Stage Piano MP8 Owner's Manual Important Safety Instructions SAVE THESE INSTRUCTIONS INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS WARNING CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. AVIS : RISQUE DE CHOC ELECTRIQUE The lighting flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. - NE PAS OUVRIR. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the leterature accompanying the product. Examples of Picture Symbols denotes that care should be taken. The example instructs the user to take care not to allow fingers to be trapped. denotes a prohibited operation. The example instructs that disassembly of the product is prohibited. denotes an operation that should be carried out. The example instructs the user to remove the power cord plug from the AC outlet. Read all the instructions before using the product. WARNING - When using electric products, basic precautions should always be followed, including the following. potential could result in death WARNING Indicates ainjury if thehazard thathandled incorrectly. or serious product is The product should be connected to an AC outlet of the specified voltage. 120V 230V 240V G If you are going to use an AC power cord, make sure that its has the correct plug shape and conforms to the specified power voltage. G Failure to do so may result in fire. Do not insert or disconnect the power cord plug with wet hands. Doing so may cause electric shock. When using the headphones, do not listen for long periods of time at high volume levels. Doing so may result in hearing problems. Do not disassemble, repair or modify the product. Doing so may result in product breakdown, electric shock or short-circuit. 2 When disconnecting the AC power cord's plug, always hold the plug and pull it to remove it. The product is not completely disconnected from the power supply even when the power switch is turned off. If the product will not be used for a long time, unplug the AC power cord from the AC outlet. G Pulling the AC power cord itself may damage the cord, causing a fire, electric shock or short-circuit. G Failure to do so may cause fire in case of lightning. G Failure to do so may over-heat the product, resulting in fire. potential hazard that or damage CAUTION Indicates a to the product or othercould result in injury Do not use the product in the following areas. G Areas, such as those near windows, where the product is exposed to direct sunlight G Extremely hot areas, such as near a heater G Extremely cold areas, such as outside G Extremely humid areas G Areas where a large amount of sand or dust is present G Areas where the product is exposed to excessive vibrations Using the product in such areas may result in product breakdown. Use the product only in moderate climates (not in tropical climates). Before connecting cords, make sure that the power to this product and other devices is turned OFF. Take care not to allow any foreign matter to enter the product. OFF Failure to do so may cause breakdown of this product and other devices. Entry of water, needles or hair pins may result in breakdown or short-circuit. The product shall not be exposed to dripping or splashing. No objects filled with liquids, such as vases, shall be placed on the product. Please lift up the product when moving it. Please note that the product is heavy and must be carried by more than two persons. Dropping the product may result in breakdown. Do not drag the product on the floor. Take care not to drop the product. Do not place the product near electrical appliances such as TVs and radios. G Doing so may cause the product to generate noise. G If the product generates noise, move the product sufficiently away from the electrical appliance or connect it to another AC outlet. Failure to do so may damage them, resulting in fire, electric shock or short-circuit. When connecting the AC power cord and other cords, take care not to get them tangled. Do not wipe the product with benzene or thinner. G Doing so may result in discoloration or deformation of the product. G When cleaning the product, put a soft cloth in lukewarm water, squeeze it well, then wipe the product. Do not stand on the product or exert excessive force. G Doing so may cause the product to become deformed or fall over, resulting in breakdown or injury. The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a minimum distance of 5cm around the product for sufficient ventilation. Ensure that the ventilation is not impeded by covering the ventilation openings with items, such as newspaper, table-cloths, curtains, etc. 3 Do not place naked flame sources, such as lighted candles on the product. The product should be serviced by qualified service personnel when: G The power supply cord or the plug has been damaged. G Objects have fallen, or liquid has been spilled into the product. G The product has been exposed to rain. G The product does not appear to operate normally or exhibits a marked change in performance. G The product has been dropped, or the enclosure damaged. Notes on Repair Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then contact the shop from which the product was purchased. GROUNDING INSTRUCTIONS This product must be grounded. If it should malfunction or breakdown, grounding provides a path of least resistance for electric current to reduce the risk of electric shock. This product is equipped with a cord having an equipment-grounding conductor and a grounding plug. The plug must be plugged into an appropriate outlet that is properly installed and grounded in accordance with all local codes and ordinances. DANGER - Improper connection of the equipment-grounding conductor can result in a risk of electric shock. Check with a qualified electrician or serviceman if you are in doubt as to whether the product is properly grounded. Do not modify the plug provided with the product - if it will not fit the outlet, have a proper outlet installed by a qualified electrician. Declaration of Conformity according to FCC Part 15 Responsible Party: Kawai America Corporation Address: 2055 East University Drive, Rancho Dominguez, CA 90220 Telephone: (310) 631-1771 declares that the product: Stage Piano MP8 complies with Part 15 of the FCC Rules. This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interferenc, and (2) this device must accept any interference received, including interference that may cause undesired operation. NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: - Reorient or relocate the receiving antenna. - Increase the separation between the equipment and receiver. - Connect the equipment into an outlet on a different electrical circuit from the receiver. - Consult the dealer or an experienced radio/TV technician for help. FCC WARNING: Changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment. Canadian Radio Interference Regulations This instrument complies with the limits for a class B digital apparatus, pursuant to the Radio Interference Regulations, C.R.C., c. 1374. 4 WELCOME TO THE MP8 Thank you for purchasing the KAWAI MP8. The MP8 Stage Piano features 256 Internal Sounds of the highest quality. The MP8 can also be used as a MIDI master controller. On stage, at home, or in the studio, the MP8 has been designed to offer quick and easy access to many sophisticated features. BASIC FEATURES of the MP8 4 ASSIGNABLE ZONES The MP8 keyboard can be divided into 4 zones. Each zone can be set to INT, EXT or BOTH individually. INT (Internal) is to play any of the 256 internal sounds. EXT (External) is to play external MIDI devices. BOTH is to play internal sounds and external MIDI devices at the same time. Each zone can be played individually, or multiple zones can be freely split, layered and velocity switched to create stunning and personalized performances. ACOUSTIC TOUCH KEYBOARD The MP8's "AWA Grand Pro" wooden keyboard provides excellent feel and control like that found in an acoustic piano. 