions taken by the user on the control surface. If necessary, the console's internal PC can be removed and replaced by the external PC connection kit. You can therefore control the platform from any PC on which Sensoft has been previously installed. 2-3 To make things easier in a given situation, provision has been made to replace the internal flat screen by another SVGA standard screen. The keyboard and mouse can also be relocated (or replaced) by removing them from their drawer. 2.B Personalization, options Each system, within certain limits, can be adapted to the latest performances and options of the InnovaSON range of products. For this, please contact our authorized technical services for specific updates: DSP resources, Sensoft, advice, etc 2.B.1 L.E.M : optional External Mix Box In certain situations, it could be more practical to access the audio cards without having to go around to the back of the console. In these cases, The L.E.M. option (for Local External Mixbox) is the solution. You also benefit from 8 slots instead of the 6 inside the console. The L.E.M. is equivalent to the Sy48's internal audio rack, except it is located outside of the console. All the modules that would normally be fitted in the console's internal rack are 100% compatible with the L.E.M.; no updating of the card is necessary to use the L.E.M. The L.E.M. is the same local audio rack as the one used by the Sy80 platform. Therefore, you must follow the same rules concerning the location of the audio cards within the rack: Always start by the output cards (XO, MO, DO) and then finish by the input cards (SI, DI), if you are using any. The Stage-Box (is you are using one) will follow the inverse rule: first the input cards, then the output cards. Don't forget that the cards with the Hyperdrive option (XO-8D2, DO-8X, DO-8Xes) do not work in a Stage-Box. Only the MO and DO-8A are designed to work in a Stage-Box. User guide - © InnovaSON - January 2005 2-4 THE Sy48 CONSOLE MCOPTICAL DSP Sy48 Output cards Input cards A standard SG3100 audio rack is equipped with two internal power supplies, with automatic switchover if a problem was to occur on one of them. For the automatic switchover to function properly, it is imperative that both power supplies of the rack be connected to the mains. Power supply A's connection to mains The PSU module, in the last position in the Audio Rack, indicates the state of the two internal power supplies. Power supply B's connection to mains Connection to the console Blank face plates are used on the integrated audio rack on the back of the console. They are placed in the audio and MC cards position. One of these cards, the DSP Sy48, is replaced by the SF2077 module, which is a Jeager adapter enabling the connection to the external Mix-Box. To the DSP connector of the console's internal rack. To the SubD25 connector of the console's internal rack. User guide - © InnovaSON - January 2005 THE Sy48 CONSOLE 2-5 The SF2077 module is inserted in the DSP slot and a cable, linked to the module's Jaeger connecter, must be plugged and secured with two screws on the SubD25 connector, at the base of the rack. Initially, this connector would receive the MCOPTICAL's SubD25 connector. The SF2077 module (front view)... Connection of the Jaeger cable link to the L.E.M. XLR connector for talk-back mic. The L.E.M. is supplied with a 5 meter long Jaeger cable. Just connect the cable between the console and the audio rack before powering-up the system... CONNECTION OF THE L.E.M. TO THE CONSOLE User guide - © InnovaSON - January 2005 2-6 THE Sy48 CONSOLE 2.C Description of the Sy48 2.C.1 Dimensions and general information 1152,7mm / 45,4'' 155mm / 6,1'' 401mm / 15,8'' 132,9mm / 5,24'' 771,2mm / 30,37'' 1150 mm User guide - © InnovaSON - January 2005 334,1mm / 13,16'' max. 213,2mm / 8,4'' THE Sy48 CONSOLE Console : Length: Width: Height: Weight: Shipping crate: Power supply: Power consumption: Working temperature: Faders: Labeling: Control: Bar-graphs: Pots: Switches: Internal computer: Screen: MIDI card: Keyboard: Backup: Hard disk: 2-7 1152,7 mm / 45,4'' 771,2 mm / 30,37'' 213,2 mm (screen folded down), 334,1 mm maxi. / (8,4'' / 13,16'') 40 kg by itself (88 Pounds) 1300 x 450 x 900 mm, 90 kg / 51,2'' x 17,7'' x 35,4'', 198 Pounds. 