User manual MARANTZ PMD650

SETTING UP FOREWORD This section must be read before any connection is made to the mains supply. Features · A full compliment of input and output jacks: ­ XLR stereo input jacks for microphone or line level signals. ­ Line level RCA output jacks. ­ Digital coaxial (RCA) input jack. ­ Digital XLR output jack (with ON/OFF switch). · Professional microphone specifications: ­ Phantom power (+48V). ­ Microphone attenuation adjustment. ­ ANC (Ambient Noise Control) switch for eliminating unwanted background noise. · Professional system specifications ensure safe recording: ­ Automatic UTOC (User Table Of Contents) updates whenever STOP (7) is pressed. ­ Large (16MB) shock proof memory buffer can hold up to 20 seconds of stereo (40 seconds of mono) sound during playback or recording. ­ On board backup of UTOC data, preset modes, and date and time. · Fully adjustable recording features: ­ Three record level options: manual, manual with limiter, and automatic (ALC). ­ LSR (Level Sync Recording) allows you to start recording automatically when the input signal reaches a preset level. ­ Adjustable PRE REC memory cache that monitors the input signal (during rec-pause) to completely eliminate lag time at start of recording. ­ Various recording formats: two channel (stereo), dual level mono, mixed mono, and mono. ­ One touch recording with auto end search. ­ Date and time information stored automatically with each track. · Edit functions allow you to divide, combine, move, and delete a track, delete a whole disc. You can also title the disc and the individual tracks. · Internal sampling rate converter that lets you make digital recordings from a wide variety of program sources; 32 kHz, 44.1 kHz (CD, MD, etc.) and 48 kHz (DAT, etc.). · 3-way power supply. · Power management control: ­ Power turns off automatically after 5 minutes of nonoperation (alarm sounds 30 seconds before power off). ­ Internal battery charger for (optional) NiCd pack. · Built in (12 or 24 hour) clock automatically imprints the date and time of recording on each track. · Two recording modes; SP (Standard Play, stereo) and LP (Long Play, mono). · Built-in mono condenser microphone. · Built-in speaker. · Backlit LCD display. · Remote jack for optional wired remote control (RC-5). WARNINGS Do not expose the equipment to rain or moisture. Do not remove the cover from the equipment. Do not push anything inside the equipment through the ventilation holes. ENGLISH COPYRIGHT Recording and playback of any material may require consent. For further information refer to the following: -- Copyright Act 1956 -- Dramatic and Musical Performers Act 1958 -- Performers Protection Acts 1963 and 1972 -- any subsequent statutory enactments and orders INTRODUCTION Please read these operating instructions carefully. We recommend that you read the entire user guide before you connect or operate the unit. After you have reviewed the contents this manual, we suggest that you make all system connections before you attempt to operate the unit. PRECAUTIONS The following precautions should be considered when operating the equipment. When setting the equipment ensure that : ­ air is allowed to circulate freely around the equipment ­ the equipment is on a vibration free surface ­ the equipment will not be exposed to interference from an external source ­ the equipment will not be exposed to excessive heat, cold, moisture or dust ­ the equipment will not be exposed to direct sunlight ­ the equipment will not be exposed to electrostatic discharges · In addition, never place heavy objects on the equipment. · If a foreign body or water does enter the equipment, contact your nearest dealer or service center. 4 SETTING UP How to Use this Manual This manual is divided into the five sections described below. To find out how to use a specific control, refer to the "Index of Parts and Controls" on page 100. SETTING UP This section provides information about; compatible power supplies, system presets, the internal clock, MiniDiscs, and how to connect various devices (such as microphones, audio components, a remote control, and headphones). RECORDING The first four parts of this section explain the settings necessary for each method of recording (built-in microphone, external microphones, analog, digital). The final section "Recording Operations" explains the recording modes (SP and LP), how to set the recording level, and shows you the actual recording operations (etc.). PLAYBACK This section describes the various playback operations, including how to skip and search. "Repeat Play" shows you how to repeat a track, the entire disc, or a part of a track. EDITING This section describes the various editing operations: divide, combine, move, erase, and title. ADDITIONAL INFORMATION This section includes detailed information about the MD recording system, SCMS (Serial Copy Management System), troubleshooting, and explanations of various error messages that may appear in the display. The final section, "Index of Parts and Controls", allows you look up operations of specific controls. Contents SETTING UP Power Supplies ........................................................................... 