256 INTERNAL SOUNDS, 256 SETUPS The MP8 offers not only acoustic piano and electric piano sounds, but also other sounds such as organ, brass, pads and so on. All the settings of these sounds, together with the settings to control the external devices, can be stored into 256 setups. REVERB AND EFFECTS The MP8 offers 7 high quality REVERB types, and 20 different EFFECT types to improve acoustical realism and enhance tonal quality. CONTROL KNOBS The MP8 has 4 multi-function CONTROL KNOBS, which offer real time control of the EFFECTS, EQ, TONE MODIFY and MIDI-CONTROL CHANGE messages. 5 TABLE OF CONTENTS WELCOME TO THE MP8.....5 1. NAMES AND FUNCTIONS.....8 1.1 FRONT PANEL.....8 1.2 HEADPHONE JACK.....10 1.3 REAR PANEL.....10 2. Basic Operations.....12 2.1 Getting Ready.....12 2.2 Selecting a Sound.....12 2.3 Layer.....14 2.4 Split.....14 2.5 Piano Only.....15 2.6 Metronome.....15 2.7 Transpose.....15 2.8 Using the MP8 as a MIDI controller.....16 2.9 Selecting a SETUP.....17 3. SW Button.....18 3.1 Panel Lock.....18 3.2 Touch Curve.....18 3.3 Rotary Slow/Fast.....19 3.4 EQ Bypass On/Off.....19 3.5 Wheel Lock.....18 3.6 Foot Switch Lock.....20 3.7 Expression Pedal Lock.....20 3.8 External Sequencer Start/Stop.....21 4. EFX/REVERB.....22 4.1 EFX.....22 4.2 REVERB.....23 6.2.8 Prg # (Ext only).....32 6.2.9 TX Bank (Ext only).....33 6.2.10 Bank MSB/LSB (Ext only).....33 6.2.11 Key Range Hi/Lo .....33 6.2.12 Velocity Switch.....34 6.2.13 Velocity Switch Value.....34 6.2.14 Velocity Compression.....34 6.2.15 Velocity Offset.....35 6.2.16 Zone Transpose.....35 6.2.17 Transmitting Volume (Ext only).....35 6.2.18 Volume.....35 6.2.19 Transmitting Control Change.....35 6.2.20 Pan.....35 6.2.21 Fine Tune.....36 6.2.22 Damper.....36 6.2.23 Foot Switch.....36 6.2.24 Expression Pedal.....36 6.2.25 Modulation.....36 6.2.26 Bender.....36 6.2.27 Transmitting Bender Range (Ext only).....36 6.2.28 Bender Range.....37 6.2.29 Solo.....37 6.2.30 Solo Mode.....37 6.3 Common Parameters.....37 6.3.1 Stretch Tuning.....37 6.3.2 Temperament.....38 6.3.3 Key of Temperament.....38 6.3.4 Tuning C-B.....38 6.3.5 FSW Control Cahnge Number.....39 6.3.6 EXP Control Change Number.....39 6.3.7 Master Volume.....39 7. STORE.....40 7.1 Storing the settings as a SETUP.....40 8. SYSTEM.....41 5. Control Knobs.....24 5.1 EFFECT.....24 5.2 EQ (EQUALIZER).....25 5.3 TONE MODIFY.....25 5.4 MIDI CC# (Control Change).....26 8.1 System Menu.....41 8.2 System Parameters.....41 8.2.1 System Channel.....42 8.2.2 Initial SW .....42 8.2.3 Touch .....42 8.2.4 System Tuning.....43 8.2.5 Volume Slider Action.....43 8.2.6 Local Control.....43 8.2.7 Multi-Timbral Mode.....44 8.2.8 Receive Channel.....44 8.2.9 LCD Contrast.....44 8.2.10 LED Brightness.....44 8.2.11 Out Mode.....44 8.2.12 Foot Switch Mode .....45 6. MENU.....30 6.1 Editing Procedure and Parameters.....31 6.2 Edit Parameters.....31 6.2.1 Zone Mode.....31 6.2.2 Sound (Int only).....31 6.2.3 Voicing (Int Piano only).....31 6.2.4 Damper Effect (Int Piano only).....32 6.2.5 String resonance (Int Piano only).....32 6.2.6 TX Ch (Ext only).....32 6.2.7 TX Prg # (Ext only).....32 8.3 System Dump.....45 8.3.1 Dump Current.....45 8.3.2 Dump All.....45 6 8.4 System Rest.....46 8.4.1 Reset One SETUP.....46 8.4.2 Reset All.....46 8.5 System EFX/REVERB.....46 8.5.1 Save EFX/REVERB.....46 8.5.2 Reset EFX/REVERB.....47 9. OTHER.....48 9.1 MIDI IN.....48 9.2 SETUP Program Number Table.....48 9.3 SOUND Program Number List.....49 9.4 Notes about USB.....55 Specifications.....56 MP4 MIDI Implementation.....58 1. Recognized Data.....59 1.1 Channel Voice Message.....59 1.2 Channel Mode Message.....61 1.3 System Realtime Message.....62 2. Transmitted Data.....62 2.1 Channel Voice Message.....62 2.2 Channel Mode Message.....64 2.3 System Realtime Message.....65 3. Exclusive Data.....65 3.1 Universal Realtime Exclusive Message.....65 3.2 MP4 Dump Message.....65 3.3 Setup Data Format.....65 4. Control Change Number (CC#) Table.....68 MIDI Implementation Chart 7 1. NAMES AND FUNCTIONS 1.1 FRONT PANEL [FADER SECTION] 1. VOLUME Fader The VOLUME fader controls the master volume level of the MP8. 2. ZONE SELECT buttons The ZONE SELECT buttons are used to select one of the four zones for editing. Only one zone can be selected at a time. The front panel setting represents the current zone status. 3. ON/OFF buttons The ON/OFF buttons are used to turn zones ON/OFF. When the button is lit, the zone is active. Normally the button color is red, but when a zone is not using the full keyboard range the color will be green to indicate it. 4. FADERS (zone volume level control) Each fader controls the volume level of a designated zone. When multiple zones are active, these faders can be used as an audio mixer. [CONTROL KNOBS SECTION] The four CONTROL KNOBS are multi-function real time controllers. The different functions can be selected using the four buttons to the left side of the CONTROL KNOBS. When a function is active, its button is lit. Touching any of these knobs will instantly change the display to the current knob function and value. 5. EFFECT button When this button is lit, the CONTROL KNOBS will adjust the REVERB time, REVERB depth, EFX rate and EFX depth. 6. EQ button When this button is lit, the CONTROL KNOBS will adjust the 4-band graphic equalizer. 7. TONE MODIFY button When this button is lit, the CONTROL KNOBS will adjust the CUTOFF, ATTACK, DECAY and RELEASE Levels for the selected zone. 8. MIDI CC# button When this button is lit, MIDI control changes are sent from the MP4 to the MIDI device specified by the selected zone. Some control changes can also be used with the internal sounds. [WHEEL CONTROLLERS] 9. PITCH BEND This control wheel smoothly bends the pitch Up or Down from its current value. 10. MODULATION This control wheel controls the modulation (vibrato) depth. Moving the wheel forward increases the vibrato depth. 9 10 8 [EFFECT BUTTONS] 11. SW button This button turns the assigned function ON or OFF. Many different functions can be assigned to this switch for your convenience. 12. EFX button This button turns the EFX ON or OFF for the selected zone. 13. REVERB button This button turns the REVERB ON or OFF for the selected zone. To change the function or type assigned to the above buttons, press and hold the desired button to display the currently selected function or type, then use the VALUE buttons to change it. [MENU BUTTONS] 14. MENU buttons The MENU buttons are used to enter the edit mode and scroll through all the various parameters of the MP8. To change a parameter value, use the VALUE buttons. Pressing both MENU buttons simultaneously will exit from the edit mode. [DISPLAY] 15. DISPLAY [VALUE BUTTONS] 16. VALUE buttons The VALUE buttons are used to change the value of the current parameter as indicated on the DISPLAY. [SOUND SELECTION & SETUP SELECTION] 17. SOUND button The SOUND button switches the MP8 to the SOUND mode. The PATCH buttons will now select any of the 256 internal sounds. 18. SETUP button The SETUP button switches the MP8 to the SETUP mode. The PATCH buttons will now select any of the 256 SETUPs. 19. SOUND SELECT buttons The SOUND SELECT buttons are organized in two rows of eight buttons and one row of four ones. In SOUND mode the upper row of buttons is used to select a sound category and the second & third raws of buttons is used to select the different internal sounds within each category. In SETUP mode the upper row of buttons is used to select a bank and the second & third raws of buttons is used to select the different SETUPs within each bank. [OTHERS] 20. STORE button The STORE button is used to store the settings of the MP8. 