90/253 Vac, 46 to 63 Hz 300 VA max +10°C to +35°C (50 to 95 °F) 48 motorized 100 mm ALPS faders 48 4 character LED Matrix 141 switches, Cue, Select and Mute per fader 48 Vu-meters (16 LED) 23 rotating encoders for audio parameters and console control 34 switches for audio functions and global control PC Compatible, Pentium 1GhZ, 128 Mb of RAM 12" collapsible flat LCD screen InnovaSON CHERRY ML4100 QWERTY (keyboard + track ball) On any USB storage device (3 available ports) 3"1/2 USB) 128/256 Mo Flash Memory Rack audio Stage-Box (optional) : Length: Width : Height: Weight : Basic modules: Coaxial cable: Shipping crate: 482 mm (19'') 325 mm (12,8'') 312 mm (7U, 12,3'') 20 kg by itslef / 44 Pounds 75 kg with shipping crate / 165 Pounds 1 SCOPTICAL controller module and 1 SI-8D3 module 2x150m, 75 Ohms, 4 BNC, supplied on a drum 800 x 640 x 740 mm / 31,5'' x 25,2'' x 29'' L.E.M. audio rack (optional) : Length : Width : Height: Weight : Basic modules: Shipping crate: 482 mm (19'') 325 mm (12,8'') 312 mm (7U, 12,3'') 20 kg by itself / 44 Pounds 75 Kg with shipping crate / 165 Pounds 1 MCOPTICAL controller module 800 x 640 x 740 mm / 31,5'' x 25,2'' x 29'' User guide - © InnovaSON - January 2005 2-8 THE Sy48 CONSOLE 2.C.2 The Quadfad module A Quadfad module features 4 motorized faders. Each fader has its own 4-character label. The 12 Quadfad modules of the console are identical. Sensoft lets you determine the purpose of each fader. Their presence is automatically detected by Sensoft. The main characteristics of a Quadfad module are as follows : ALPS 100 mm motorized fader 8 bit linear conversion for servo-control and fader positioning nominal positioning time: 100 ms Sensory memory of stored fader position Illuminated switch to indicate Channel selection Illuminated [CUE] switch (green) to indicate assignment to the Monitor bus Illuminated [MUTE] switch (red) 4-character Labeling display (adjustable highlighting / for when the channel is selected) 2.C.3 The CHANNEL CONTROL panel Integrated within the console frame, and ideally positioned to be accessed rapidly, this panel centralizes all the channel's parameter controllers (gain, EQ, Dynamics section, etc...). Pan control, and amongst other things, access buttons to the various 'LIVE' functions such as Copy, OverRam, and the patch windows, are also found on that panel. 2.C.4 Screen and UTILITIES panel Three sections complete the access to the console's functions with, from left to right, the page and show management panel, the central screen to visualize the current mix, and the patch grid, monitoring circuit management and talk-back mic panel. User guide - © InnovaSON - January 2005 THE Sy48 CONSOLE On top of the screen, you will find three small holes that let you adjust brightness and other settings. A user manual for the screen is supplied with the console to guide you in the procedure. In any event, one of the configuration menus offers an automatic adjustment, which will optimize settings according to the video signal' characteristics. 2-9 During the console's startup procedure, the image may be unstable. This is perfectly normal. As soon as Sensoft is launched, the image will be stable. 2.C.5 On the front of the console Left of the keyboard drawer, you will find 3 connectors: - A 1/4" headphone jack - An XLR connector for a talk-back mic - A USB connector for any storage device Volume of the headphone jack can be adjusted with the [Level] pot of the monitor section when no other monitoring circuit is active. 2.C.6 On the back of the console Mains connector and main power switch 2 USB connectors MIDI conections Keyboard, track-ball, VGA screen connections Available slots for local audio cards Connection of an autoredundant external power supply (SV0038) MCOPTICAL control and transmission card DSP card and line I/O User guide - © InnovaSON - January 2005 2-10 THE Sy48 CONSOLE 2.C.7 Control layout Control surface layout Channel control panel Monitor/Utilities panel Faders section User guide - © InnovaSON - January 2005 THE Sy48 CONSOLE 2-11 The Channel Control panel I N P U T The Monitor/Utilities panel 1- OffLine : désolidarisation de la console Disconnects the console from the racks audio. des audio racks. Permet d'éditer pages 2- Muxi : Visualization of sans affecter et paramètres de mixage the system's outputs. l'audio en cours. 3- Input fenêtre de 2- Muxi :patch grid visualisation de 4- Switch sorties du système. toutes les to « manual » for selected parameters in selected channels 3- Grille de patch des entrées 5- Request : manuel » des paramètres 4- Mise en « Visualization and rapid activation of pour les power, LowCut, sélectionnés Phantom tranches EQ, ... sélectionnées. 6- Request : Visualisation et activation 5- Output patch grid 7- Test settings Ph, LowCut, of the rapides :des alimsand activationEq,... test oscillator. 6- Grille de patch des sorties 7- Test : paramétrage et activation de l'oscillateur de test. 1-Phantom power On/Off 1-On/Off Alimentation phantom 2-Mic pre-amp gain 2-Gain du pré-ampli micro 3-Phase inversion 3-Inversion de phase 4-Insert return In/Out 4-Activation/désactivation Insert Return 5- Attack parameter control 6- Release parameter control 7- Gate / Compressor settings toggle 8- Noise Gate On/Off 9- Threshold parameter control 10- Range parameter control 11- Hold parameter control 12- Compressor On/Off 13- I/O card parameter link 14-Copies a channel's parameters 15-Propagates the parameter values to the other pages in RAM 20- Initialization of Eq, Dynamics, ... 21-Mix parameter link 16- Digital EQ's parameter controls 17-Low-cut filter On/Off 18- EQ On/Off 19-Toggles between the first 4 and last 4 EQ bands of the Hyperdrive cards (XO, ...) 