User manual RME MULTIFACEWIN

User's Guide Hammerfall® DSP System Multiface The most compact professional multitrack recording system ever! TotalMix 24 Bit / 96 kHz ü SyncAlign ® TM ZLM ® SyncCheck ® PCI Busmaster Digital I/O System PCI and CardBus Interface 2 + 24 Channels Stereo / ADAT Interface 24 Bit / 96 kHz Analog Stereo Monitor ADAT Sync In Contents Introduction............................................................ 4 Package Contents .................................................. 4 System Requirements............................................ 4 Brief Description and Characteristics................... 5 Technical Specifications 5.1 Digital.................................................................... 5 5.2 Analog................................................................... 5 5.3 Transfer Modes: Resolution/Bits per Sample......... 6 6 Hardware Installation 6.1 PCI Interface......................................................... 7 6.2 CardBus Card ....................................................... 7 7 Driver Installation 7.1 Windows 98/SE/ME............................................... 8 7.2 Windows 2000/XP ................................................. 8 7.3 Deinstalling the Drivers ......................................... 8 7.4 Linux/Unix ............................................................. 8 8 Operation and Usage 8.1 Connections .......................................................... 9 8.2 Playback ..............................................................10 8.3 DVD-Playback (AC-3) under MME........................11 8.4 Low Latency under MME ......................................11 8.5 Recording Digital ..................................................12 8.6 Recording Analog .................................................13 8.7 Analog Inputs .......................................................13 8.8 Analog Outputs.....................................................14 9 Configuring the Multiface 9.1 General Information..............................................15 9.2 Clock Modes - Synchronization.............................17 9.3 Changing the Jumper Settings..............................18 10 Word Clock 10.1 Technical Description and Usage........................20 10.2 Cables and Termination......................................20 10.3 General Operation ..............................................21 11 Using more than one Hammerfall DSP ................21 12 Special Characteristics of the SPDIF Output.......21 13 Operation under ASIO 2.0 13.1 General ..............................................................22 13.2 Performance.......................................................22 13.3 Synchronization..................................................23 13.4 Known Problems ................................................24 14 Operation under GSIF 14.1 Windows 98/ME/XP............................................24 14.2 Windows 2000/XP ..............................................24 15 TotalMix: Routing and Monitoring 15.1 Elements of the Surface .....................................25 15.2 Tour de TotalMix ................................................26 15.3 Submix View ......................................................27 15.4 Mute and Solo ....................................................27 15.5 Hotkeys ..............................................................27 15.6 Quick Access Panel............................................28 15.7 Presets ...............................................................29 15.8 Monitor ...............................................................30 15.9 Level Meter ........................................................31 1 2 3 4 5 User's Guide HDSP System Multiface © RME 2 16 17 18 19 20 21 22 23 24 Notes on Laptops and CardBus .......................... 32 Hotline - Troubleshooting 17.1 General ............................................................. 33 17.2 Installation......................................................... 34 HDSP Software 18.1 DIGICheck ........................................................ 35 18.2 HDSP Meter Bridge........................................... 35 Accessories .......................................................... 36 TECH INFO ........................................................... 37 Warranty ............................................................... 38 Appendix............................................................... 