6 Adjusting the System Presets .................................................. 7 Setting the Date and Time ........................................................ 8 Connecting Microphones ........................................................ 10 Connecting Analog Components .......................................... 10 Connecting Digital Components ........................................... 11 Other Connections ................................................................... 11 RECORDING Recording with the Built-in Microphone ............................ 12 Recording with External Microphones ................................ 12 Recording Line Sources ........................................................... 13 Recording Digital Sources ...................................................... 13 Recording Operation ............................................................... 14 PLAYBACK Basic Operation ......................................................................... 16 Repeat Play ................................................................................ 17 EDITING Dividing a Track ....................................................................... 19 Combining Tracks .................................................................... 19 Moving a Track ......................................................................... 20 Erasing a Disc or Track ........................................................... 20 Titling a Disc or Track ............................................................. 21 ADDITIONAL INFORMATION System Limitations ................................................................... 22 SCMS Copy Protection ............................................................ 23 Troubleshooting ........................................................................ 25 Display Messages ..................................................................... 26 Specifications ............................................................................. 26 Index of Parts and Controls ................................................. 100 5 ENGLISH SETTING UP Power supplies AC Adaptor When recording for extended periods, or using this unit in a studio environment, we recommend using the AC adaptor. to AC outlet Rechargeable NiCd Battery Pack (optional) The PMD650 can also use an optional NiCd rechargeable battery pack (RB1100). Be sure the battery pack is fully charged before use. Refer to the following illustration to install the battery pack. ENGLISH To charge the battery pack Notes · If the voltage of the power supply exceeds the specified value, "HIGH DC IN" blinks in the display for 3 seconds, and the unit turns off. · This adaptor is also used to recharge the (optional) NiCd battery pack. See "Rechargeable NiCd Battery Pack (optional)" for details. 1 Make sure the NiCd battery pack is loaded into the PMD650 (as shown above). 2 Connect the PMD650 to a wall outlet using the AC Adaptor (see "AC Adaptor"). 3 Set the PMD650 to off (standby). The CHARGE indicator located next to the DC IN 13V jack blinks while the pack is charging and lights steadily when it is fully charged. A full charge takes approximately 3 hours. Note Alkaline Batteries The PMD650 takes 8 standard AA-type alkaline batteries. Refer to the following illustration to load the batteries. · The CHARGE indicator will not light if the power is on. In this case, the PMD650 operates using the AC power from the wall outlet. · Due to the characteristics of the NiCd battery, its useable battery time when charged may be substantially decreased during the course of repeated charging and discharging of the battery. In this case unplug the AC adapter and, without removing the NiCd battery, leave as is for 2 to 3 days. After this period, recharge the battery again. Notes · Use only AA batteries for replacement. · Be sure to insert the batteries with correct polarity (as illustrated on the battery compartment). · Remove the batteries if the unit will not be used for an extended period of time. · If batteries leak, dispose of them immediately. Avoid touching the leaking material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries. · Do not use new batteries together with batteries that have been previously used. · It is possible to insert (AA-type) NiCd batteries into the battery holder, but they cannot be recharged. · It is recommended that this NiCd battery is used