User manual MARANTZ SR6001

Model SR6001 User Guide AV Surround Receiver CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. IMPORTANT SAFETY INSTRUCTIONS READ BEFORE OPERATING EQUIPMENT This product was designed and manufactured to meet strict quality and safety standards. There are, however, some installation and operation precautions which you should be particularly aware of. 1. Read Instr uctions ­ All the safety and operating instructions should be read before the product is operated. R e t a i n I n s t r u c t i o n s ­ T h e s a fe t y a n d operating instructions should be retained for future reference. Heed Warnings ­ All warnings on the product and in the operating instructions should be adhered to. Follow Instructions ­ All operating and use instructions should be followed. Cleaning ­ Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning. Attachments ­ Do not use attachments not recommended by the product manufacturer as they may cause hazards. Water and Moisture ­ Do not use this product near water-for example, near a bath tub, wash bowl, kitchen sink, or laundry tub, in a wet basement, or near a swimming pool, and the like. Accessories ­ Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturer's instructions, and should use a mounting accessory recommended by the manufacturer. 12. 11. 9. A product and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn. 2. 10. 3. 4. 5. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU'AU FOND. NOTE TO CATV SYSTEM INSTALLER: This reminder is provided to call the CATV (Cable-TV) system installer's attention to Section 820-40 of the NEC which provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. Ventilation ­ Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer's instructions have been adhered to. Power Sources ­ This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions. Grounding or Polarization ­ This product may be equipped with a polar ized alternatingcurrent line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug. 6. 7. 8. NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by tuning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: - Reorient or relocate the receiving antenna. - Increase the separation between the equipment and receiver. - Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. - Consult the dealer or an experienced radio/TV technician for help. NOTE: Changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment. AC POLARIZED PLUG 13. Power-Cord Protection ­ Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying par ticular attention to cords at plugs, convenience receptacles, and the point where they exit from the product. Protective Attachment Plug ­ The product is equipped with an attachment plug having overload protection. This is a safety feature. See Instruction Manual for replacement or resetting of protective device. If replacement of the plug is required, be sure the service technician has used a replacement plug specified by the manufacturer that has the same overload protection as the original plug. Outdoor Antenna Grounding ­ If an outside antenna or cable system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and suppor ting structure, grounding of the lead-in wire to an antenna-discharge unit, size of grounding conductors, location of antennadischarge unit, connection to grounding electrodes, and requirements for the grounding electrode. See Figure 1. Lightning ­ For added protection for this product during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges. Power Lines ­ An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal. Overloading ­ Do not overload wall outlets, extension cords, or integral convenience receptacles as this can result in a risk of fire or electric shock. 19. Object and Liquid Entry ­ Never push objects of any kind into this product through openings as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on the product. Servicing ­ Do not attempt to service this product yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all ser vicing to qualified service personnel. Damage Requiring Service ­ Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions: When the power-supply cord or plug is damaged. If liquid has been spilled, or objects have fallen into the product. If the product has been exposed to rain or water. If the product does not operate normally by following the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation. If the product has been dropped or damaged in any way, and When the product exhibits a distinct change in performance this indicates a need for service. Replacement Parts ­ When replacement par ts are required, be sure the ser vice technician has used replacement par ts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards. Safety Check ­ Upon completion of any service or repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operating condition. 