38 Diagrams 23.1 Block Diagram Multiface.................................... 39 23.2 ADAT Track Routing, ASIO 96 kHz ................... 40 23.3 ADAT Track Routing, MME 96 kHz ................... 41 23.4 Block Diagram TotalMix .................................... 42 CE / FCC Compliance........................................... 43 User's Guide HDSP System Multiface © RME 3 1. Introduction Thank you for choosing the Hammerfall DSP. This unique audio system is capable of transferring digital audio data directly to a computer from practically any device equipped with a digital audio interface, be it S/PDIF, AES/EBU or ADAT optical. Installation is simple, even for the inexperienced user, thanks to the latest Plug and Play technology and full interruptsharing. The numerous unique features and well thought-out configuration dialog puts the Hammerfall DSP at the very top of the range of digital audio interface cards. The package includes drivers for Windows 98/2000/XP and MacOS. An ALSA driver for Linux is planned to be available soon (see chapter 7.4). Our high-performance philosophy guarantees maximum system performance by executing all functions directly in hardware and not in the driver (i.e. the CPU). 2. Package Contents Please check that your Hammerfall DSP System's package contains each of the following: PCI Interface: · PCI card HDSP · Quick Info guide · RME Driver CD · Cable IEEE1394, 4.5 m (15 ft) · Internal cable (3 pin) CardBus Interface: · CardBus card · Quick Info guide · RME Driver CD · Cable CardBus to IEEE1394, 4.5 m (15 ft) · 12 V car cable · Battery cable · Power supply 12 V / 1.25 A and power cord Multiface: · I/O-box Multiface · Quick Info guide · RME Driver CD · 1 optical cable (TOSLINK), 2 m (6.6 ft) 3. System Requirements · Windows 98/SE/ME, Windows 2000/XP, Linux, MacOS 9.x · PCI Interface: a free PCI rev. 2.1 Busmaster slot · CardBus Interface: a free PCMCIA Slot type II, CardBus-compatible Note: Examples and detailed descriptions of suitable audio desktop systems can be found in the Tech Info RME Reference PCs: Hardware recommendations. Information on compatibility and performance of notebooks/laptops is included in RMEs Tech Infos about notebooks, HDSP System ­ Notebook Basics and Tests. User's Guide HDSP System Multiface © RME 4 4. Brief Description and Characteristics · · · · · · · · · · · · · · · · · · Hammerfall design: 0% (zero!) CPU load, even using all 36 ASIO channels All settings can be changed in real-time Enhanced mixed mode: ADAT In, S/PDIF In, and all outputs can be used simultaneously 8 available buffer sizes/latencies: 1.5 / 3 / 6 / 12 / 23 / 46 / 93 / 186 ms Sample Split technology for 4 channel, 96 kHz/24-bit record/playback via ADAT optical Slave and master clock modes Automatic and intelligent master/slave clock control Unsurpassed Bitclock PLL (audio synchronization) in ADAT mode Word clock input and output ADAT Sync in (9-pin D-type) for sample-accurate transfer Zero Latency Monitoring: Hardware bypass per track, controlled by Punch in/out Enhanced ZLM for latency-free submixes and perfect ASIO Direct Monitoring SyncAlign guarantees sample aligned and never swapping channels SyncCheck tests and reports the synchronization status of input signals 1 x MIDI I/O, 16 channels high-speed MIDI 1 x Analog Line/headphone output, separate output for independent submix DIGICheck DSP: Level meter in hardware, peak- and RMS calculation TotalMix: 720 channel mixer with 40 bit internal resolution 5. Technical Specifications 5.1 Digital · · · · · · · · · · · · Super Low Jitter Design: < 3 ns word clock PLL, < 2 ns ADAT PLL, < 1 ns internal Internal sample rates: 32 / 44.1 / 48 / 88.2 / 96 kHz Supported sample rats through word clock: 27 kHz - 103 kHz Internal resolution: 24 Bit Input PLL ensures zero dropout, even at more than 40 ns jitter Bitclock PLL for trouble-free varispeed operation in ADAT mode High-sensitivity input stage (< 0.2 Vss input level) Output voltage 0.8V (consumer mode, phono) or 2.3V (professional mode) Phono input and output ground-free transformer coupled Connectors: optical (TOSLINK), phono, BNC Clocks: ADAT Sync In, word clock I/O Formats: SPDIF (Consumer and Professional), ADAT optical 5.2 Analog Stereo Monitor Output · Analog output level: +8 dBu @ 0 dBFS · Dynamic range: 108 dB (RMS unweighted, unmuted), 112 dBA · THD+N: -100 dB / 0.001% · Frequency response DA, -0.1 dB: 20 Hz - 20.8 kHz (sf 44,1 kHz) · Frequency response DA, -0.5 dB: 10 Hz - 44 kHz (sf 96 kHz) · Sample rates playback: 32 / 44.1 / 48 / 64 / 88.2 / 96 kHz and variable (word clock) · Ouput impedance: 75 Ohm · Channel separation: > 110 dB User's Guide HDSP System Multiface © RME 5 AD · Resolution AD: 24 Bit · Signal to Noise ratio: 101 dB RMS unweighted, 106 dBA · THD: < -107 dB, < 0.00045 % · THD+N: < -96 dB, < 0.0016 % · Crosstalk: > 120 dB · Analog headroom prior to AD conversion: 13 dB · Frequency response AD @ 44.1 kHz, -0.5 dB: 5 Hz - 20.7 kHz · Frequency response AD @ 96 kHz, -0.5 dB: 5 Hz - 32 kHz · Input Line: 1/4" TRS jack, servo balanced · Input impedance Line: > 5 kOhm · Input sensitivity through jumper: Lo Gain, +4 dBu, -10 dBV · Input level for 0 dBFS @ Lo Gain: +19 dBu · Input level for 0 dBFS @ +4 dBu: +13 dBu · Input level for 0 dBFS @ -10 dBV: +2 dBV DA · Resolution DA: 24 Bit · Signal to Noise ratio: 108 dB RMS unweighted, 111 dBA (unmuted) · THD: < - 98 dB, < 0.0013 % · THD+N: < -91 dB, < 0.002 % · Crosstalk: > 100 dB · Maximum output level DA: +19 dBu · Frequency response DA @ 44.1 kHz, -0.5 dB: 5 Hz ­ 20.9 kHz · Frequency response DA @ 96 kHz, -0.5 dB: 5 Hz - 35 kHz · Output Line: 1/4" TRS jack, servo balanced · Output impedance Line: 47 Ohm · Output level through jumper: Hi Gain, +4 dBu, -10 dBV · Output level at 0 dBFS @ Hi Gain: +19 dBu · Output level at 0 dBFS @ +4 dBu: +13 dBu · Output level at 0 dBFS @ -10 dBV: +2 dBV 5.3 Transfer Modes: Resolution / Bits per Sample ASIO: · 24 or 32 bit, 4 byte (stereo 8 byte) This format is compatible with 16-bit and 20-bit. Resolutions below 24-bit are handled by the audio application. MME: · · · · · · 16 bit, 2 byte (stereo 4 byte) 20 bit, 3 byte MSB (stereo 6 byte) 20 bit, 4 byte MSB (stereo 8 byte) 24 bit, 3 byte (stereo 6 byte) 24 bit, 4 byte MSB (stereo 8 byte) 32 bit, 4 byte (stereo 8 byte) Channel Interleave operation is not supported. The transfer of Channel Status bits and RME's TMS (Track Marker Support) will be available in a future driver update. Until then DIGICheck's Channel Status Display is deactivated. User's Guide HDSP System Multiface © RME 6 6. Hardware Installation 6.1 PCI Interface Before installing the PCI card, please make sure the computer is switched off and the power cable is disconnected from the mains supply. Inserting or removing a PCI card while the computer is in operation can cause irreparable damage to both motherboard and card! 1. Disconnect the power cord and all other cables from the computer. 2. Remove the computer's housing. Further information on how to do this can be obtained from your computer´s instruction manual. 3. Important: Before removing the card from its protective bag, discharge any static in your body by touching the metal chassis of the PC. 4. Insert the PCI card firmly into a free PCI slot, press and fasten the screw. 5. Replace the computer's housing. 6. Reconnect all cables including the power cord. 7. Connect PCI interface and Multiface using the supplied cable (IEEE1394). This is a standard Firewire cable (6-pin). 6.2 CardBus Card Before inserting the CardBus card make sure the complete HDSP system is ready for operation! 1. Connect the CardBus card with the Multiface using the supplied cable. 2. Insert the CardBus card with the Hammer logo up into a PCMCIA slot. 3. Plug the power jack of the supplied switching power supply into the connector labeled AUX, on the rear of the Multiface. 4. Connect power cord to power supply, plug into AC outlet. The green LED of the power supply and the red LED of the Multiface will light up. 5. Switch on the notebook and boot the operating system. The small 15-pin connector of the CardBus card is coded. Only the supplied special cable can be plugged in, and only when the metal sleeve is up. Any kind of violence when plugging in and out can cause damage to the CardBus card. User's Guide HDSP System Multiface © RME 7 7. Driver Installation 7.1 Windows 98/SE/ME After the interface has been installed correctly, connected to the Multiface (see 6. Hardware Installation), and the computer has been switched on, Windows will recognize the new hardware component and start its `Add New Hardware Wizard'. Insert the RME Driver CD into your CD-ROM drive, and follow further instructions which appear on your computer screen. The driver files are located in the directory \HDSP_w98 on the RME Driver CD. Windows will install the Hammerfall DSP System driver, and will register the card in the system as a new audio device. The computer should now be re-booted. Unfortunately, there are rare cases where the CD-ROM path (i.e. its