within a temperature range of between 10 degrees Celsius and 30 degrees Celsius in order to attain the best performance. · Do not short-circuit the terminals. Do not place the NiCd battery in pockets or handbags together with necklaces or other metallic objects. · Never immerse the NiCd battery in water, subject it to naked flames or attempt to dismantle it. 6 SETTING UP Power Management The PMD650 is equipped with a sliding POWER switch that toggles the unit between on and off (standby). It also incorporates a power management function that turns the power off automatically after 5 minutes of nonoperation when using battery power. The unit will beep 30 seconds before the power is automatically turned off. You can turn off the power management alarm, if necessary, by setting the ALARM preset to OFF as described in the following section "Adjusting the System Presets". To turn the unit on Slide POWER to the right. To turn the unit off (standby) Slide POWER to the right. If turned off during recording, the unit always writes the UTOC before turning off. Adjusting the System Presets The system presets described below can be adjusted according to your needs and preferences. · Power management alarm (ALARM) This preset determines whether or not the beep alarm will sound before the unit's power is automatically turned off. The alarm beeps 30 seconds before the power management function turns the power off. Likewise, it also beeps 5 minutes before battery failure ("LOW BATT"). · LSR level (LSR_L) This preset determines the minimum signal level necessary to trigger the LSR (Level Sync Recording) function. (See "LSR" on page 14 for details.) · New track time (NTT) (in LSR mode) Tracks are marked in sync with the input level of the source signal. This preset determines how long a low level (LSR level) signal must continue before the unit marks a new track (see "LSR" on page 14). For example: If NTT is set to 3 seconds, when the source signal falls below LSR level for 3 seconds or more, a new track is marked the next time the source signal rises above the LSR level (with the LSR set to ON and the TR_INC set to On). Battery replacement The battery icon in the display shows battery strength in three steps: : Battery life is low. : Alkaline batteries : Batteries are exhausted. Replace the batteries. NiCd battery : Battery is exhausted. Recharge the battery or replace it with a fully charged battery. : "LOW BATT" and the REC indicator (REC mode only) blink in the display (REC blinks two times faster than during recpause mode), an alarm sounds from the headphones or internal speaker, and the unit shuts down automatically after 3 minutes. After the unit shuts down, sliding the POWER to the right sometimes turns the power on. However, the unit shuts down immediately or within 3 minutes. Notes · If the battery failure occurs during recording, the UTOC is updated before shutting down. · During recording, the alarm sounds from the headphones only. · The alarm can be turned off. See "Adjusting the System Presets" for details. · Track increment (TR_INC) (in LSR mode) This preset determines whether or not new track numbers will be automatically assigned to new tracks. See "LSR". · Pre recording time (PR_REC) When the unit is set to rec-pause mode, it can monitor the source signal and maintain a memory cache which eliminates any time lag in the recording operation (and can even allow you to start recording slightly beforehand). This preset determines the length of the memory cache. · Time system (Time) This preset lets you choose either a 12 hour (AM/PM) or 24 hour (military) time system. · Date form (DATE) This preset lets you choose the order of the date (day, month, year) information. · Battery type (BATT) For the most accurate indication of the battery life, set this preset to the type of battery you are using. Continued on next page Battery life Battery type Alkaline batteries Optional NiCd battery Recording about 3.5 hours about 2.5 hours Playback about 4.0 hours about 3.0 hours Notes · When recording, to avoid loss of battery power, it is recommended to always use new alkaline batteries, or a fully charged battery pack. · Battery life may vary depending on the conditions under which the unit is operated (environmental temperature, humidity, speaker usage, DIGITAL OUT ON/OFF, etc.). · This unit will maintain a backup of date and time for approximately one month, even with the batteries removed. 