22- File edit window 23- Rotating encoders: lets you navigate through lists, grids, ... 24- Saves the current page 25- Loads a folder from the Hard disk to the RAM 26- Confirmation: OK key 27- Previous memory 28- Next memory M O N I T O R I N G U T I L I T I E S D Y N A M I C S T O O L S E Q F I L E S / N A V I G 8- TB mic or active monitoging circuit level (depending on general pref.) 9- TB 1 or Monitoring circuit 1 (depending on general pref.) 10- TB 2 or Monitoring circuit 2 (depending on general pref.) 11- TB 3 or Monitoring circuit 3 (depending on general pref.) 12- Level control when monitoring inputs 13- level control when monitoring mix busses 14- IN : Toggles input monitoring between PFL and AFL 15- OUT : Toggles mix bus monitoring between PFL, AFL and APL The Faders section C H A N N E L P A N 29- Aux parameter window: Pre/Post, independent Pan, routing... 30- Pan placement adjustment (Hyperdrive card output level in Muxi mode). 1- Channel mute 2- Channel label 3- Selects this channel's parameters 4- CUE: sends the Channel to the monitoring bus. 5- Channel fader User guide - © InnovaSON - January 2005 2-12 THE Sy48 CONSOLE 2.D Precautionary measures, safety and warnings Read this section carefully in order to use the control surface safely. 1.Never connect a receiver (camera) that has its own phantom power activated: this would destroy the output to which it has been connected. Switch the phantom power off, or if this is not possible, go through an external device first (isolation transformer, intermediate pre-amp, etc...). 2. Only the swapping of presumably defective modules is advised, and made possible by the modular philosophy of the control surface. ANY SWAPPING OF MODULES MUST BE DONE WITH THE CONSOLE SWITCHED OFF. 3. Do not store or use the console in extreme temperature conditions, or in an environment where it might be exposed to vibrations, dust or humidity. 4. Never use any liquid to clean the surface of the console (ideally, use a soft and dry cloth). Only use water or ethylic alcohol to clean the casing and silk-screen printed surfaces; other solvents could damage the paint or plastic parts. 5. Do not place the audio racks, local or remote, or the console itself, too close to strong electromagnetic radiation sources (video monitors, high-voltage cables, ...), as this might cause a degradation of audio quality via induced currents in the connections and frame. User guide - © InnovaSON - January 2005 THE Sy48 CONSOLE 2.E Manipulation and transport 2-13 Before you move the console, make sure that everything is disconnected. Never put excessive pressure on the pots, switches and connectors. The Sy48 console provides two grips under the plastic flanks on each side, for easy maneuvering. 2.F Power supplies and EC standards The Sy48 console may be powered by any voltage ranging from 90 et 253 Volts AC / at 47-63 Hz. The power supply must be earthed. For optimal performance, it is essential that the earthing network be free of noise, since all signals are going to be referenced to it. A central point must therefore be determined as the main earthing connection, and all other earthing connections must originate from that point. It is recommended that you pull an extra earthing wire from each socket, wire that will be directly connected to the central earthing point: this is the best way to ground all the devices of your installation. When the console is in use, do not block the cooling vents. Be especially careful of that if you are using the console while it remains in the lower half of its flight-case. For electrical precautionary measures, please refer to chapter 10 - Appendices 2.G Connections Connections to the control surface are reduced to a minimum for easy installation, and an increased reliability of the system. To use an external PC (desktop or laptop) you will need accessory SG9008, which will replace the internal PC, with connectors provided for hooking-up the external PC. 2.G.1 Audio connections The Sy48's platform connections are all standard and were chosen to correspond with the most widespread in the professional live audio industry. No need to buy extra adapters or specific connectors when using the console in a normal environment. If, however, you have specific needs, feel free to contact InnovaSON's technical service. The contact information can be found on our web site and at the end of this manual. Do not connect other audio devices which are switched on, before you power up the console. The Sy48 is a computerized platform which starts up in the last saved statuses, that you do not necessarily know. Unknown parameters relative to gain settings, or output levels, could damage various audio equipment (power amps, speakers,...), or even cause hearing damage to people too close to the speakers. Good practice would be to always shut down the console on a blank page, in which all the settings would be zeroed. User guide - © InnovaSON - January 2005 2-14 THE Sy48 CONSOLE 2.G.2 Interal screen, external screen The standard screen housed in the console is a collapsible color LCD flat screen. The collapsed position is used during transportation. The screen can be tilted to suit your viewing position. A user manual for the screen is supplied with the console. With a stylus, the holes on top of the screen's plastic casing give you access to the brightness, color and contrast settings. Instead of the integrated screen, you can use any other standard SVGA monitor. Pay particular attention to the electromagnetic radiations that could appear when using a CRT (Cathode Ray tube) monitor. The screen's connector is linked to the internal computer, on the rear of the console. If you are using an external computer, the screen (built-in LCD or other) can be quickly connected to the current working computer. 2.G.3 Connecting MIDI equipment The Sy48's MIDI connectors are located on the internal PC, at the rear of the console: they will accept any MIDI compatible device. To make sure your connection will work, always use a cable that complies with MIDI specifications. Sensoft provides a utility tool for testing MIDI cables: refer to section 8. 2.G.4 Connection of an external power supply An external power supply unit SV0038 can be connected to the console to provide backup to the internal power supply in case it fails. It is even possible to connect two external power supplies, and control the power-up of the console remotely from them. Contact our technical services for further information on that matter. The Jaeger connecter dedicated to connecting an external power supply is equipped with a protection cap that MUST be in position when this function is not used. The cap keeps any short circuits from occurring between the Jaeger connector's pins. 2.G.5 Connecting an external PC Any IBM-PC compatible computer, hosting a processor of at least 800MHz with 64Mb of RAM can be used to supervise the operation of the console instead of the internal unit. The SG9008 accessory is necessary for this type of operation. While on tour, we more than recommend that you purchase this accessory and keep a laptop PC ready, to "save the day". User guide - © InnovaSON - January 2005 THE Sy48 CONSOLE 2-15 The Windows XPE operating system installed in the console's internal PC is an XP core assembled by InnovaSON developers, in order to contain only the required elements necessary for managing the Sy48 platform. This is a mandatory condition to guarantee a stable, crash free, system. InnovaSON can not be liable for the instability of the operating system installed on your personal computer, connected to the platform. Our technical support is always ready to help you configure your computer for such a use. 2.G.6 Connecting an optional Stage-Box The MCOPTICAL and SCOPTICAL cards, supplied as standard with the Mix-Box and Stage-Box, have their own coaxial and optical transmission system. It is very easy to initiate this transmission, as shown in the diagram below. The link may be uni or bi-directional. If it is uni-directional, only one TX of the Stage-Box will be linked to the RX of the MC. In this case, the console is in « Slave » status and cannot control the gain and PH48V of remote microphone input cards. We must insist on the need to use good quality cables or fibers and to take particularly good care of the connections used for this link. SCOPTICAL : on the Stage Box Control signals coming from the MC via a coaxial cable. Selection of the optical or coaxial input Control signals coming from the MC via an optical fiber MCOPTICAL : on the Mix Box Reception of the 64 channels coming from the SC via Coax. Selection of the optical or coaxial input Reception of the 64 channels coming from the SC via fiber. Control of a Stage Box, via its optical or coaxial input. The third coaxial link may be used as a backup for the second one... Transmission of 64 audio channels to the audio rack's MCs. The three links work in parallel, so the sources (mics or other) can be split digitally to 3 platforms. Several configurations are possible: Up to 500m coaxial or optical 6 SI-8D3 : 48 remote mic/line inputs - 6 XO-8D2 : 48 processed outputs - 16 outputs accessible on 2 Sub-D connectors - 16 line inputs accessible on 2 Sub-D connectors User guide - © InnovaSON - January 2005 2-16 THE Sy48 CONSOLE Up to 500m coaxial or optical 6 SI-8D3 : 48 remote mic/line inputs 2 MO-8D3 : 16 analog outputs - 4 XO-8D2 : 32 processed outputs - 16 outputs accessible on 2 Sub-D connectors - 16 line inputs accessible on 2 Sub-D connectors Nothing is easier than adapting the console to your needs, whether you are using it for monitoring, Front of House, theatre, opera, broadcast... The only limitations are: No similar type cards (input/output) on the same remote and local slots (A, B, C,...). Maximum simultaneous mixing of 48 Muxi inputs (inputs coming from SI and DI cards) plus the 16 line