24.Wall or Ceiling Mounting ­ The product should be mounted to a wall or ceiling only as recommended by the manufacturer. 25. Heat ­ The product should be situated away from heat sources such as radiators, heat registers, stoves, or other products (including amplifiers) that produce heat. FIGURE 1 EXAMPLE OF ANTENNA GROUNDING AS PER NATIONAL ELECTRICAL CODE, ANSI/NFPA 70 20. 14. 21. ANTENNA LEAD IN WIRE GROUND CLAMP ANTENNA DISCHARGE UNIT (NEC SECTION 810-20) ELECTRIC SERVICE EQUIPMENT GROUND CLAMPS 15. a. b. c. d. GROUNDING CONDUCTORS (NEC SECTION 810-21) POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250, PART H) NEC - NATIONAL ELECTRICAL CODE This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la Classe B est conforme à la norme NMB-003 du Canada. 16. e. f. DECLARATION OF CONFORMITY This device complies with Part 15 of the FCC rules. Operation is subject to the following conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. U.S. Responsible Party: Marantz America, Inc. 100 Corporate Drive, Mahwah, NJ, 07430, U.S.A. TEL: 630-741-0300 AV Surround Receiver SR6001 17. 22. 23. 18. Type of Product: Model: TABLE OF CONTENTS INTRODUCTION ....................................2 PRECAUTIONS ......................................2 DESCRIPTION .......................................2 FEATURES .............................................5 ACCESSORIES ......................................5 FRONT PANEL ......................................6 FL DISPLAY AND INDICATOR ..........................................7 SETUP ..................................................26 ONSCREEN DISPLAY MENU SYSTEM .........................26 1 INPUT SETUP .............................................................28 2 SPKR (SPEAKER) SETUP ..........................................31 ERROR MESSAGES .......................................................34 3 SURROUND SETUP ...................................................37 4 VIDEO SETUP .............................................................39 5 PREFERENCE ............................................................40 6 ACOUSTIC EQ ............................................................42 BASIC OPERATION (TUNER).............53 LISTENING TO THE TUNER ...........................................53 PRESET MEMORY ..........................................................54 LISTENING TO XM SATELLITE RADIO..........................56 SEARCH MODE ...............................................................57 PRESET MEMORY ..........................................................58 MULTI ROOM SYSTEM .......................60 MULTI ROOM PLAYBACK USING THE MULTI ROOM OUT TERMINALS.............................................................60 MULTI ROOM PLAYBACK USING THE MULTI SPEAKER TERMINALS .....................................................................60 OPERATION OF THE MULTI ROOM OUTPUTS WITH THE REMOTE CONTROL FROM MULTI ROOM ...........61 REAR PANEL .........................................8 REMOTE CONTROL OPERATION .......9 FUNCTION AND OPERATION ..........................................9 OPERATION OF REMOTE CONTROL UNIT .................11 GENERAL INFORMATION OF RC5001SR TO SR6001 ..12 CONTROLLING MARANTZ COMPONENTS .................13 BASIC OPERATION .........................................................15 BASIC OPERATION (PLAY BACK).....44 SELECTING AN INPUT SOURCE ...................................44 SELECTING THE SURROUND MODE...........................44 ADJUSTING THE MAIN VOLUME ..................................44 NIGHT MODE ...................................................................44 ADJUSTING THE TONE (BASS & TREBLE) CONTROL..44 DIALOGUE NORMALIZATION MESSAGE .....................44 VIDEO CONVERT ............................................................45 I/P CONVERT ...................................................................45 TEMPORARILY TURNING OFF THE SOUND .................45 USING THE SLEEP TIMER .............................................45 TROUBLESHOOTING .........................62 HDMI .................................................................................63 TROUBLESHOOTING .....................................................63 CONNECTIONS ...................................17 SPEAKER PLACEMENT .................................................17 CONNECTING