21. SYSTEM button The SYSTEM button is used to set the system parameters of the MP8. 22. TRANSPOSE button The TRANSPOSE button is used to turn the TRANSPOSE function ON/OFF. 9 1.2 HEADPHONE JACK The headphone jack is located in front at the left end of the key slip. Use a headphone with a standard stereo 1/4 inch phone jack. 1.3 REAR PANEL 1. OUTPUTS -FIXEDR, L OUTPUTS The R, L outputs are used to connect the MP8 to a musical instrument amplifier using XLR Terminals. The R, L outputs can also be used to connect the MP8 to a PA system or recording console. The (Master) VOLUME fader and the EQ settings DO affect these outputs. GROUNDLIFT SW With this switch ON, a possible ground loop can be shut from an external machine which is connected to your MP8 with XLR terminal. Usually, you may leave the switch to its OFF position. 2. OUTPUTS -NormalR, L/MONO OUTPUTS The R, L/MONO outputs are used to connect the MP8 to a musical instrument amplifier using standard 1/4 inch phone jacks. The R, L/MONO outputs can also be used to connect the MP8 to a PA system or recording console. The EQ settings DO affect these outputs. 3. FOOT CONTROLLERS EXP JACK An expression pedal can be connected to this jack. The expression pedal can be assigned to different MIDI control numbers or functions in the Menu. FSW JACK A momentary footswitch can be connected to this jack. (EX: Kawai F-1) The FootSwitch can be assigned to different MIDI control numbers or functions in the Menu. 4. DAMPER / SOFT JACK This jack is used to connect the Foot Pedal included with the MP8. (Kawai F-20) The right pedal works as Damper pedal, and the left one works as Soft pedal. When the Rotary EFX is in use, the Soft pedal changes function to a Fast/Slow Rotor switch. 10 5. MIDI JACKS These jacks are used to connect the MP8 with external MIDI devices such as a MIDI sound module or a MIDI sequencer. 6. USB JACK This jack is used to connect the MP8 with a personal computer. See page 55 for details. 7. POWER SWITCH Turns the MP8 ON or OFF. 8. POWER RECEPTACLE Connect the power cable, which is included in the MP8 package, to this receptacle. Keyboard amplifier PA equipments (Ex. Mixer, Multi-track recorder) Terminal B Terminal A Footswitch (Optional) MIDI devices (Ex. External Sound module, External Sequencer, Keyboards, Personal Computers) Expression (Optional) 11 2. Basic Operations 2.1 Getting Ready Since the MP8 has no built-in speakers, you will need to connect a mixer, keyboard amplifier or headphones in order to listen. Turn the MP8 on, using the POWER SWITCH on the rear panel. It is recommended to turn the MP8 on before turning on any amplifiers in order to avoid switching noise. What you need to know before starting: Please read this part for a better understanding of the MP8 structure. Basically there is no difference between SOUND and SETUP mode. The main difference is that SETUP is used to recall your stored SETUPs. You can edit and make changes in both modes freely. The same parameters are available in both modes. If you edit in SOUND mode, your settings get lost, after power off, if you don't store them as SETUP! If you want to start from scratch use the SOUND mode and press PIANO ONLY first. If you want to modify a SETUP just select it and start editing and store later it as SETUP. If you notice when you select a sound that it sounds strange it's probably because some of the parameters like knobs etc. were edited. To get back to the default settings for any sound simply use the PIANO ONLY function and reselect the sound. 2.2 Selecting a Sound The MP8 always starts up in SOUND mode when the power is turned ON. The SOUND button will be lit to indicate SOUND mode is active. Operation 1 Select the sound category by pressing a sound select button in the top row. There are 3 rows of sound select buttons, the top row is for selecting a sound category and the second and third rows are for selecting a variation. For example, to select "60's EP2", first press the E.PIANO in the top row and the first sound in the E.PIANO category "Classic EP" is recalled. (If any other variation was selected before, the last selected sound is recalled as long as the power is on.) Operation 2 Select the first variation by pressing a sound select button in the second row. Press one of the 1-8 buttons in the second row. If you press 3, the variation 3 "60's EP" is recalled. (If any other variation was selected before, the last selected sound is recalled as long as the power is on.) Operation 3 Select the second variation by pressing a sound select button in the third row. 12 Press one of the A-D buttons in the second row. If you press B, a variation sound "60's EP2" is recalled. Select the variations with the sound select buttons in the second and third rows. The display shows the currently selected sound name. 1 Concert Grand Note: Internal sounds or Setups can be also selected using the VALUE buttons. You should also listen to the preprogrammed Setups. Setups are organized in 8 Banks with 32 Numbers each (total 256 Setups). Press the SETUP button to change to SETUP mode and select a Setup by pressing one of the Bank buttons in the upper row followed by a Number button in the second and third row. The display shows the currently selected Setup name. In Sound mode, the "1" in the display indicates that the zone 1 is currently selected. When the multitimbre is off, the default settings of the zones are as follows. It is recomended for simple MIDI transmit/receive use on stage etc. Zone 1 Zone 2 Zone 3 Zone 4 Internal Internal External External On Off On Off (Plays internal sound) (Muted) (Plays external device) The default TX channel is 1. (Muted) When the multitimbre is on, the default settings of the zones are as follows. It is recomended for recording/playback with PC or sequencer. Zone 1 Both Zone 2 Both Zone 3 Both Zone 4 Both On (Plays internal sound & external device) The default TX channel is 1 Off (Muted) Off (Muted) Off (Muted) The zone mode for each zone is indicated by the INT/EXT LED beside the faders. The zone status for each zone is indicated by the ZONE ON/OFF buttons. If the ZONE buttons is red, this zone is assigned to the entire keyrange of the MP8. If the button is green, the key range for that zone is less than the entire key range. You can check the key range setting by holding the SELECT button for the zone for 1 second. 13 2.3 Layer Let's try layering another sound. Turn the zone 2 on by pressing the ZONE ON/OFF button for zone 2. The ZONE SELECT button for zone 2 is automatically selected and the display shows the sound name for zone 2. Select the sound for zone 2 with the SOUND SELECT buttons as shown in the previous section. 2 String Pad Adjust the volume balance of zone 1 and 2 with the faders for each zone. 2.4 Split Now let's split the keyboard and play different sounds in upper and lower sections. Press and hold the ZONE SELECT button for zone 1. The display shows the key range for zone 1 as follows. 1Key IC-2 >G8 RangeEC-2 >G8 While still holding down the ZONE SELECT button for zone 1, press the lowest note on the keyboard. The display changes as follows. 1KeyRange(Both) =IA-1 > ---While still holding down the ZONE SELECT button for zone 1, select the highest note for zone 1, for example, B2 by pressing B2 key on the keyboard. 1KeyRange(Both) =IA-1 > B2 Repeat the same procedure for zone 2 while holding down the ZONE SELECT button for zone 2 and set the key range from C3 to C7. 