inputs of the DSP card (Sub-D). These 48 Muxi inputs can be selected, for each page of the show, amongst the 64 possible inputs. Maximum transmission of 32 busses to the Stage-Box, patchable on 4 MO-8D3 or DO-8A cards. These cards must imperatively be installed in slots E, F, G or H of the Stage-Box. Using remote output cards condemns the use of input cards installed on the same local slots. Please refer to the Sensoft 9.1 Addendum for further detail. Example of a Stage Box and its optical fiber Also refer to section 9 for the rules concerning the use of the Stage-Box. User guide - © InnovaSON - January 2005 THE Sy48 CONSOLE 2.G.7 Digital audio clock sync with external devices 2-17 There are several ways to sync the digital audio clocks of external devices with InnovaSON's platform clock. This can be done through SRC (Sample Rate Converter), on one or several digital audio inputs or via a Word-Clock or AES link, to synchronize the entire system to the same clock source. Principle of the SRC (real-time sample rate conversion) : This allows each equipment to keep its internal digital audio clock source. The digital inputs (AES or other) is immediately followed by a SRC algorithm allowing the synchronization of the incoming sample rate to the one used by the receiving system. The conversion has a range of about 10% around the sample rate of the receiving system. The DI-8SRC InnovaSON card is equipped with such an algorithm. Each one of the card's 4 AES inputs can receive an external digital audio signal with a sampling frequency between 32 and 50 KHz. The card output is itself synchronized to the global clock rate defined in the InnovaSON platform. This feature has the advantage of letting you connect several digital audio sources to the console without having to worry about syncing the sources to one another. Be careful: the SRC creates an additional calculation latency, which leads to a non-negligible delay of up to 1.5ms in the « worst case » conversion... Moreover, again for calculation reasons, the original 24 bit resolution at the SRC's input will be « reduced » to 20 bits after conversion... Rest assured: the audio quality is still very good. Using Word-Clock input and output : When the console is meant to exchange a great number of digital input/outputs or is integrated in a digital audio environment where all the machines are synced to one another, it might be more useful to use the Word-Clok I/O of the platform. The console can be used as the « master clock source » or be synchronized to a reference clock. In the first case, just take the WC output of the MC and/or SC (if there's a Stage-Box) and distribute that signal to the WC inputs of the other devices. Note that the WC signal is available both on the local audio rack and on the optional Stage-Box. If, on the other hand, you wish to sync the console to a reference clock (48KHz), connect that clock signal to the MC's WC input. If you are also using a Stage-Box, then you MUST use the WC input of that Stage-Box's SC instead. The Stage-Box being the clock master for the platform, it must be the one receiving the external clock signal. If you are using a Stage-Box, the MC's WC input is ignored (the L.E.D normally showing synchronization stays off). Using the AES input: The MC and SC cards also feature an AES input. When a digital audio signal is connected to this input, the platform can extract the clocking information from the signal and sync to it. The same rule concerning the Stage-Box applies here : always sync the Stage-Box if you are using one, not the MixBox. User guide - © InnovaSON - January 2005 2-18 THE Sy48 CONSOLE A few cases where no external synchronization is necessary : There are a few cases where it is not necessary to use any sync signal between the console and digital audio devices. Indeed, when the console feeds a digital audio signal to a device for processing purposes (effect, dynamic processor, digital recorder, ...) which is then returned to the console after processing, no need to use an SRC or a WC. Just configure the external device so it syncs on the incoming AES signal (fed by the console). The signal supplied by the device's output will also be synced by the incoming signal, and therefore, to the console's digital audio clock. For signal exchange with digital outboard, it is therefore possible and even simpler to use DO-8 and DI-8A cards without worrying about syncing devices with one another. This will be done by configuring each outboard's digital clock source. 2.G.8 Connecting headphones There are no restrictions to the use of headphones on the console's headphone connector (refer to section 2.C.5). However, it is strongly advised not to use the MC card's headphone jack, which goes way back in InnovaSON's history of developments! This output was originally designed for monitoring functions of the Muxipaire, when no console was used. This output does not feature a volume control. CAUTION: Do NOT connect headphones to the SCOPTICAL`s headphone jack. This jack is operational only when using a Muxipair and when the card is configured as an MC and not as an SC. User guide - © InnovaSON - January 2005 THE Sy48 CONSOLE 2.H Powering up 2-19 The Sy48's elements must be powered up following these specific instructions. Failure to do so might damage the equipment; some elements might end up being unusable. 