SPEAKERS.............................................17 CONNECTING AUDIO COMPONENTS..........................18 CONNECTING VIDEO COMPONENTS..........................20 ADVANCED CONNECTING ............................................21 CONNECTING THE REMOTE CONTROL JACKS.........21 CONNECTING THE ANTENNA TERMINALS .................22 XM RADIO OVERVIEW ...................................................23 CONNECTING THE XM CONNECT-AND-PLAY ANTENNA .........................................................................23 CONNECTING FOR THE MULTI ROOM ........................24 CONNECTING OTHER EQUIPMENT.............................25 TECHNICAL SPECIFICATIONS ..........64 DIMENSIONS ......................................64 SURROUND MODE .............................46 SURROUND .....................................................................46 SOURCE DIRECT ...........................................................46 PURE DIRECT ................................................................46 OTHER FUNCTION ..............................50 TV AUTO ON/OFF FUNCTION........................................50 ATTENUATION TO ANALOG INPUT SIGNAL ................50 LISTENING THROUGH HEADPHONES .........................50 DOLBY HEADPHONE MODE .........................................50 VIDEO ON/OFF ................................................................50 DISPLAY MODE ...............................................................51 SELECTING ANALOG AUDIO INPUT OR DIGITAL AUDIO INPUT ..............................................................................51 RECORDING AN ANALOG SOURCE .............................51 SPEAKER A/B ..................................................................51 7.1 CH INPUT ...................................................................52 AUX2 INPUT.....................................................................52 LIP.SYNC ..........................................................................52 1 ENGLISH INTRODUCTION Thank you for purchasing the Marantz SR6001 Surround receiver. This remarkable component has been engineered to provide you with many years of home theater enjoyment. Please take a few minutes to read this manual thoroughly before you connect and operate the SR6001. As there are a number of connection and configuration options, you are encouraged to discuss your own particular home theater setup with your Marantz A/V specialist dealer. PRECAUTIONS DO NOT LOCATE IN THE FOLLOWING PLACES To ensure long-lasting use, do not locate the SR6001 where it is: · Exposed to direct sunlight. · Near sources of heat such as heaters. · In highly humid or poorly ventilated environments. · Dusty. · Subjected to mechanical vibrations. · On wobbly, inclined or otherwise unstable surfaces. · In locations such as in cramped audio racks where radiated heat is blocked. To ensure proper heat radiation, ensure the below clearance from walls and other equipment. DESCRIPTION · Neo:6 offers a music mode to expand stereo nonmatrix recordings into the five- or six-channel layout, in a way which does not diminish the subtlety and integrity of the original stereo recording. ENGLISH XM Satellite Radio Ready DTS was introduced in 1994 to provide 5.1 channels of discrete digital audio into home theater systems. DTS brings you premium quality discrete multichannel digital sound to both movies and music. DTS is a multichannel sound system designed to create full range digital sound reproduction. The no compromise DTS digital process sets the standard of quality for cinema sound by delivering an exact copy of the studio master recordings to neighborhood and home theaters. Now, every moviegoer can hear the sound exactly as the moviemaker intended. DTS can be enjoyed in the home for either movies or music on of DVD's, LD's, and CD's. "DTS" and "DTS Digital Surround" are registered trademarks of Digital Theater Systems, Inc. Above 8 inchs (20 cm) or more Left 8 inchs (20 cm) or more STANDBY HT-EQ POWER ON/STANDBY PHONES DTS-ES Extended Surround is a new multichannel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTSES Extended Surround greatly improves the 360degree surround impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods, as DTSES Discrete 6.1 and DTS-ES Matrix 6.1. "DTS", "DTS-ES and "Neo:6" are trademarks of Digital Theater Systems, Inc. AV SURROUND RECEIVER SR6001 READY INPUT SELECTOR VOLUME PURE DIRECT DISP SLEEP MULTI AUTO TUNED DIRECT ST SPKR A B V-OFF PEAK NIGHT ATT EQ ANALOG DIGITAL SURROUND DIGITAL L C AUTO SURR DISC 6.1 MT X 6.1 R AAC DSD PCM SL LFE S SR DOWN UP The XM name and related logos are registered