2KeyRange(Both) =IC3 > C7 Now the keyboard is split as follows. ZONE 1 B2 C3 ZONE 2 Note: In this method, the key ranges for internal and external zones always change together. If you want individual settings, use the Key Range Hi/ Lo parameter in MENU (see page 31). 14 2.5 Piano Only The Piano Only function lets you quickly return the MP8 sounds to the default settings. Press the PIANO button and the SOUND SELECT button 1 simultaneously. All the current settings (except for SYSTEM settings) will go back to original and only Concert Grand sound can be played on the whole keyboard. Note: You may use this function also as a kind of Panic or Reset button. Also it is a good starting point to create Setups from scratch. 2.6 Metronome A metronome is available on the MP8. Press the STORE and SYSTEM buttons simultaneously to start the metronome. Press the STORE or SYSTEM button to stop the metronome. Changing the Tempo/Volume The display will show as follows. METRONOME VOL= 5 =120 Use the VALUE buttons to change the tempo. Use the MENU buttons to change the volume. Note: The metronome tempo is also used as MIDI clock tempo to control an external sequencer. See page 20 for details. 2.7 Transpose When the Transpose function is "ON" the MP8's key can be raised or lowered in half steps. The available range of transposition is 24 semitones, either up or down. While holding down the TRANSPOSE button, press any key on the MP8 keyboard to select a new transposed key. Pressing the F key above middle C for example will transpose the MP8 UP to the key of F (+5 half steps). 15 The transpose amount can also be set using the VALUE buttons. While holding the TRANSPOSE button down, press the VALUE buttons to change the transpose amount. The display shows the current TRANSPOSE amount when the TRANSPOSE button is held down. A value of "0" indicates no transposition. MASTER TRANS +12 2.8 Using the MP8 as a MIDI controller The MP8 can control external devices via MIDI. MIDI Connection Connect the MIDI OUT on the MP8 to the MIDI IN on an external MIDI device with a MIDI cable. Selecting the MIDI Channel The MIDI Transmit Channel of the MP8 must be matched with the Receive Channel of any MIDI devices connected to the MP8. Select zone 3 by pressing the ZONE SELECT button 3. (Zone 3 is set to external as default setting.) Press the MENU-UP button until "TX Channel" (Transmit Channel) appears on the display. 3External TX Channel = 1 Use the VALUE buttons to choose a MIDI Transmit Channel from 1 to 16. To exit from MENU, press both MENU UP and DOWN buttons simultaneously. Any notes played on the keyboard or any movements of the Knobs, sliders, etc. will be transmitted to any external MIDI devices connected to the MIDI out of the MP8 on the selected MIDI channel. Sending Program Change Number The MP8 can send MIDI program change numbers from 1 to 256 and Bank number LSB from 0 to 1 in SOUND mode. Simply press the SOUND SELECT buttons and the corresponding program number will be transmitted. See the program number table below. 16 UPPER 1 1 1 1 1 1 1 1 1 1 1 2 3 4 5 6 7 8 SECOND 1 1 1 1 2 3 4 5 6 7 8 1~8 1~8 1~8 1~8 1~8 1~8 1~8 THIRD A B C D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D A~D PROG#:MSB-LSB 001:000-000 002:000-000 003:000-000 004:000-000 005:000-000 ~ 008:000-000 009:000-000 ~ 012:000-000 013:000-000 ~ 016:000-000 017:000-000 ~ 020:000-000 021:000-000 ~ 024:000-000 025:000-000 ~ 028:000-000 029:000-000 ~ 032:000-000 033:000-000 ~ 064:000-000 065:000-000 ~ 096:000-000 097:000-000 ~ 128:000-000 001:000-001 ~ 032:000-001 033:000-001 ~ 064:000-001 065:000-001 ~ 096:000-001 097:000-001 ~ 128:000-001 The transmitted program number is shown in the display. 3 001:000-000 01 You can also send program change numbers by using VALUE buttons. Note: Full program change numbers including bank numbers can be transmitted by setting them in MENU and saving it as a SETUP. See page 31 for details. 2.9 Selecting a SETUP The MP8 offers 256 preset combinations of the panel settings called SETUPs. To select a SETUP, press the SETUP button. Now the SOUND SELECT buttons are used to select a SETUP. Use a combination of the numbers in the upper, second and third rows to select a desired SETUP. The display will show the selected SETUP name. GrandPno+Str1 To check the sound (internal) or program number (external) assigned to each zone, press the ZONE SELECT button. The display briefly shows the assigned sound name or program number, and then automatically returns to the SETUP name in a few seconds. If you hold a ZONE SELECT button for 2 seconds the display will show you the key range information for that zone. You can also set the key range using the same procedure that is used in Sound mode. 17 3. SW Button The SW button is a programmable realtime switch which can be assigned to one of 8 different functions. Press and hold the SW button. The display shows the currently assigned function. Press the SW button again to exit without changing the function. SW TYPE 1: Panel Lock Use the VALUE buttons to change the function. The display will automatically return to SOUND or SETUP mode after you change the function. 3.1 Panel Lock You can lock the panel operation to avoid unnecessary changes to the settings by accident. When the SW button is lit Panel Lock is ON. Panel Lock On: All the operations except for keyboard, wheels, pedals and SW button are locked. The display shows as follows while the panel is locked. Panel Lock >Press[SW]button Panel Lock Off: Panel Lock is canceled. 3.2 Touch Curve You can temporary turn on/off the Touch Curve for example to play organ sounds correctly. When the SW button is lit the Touch Curve is ON. Touch Curve On: The display briefly shows the selected Touch Curve in the SYSTEM and the Touch Curve becomes active. If the selected Touch Curve in the SYSTEM is Off, the Normal Touch Curve becomes active. Touch Curve Off: The display briefly shows as follows and the Touch Curve becomes Off. Touch Curve Off 3.3 Rotary Slow/Fast You can switch the speed of roter between slow and fast when the Rotary effect is in use. When the SW button is lit: The display briefly shows as follows and the rotary speed changes to fast. 18 Rotary Speed Fast When the SW button is OFF: The display briefly shows as follows and the rotary speed changes to slow. Rotary Speed Slow Note: When the Rotary effect is not in use, the display briefly shows as follows. Rotary is not selected. 3.4 EQ Bypass On/Off You can temporary bypass the EQ by turning the SW button on. When the SW button is lit the EQ Bypass is on. EQ Bypass On: The display briefly shows as follows and the sound bypasses the EQ. EQ Bypass On EQ Bypass Off: The display briefly shows as follows and the EQ comes back to active. EQ Bypass Off Note: When the EQ Bypass is turned on and the EQ control knobs are used, the display briefly shows as follows. EQ Bypass >Press[SW]button 3.5 Wheel Lock You can lock the bender wheel and modulation wheel to avoid unnecessary movement by accident. When the SW button is lit the Wheel Lock is on. Wheel Lock On: The display briefly shows as follows and the wheels are locked. Wheel Lock On 19 Wheel Lock Off: The display briefly shows as follows and the wheels are unlocked. Wheel Lock Off Note: When the Wheel Lock is turned on and the wheels are used, the display briefly shows as follows. Wheel Lock >Press[SW]button 3.6 Foot Switch Lock You can lock the assignable foot switch to avoid unnecessary movement by accident. First, connect a foot switch to the FSW jack on the rear panel of the MP8. When the SW button is lit the Foot Switch Lock is on. Foot Switch Lock On: The display briefly shows as follows and the assignable foot switch is locked. FSW Lock On Foot Switch Lock Off: The display briefly shows as follows and the assignable foot switch is unlocked. FSW Lock Off Note: When the FSW Lock is turned on and the foot switch is used, the display briefly shows as follows. FSW Lock >Press[SW]button 3.7 Expression Pedal Lock You can lock the expression pedal to avoid unnecessary movement by accident. First, connect an expression pedal to the EXP jack on the rear panel of the MP8. When the SW button is lit the Expression Pedal Lock is on Expression Pedal Lock On: The display briefly shows as follows and the expression pedal is locked. 