2.H.1 Power up sequence Mains connections Connect the console's mains power cord, located on the back. The audio racks (L.E.M. and StageBox) require two power cords that must imperatively be connected to the mains for the power supply redundancy system to function properly. Before powering-up them up, make sure that the audio inputs and outputs are not connected to any elements that might be easily damaged (amplifiers, headphones, ears, etc...). If you are using a Stage-Box, you should switch it on first, sera mis sous tension en premier, for its configuration to be automatically recognized by the console. Bad recognition will not give you access to all the parameters, and will not allow active monitoring of the various working states of the system's elements. There is no power switch on the audio racks: you simply plug the two mains cords of its power supplies to switch the rack on. No need to worry about any accidental shutdown. Caution: respect as much as possible the power-up sequence below: 1. 2. 3. Power-up the Stage-Box (if you are using one) Power-up the L.E.M. (if you are using one) Power-up the console When using a Stage-Box, you MUST connect the transmission cards with the provided coaxial or optical cable (see paragraph 2.G.6). The console, when used by itself, uses its internal clock source, and is « clock master ». With a StageBox, the system's clock is provided and distributed by that audio rack. This is why, when using a Stage-Box, only the WC and AES inputs of the SCOPTICAL are operational. The MC's and SC's WC output both generate the same clock rate than the one provided by the Stage-Box. The power-up sequence is important because it lets the Stage Box send the clocking signal on the optical or coaxial cable first, so the connected MCs may sync to it as soon as they are switched on. User guide - © InnovaSON - January 2005 2-20 THE Sy48 CONSOLE As soon as the rack is switched on, it is important to check that it is functioning properly. The power supply card has 4 LEDs indicating the presence and conformity of the 4 secondary voltages. The MCOPTICAL and SCOPTICAL modules feature, next to the RX connectors, a few LEDs. The input which has been selected with the switch should illuminate the corresponding LED in red, thus indicating that the rack and its transmission card are both functioning correctly. It will turn green as soon as the MC/SC communication is established. This should happen just a few seconds after Sensoft has been launched. If the MC is not connected to a Stage-Box, the RX LED will, of course, stay red. In the console, two little cards indicate the state of the internal power supplies, LEDs slightly sticking out of the plastic covers will provide readings of these states : On the left, the LEDs regarding the audio section red (+5V), green (+/-15V), yellow (+48V) On the right, the PC and the control surface 2 red (+5V) and 2 green (+/-12V) The start-up procedure should last about 30 seconds, during which a few messages and images are displayed before Sensoft is finally loaded. If the startup fails, shut the power down, wait 20 to 30 seconds before switching the power back on. Even though the internal computer is very robust, a power shortage during a backup can make an important file unreadable, therefore disrupting the startup procedure. If this were to happen too often, back-up all your files and reinstall the System and Sensoft (see section 8). If, in spite of this, the startup still causes trouble, contact InnovaSON's technical service. The parameters that were last saved might be different from those necessary our required. Make sure that step after step, all the parameters comply to your needs and to the rest of the audio installation. The elements of the sound reinforcement system may now be connected and switched on. User guide - © InnovaSON - January 2005 THE Sy48 CONSOLE The console is now ready 2-21 It will be in the mix mode that was last used before it was shut down (last recalled page). If you took care of shutting down the console on a blank, inert, page, the console will boot in this state. It is therefore recommended that your show contain an inert end page (or start page), recalled and saved prior to shutting down, which then means that powering up can be done safely. When using the console for the first time, the default elements are the INNOVA folder containing the blank INNOVA page. A disk is provided with templates that you can import. 