drive-letter) has to be typed in again during the copy process. Multiface can be easily configured using the HDSP System's Settings dialog (see section 9.1) 7.2 Windows 2000/XP After the interface has been installed correctly, connected to the Multiface (see 6. Hardware Installation), and the computer has been switched on, Windows will recognize the new hardware component and start its `Hardware Wizard'. Insert the RME Driver CD into your CDROM drive, and follow further instructions which appear on your computer screen. The driver files are located in the directory \HDSP_w2k on the RME Driver CD. Windows will install the Hammerfall DSP System driver, and will register the card in the system as a new audio device. After a reboot the Multiface is ready for use. Multiface can be configured easily using the HDSP System's settings dialog (see section 9.1) In case the warning messages 'Digital signature not found', 'Do not install driver', 'not certified driver' or similar come up: Don't listen to Microsoft, listen to us and continue with the installation. 7.3 Deinstalling the Drivers A deinstallation of the HDSP's driver files is not necessary ­ and not supported by Windows anyway. Thanks to full Plug & Play support, the driver files will not be loaded after the hardware has been removed. If desired these files can then be deleted manually. Unfortunately Windows Plug & Play methods do not cover the additonal autorun entries of TotalMix, the Settings dialog, and the registering of the ASIO driver. Those entries can be removed from the registry through a software deinstallation request. This request can be found (like all deinstallation entries) in Control Panel, Software. Click on the entry 'RME Hammerfall DSP Tray Tools', or 'RME Hammerfall DSP'. 7.4 Linux/Unix An ALSA driver for Linux/Unix is planned to be available soon. Further information on ALSA is available at http://www.alsa-project.org User's Guide HDSP System Multiface © RME 8 8. Operation and Usage 8.1 Connections The front of the I/O-box Multiface has the MIDI input and output, the analog stereo output of the digital mixer, and several status LEDs: MIDI State indicates sent or received data for the MIDI port Input State indicates a valid input signal separately for each input. RME's exclusive SyncCheck shows through a blinking LED, which of the input signals is locked, but not in sync to the others. See chapter 9.2, Clock Modes - Synchronisation. The red HOST LED lights up when the power supply or the computer is switched on, thus signalling the presence of operating voltage. At the same time it operates as Error LED, in case the I/O-box wasn't initialised, or the connection to the interface has been interrupted (Error, cable not connected etc.). Phones is a low impedance line output of highest quality, which can produce a sufficient volume undistorted even when used with headphones. The back of the Multiface has the 8 analog inputs and outputs, the power supply connector AUX (only needed in CardBus operation), and all digital inputs and outputs: ADAT I/O (TOSLINK), 1 to 3. The ADAT1 I/O can also be used for optical SPDIF, if this mode is selected in the Settings dialog. SPDIF I/O coaxial (phono) Word clock I/O (BNC) ADAT Sync In (D-sub 9-pin) The SPDIF inputs are selected via the Settings dialog (started by clicking on the hammer symbol in the system tray). The HDSP system accepts the commonly used digital audio formats, SPDIF as well as AES/EBU. Channel status and copy protection are ignored. In SPDIF mode, identical signals are available at both the optical and the coaxial outputs. An obvious use for this would be simply connecting two devices, i.e. using the HDSP as a splitter (distribution 1 on 2). To receive signals in AES/EBU format, an adapter cable is required. Pins 2 and 3 of a XLR plug are connected individually to the two pins of a phono plug. The cable shielding is only connected to pin 1 of the XLR - not to the phono plug. The ground-free design using transformers for digital inputs and outputs enables trouble-free connection even to AES/EBU devices, and perfect hum rejection. User's Guide HDSP System Multiface © RME 9 8.2 Playback The HDSP system can play back audio data only in supported formats (sample rate, bit resolution). Otherwise an error message appears (for example at 22 kHz and 8 bit). In the audio application being used, HDSP must be selected as output device. This can often be found in the Options, Preferences or Settings menus under Playback