trademarks of XM Satellite Radio Inc. Right 8 inchs (20 cm) or more SURROUND MODE AUTO MULTI MULTI SPEAKER BAND T-MODE MEMORY CLEAR 7.1CH INPUT DISPLAY SPEAKERS PURE DIRECT THX MultEQ A/B ENTER EXIT DIGITAL MIC AUX 1 INPUT S-VIDEO VIDEO L AUDIO R Rear 8 inchs (20 cm) or more The advantages of discrete multichannel systems over matrix are well known. But even in homes equipped for discrete multichannel, there remains a need for high-quality matrix decoding. This is because of the large library of matrix surround motion pictures available on disc and on VHS tape; and analog television broadcasts. The typical matrix decoder of today derives a center channel and a mono surround channel from twochannel matrix stereo material. It is better than a simple matrix in that it includes steering logic to improve separation, but because of its mono, bandlimited surround it can be disappointing to users accustomed to discrete multichannel. Neo:6 offers several important improvements as follow, · Neo:6 provides up to six full-band channels of matrix decoding from stereo matrix material. Users with 6.1 and 5.1 systems will derive six and five separate channels, respectively, corresponding to the standard home-theater speaker layouts. · Neo:6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows naturally from the original presentation. The stereo CD is a 16-bit medium with sampling at 44.1 kHz. Professional audio has been 20- or 24bit for some time, and there is increasing interest in higher sampling rates both for recording and for delivery into the home. Greater bit depths provide extended dynamic range. Higher sampling rates allow wider frequency response and the use of antialias and reconstruction filters with more favorable aural characteristics. DTS 96/24 allows for 5.1channel sound tracks to be encoded at a rate of 96kHz/24bits on DVD-Video titles. When DVD-video appeared, it became possible to deliver 24-bit, 96 kHz audio into the home, but only in two channels, and with serious limitations on picture. This capability has had little use. DVD-audio allows 96/24 in six channels, but a new player is needed, and only analog outputs are provided, necessitating the use of the D/A converters and analog electronics provided in the player. 2 DTS 96/24 offers the following: 1. Sound quality transparent to the original 96/24 master. 2. Full backward compatibility with all existing decoders. (Existing decoders will output a 48 kHz signal) 3. No new player required: DTS 96/24 can be carried on DVD-video, or in the video zone of DVD-audio, accessible to all DVD players. 4. 96/24 5.1-channel sound with full-quality fullmotion video, for music programs and motion picture soundtracks on DVD-video. "DTS" and "DTS 96/24" are trademarks of Digital Theater Systems, Inc. About Dolby Pro Logic IIx Dolby Pro Logic IIx technology delivers a natural and immersing 7.1-channel listening experience to the home theater environment. A product of Dolby's expertise in surround sound and matrix decoding technologies, Dolby Pro Logic IIx is a complete surround sound solution that maximizes the entertainment experience from stereo as well as 5.1-channel encoded sources. Dolby Pro Logic IIx is fully compatible with Dolby Surround Pro Logic technology and can optimally decode the thousands of commercially available Dolby Surround encoded video cassettes and television programs with enhanced depth and spatiality. It can also process any high-quality stereo or Advanced Resolution 5.1-channel music content into a seamless 6.1- or 7.1-channel listening experience. Dolby Virtual Speaker is a technologycertified by Dolby Laboratories that creates a virtualized surround sound experience from two speakers using a multichannel Dolby Digital source. Additionally, Dolby Virtual Speaker can simulate the surround sound effect produced by Dolby Pro Logic or Dolby Pro Logic II. Dolby Virtual Speaker retains all the original Multichannel audio information and provides the listener with the sensation of being surrounded by additional speakers. Manufactured under license from Dolby Laboratories. "Dolby", "Pro Logic", and the double-D symbol are trademarks of Dolby Laboratories. Dolby Digital identifies the use of Dolby Digital audio coding for such consumer formats as DVD and DTV. As with film sound, Dolby Digital can provide up to five full-range channels for left, center, and right screen channels, independent left and right surround channels, and a sixth (".1") channel for low-frequency effects. Dolby Surround Pro Logic II is an improved matrix decoding technology that provides better spatiality and directionality