7 ENGLISH SETTING UP · Sampling rate converter (SRC) This preset lets you use this unit as a Sampling Rate Converter (SRC). When set to On, digital signals input to the DIGITAL IN jack are routed through the SRC, converted, and then simultaneously output from the DIGITAL OUT jack and recorded to the MD. When set to Off, digital signals input to the DIGITAL IN jack are output from the DIGITAL OUT jack as is. If the input signals are 32 kHz or 48 kHz, they are converted by the SRC before being recorded to the MD. If the input signals are 44.1 kHz, they are recorded directly to the MD without going though the SRC. Setting the Date and Time Before operating the PMD650, perform the following operations to set the current date and time. The current date and time are recorded automatically at the beginning of each track. Ex.: When the date form is in type D.M.Y. ENGLISH · SCMS copy protection (SCMS) This preset lets you turn the SCMS on or off. Preset (display) Alarm (ALARM) LSR level (LSR_L) New track time (NTT) Track increment (TR_INC) Pre-rec time (PR_REC) Time (TIME) Date form (DATE) Battery (BATT) SRC (SRC) SCMS (SCMS) * Default values in bold. Adjustable range* On, Off ­60, ­40, ­20, ­10 (dB) 02, 03, 05, 10 (sec.) On, Off 0, 0.5, 1.0, 2.0 (sec.) 12h, 24h (hour) D.M.Y, M.D.Y, Y.M.D Alk, NiCd On, Off On, Off 1 Slide POWER to the right to turn on the unit. 2 Press EDIT < or > repeatedly until "Clock Adj?" is displayed, then press ENTER. The unit enters the date/time setup mode and the day indication starts blinking. REPEAT 1 A-B LSR TOC AM DATE PM L -dB R REC 40 20 12 SP LP 6 2 0 OVER When the time mode is set to "24h", the AM/PM indicator does not light and step 6 below is not necessary. (See "Adjusting the System Presets" on page 7 to set the time mode.) 3 Press FR/PREV (1~4) or FF/NEXT (¢~¡) to set the day, then press PLAY/ PAUSE (3~8) to enter it. Keep pressing FR/PREV or FF/NEXT to increase or decrease the number continuously. To change a preset 1 Press STOP (7). 2 Press EDIT < or > repeatedly until "Preset?" is displayed, then press ENTER. The first preset "ALARM" appears in the display. TRACK TOTAL REPEAT 1 A-B LSR TOC AM PM L -dB R REC 40 20 12 SP LP 6 2 0 OVER 3 Press PLAY/PAUSE (3~8) repeatedly to select the preset you want to change. 4 Press FR/PREV (1~4) or FF/NEXT (¢~¡) to change the preset. 5 Press ENTER to enter the changes. "Complete!" appears and the unit returns to normal operation. 4 Press FR/PREV or FF/NEXT to set the month, then press PLAY/PAUSE to enter it. 5 Press FR/PREV or FF/NEXT to set the year, then press PLAY/PAUSE to enter it. 6 Press FR/PREV or FF/NEXT to select AM or PM, then press PLAY/PAUSE to enter it. 7 Press FR/PREV or FF/NEXT to set the hour, then press PLAY/PAUSE to enter it. 8 Press FR/PREV or FF/NEXT to set the minute, then press ENTER to enter it. "Complete!" appears, the seconds will start counting and the unit will automatically return to its normal operation mode. Alternatively, you can press PLAY/PAUSE (3~8) to return to step 3. To exit without setting all fields To cancel preset adjustment · Press STOP (7) during steps 2 through 4. · Opening or closing the disc holder also cancels the preset adjustments. Press ENTER during steps 3 through 7. The fields you set are stored, "Complete!" appears, and the unit returns to its normal operation mode. To cancel clock adjustment Press EDIT < or > or STOP (7). 8 SETTING UP Viewing the date and time Each time you press DISPLAY, the display switches as shown below according to the state of operation. The display remains in the selected mode until the disc is ejected. The first display (1) is the default displays for the respective mode. During stop mode 1 Disc information TRACK TRACK TOTAL TOTAL REC DATE REMAIN During playback 1 Time elapsed on current track TRACK AM PM L -dB R SP 40 20 12 6 2 0 OVER 2 Time remaining on current track SP L -dB R AM PM L -dB R SP 40 20 12 6 2 0 OVER 40 20 12 6 2 0 OVER 3 Time remaining on the disc. 2 Time available for recording (Recordable disc) TRACK TOTAL REC DATE REMAIN TOTAL REC DATE REMAIN SP L -dB R TRACK AM PM L -dB R SP 40 20 12 6 2 0 OVER 40 20 12 6 2 0 OVER 4 Date and time of recording Note In case of pre-mastered disc, 0:00 is displayed. TRACK TOTAL REC DATE REMAIN SP L -dB R 3 Current date and time TOTAL REC DATE REMAIN 40 20 12 6 2 0 OVER AM PM L -dB R SP 40 20 12 6 2 0 OVER Note The remain time is displayed in SP mode. During recording 1 Time elapsed during recording TRACK AM PM L -dB R REC 40 20 12 SP 6 2 0 OVER To illuminate the display For temporary illumination, press LIGHT. The backlight comes on for 3 seconds and turns off automatically. When the LIGHT is pressed again with the backlight on, the backlight is turned off. For longer illumination, hold down LIGHT for more than 1 second. The backlight will stay on until the next time you press LIGHT. 