Device, Audio Devices, Audio etc. We recommend using 24-bit resolution for playback, to make full use of the HDSP's potential. We strongly recommend switching all system sounds off (via >Control Panel /Sounds<). Also HDSP should not be the Preferred Device for playback, as this could cause loss of synchronization and unwanted noises. If you feel you cannot do without system sounds, you should consider buying a cheap Blaster clone and select this as Preferred Device in >Control Panel /Multimedia /Audio<. The RME Driver CD includes step by step instructions for configuring many popular audio applications, found in the directory \rmeaudio.web\english\techinfo\conf. The screenshot to the right shows a typical configuration dialog as displayed by a (stereo) wave editor. Audio data is sent to either an analog or digital port, depending on which has been selected as playback device. Increasing the number and/or size of audio buffers may prevent the audio signal from breaking up, but also increases latency i.e. output is delayed. For synchronized playback of audio and MIDI (or similar), be sure to activate the checkbox `Get position from audio driver'. Even at higher buffer settings in a mixed Audio/MIDI environment, sync problems will not arise because the Hammerfall DSP always reports the current play position correctly (even while recording - essential for chase lock synchronization). The HDSP system's ADAT optical interface allows sample rates of up to 96 kHz using a standard ADAT recorder. Single-channel data at this frequency requires two ADAT channels, achieved using the `Sample Split' technique. This reduces the number of available ADAT channels from 8 to 4. Under Windows MME, channels are routed to ADAT devices in doublespeed mode as follows: · Only stereo pairs (1+2) and (3+4) of the ADAT port are available · Channel 1 is routed to channels 1 and 2, channel 2 is routed to 3 and 4 etc. Please refer to the diagram `ADAT Track Routing, MME 96 kHz', section 23. Routing for record and playback is identical. User's Guide HDSP System Multiface © RME 10 8.3 DVD-Playback (AC-3/DTS) under MME When using popular DVD software player like WinDVD and PowerDVD, their audio data stream can be send to any AC-3/DTS capable receiver, using the HDSP's SPDIF output. For this to work the SPDIF output wave device has to be selected in 'Control Panel/Sounds and Multimedia/Audio'. Also check 'use preferred device only'. You will notice that the DVD software's audio properties now allow to use 'SPDIF Out' or to 'activate SPDIF output'. When selecting these, the software will transfer the non-decoded digital multichannel data stream using the RME card. This 'SPDIF' signal sounds like chopped noise at highest level. Therefore check 'Non-audio' in the card's Settings dialog, to prevent most SPDIF receivers from accepting the signal, and to prevent any attached equipment from being damaged. Setting the card to be used as system playback device is against common sense, as professional cards are not specialized to play back system sounds, and shouldn't be disturbed by system events. To prevent this, be sure to re-assign this setting after usage, or to disable any system sounds (tab Sounds, scheme 'No audio'). Note: The DVD player will be synced backwards from the RME card. This means when using AutoSync and/or word clock, the playback speed and pitch follows the incoming clock signal. 8.4 Low Latency under MME (Buffer Size Adjustment) Using Windows 95 or 98 the MME buffer size was nothing to worry about. Latencies below 46 ms were not possible. Meanwhile both computers and operating system have become much more powerful, and since Windows ME/2000/XP latencies far lower can be used. SAWStudio and Sonar allowed to use such low settings from the start. Sequoia was updated in version 5.91, WaveLab in version 3.04. In the HDSP's Settings dialog the MME buffersize (in fact the DMA buffer size) is set with the same buttons as the ASIO buffer size. Our test computers allow to use settings down to 64 samples without clicks. Please note that this setting only defines the buffer size of the hardware. The true and effective latency is configured within the MME application! Attention: the DMA buffers must not be larger than the application's buffers. This case can happen unnoticed when using ASIO and MME at the same time (multi-client) and setting ASIO to 186 ms, while the buffers in the MME application are still set for a lower latency. Playback will be stuttering and audio