2.H.2 First checks Before going further, it is important that you check some information with the screen : LOCAL The console is autonomous. No data is received from a StageBox. Communication with the local audio rack (or L.E.M.) is OK. SLAVE The console is receiving data from a Stage-Box, but the TX link has not been detected. Therefore, the console cannot control remote mic preamps MASTER Indicates that both links have been detected. The console is `Master' of the system, and therefore controls remote mic preamps (gain and 48V) and the potential channels returning to the StageBox. NO SYSTEM Abnormal situation on a Sy48. The internal audio rack (or the L.E.M.) has not been detected by the console. The screen displays the faders in their exact position, their colors reflecting their associated functions. The screen displays the various fader positions as well as the state of the mix parameters, such as the [MUTE] and [CUE] switches activated on the console, which appear respectively in red and green above each fader. When a [SELECT] switch is pressed, this activates the corresponding channel, and lights the «Select» indicator, illuminating and making the text in the associated display (label) flash. User guide - © InnovaSON - January 2005 SENSOFT 8.1 3 SENSOFT 8.1 3.A Your First Mix: a simple step-by-step example 3-1 It is obvious that every engineer confronted for the first time with a new console has a single goal: "to mix"! This is only to be expected so, by means of a very simple example, we are going to guide your first steps through the exciting world of InnovaSON. Note: it was made clear at the beginning of this user manual that you should read its complete contents before you start to use the console. The following paragraphs are not intended to be an exception to this rule ­ their purpose is to show how user-friendly your first contact will be, even if it turns out to be simple. In spite of today's Sensoft 8 offering a very important rang of new tools, the design philosophy used by InnovaSON has not changed for a long time. It is based on 5 fundamental actions, as illustrated by the figure below : These 5 actions characterize what Sensoft has always provided for the user: simplicity, speed, and ease of access. Connect a source to an input, Patch this input to a fader, Route the fader to a mix bus, Patch this bus to a physical output, and finally Connect this physical output to a PA system or external device ­ the chain is complete! Everything that Sensoft offers has a degree of sophistication stemming from the feedback of users who, since the beginning, understood the possibilities offered by InnovaSON platforms. Thanks to their insight and understanding, Sensoft 8 was born ­ a skillful combination of user-feedback and the magic touch of the InnovaSON designers. The result offers each user the possibility of DRAWING their own console, according to their needs at that time. You only need to understand how the Patch and Routing grids function, in order to feel at ease with all the functions of Sensoft, as most of the Grids and Signal allocations use the same philosophy. User Guide - © InnovaSON - January 2004 3-2 SENSOFT 8.1 3.A.1 Console Configuration Our example is very simple and consists of assigning an input, to which is connected an audio source, to a channel, and then to mix this input to various busses by having a go with, one step at a time, the Subgroups, VCAs, channel spreads, etc. First of all, we will assign the faders of the console to the functions that we are going to use throughout this example. The illustration below shows how to access the hardware configuration window. This window is used to provide every fader with an appropriate function, and also to check the configuration of the audio racks and the state of data transmission between the racks. The Hardware Configuration window Cards present in the audio racks The state of data transmission The 80 console faders The cursor keys on the keyboard, or the track-ball on the console control surface, are used to move around the function Assignment grid. Functions are assigned to selected faders by pressing the [SPACE BAR] on the keyboard, or by means of buttons of the track-ball, the functions of which are explained below. User Guide - © InnovaSON - January 2004 SENSOFT 8.1 Using the track-ball in Sensoft grids ­ keyboard and mouse equivalents 3-3 For our example, the console will be configured as follows: The first 40 faders will be inputs, so the Input function will be assigned to them. The next 8 faders will be "spread" inputs which we'll use towards the end of the example; the function XFAD will therefore be assigned to them. Two Master faders will be set up, assigned with the functions Master "LEFT" and Master "RIGHT". There will be 6 mono Groups. Finally we'll configure 8 auxiliary sends; the remaining 16 faders will not be used at the moment. Our starting configuration ... Press the [ESC] key to validate the new configuration. It will appear in the main mix window and you will be able to see the console just as you have "drawn" it.