20 EXP Lock On Expression Pedal Lock Off: The display briefly shows as follows and the expression pedal is unlocked. EXP Lock Off Note: When the EXP Lock is turned on and the expression pedal is used, the display briefly shows as follows. EXP Lock >Press[SW]button 3.8 External Sequencer Start/Stop You can start and stop the external sequencer connected to the MP8 with SW button. First, connect an external sequencer to the MIDI OUT jack on the rear panel of the MP8. Make sure that the sequencer is capable to receive external MIDI clock and commands. Check the MIDI implementation chart of the sequencer if the Recognized column of the System Real Time Clock & Commands is marked "O (yes)". Consult the owner's manual of the sequencer how to set the sequncer to receive external MIDI clock and commands. When the SW button is lit the MIDI clock is transmitted External Sequencer Start: Press the SW button to turn the light on. The display briefly shows as follows and the external sequencer starts. External Seq Start External Sequencer Stop: Press the SW button to turn the light off. The display briefly shows as follows and the external sequencer stops. External Seq Stop Note: The tempo is controlled by the Metronome tempo of the MP8. See page 14 for details. 21 4. EFX/REVERB The internal sounds of the MP8 can be enhanced using the built in REVERB and EFX generators. There are 7 REVERB types and 20 different EFX types to choose from. MP8 contains 4 variations of EFX type per INT section, and different EFX can be added to the sound of each ZONE. 4.1 EFX The MP8 contains 20 high quality EFX types, designed to complement the internal sounds. Each internal sound has a preset effect assigned as the default. The EFX button turns the EFX generator ON or OFF for the selected sound. To turn the EFX "ON" for the current sound, press the EFX button and the button will light up. EFX will be added to the current sound. To turn the EFX "OFF" again, press the EFX button again (The light on the button will be turned OFF). EFX type Press and hold the EFX button for a few seconds. The display shows EFX type added to the current selected ZONE. 1 EFX TYPE 15: Rotary 1 Use the VALUE buttons to change the effect type. Each EFX type has a default value for RATE and DEPTH, so when changing the EFX type, the values are changed automatically. You can edit these values with the EFX RATE and EFX DEPTH knobs in the first row of the CONTROL KNOBS section on the panel. To choose another ZONE, press ZONE SELECT button of it. Chorus: Flanger: Celeste: Ensemble: Chorus is a slight detuning of the sound, which adds depth and richness to the sound. Flanger introduces a shifting comb-filter, which adds motion and a "hollow" tone to the sound. Celeste is a three phase chorus, with each of the three chorus units at different phase. Ensemble is a three phase chorus, with each of the three chorus units at a different phase and frequency. This gives a slightly richer sound than the Celeste effect, above. Delay 1/2/3/4: Delay adds echoes to the sound. AutoPan 1/2: AutoPan alternates the sound left and right across the stereo field at a variable rate. Tremolo 1/2: Phaser 1/2: Rotary 1/2: Tremolo changes the volume of the sound, making it louder and softer at a variable rate. Phaser creates a cyclic phase change, adding motion to the sound. The Rotary effect simulates the sound of the rotary speaker 22 cabinet commonly used with electronic organs. Rotary 2 Auto Wah: Pedal Wah: Enhancer: Overdrive: include an overdrive effect. Auto Wah creates an automatic filter sweep at the attack of each note. Pedal Wah creates a filter sweep with the expression pedal connected to the MP8. Enhancer produces a crisper tone, so the sound is more easily discernible. Overdrive effect adds tube-amp style distortion. Note: EFX type is common to all internal zones. You can not select different types for each zone. But you can individually turn on/off the EFX for each zone. 4.2 REVERB The MP8 contains 7 high quality REVERB types, designed to complement the internal sounds. Each internal sound has a preset REVERB type assigned as the default. The REVERB button turns the REVERB generator ON or OFF for the selected sound. To turn the REVERB "ON" for the current sound, press the REVERB button and the button will light up. REVERB will be added to the current sound. To turn the REVERB "OFF" again, press the REVERB button again (The light on the button will be turned OFF). REVERB type Press and hold the REVERB button until the display shows REVERB type. REVERB TYPE 1: Hall 1 Use the VALUE buttons to change the REVERB type. Each REVERB type has a default value for TIME, so when changing the REVERB type, the value is changed automatically. Hall 1: Hall 2: Stage 1: Stage 2: Room 1: Room 2: Plate: Simulates the reverb in a standard hall Simulates the reverb in a small hall Simulates the reverb on a standard stage Simulates the reverb on a small stage Simulates the reverb in a standard room Simulates the reverb in a small room Simulates the reverb of a metallic plate Note: REVERB type is common to all internal zones. You can not select different type for each zone. But you can individually turn on/off or set different depth for each zone. 23 5. Control Knobs Select the function with the buttons on the left and use the knobs to change the values. You can also move the cursor with the MENU buttons and change the value with the VALUE buttons while the display is showing Control Knobs function. 5.1 EFFECT Make sure that the EFFECT button in the CONTROL KNOBS section is lit. If the EFFECT button is turned off, press it to turn it ON. The CONTROL KNOBS are now active and assigned to the EFX/REVERB parameters for the selected zone. Use the CONTROL KNOBS to change the current settings. 1EfR EfD RvT RvD 41 64 96 127 EfR (EFX Rate) adjusts the value of the preset parameter for each EFX. (internal only) EfD (EFX Depth) adjusts the depth of the EFX added to the sound. RvT (REVERB Time) adjusts the reverb time. (internal only) RvD (REVERB Depth) adjusts the depth of the reverb added to the sound. EFX parameter list EFX Rate rate 0 -12.7Hz rate rate rate delay time delay time delay time delay time rate rate rate rate rate rate rate rate 0 -12.7Hz 0 -12.7Hz 0 -12.7Hz 0 -100 (%) 0 -100 (%) 0 -100 (%) 0 -100 (%) 0 -12.7Hz 0 -12.7Hz 0 -12.7Hz 0 -12.7Hz 0 -12.7Hz 0 -12.7Hz slow/fast slow/fast EFX Depth send level send level send level send level send level send level send level send level wet balance wet balance wet balance wet balance wet balance wet balance wet balance wet balance 1. CHORUS 2. FLANGER 3. CELESTE 4. ENSEMBLE 5. DELAY 1 6. DELAY 2 7. DELAY 3 8. DELAY 4 9. AUTO PAN 1 10. AUTO PAN 2 11. TREMOLO 1 12. TREMOLO 2 13. PHASER 1 14. PHASER 2 15. ROTARY 1 16. ROTARY 2 24 17. AUTO WAH 18. PEDAL WAH 19. ENHANCER 20. OVERDRIVE sense sense intensity drive 0 -100 (%) 0 -100 (%) 0 -100 (%) 0 -100 (%) wet balance wet balance send level wet balance REVERB parameter list REVERB Time rev.time 0.3 - 5.0S rev.time rev.time rev.time rev.time rev.time rev.time 0.3 - 5.0S 0.3 - 3.0S 0.3 - 3.0S 0.3 - 3.0S 0.3 - 3.0S 0.3 - 3.0S REVERB Depth send level send level send level send level send level send level send level 1. HALL 1 2. HALL 2 3. STAGE 1 4. STAGE 2 5. ROOM 1 6. ROOM 2 7. PLATE Note: When EFX/REVERB depth is set to 0 while the EFX/REVERB button is active, the EFX/REVERB button will blink to indicate that the EFX/ REVERB is turned ON but the depth is set to 0. EFX rate and REVERB time are effective to internal zone only. EFX type, EFX rate and EFX depth are common to all internal zones. If the selected zone is set to BOTH, changing the value for EFX depth or REVERB depth affects for both internal and external sections. If you want different settings for internal and external sections, first enter the edit mode by pressing the MENU button and press the EFFECT button. Now you can select internal or external zone with ZONE SELECT button. (See page 29 for details.) 