will be distorted. Example: when you set the Hammerfall to 512 you can't use 128 in any program. But setting DMA to 128 allows to use 128 and all higher values within the software. Please also note that this is a 'you're welcome to try' feature. We can't guarantee that you will be able to use 3 or 6 ms with MME. Simply check out by yourself which lowest setting your system and software allows. Some motherboards with insufficient PCI bandwidth (especially VIA based) suffer from crackling at settings below 512. Be sure to set the buffer size to 512 or higher in such a case. User's Guide HDSP System Multiface © RME 11 8.5 Recording Digital Unlike analog soundcards which produce empty wave files (or noise) when no input signal is present, digital I/O cards always need a valid input signal to start recording. To take this into account, RME has included three unique features in the Hammerfall DSP system: a comprehensive I/O signal status display (showing sample frequency, lock and sync status) in the Settings dialog, status LEDs for each input, and the protective Check Input function. If a 48 kHz signal is fed to the input and the application is set to 44.1 kHz, Check Input stops the system from recording. This prevents faulty takes, which often go unnoticed until later on in the production. Such tracks appear to have the wrong playback rate - the audio quality as such is not affected. The sample frequency shown in the Settings dialog (see chapter 9, screenshot Settings) is useful as a quick display of the current configuration (the board itself and all connected external equipment). If no sample frequency is recognized, it will read `No Lock'. With this configuring any suitable audio application for digital recording is simple. After selecting the required input, Hammerfall DSP displays the current sample frequency. This parameter can then be changed in the application's audio attributes (or similar) dialogue. The screenshot to the right shows a typical dialog used for changing basic parameters such as sample frequency and resolution in an audio application. Any bit resolution can be selected, providing it is supported by both the audio hardware and the software. Even if the input signal is 24 bit, the application can still be set to record at 16-bit resolution. The lower 8 bits (and therefore any signals about 96dB below maximum level) are lost entirely. On the other hand, there is nothing to gain from recording a 16-bit signal at 24-bit resolution - this would only waste precious space on the hard disk. It often makes sense to monitor the input signal or send it directly to the output. This can be done at zero latency using TotalMix (see chapter 15). TotalMix also includes a useful automatic real-time monitor function, see chapter 15.8 for details. Activating record in the application causes the input signal to be routed according to the current mixer settings. Currently two solutions exist which enable an automated control of real-time monitoring. ZLM (Zero Latency Monitoring) allows monitoring in Punch I/O mode - with this the system behaves like a tape machine. This method has been implemented in all versions of Samplitude (by SEK'D), and can be activated using the global track option 'Hardware monitoring during Punch'. The other solution is Steinberg's ASIO protocol with our ASIO 2.0 drivers and all ASIO 2.0 compatible programs. When 'ASIO Direct Monitoring' has been switched on the input signal is routed in real-time to the output whenever Record is started. User's Guide HDSP System Multiface © RME 12 8.6 Recording analog For recordings via the analog inputs the corresponding record device has to be chosen (HDSP Analog (x+x)). Apart from the internal jumpers which set the basic operating level, the Multiface has no means to change the input level. This would make no sense for the digital inputs, but also for the analog inputs one can do without it. It doesn't matter if the Multiface is operated at a mixing desk or a multichannel Mic preamp, in either case the level can be controlled directly at the source to match the Multiface's sensitivity perfectly. The input sensitivity of the analog inputs can be changed through internal jumpers to meet the most often used studio levels, see next chapter. 