on Dolby Surround program material; provides a convincing three-dimensional soundfield on conventional stereo music recordings; and is ideally suited to bring the surround experience to automotive sound. While conventional surround programming is fully compatible with Dolby Surround Pro Logic II decoders, soundtracks will be able to be encoded specifically to take full advantage of Pro Logic II playback, including separate left and right surround channels. (Such material is also compatible with conventional Pro Logic decoders.) Dolby Digital EX creates six full-bandwidth output channels from 5.1-channel sources. This is done using a matrix decoder that derives three surround channels from the two in the original recording. For best results, Dolby Digital EX should be used with movies soundtracks recorded with Dolby Digital Surround EX. The Dolby Headphone technology provides a surround sound listening experience over headphones. When listening to multichannel content such as DVD movies over headphones, the listening experience is fundamentally different than listening to speakers. Since the headphone speaker drivers are covering the pinna of the ear, the listening experience differs greatly from traditional speaker playback. Dolby utilizes patented headphone perspective curves to solve this problem and provides a non-fatiguing, immersive, home theater listening experience. Dolby Headphone also delivers exceptional 3D audio from stereo material. Circle Surround II (CS-II) is a powerful and versatile multichannel technology. CS-II is designed to enable up to 6.1 multichannel surround sound playback from mono, stereo, CS encoded sources and other matrix encoded sources. In all cases the decoder extends it into 6 channels of surround audio and a LFE/subwoofer signal. The CS-II decoder creates a listening environment that places the listener "inside" music performances and dramatically improves both hi-fi audio conventional surround-encoded video material. CS-II provides composite stereo rear channels to greatly improve separation and image positioning­ adding a heightened sense of realism to both audio and A/V productions. CS-II is packed with other useful feature like dialog clarity (SRS Dialog) for movies and cinema-like bass enrichment (TruBass). CS-II can enable the dialog to become clearer and more discernable in movies and it enables the bass frequencies contained in the original programming to more closely achieve low frequencies­overcoming the low frequency limitations of the speakers by full octave. Circle Surround II, Dialog Clarity, TruBass, SRS and symbol are trademarks of SRS Labs, Inc. Circle Surround II, Dialog Clarity and TruBass technology are incorporated under license from SRS Labs, Inc. HDCD® (High Definition Compatible Digital ®) is a patented process for delivering on Compact Disc the full richness and details of the original microphone feed. HDCD encoded CDs sound better because they are encoded with 20-bits of real musical information as compared to 16-bits for all other CDs. HDCD overcomes the limitation of the 16-bit CD format by using a sophisticated system to encode the additional four bits onto the CD while remaining completely compatible with the CD format. When listening to HDCD recordings, you hear more dynamic range, a focused 3-D sound stage, and extremely natural vocal and musical timbre. With HDCD, you get the body, depth and emotion of the original performance not a flat, digital imitation. HDCD system manufactured under license from Microsoft. This product is covered by one or more of the following: In the United States 5,479,168 5,638,074 5,640,161 5,808,574 5,838,274 5,854,600 5,864,311 5,872,531 and in Australia 669,114 with other patents pending. HDMI, the and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. 3 ENGLISH There are several factors that can degrade the sound from even the best loudspeakers in a listening room. One of the most important is the interaction of sound from the loudspeakers with large surfaces such as walls, the floor, and the ceiling in the room. Even with careful loudspeaker placement and acoustical treatments, there are significant problems that are caused by room acoustics. These include reflections from nearby surfaces and standing waves that are created between large parallel surfaces in the room. In a home theater the situation is further complicated because there are several listening locations. The effects of room acoustics on the sound arriving at each person's ears are very different and the result is a listening experience that is degraded in a different way for every