5.2 EQ (EQUALIZER) The MP8 contains a four-band graphic equalizer to shape the overall tone of the sound. The EQ affects all zones at the same time. However, each SETUP can have its own EQ setting that affects the internal sounds only. Be sure that the EQ button in the CONTROL KNOBS section is lit. If the EQ button is turned off, press it to turn it ON. The CONTROL KNOBS are now active and assigned to the EQ parameters. Use the CONTROL KNOBS to change the current settings. Each parameter of the EQ has an adjustable range from -12 to +12. A positive (+) value indicates amplification, or a boost of that frequency range. A negative (-) value indicates attenuation, or a cut of that frequency range. Lo Mlo Mhi Hi +3 -2 +1 +2 5.3 TONE MODIFY The MP8 allows certain characteristics of the sounds to be custom tailored to suit a particular musical or playing style, or to create many variations and 25 different types of sounds. TONE MODIFY settings can be done for each zone individually. The following parameters are provided: CUTOFF, ATTACK, DECAY and RELEASE. Make sure that the TONE MODIFY button in the CONTROL KNOBS section is lit. If the TONE MODIFY button is turned off, press it to turn it ON. The CONTROL KNOBS are now active and assigned to the Tone Modify parameters for the current sound. Use the CONTROL KNOBS to change the current settings for the selected zone. Each parameter of the TONE MODIFY function has an adjustable range from -50 to +50. 1CUT ATK DCY RLS +50 -20 +40 +10 CUTOFF: ATTACK: DECAY: RELEASE: Raising the CUTOFF level makes the sound brighter, lowering the level makes the sound duller. As the value increases, the attack time becomes longer, which means a slower attack is produced. This parameter controls the amount of time from the peak level to the sustain level of the sound. This parameter controls the amount of time needed for the sound to fade out after the key is released. Volume level Time ATTACK DECAY KEY OFF RELEASE Note: If the selected zone is set to BOTH, changing the TONE MODIFY parameters affects for both internal and external sections. If you want different settings for internal and external sections, enter the edit mode by pressing the MENU button and select internal or external section with ZONE SELECT button. (See page 29 for details.) 5.4 MIDI CC# (Control Change) The MP8 can send any MIDI Continuous Controller information to any MIDI Instrument or Device. 26 This powerful feature allows for editing the sounds of an external sound module in Real Time during performance, or for recording Real Time performance edits to a MIDI sequencer. Some control changes are also effective to internal sounds. Make sure that the MIDI CC# button in the CONTROL KNOBS section is lit. If the MIDI CC# button is turned off, press it to turn it ON. The CONTROL KNOBS are now active and assigned to the MIDI CC parameters. Use the CONTROL KNOBS to change the MIDI continuous controller information assigned to each knob as described below. Each parameter of the Control Change has an adjustable range from 0 to 127. When the selected zone is set to INT or BOTH, the display shows the parameter names. 1PAN STN VbR VbD 0 0 0 0 When the selected zone is set to EXT, the display shows the MIDI CC numbers. 3010 070 076 077 64 64 64 64 The default parameters assigned for each knob are as follows. A: #10 Panpot (PAN) B: #70 Sustain Level (STN) C: #76 Vibrato Rate (VbR) D: #77 Vibrato Depth (VbD) Note: If the selected zone is set to BOTH, changing the MIDI CC# parameters affects for both internal and external sections. If you want different settings for internal and external sections, enter the edit mode by pressing the MENU button and select internal or external section with ZONE SELECT button. (See page 29 for details.) Changing MIDI CC parameter Press and hold the MIDI CC# button. The MIDI CC# button starts blinking and the cursor in the display moves up to the parameter name. 1PAN STN VbR VbD 0 0 0 0 Use the CONTROL KNOBS to change the parameters. After changing the parameter, press the MIDI CC# button again. The MIDI CC# button stops blinking and the cursor in the display moves down to the value. 27 Note: When the selected zone is set to INT, only the following parameters can be selected. 10 11 70 71 76 77 78 93 Panpot Expression Sustain Level Resonance Vibrato Rate Vibrato Depth Vibrato Delay Chorus Depth PAN EXP STN RSN VbR VbD VbY ChD When the selected zone is set to BOTH and the internal section is selected in edit mode, the parameters not available for INT section show as XXX. 1015 STN VbR VbD Ixxx 0 0 0 28 29 6. MENU The MENU buttons allow access to the edit parameters in the MP8. This collection of settings together with other editable parameters can be stored as a SETUP. The MP8 provides 256 SETUPs, and all are user programmable. A SETUP consists of four zones. Each zone can be set as Internal, External or Both individually. Inside each of the four zones, a multitude of features and effects can be programmed and combined together into one exciting SETUP. A total of 256 SETUPs may be programmed in this way. The menu consists of Internal parameters, External parameters and Common parameters. Common parameter affects to all zones. If a zone is set as Both, both the Internal parameters and External parameters are available for the zone. Use the MENU buttons to scroll through all the different parameters. Zone parameters (Int) Mode Sound Selection Damper Effect (Int Piano only) Zone parameters (Ext) Common parameters Master Volume Expression Pedal CC# Footswitch CC# Temperament Stretch Tuning Mode TX Channel TX PRG # On/Off String Resonance (Int Piano only) PRG # Voicing (Int Piano only) TX Bank On/Off Key Range Hi/Lo Bank Select MSB LSB Velocity Switch On/Off Key Range Hi/Lo Velocity Switch Value Velocity Switch On/Off Velocity Compression Velocity Switch Value Velocity Offset Velocity Compression Zone Transpose Velocity Offset Volume Zone Transpose Pan TX Volume On/Off Fine Tune Volume Damper Pedal On/Off/Hold TX Controller On/Off Footswitch On/Off Pan Expression Pedal On/Off Fine Tune Modulation On/Off Damper Pedal On/Off Bender On/Off Footswitch On/Off Bender Range Expression Pedal On/Off Solo On/Off Modulation On/Off Solo Mode Bender On/Off TX Bender Range On/Off Bender Range Solo On/Off Solo Mode Caution: The edited settings will be erased when the power is turned off, or other sound is recalled. To save these settings, use the STORE procedure to save them as a SETUP. (see p.XX) 30 6.1 Editing Procedure and Parameters First, press the ZONE SELECT button for the zone to be edited. Next, press the MENU buttons until the parameter you want to edit appears in the DISPLAY. When a zone is set as Both, pressing the ZONE SELECT button again will switch the menu list from Internal to External or vice versa. Set the value of the parameter using the VALUE buttons. Since each parameter has a different value range, consult the following pages for the details. Repeat this procedure for any other parameters in any of the zones that need to be modified. Save these settings using the STORE button. (See p.38 for detail) Note: Once you enter the edit mode from SETUP mode by pressing MENU button, the mode automatically changes to SOUND mode and the SOUND SELECT buttons are used to select sounds, not SETUPs. You can exit the edit mode by pressing both MENU buttons simultaneously. Any edits you have made so far will be retained until another SETUP is recalled. If you exit the edit mode by pressing SOUND or SETUP buttons, your changes will be lost and the previously saved settings are recalled. 