2 Time available for recording TOTAL REC DATE REMAIN AM PM L -dB R REC 40 20 12 SP 6 2 0 OVER 3 Current date and time TRACK TOTAL REC DATE REMAIN PM L -dB R REC 40 20 12 SP 6 2 0 OVER Note When the title is input, the title is displayed in 1 and 2. When the title is not input, the date will be displayed instead of "No Name". "hh:mm_(dd)" in 24 hour display mode. "hh:mmA(dd)" in 12 hour display mode in AM. "hh:mmP(dd)" in 12 hour display mode in PM. 9 ENGLISH SETTING UP Connecting Microphones Connect the microphones as shown below. You can connect two microphones for stereo to the MIC/ LINE IN L and R (XLR) jacks. Alternatively, you can connect just one microphone (for mono recording or dual level mono recording) to the MIC/LINE IN L jack. MIC (L) Connecting Analog Components The following illustrations show you how to connect analog audio components for recording or playback. To record from analog audio components Connect the source component's analog line output jacks to this unit's MIC/LINE IN L and R (XLR) jacks. ENGLISH TAPE DECK, etc. MIC (R) Powering the microphone(s) This unit can also supply +48 V of phantom power to the connected microphone(s). If your microphone(s) require phantom power, set PHANTOM +48V to ON. Notes · Phantom power is only applicable to condenser microphones. See the instruction manual of your microphones if phantom power is required. · Do not use phantom power in combination with dynamic microphones to avoid damage to the unit or the microphones. · You can also compensate for different microphones and/or environments. (See "ANC" and "MIC ATTENUATION" on page 12 for details.) To output analog audio signals to another audio component Connect the source component's analog line input jacks to this unit's LINE OUT L and R (RCA) jacks. TAPE DECK, etc. 10 SETTING UP Connecting Digital Components The following illustrations show you how to connect digital audio components for recording or playback. To record from digital audio components Connect the source component's digital output jack to this unit's coaxial DIGITAL IN (RCA) jack. Digital audio component Other Connections Remote control An optional wired (RC-5) remote control can also be connected. RC-5 remote Available Functions The remote allows control of the following operations: PLAY, REC, PAUSE, REC-PAUSE, STOP, SKIP (Next, Previous), and SEARCH (Forward, Reverse). RC-5 Command Table To output digital audio signals to another audio component Connect the source component's digital input jacks to this unit's DIGITAL OUT (XLR) jack. The DIGITAL OUT ON/OFF switch must be set to ON to output digital audio signals (set to OFF when not in use to save battery power). Command Stop Play Pause FF FR Next Prev Repeat Rec-pause Record RC-5 Code 2354 2353 2348 2352 2350 2332 2333 2329 2340 2355 Digital audio component Headphones Connect headphones to the PHONES output to monitor the sound during recording and playback. Use the HP/SPK VOLUME knob to control the volume of the headphones. The sound from the internal speaker is muted automatically when headphones are connected. 11 ENGLISH RECORDING Recording with the Built-in Microphone Before recording with the built-in mono microphone, make sure the following switches are set correctly. SP LP STEREO MONO (L ch) INT MIC STEREO L R Recording with External Microphones Before recording with microphone(s) connected to the MIC/LINE IN jack(s), make sure the following switches are set correctly. SP LP STEREO MONO (L ch) INT MIC STEREO L R ENGLISH · REC MODE -15dB 0dB -30dB SOURCE MIC LINE HP/SPK MODE LIMITER MANUAL ALC REC MODE -15dB -30dB SOURCE MIC LINE HP/SPK MODE LIMITER MANUAL 0dB MIC ATTEN FLAT INPUT LEVEL ANALOG DIGITAL REC LEVEL OFF ON ALC MIC ATTEN FLAT ANC INPUT SELECT LSR INPUT LEVEL ANALOG DIGITAL REC LEVEL OFF ON INPUT SELECT Set the INPUT SELECT switch to ANALOG, while unit is stopped. "Analog in" appears in the display. INPUT LEVEL Set the INPUT LEVEL switch to MIC. SOURCE Set the SOURCE switch to INT MIC. Recordings made via the built-in microphone are always mono. ANC INPUT SELECT LSR INPUT SELECT Set the INPUT SELECT switch to ANALOG. "Analog in" appears in the display. INPUT LEVEL Set the INPUT LEVEL switch to MIC. SOURCE Set the SOURCE switch to specify the kind of source you are recording and the corresponding input jacks. · STEREO: To record in stereo via the MIC/LINE IN (L) and (R) jacks. · MONO (Lch): To record a mono source via the MIC/LINE IN (L) jack. ANC Set the ANC (Ambient Noise Control) switch to filter out unwanted frequencies when recording. (band-pass): Cuts low frequency (125 Hz and lower) and high frequency (3 kHz and higher) signals. · FLAT: Normal frequency characteristics. · (high-pass): Cuts low frequency (125 Hz and lower) signals. Types of sound cut off by ANC Wind, rumbling, etc. MIC ATTENUATION Set the MIC ATTEN switch according to the level of the signal you are recording. This allows you to compensate for high level signals and/or noisy environments that can not be compensated for using the REC LEVEL adjustments. This setting will effect the recording level. Be sure to set this switch before adjusting the recording level. · 0 dB : No attenuation · ­15 dB : 15 dB attenuation · ­30 dB : 30 dB attenuation 12 RECORDING Recording Line Sources Before recording analog signals via the MIC/LINE IN jack(s), make sure the following switches are set correctly. SP LP STEREO MONO (L ch) INT MIC STEREO L R Recording Digital Sources Before recording digital signals via the DIGITAL IN jack, make sure the following switches are set correctly. SP LP STEREO MONO (L ch) INT MIC STEREO L R 0dB MIC LINE ALC 0dB MIC LINE ALC MIC ATTEN FLAT INPUT LEVEL ANALOG DIGITAL REC LEVEL OFF ON MIC ATTEN FLAT INPUT LEVEL ANALOG DIGITAL REC LEVEL OFF ON ANC INPUT SELECT LSR ANC INPUT SELECT LSR INPUT SELECT Set the INPUT SELECT switch to ANALOG. "Analog in" appears in the display. INPUT LEVEL Set the INPUT LEVEL switch to LINE. SOURCE Set the SOURCE switch to specify the kind of source you are recording and the corresponding input jacks. · STEREO: To record a stereo source via the MIC/LINE IN (L) and (R) jacks. · MONO (Lch): To record a mono source via the MIC/LINE IN (L) jack. INPUT SELECT Set the INPUT SELECT switch to DIGITAL, during the unit is stopped. "Digital in" appears in the display. Note The record level is set automatically during digital recording. 13 ENGLISH REC MODE -15dB -30dB SOURCE HP/SPK MODE LIMITER MANUAL REC MODE -15dB -30dB SOURCE HP/SPK MODE LIMITER MANUAL RECORDING Recording Operation This unit can both record LINE or MIC level analog sound as well as a wide variety of digital sound sources (32, 44.1 and 48 kHz). REC LEVEL Before recording an analog source, perform the following steps to obtain the appropriate recording level. To have the PMD650 set the recording level automatically, simply set the REC LEVEL switch to ALC. 1 Set the REC LEVEL switch. ALC (Automatic Level Control): Automated recording level adjustment based on the level of the input signal (REC LEVEL knob does not effect the recording). Time constant is long to prevent sudden fluctuations in the recording level. LIMITER: Although the recording level must be adjusted manually using the REC LEVEL knob on the front panel, signals over 0 dB trigger an automatic reduction of the recording level. Time constant is short to provide quick restoration of the manually set recording level. MANUAL: Recording level must be adjusted manually using the REC LEVEL knob on the front panel. Preparation REC MODE LSR 1 REC LEVEL ENGLISH REC PAUSE (8) 2 Adjust the REC LEVEL knobs (If you set the REC LEVEL switch to LIMITER or MANUAL.) First, press REC PAUSE (8) to activate rec-pause mode. Then watch the audio level meter(s) and monitor the sound source you want to record. Use the REC LEVEL knob(s) to adjust the audio level meter(s) so that the 0 dB indicator(s) just barely flicker at the highest peak from the input signal. The OVER indicator should not light (this would result in clipping). 2 REC LEVEL General Make sure the date and time are set correctly. (See "Setting the Date and Time" on page 8 for details.) TOTAL REC REMAIN L -dB R REC 40 20 12 SP 6 2 0 OVER REC MODE Choose the recording mode you desire based on the length and type of recording you wish to make. · SP (Standard Play mode). For up to 74 minutes of two channel stereo or dual level mono recording (when using a 74 minute MD). When SOURCE is set to STEREO The L (left) and R (right) channels are recorded in stereo. When SOURCE is set to MONO (Lch) The L (left) channel is recorded in dual level mono (with L (left) channel at normal sound level and R (right) channel at ­15 dB) in MIC INPUT LEVEL mode. When SOURCE is set to INT MIC The source is recorded in dual level mono (with L (left) channel at normal sound level and R (right) channel at ­15 dB). When recording in stereo In most cases, adjust the left and right channels so the left and right indicators are nearly equal. LSR (for analog sources only) The LSR (Level Sync Recording) function can start recording automatically (from rec-pause mode) when source signal exceeds a certain level. (See "Adjusting the System Presets" on page 7 to set the LSR Level.) · LP (Long Play mode). For up to 148 minutes of mono recording (when using a 74 minute MD). When SOURCE is set to STEREO The L (left) and R (right) channels are mixed together and recorded in mono. When SOURCE is set to MONO (Lch) Only the L (left) channel is recorded in mono. When SOURCE is set to INT MIC The source is recorded in mono. Note · Set the REC MODE, INPUT and SOURCE switch in stop mode. Even if these switches are set during recording or recpause, the settings may not function. · When the source is recorded in dual level mono, -15dB lower level is heard from R channel. · ON (LSR indicator on): When the unit is set to recpause mode, recording starts automatically when the source signal exceeds the LSR level. · OFF (LSR indicator off): LSR function is off. Note Set the LSR switch in stop mode. The function does not switch when the LSR switch is set during recording or playing back. In this case, the function switches in stop mode. 14 RECORDING Operation BACK SPACE 1 2, 4 STOP To pause during recording Press REC PAUSE (8). Slide REC/MARK (¶) to the right to resume recording (the track number changes). To mark a track during recording Slide REC/MARK (¶) to the right. The current location is marked and the track number increases by one for the subsequent material. Marks must be set at least 1 second apart. To switch the information shown in the display Press DISPLAY repeatedly. REC PAUSE (8) DISPLAY LIGHT 3 REC MARK (¶) KEY LOCK (See "Viewing the date and time" on page 9 for details.) 