person in the room. It is not uncommon to have variations in two adjacent seats that are as large as 10 dB, particularly in the frequency range below 250 Hz. The solution to this problem is to apply room correction after precisely measuring how each loudspeaker interacts with the room. Because the room causes variations in the frequency response of the loudspeakers that are so large from seat to seat, it is important to measure each loudspeaker at several locations in the listening room. This should be done even if there is only one listener. Measurement at a single location is not representative of the acoustical problems in the room and will in most cases, degrade overall performance. Audyssey MultEQ is the only technology that can achieve room correction for multiple listeners in a large listening area. It does so by combining the data collected at several points in the room from each loudspeaker and then applying correction that minimizes the acoustical effects of the room and is matched to the frequency resolution of human perception (known as psychoacoustics). Furthermore, MultEQ correction is applied both in frequency and time domains and so there are no artifacts (such as smearing of sound or modal ringing)that are sometimes associated with traditional methods of room equalization. In addition to correcting frequency response problems over a wide listening area, Audyssey MultEQ provides a completely automated sound system set-up process. It identifies how many loudspeakers are connected to the amplifiers and whether they are full-range, satellites, or subwoofers. If there is a least one subwoofer connected, Audyssey MultEQ determines the optimum crossover frequency between each satellite and the subwoofer(s). It automatically checks the polarity of each loudspeaker and alerts the user if there are any that may be wired out-of-phase relative to the others. It measures the distance to each loudspeaker from the main listening position and adjusts the delays so that sound from each loudspeaker arrives at the same time. Finally, Audyssey MuitEQ determines the playback level of each loudspeaker and adjusts the volume trims so that all levels are equal. ENGLISH MultEQ and the Audyssey MultEQ logo are trademarks of Audyssey Laboratories, Inc. All rights reserved. 4 FEATURES The SR6001 incorporates the latest generation of digital surround sound decoding technology such as Dolby Digital EX, Dolby Digital, DTS ES (Discrete 6.1 and Matrix 6.1), DTS Neo:6 (Cinema, Music), Dolby Pro-Logic II (Movie, Music and Game), Dolby ProLogic IIx (Movie, Music and Game), Circle Surround II (Cinema, Music and Mono). In addition, Marantz has focused on the future. By utilizing pre-out jacks, 7.1 direct inputs and a RS232C communication port, the SR6001 is tomorrow's technology, today! The SR6001 incorporates the most advanced Digital Signal Processing circuitry, along with a 192 kHz/24 bit D/A converter in each of the 7 channels. Independent power supply circuits are incorporated for the FL display, audio and video sections for maximum separation, clarity and dynamic range. Together with hand-selected customized components, all elements work in harmony to recreate the emotion, exactly as the artist had intended. The SR6001 is designed and engineered with extensive feedback from custom installation experts, dealers and consumers. It features multi-room/ multisource, assignable DC trigger, a RS-232C communication port, Flasher input, heavy duty speaker binding posts and an extensive array of both analog and digital inputs / outputs. With 5 assignable digital inputs (6 total), 4 component inputs, Super Audio CD Multi Channel (7.1 channel) direct inputs, video convert system and a speaker-B and OSD output versatility is taken to a stunning new level. Furthermore, the SR6001 can output the OSD information through the Y/C (S-video) and composite video outputs. An easy-to-use programmable, learning remote control allows full access to all of the operating functions and can be used for system operation as well. The new generation of Marantz Receivers is stylish and completely symmetrical. On the front panel of the SR6001, buttons are kept to a minimum. Source selectors and volume controls are intuitively placed. The SR6001 is here to perform in your unrivaled home entertainment setup. · HDMI HDMI (High-Definition Multimedia Interface) is an enhancement to the DVI (Digital Visual Interface) standard. It adds capabilities for digitally transmitting audio signals in addition to video signals. Where multiple cables were previously needed for audio/ video, HDMI enables audio/video