6.2 Edit Parameters Zone No. Sound Name 1 Classic EP Vel Comp. = 10 Parameter Value Zone parameters can be edited individually for each zone. There are two parameter groups, Internal parameter group and External parameter group. If a zone is set to Int, only Internal parameters are available for editing. If a zone is set to Ext, only External parameters are available for editing. If a zone is set to Both, both Internal and External parameters are available for editing. 6.2.1 Zone Mode 2 Concert Grand Zone Mode = Int This parameter sets the Zone mode. The example shows that the Zone 2 is set to Internal. 6.2.2 Sound (Int only) 1Internal Sound = Concert Grand This parameter determines which internal sound is assigned for the selected zone. 6.2.3 Voicing (Int Piano only) 1 Concert Grand Voicing= Normal This parameter re-creates electronically the voicing technique of adjusting the action, hammers and strings on an acoustic piano to change the tone character. This function is a very powerful way to enhance and customize 31 the piano response for each player and each sound. The effect is only available for the internal piano sounds. Other sounds cannot use this parameter. Normal: Mellow: Produces the normal tone of an acoustic piano throughout the entire dynamic range. Reproduces the effect of a softer hammer surface. It produces a mellower tone throughout the entire dynamic range. Dynamic: This setting is not possible with an acoustic piano. Softly played notes will have the tone of a mellow voicing and notes played harder will have the tone of a bright voicing. This setting produces a dramatic change from mellow to bright throughout the entire dynamic range. Bright: Produces a brighter tone throughout the entire dynamic range. 6.2.4 Damper Effect (Int Piano only) 1 Concert Grand DamperEffect= 5 When the sustain pedal id depressed, the volume of the whole resonancecan be changed to the level you prefer. The value change from 0 (off) to 10. * The display shows this parameter only when Piano sound is selected. 6.2.5 String Resonance (Int Piano only) The volume of string resonance can be changed to the level you prefer. The value change from 0 (off) to 10. In acoustic pianos, there are strings corresponding to each key. When a key is pressed, strings of other keys in the related harmonic series to the note played resonate. This effect is called "sound resonance", which makes the sound of acoustic piano full and rich. * The display shows this parameter only when Piano sound is selected. 1 Concert Grand String Reso.= 5 6.2.6 TX Ch (Ext only) 3External TX Channel = This parameter sets the MIDI transmit channel for the selected zone. All MIDI data for the selected zone will be transmitted on this channel. Make sure that the receiving channel for any external MIDI devices to be controlled from this zone is set to the same channel as the zone. 1 6.2.7 TX Prg # (Ext only) 3External TX Prg # This parameter determines if a Program Change Number will be transmitted (On) or not (Off) when a SETUP is recalled. If you want to switch sounds on external MIDI devices every time you call the Setup turn this parameter ON. = On 6.2.8 Prg # (Ext only) 3External Prg # This parameter determines which Program Change Number will be transmitted when a SETUP is recalled. When the TX Prg # is set to Off, this page won't be displayed. Select the desired PRG number for the sound you want to select on the external MIDI device. = 001 32 6.2.9 TX Bank (Ext only) 3External TX Bank This parameter determines if Program Bank Numbers (MSB, LSB) will be transmitted (On) or not (Off) when a SETUP is recalled. If your external MIDI device requires a Bank Select message, turn on this function. = On 6.2.10 Bank MSB/LSB (Ext only) 3ExternalMSB LSB Bank = 000 000 This parameter determines which MSB and LSB Number will be transmitted when this SETUP is recalled. When the TX Bank is set to Off, this page won't be displayed. In the MIDI standard, there are 128 storage spaces. The number of storage spaces can be expanded using an MSB and an LSB. Bank Select LSB 0-127 Bank Select MSB 0-127 Program No. 0 - 127 This is a 3D image of the expanded program change system with the MSB and LSB. To use these efficiently and correctly, refer to the operation manual of any external MIDI sound modules that are connected to the MP8. 6.2.11 Key Range Hi/Lo 1 Concert Grand K.Range Hi =G8 1 Concert Grand K.Range Lo =C-2 These two parameters define the playable key range on the keyboard for the selected zone. First, while K.Range Hi appears in the display, use the VALUE buttons to set the highest note that the selected zone can play. Next, while K.Range Lo appears in the display, use the VALUE buttons to set the lowest note that the selected zone can play. Playable Key Range K.Range Lo K.Range Hi Note: Another convenient way to input the keyrange is to hold the ZONE SELECT button of the desired zone for more than 1 second and input the K.Range Lo by pressing the lowest key followed by the key of the highest note, while still holding the ZONE SELECT button. 33 6.2.12 Velocity Switch 1 Concert Grand Vel SW =Loud Velocity switching is an extremely useful and creative tool for customizing a performance. Using Velocity Switching, it is possible to have either one sound switch to another sound at a set velocity, or even for a second sound to be added in once a certain velocity has been reached, or to have a sound drop out above or below a set velocity level. This parameter sets the velocity switch type. Off : No effect. The sound plays normally. Loud : The selected sound plays only when the key is struck harder than the Vel SW Val. (See next parameter) Soft : The selected sound plays only when the key is struck softer than the Vel SW Val. (See next parameter) Off Volume Level Volume Level Loud Vel SW Val Volume Level Soft Vel SW Val Non-sound range Sound range Sound range Non-sound range 0 softer Strength of the struck key 127 harder 0 softer Strength of the struck key 127 harder 0 softer Strength of the struck key 127 harder 6.2.13 Velocity Switch Value This parameter determines switching level of the key velocity. 1 Concert Grand Vel SW Val = 80 For the Loud Vel SW : determines the lowest key velocity to sound. For the Soft Vel SW : determines the highest key velocity to sound. Note: Each zone can have a separate Velocity Switch Value. By setting the Soft Zone Velocity Switch Value higher than that of the Loud Zone, a dynamic area where both sounds play can be created. It is also possible to switch Internal Zones with External Zones for even more possibilities. 6.2.14 Velocity Compression 1 Concert Grand Vel Comp. = 10 This parameter adjusts the keyboard response. When the value is 10 (default), the keyboard response is normal (same as the setting in the SYSTEM). When the value comes closer to 0, the keyboard response becomes less dynamic and at 0, it becomes completely flat (no touch response). 