1 Make sure the INPUT SELECT, INPUT LEVEL, SOURCE, MIC ATTEN, and ANC switches are set appropriately. For the built-in microphone : See page 12. For external microphones : See page 12. For analog sources : See page 13. For digital sources : See page 13. To prevent misoperation during recording Slide KEY LOCK to the right (LOCK) to activate the key lock function. All buttons (except LIGHT) become inoperative. To release, slide KEY LOCK back to the left (OFF). · Key lock can also be used during stop or play mode (etc.). To stop recording Press STOP (7). Notes · No sound is output from the internal speaker during recording or the rec-pause mode. · The unit stops recording automatically when it reaches the end of the disc. · When operating from battery power, the power management function will automatically turn the power off after a certain amount of time if the unit is left in rec-pause mode (unless the LSR function is ON). · When recording from a CD or MD with INPUT SELECT set to DIGITAL, the track numbers are recorded automatically. · If a standard digital signal is not input to the DIGITAL IN jack after REC/MARK (¶) or REC PAUSE (8) has been pressed, "Din Unlock" appears in the display and the unit switches to the stop mode. · The REC indicator lights differently in the following circumstances: - During recording : lights steadily - During rec-pause : blinks - When the battery is low : blinks quickly (see "Battery replacement" on page 7) 2 Decide where on the MD you want to record from. Press STOP (7). To record from the end of a previous recording (with PRE REC) Press REC PAUSE (8) to activate the rec-pause mode and route the source signal through the memory cache, then proceed to step 3. (A track number is written when you start recording.) To start recording immediately from the end of a previous recording (without PRE REC) Slide REC/MARK (¶) to the right without setting the unit to rec-pause mode. The unit immediately starts recording from the end of the previously recorded material. (A new track number is written automatically.) 3 Shift REC/MARK (¶) to start recording. Notes To take full advantage of the PR_REC function, be sure to wait a few seconds between steps 2 and 3. 4 When you've finished recording, press STOP (7). The UTOC is updated automatically. BACKSPACE To cancel the recording, press BACKSPACE while recording. The recording is discarded and the unit enters rec-pause mode again at the point where recording began. 15 ENGLISH PLAYBACK Basic Operation Playback can be monitored through the internal speaker or a pair of headphones. Use the HP/SPK VOLUME knob to adjust the level of the internal speaker or headphones. The audio signal is also output from the LINE OUT jacks and DIGITAL OUT jack (if DIGITAL OUT is ON). The signal level of these jacks is not effected by the HP/SPK VOLUME knob. Operation BACKSPACE PLAY/PAUSE (6) 1¥4 ¢¥¡ HP/SPK MODE ENGLISH Preparation SP LP STEREO MONO (L ch) INT MIC STEREO L R 0dB REC MODE -15dB -30dB SOURCE MIC LINE ALC HP/SPK MODE LIMITER MANUAL DISPLAY MIC ATTEN FLAT INPUT LEVEL ANALOG DIGITAL REC LEVEL OFF ON To start playback Press PLAY/PAUSE (3~8) during stop mode. To pause during playback Press PLAY/PAUSE (3~8). Press again to resume playback. When operating from battery power, the power management function automatically releases the pause and turns the power off after 5 minutes. To switch the information shown in the display Press DISPLAY repeatedly. (See "Viewing the date and time" on page 9 for details.) ANC INPUT SELECT LSR HP/SPK MODE Select L (left channel), STEREO (left and right channels in stereo), or R (right channel) according to the channels you want to monitor through the internal speaker or headphones. Notes · When headphones are connected, no sound comes from the internal speaker. · When using headphones and playing back a dual level mono recording with HP/SPK MODE set to STEREO, the sound from the right channel will be ­15 dB lower than the sound from the left channel. · When using headphones and playing back a normal mono recording with HP/SPK MODE set to STEREO, the same sound