connection via a single cable. The HDMI input jacks of this receiver support HDMI Ver. 1.2. and the HDMI output jacks of this transmitter support HDMI Ver. 1.1. Ver. 1.2 supports 1-bit audio formatting and enables transmission of DSD (Direct Stream Digital) signals of Super Audio CD. Copyright Protection This receiver supports HDCP (High-bandwidth Digital Content Protection). HDCP is copyright protection technology that consists of data encoding and other device authentication. Its purpose is to protect digital video content. Both this receiver and the connected component (such as a video player or monitor) must support HDCP. Before connecting a component to this receiver, refer to its instruction manual. · Dolby Digital EX, Dolby Digital, DTS ES (Discrete 6.1, Matrix 6.1, Neo:6) · Dolby Pro Logic II (Movie, Music, Game) · Dolby Pro Logic IIx (Movie, Music, Game) · Circle Surround II (Cinema, Music, Mono) · Audyssey Mult EQ · 7 × 100 Watts (8 Ohms), Discrete Amplifiers · High Power Current Feedback Circuitry · Massive Energy Power Supply, Huge EI Transformer, Large ELCO's. · 192 kHz/24 bit DAC for all 8 Channels · 32 bit Digital Surround Processing Chipsets · Video Off Mode · Large Heavy Duty Speaker Terminals for all Channels · RS-232C Terminal for Future Upgrade or System Control · Set Up Menu via all Video Output (Composite, S-Video, Component video and HDMI) · Auto Input Signal Detection · Improved Station Name Input Method, 60 Presets · Auto Adjust Function for Speaker Distance Settings (Delay Time) · Front Optical AUX Input (Digital Camera, Portable DVD) · Programmable, learning remote control · Video convert system HDMI Component Video S-Video Composit Video · Video I/P Converter · Assignable Video Input · Lip Sync (Audio Delay) · · · · · · · · · · Function Rename HDCD Dolby Headphone Bi-amp drive Source/Pure Direct mode 9 bands x 7 ch GEQ DSD direct conversion DSD to PCM converter Assignable DC Trigger Output Flasher Input Front AUX Jack Cover ACCESSORIES Remote Controller RC5001SR LE AR l/ PU PU SH SH SO URCE T SE 1 4 H -C M ST EO ER ST CS II OFF ON SURR OU ND P. DI REC T 2 S /E EX 7 C L 5 8 9 3 VI RTU AL 6 NI GHT BAN D LIP INP SYNC UT / 0 SP KR A/ B +10 UT M E 4 ME MO P.S 4 CA N T.M OD E User Guide OS D HT-EQ SETU P/ T. TO BA SS T.D ET ES PR EN TE R ISP PTY IT EX F.D IRE CT CH-SE TV L V-O FF SUBT ATT. TREB D ITL E AU DIO LE S AAA-size batteries × 2 Warranty Card USA × 1 Canada × 1 AC cable AM Loop Antenna 5 ENGLISH FM Antenna N SE P EE SL DI P AIT SP LA Y s dt ND H 1C 7. AT /C CH AT I/C ULT M R PK -S M IN A/ D E UM LL VO NE U EN M DI + SC GLE AN TU NI NG BA SS DV R NE TU PE TA X AU 1 CD D V C R R CD S SY STE M NTR CO TE R OS M 00 RE C55 R O LL ER X AU 2 P AM MD FRONT PANEL q w e AV SURROUND RECEIVER SR6001 !0 MEMORY button !6 HT-EQ button ENGLISH Press this button to enter the tuner preset memory numbers or station names. (See page 54) Press this button to switch between HT-EQ ON/Off. r ty u io!0 !1 !2 !3 READY !4 !1 CLEAR button !7 7.1CH INPUT button Press this button to cancel the station-memory setting mode or preset scan tuning. (See page 55) Press this button to select the output of an external multichannel player. INPUT SELECTOR VOLUME !2 INFRARED receiving sensor window !8 MENU button PURE DIRECT DISP SLEEP MULTI AUTO TUNED DIRECT ST SPKR A B V-OFF PEAK NIGHT ATT EQ ANALOG DIGITAL SURROUND DIGITAL L C AUTO SURR DISC 6.1 MTX 6.1 R This window receives infrared signals for the remote control. DOWN UP This button is used to enter the SETUP MAIN MENU. AAC DSD PCM SL LFE S SR !3 SURROUND MODE AUTO MULTI MULTI SPEAKER BAND T-MODE MEMORY CLEAR 7.1CH INPUT DISPLAY SPEAKERS A/B PURE DIRECT STANDBY MENU POWER ON/STANDBY PHONES HT-EQ MultEQ VOLUME control knob Adjusts the overall sound level. Turning the control clockwise increases the sound level. DIGITAL AUX 1 INPUT S-VIDEO VIDEO !9 Cursor (5, , 2, 3) / ENTER button Use these buttons when operating the SETUP MAIN MENU and TUNER function. ENTER EXIT L AUDIO R MIC !4 AUX1 INPUT jacks These auxiliary video/audio input jacks accept the connections of a camcorder, portable DVD, game etc. When not using these jacks, protect with the included jack covers. @0 EXIT button This button is used to exit from the SETUP MAIN MENU. !5 !6 !7 !8 !9 @0 @1 @2 @3 q POWER switch and STANDBY indicator r SURROUND MODE button You can select the surround mode by pressing this button. How to Attach the Front AUX Jack Cover UP @1 DISPLAY button When this switch is pressed once, the unit turns ON and the display illuminates. When pressed again, the unit turns OFF and the STANDBY indicator will be illuminated. DIG IT AL S-V