0 10 Vertical Line: Velocity Compression Horizontal Axis: Strength of the struck key 34 6.2.15 Velocity Offset 1 Concert Grand Vel Offset = 100 This parameter sets the velocity value used, when Velocity Compression is lower than 10. For example to get a "No-Velocity" Organ type of playing feeling, set Velocity Compression to 0 and adjust the velocity level with this parameter to 100 or any other wanted level of velocity. If Velocity Compression is set to 10, Velocity Offset has no effect. 6.2.16 Zone Transpose 1 Concert Grand Zone Trans.= 0 This parameter sets the amount of transposition for the selected zone. The available range is three octaves up or down (+/-36 semitones). Note: To set the master transpose, press the TRANSPOSE button and set the value. 6.2.17 Transmitting Volume (Ext only) 3External TX Volume This parameter determines if an initial MIDI Volume message will be transmitted (On) to an external MIDI device or not (Off) when a SETUP is recalled. Note: In a zone set to External or Both, moving the faders will still transmit volume messages even if TX Volume is set to Off. = On 6.2.18 Volume 1 Concert Grand Volume = 0 This parameter sets the volume level for the selected zone. The value can be changed by using the FADER or VALUE buttons. For External zones, when the TX Volume is "Off", this page won't be displayed. 6.2.19 Transmitting Control Change (Ext only) 3External TX Cntrl# This parameter determines if the Pan/Fine Tune/Control Knob settings will be transmitted (On) via MIDI or not (Off) when a SETUP is recalled. = On Note: In a zone set to External or Both, moving the Control Knobs will still transmit the values even if TX CC is set to Off. 6.2.20 Pan 1 Concert Grand Pan = 0 Int: This sets the pan-pot (right and left balance). Ext: This sets the pan-pot value that will be transmitted to external sound modules. If the TX CC is "On", the value is transmitted when a SETUP is recalled. When the TX CC is "Off", this page won't be displayed. The value changes from L63 to R63. 35 6.2.21 Fine Tune 1 Concert Grand Fine Tune = 0 Int: This is a fine tuning function for values smaller than a semi-tone. Ext: This is used to transmit fine tuning settings to external sound modules. If the TX CC is "On", the value is transmitted when a SETUP is recalled. When the TX CC is "Off", this page won't be displayed. The value changes from -63 to +63. 6.2.22 Damper 1 Concert Grand Damper = Norm This parameter determines if the damper pedal is active (Norm [Int] / On [Ext], with natural decay), deactivated (Off) or set to HOLD (On, with steady sustain level) for the selected zone. Use the HOLD value, if you don't want a sound to disappear. HOLD is only available for internal Sounds. 6.2.23 Foot Switch 1 Concert Grand Foot SW = On This parameter determines if a Foot Switch connected to the FSW jack is active (On) or not (Off) for the selected zone. The type of controller assigned to the footswitch is a common Setup parameter and is used for all zones of a Setup as a global parameter. 6.2.24 Expression Pedal 1 Concert Grand Exp Pedal = On This parameter determines if an Expression Pedal connected to the EXP jack is active (On) or not (Off) for the selected zone. The type of controller assigned to Expression pedal is a common Setup parameter and is used for all zones of a Setup as a global parameter. 6.2.25 Modulation 1 Concert Grand Modulation = On 6.2.26 Bender 1 Concert Grand Bender = On This parameter determines if the Bender Wheel is active (On) or not (Off) for the selected zone. This parameter determines if the Modulation Wheel is active (On) or not (Off) for the selected zone. 6.2.27 Transmitting Bender Range (Ext only) 3External TX BendrRng= On This parameter decides if a Bender Range should be transmitted (On) or not (Off) when a SETUP is recalled. When the Bender is "Off", this page won't be displayed. 36 6.2.28 Bender Range Int: 1 Concert Grand Bendr Rng = 2 Ext: This sets the Bender Range in semitone steps. The value changes from 0 to 7. This is used to transmit Bender Range information to external sound modules. If the Tx Bender Range is "On", the value is transmitted when a SETUP is recalled. The value changes from 0 to 12. When the Bender is "Off", this page won't be displayed. 6.2.29 Solo 1 Concert Grand Solo = On This parameter turns the Solo Mode On/Off. When Solo is turned "On" only one note will be heard for the selected zone even if more than one note is being played simultaneously. This can be used to effectively simulate the performance characteristics of a monophonic synthesizer or as a special performance tool for playing solo parts. Solo mode can also be used while playing a polyphonic part from another zone. 6.2.30 Solo Mode 1 Concert Grand Solo Mode =Last This parameter determines which note will be played when Solo is ON and more than one note is being played simultaneously. There are three choices for Solo note priority. Last: The most recently played note within a group of notes will be heard Hi: when Solo is ON The highest note played within a group of notes will be heard when Solo is ON. Low: The lowest note played within a group of notes will be heard when Solo is ON. When the Solo is "Off", this page won't be displayed. 6.3 Common Parameters Common parameters are affecting all zones. 6.3.1 Stretch Tuning COMMON Strtch = Piano_W The hearing ability of a human is uneven and is not accurate with high frequency and low frequency as it is with the middle range. The tuning of an acoustic piano is stretched to compensate for this so the sound will be heard naturally to the ears. Off: On: Piano: On W: Piano W: The tuning is flat without stretching. The tuning is always stretched. The tuning is stretched only when piano sounds are selected. Same as "On" but the stretching is wider. Same as "Piano" but the stretching is wider. 37 6.3.2 Temperament This parameter sets the temperament of the MP8. COMMON Tempr =Pure Maj Equal: This is the most popular tuning method that divides the scale into twelve equal semitones. This produces the same chordal intervals in all twelve keys, and has the advantage of limitless modulation of the key. However the tonality of each key Pure Maj: (Min): becomes less characteristic and no chord is in pure consonance. This temperament, which eliminates dissonance's for thirds and fifths is still popular for choral music because of its perfect harmony. When playing in a major key select "Pure Maj" and when playing in a minor key select "Pure Min". This temperament, which uses mathematical ratios to eliminate dissonance for fifths, is very limited for use with chords, but it produces very characteristic melodic lines. Pythagor: Meantone: This temperament, which uses a mean between a major and minor whole tone to eliminate dissonance for thirds, was devised to eliminate the lack of consonance's experienced with certain fifths for the Mersenne pure temperament. It produces chords Werkmeis: Kirnberg: that are more beautiful than those with the equal temperament. These two temperaments are placed in between Meantone and Pythagorean. For music with few accidentals, this temperament produces the beautiful chords of the mean tone, but as accidentals increase, the temperament produces the characteristic melodies of the Pythagorean temperament. It is used primarily for classical music written in the Baroque era to revive the original characteristics. User: You can make your own temperament by raising or lowering the pitch for each half tone. 6.3.3 Key of Temperament COMMON TemprKey = C