is output from both channels. · To cut output from the internal speaker (when headphones are not connected) set the HP/SPK VOLUME knob to "0". To stop playback Press STOP (7). Playback stops automatically at the end of the last track. Note When operating from battery power, the power management function will automatically turn the power off after a certain amount of time if the unit is left in pause mode. BACKSPACE To go back a few seconds, press BACKSPACE. Play skips back 5 seconds, then continues. Press repeatedly to skip backward in additional 5 second increments. Notes · BACKSPACE only operates within the current track. · When BACKSPACE is pressed at a point less than 5 seconds from the beginning of the track, playback starts from the beginning of the track. Quick playback During stop or play-pause mode, press ¢~¡ while holding down the PLAY/PAUSE (3~8) button to start quick playback (playback at about twice normal speed). Press PLAY/PAUSE (3~8) again to resume playback at normal speed. (Please note that BACKSPACE does not function during quick playback.) The repeat play is not possible during quick playback. 16 PLAYBACK Searching To search forward during play or pause Press and hold FF/NEXT (¢~¡). When the unit reaches the end of the last track while searching in play mode, the unit enters stop mode. When the end of the last track is reached while searching in pause mode, the unit remais in pause mode. To search in reverse during play or pause Press and hold FR/PREV (1~4). When the unit reaches the beginning of the first track, during play or pause mode, the unit enters normal play or pause mode. Notes · The sound can be heard (12 dB lower) when searching in play mode to help you locate the desired position within the track. No sound is heard when searching in pause mode, but the search is conducted at a higher speed. · Search may not function correctly when there are several consecutive tracks consisting of only a few seconds apiece. Repeat Play You can have the unit play a single track, the full disc, or just part of a track repeatedly. 1 REPEAT 2 1¥4 ¢¥¡ 3 PLAY/PAUSE (6) Skipping to Other Tracks To skip to the next track Press FF/NEXT (¢~¡). Additional presses skip to the beginning of later tracks. When the ¢~¡ is pressed in the last track, the unit skips to the first track. To skip to a previous track Press FR/PREV (1~4). Press once to skip to the beginning of the current track. Each Additional presses skip to the beginning of previous tracks. When the 1~4 is pressed in the first track, the unit skips to the last track. Repeating a track 1 Press REPEAT so that REPEAT 1 appears in the display. 2 Use FF/NEXT (¢~¡) or FR/PREV (1~4) to select the track you want to repeat. 3 Press PLAY/PAUSE (3~8) to start repeat playback. TRACK REPEAT 1 SP L -dB R 40 20 12 6 2 0 OVER To cancel Press REPEAT repeatedly until REPEAT and REPEAT 1 disappear from the display. Repeating the entire disc Press REPEAT repeatedly so that REPEAT appears in the display. TRACK REPEAT SP L -dB R 40 20 12 6 2 0 OVER To cancel Press REPEAT repeatedly until REPEAT and REPEAT 1 disappears from the display. 17 ENGLISH PLAYBACK Repeating part of a track (A-B) REPEAT A-B/DEL To cancel · Press REPEAT during the A-B repeat playback. "REPEAT A-B" disappears. · Press STOP (7). ENGLISH 1 Start playback. 2 Press A-B/DEL at the beginning of the part you want to repeat. "REPEAT" lights up and "A-" blinks. TRACK REPEAT 1 A-B SP L -dB R 40 20 12 6 2 0 OVER 3 Press A-B/DEL again at the end of the part you want to repeat to start the A-B repeat. "REPEAT A-B" lights up. REPEAT 1 A-B TRACK SP L -dB R 40 20 12 6 2 0 OVER 4 Press A-B/DEL again to change the end point (point B) to the start point. 5 Press A-B/DEL to set the new end point (new point B) and start A-B repeat. Notes · A-B repeat across more than one track is not possible. (If the next track is entered after having set point A in a track, the A-B repeat is canceled automatically.) · Pressing FR/PREV (1~4) or FF/NEXT (¢~¡) cancels A-B repeat. · A-B repeat is also canceled when the divide rehearsal operation is performed. · When an attempt is made to set new point B (by pressing AB/DEL) before new point A, the new point B setting attempt is ignored. A B Pressing A-B/DEL during AB repeat changes point B to A point A. (Step 4) Point B cannot be set in this section. 18 EDITING Dividing a Track This function will divide a track into two different tracks. After dividing the track, the total number of tracks increases by one and the tracks following the divided track are renumbered automatically. A B C D Combining Tracks This function will combine two adjacent tracks into one track. After combining the tracks, the total number of tracks decreases by one and the tracks following the combined tracks are renumbered automatically. A B C D E A B C D