When this button is pressed, the FL display mode is changed as Input display Surround Mode Auto-display Off Display Off Function name display and the display off indicator (DISP) lights up is condition DISPLAY OFF. A ID EO UX 1 IN PU t AUTO (Auto surround) button PU PU SH SH T VID EO L AU DIO R w INPUT SELECTOR knob (AUDIO/ VIDEO) Press this button to select the AUTO mode from the surround modes. When this mode is selected, the receiver determines the surround mode corresponding to a digital input signal automatically. @2 MultEQ button / MIC jack Press to automatically measure speaker characteristics using the microphone. (See page 32) Note: · A special microphone (option) is needed to use the MultiEQ function. (See page 32) This knob is used to select the input sources. Note: · When the input source is set to TUNER, it is possible to select the video source separately. y MULTI (Multi Room) button !5 Front AUX Jack Cover Press this button to activate the Multiroom system. "MULTI" indicator will be illuminated in the display. (See page 60) PURE DIRECT button and indicator @3 SPEAKER A/B button e HEADPHONE jack for stereo headphones u MULTI SPEAKER button This jack may be used to listen to the SR6001's output through a pair of headphones. Be certain that the headphones have a standard 1/4" stereo phono plug. Note that the main room speakers will automatically be turned off when the headphone jack is in use. Notes: · When using headphones, the surround mode will change to STEREO and Dolby Headphone by MENU and Cursor button. · The surround mode returns to the previous setting as soon as the headphone plug is removed from the jack. Press this button to activate the Multiroom Speaker system. "MULTI" indicator will be illuminated in the display. (See page 60) i BAND button When this button is pressed once, "SOURCE DIRECT" appears on the FL display. If pressed again, "PURE DIRECT" appears. After 2 seconds, the FL display indication goes out. In the source/pure direct mode, the tone control circuitry and bass management are bypassed. Notes: · The surround mode is automatically switched to AUTO when the pure direct function is turned on. · Additionally, speaker configurations are fixed automatically as follows. Front SPKR = LARGE Center SPKR = LARGE Surround SPKR = LARGE Surround Back SPKR = LARGE Sub woofer = YES Press this button to select speaker systems A and/or B. Press this button to switch between FM and AM in the TUNER mode. o T-MODE button Press this button to select the auto stereo mode or mono mode when the FM band is selected. The "AUTO" indicator lights in the auto stereo mode. (See page 53) 6 s a DISP SLEEP f d g AUTO TUNED DIRECT h j ST V ­ OFF k ¡0 ¡1 ¡3 ¡2 l NIGHT PEAK ATT EQ ANALOG DIGITAL ¡4 SURROUND MULTI AUTO SURR DISC 6.1 MT X 6.1 SPKR A B DIGITAL L C AV INP UT SE LE CT OR SUR RO UND REC EIV ER SR6 001 R ¡5 PCM SL DISP LFE S SR ENCODED CHANNEL STATUS indicators STAN DBY SLE EP MUL TI AUT O AUT O SUR R POW ER ON /OF F TUN ED DIRE CT ST SPK RA DISC B 6.1 V-OF F MTX 6.1 PEA K NIGH ATT T ANA DIGI LOG TAL PHO NES AAC PCM DIGI L SURR OUN D TAL C SL LFE S R SR ¡9 ¡8 VOL UM E DOW N RE AD Y ¡7 ¡6 TM2 TM0 ¡5 TM1 ENT ER UP a DISP (Display Off) indicator l SPKR (speaker) AB indicator DIG ITAL S-V IDE O AUX 1 INP UT VID EO L AUD IO R This indicator is illuminated when the SR6001 is in the display off condition. Active speaker system will be illuminated by this indicator. s Caution: · Be careful not to pinch your fingers between the door and the panel. SLEEP timer indicator ¡0 PEAK indicator These indicators display the channels that are encoded with a digital input signal. If the selected digital input signal is Dolby Digital 5.1ch or DTS 5.1ch, "L", "C", "R", "SL", "SR" and "LFE" will be illuminated.If the digital input signal is 2 channel PCM-audio, "L" and "R" will be displayed. If Dolby Digital 5.1ch signal with Surround EX flag or DTS-ES signal comes in, "L", "C", "R", "SL", "S" , "SR" and "LFE" will be illuminated. This indicator is illuminated when the sleep timer function in the main-room is in use. d Multi-room system indicator This indicator is illuminated when the multi-room system is active. This indicator is a monitor for an analog audio input signal. If the selected analog audio input signal is greater than the capable level of internal processing, this will illuminate. If this happens, you should press the ATT button on the remote. (See page 10) ¡6 Main Information Display This display shows messages relating to the status, input source, surround mode, tuner, volume level or other aspects of unit's operation. ¡1 ATT (Attenuation) indicator