8.7 Analog Inputs The Multiface provides 8 balanced Line inputs via 1/4" TRS (stereo) jacks. The electronic input stage is built in a servo balanced design which handles monaural and stereo jacks correctly. When used unbalanced it automatically corrects the gain by 6 dB. When using unbalanced cables with stereo TRS jacks, the 'ring' contact of the cable's jack should be connected to pin 1 (ground). Otherwise noise may occur, caused by the unconnected negative input of the balanced input. One of the main issues when working with an AD-converter is to maintain the full dynamic range within the best operating level. Therefore the Multiface includes internal jumpers which allow a perfect adaptation for all 8 channels seperately to the three most often used studio levels. The 'standardized' studio levels do not result in a (often desired) full scale level, but take some additional digital headroom into consideration. The amount of headroom is different in different standards and again differently implemented by different manufacturers. Because of this we decided to define the levels of the Multiface in a most compatible way. Reference Lo Gain +4 dBu -10 dBV 0 dBFS @ +19 dBu +13 dBu +2 dBV Headroom 15 dB 9 dB 12 dB The device ships with +4 dBu as factory default. The according headroom meets the latest EBU recommendations for Broadcast usage. At -10 dBV 12 to 15 dB headroom are common practice, each mixing desk operating at -10 dBV is able to send and receive much higher levels. Lo Gain allows to work with high levels, best suited for professional users who prefer to work balanced and at highest levels. Information on how to change the jumpers can be found in chapter 9.3. User's Guide HDSP System Multiface © RME 13 8.8 Analog Outputs The 8 short circuit protected, low impedance and servo balanced line outputs are available as (stereo) 1/4" TRS jacks. The electronic output stage is built in a servo balanced design which handles monaural and stereo jacks correctly. When used unbalanced it automatically corrects the gain by 6 dB. To maintain an optimum level for devices connected to the analog outputs the Multiface includes internal jumpers which allow to change the level of all 8 outputs separately. As with the analog inputs the analog output levels are defined to maintain a problem-free operation with most other devices. The headroom of the Multiface lies between 9 and 15 dB, according to the chosen reference level: Reference Hi Gain +4 dBu -10 dBV 0 dBFS @ +19 dBu +13 dBu +2 dBV Headroom 15 dB 9 dB 12 dB The device ships with +4 dBu as factory default. The according headroom meets the latest EBU recommendations for Broadcast usage. At -10 dBV 12 to 15 dB headroom are common practice, each mixing desk operating at -10 dBV is able to send and receive much higher levels. Lo Gain allows to work with high levels, best suited for professional users who prefer to work balanced and at highest levels. Information on how to change the jumpers can be found in chapter 9.3. User's Guide HDSP System Multiface © RME 14 9. Configuring the Multiface 9.1 General Information Configuring the HDSP system is done using its own settings dialog. The panel 'Settings' can be opened in two different ways: · by clicking on the hammer icon in the Taskbar's system tray · by starting the 'HDSP_Set' link from the Desktop The mixer of the Hammerfall DSP System (TotalMix) can be opened in two different ways: · by clicking on the mixer icon in the Taskbar's system tray · by starting the 'HDSP_Mix' link from the Desktop The Hammerfall DSP's hardware offers a number of helpful, well thought-of practical functions and options which affect how the card operates - it can be configured to suit many different requirements. The following is available in the 'Settings' dialog: · · · · · · Input selection Output mode Output channel status Synchronization behaviour Input and output status display Time code display Any changes made in the Settings dialog are applied immediately confirmation (e.g. by clicking on OK or exiting the dialog) is not required. However, settings should not be changed during playback or record if it can be avoided, as this can cause unwanted noises. Also, please note that even in 'Stop' mode, several programs keep the recording and playback devices open, which means that any new settings might not be applied immediately. The status displays at the bottom of the dialog box give the user precise information about the current status of the system, and the status of all signals. `SyncCheck' indicates whether there is a valid signal for each input (`Lock' or `No Lock'), or if there is a valid and synchronous signal (`Sync'). The `AutoSync Ref' display shows the input and frequency of the current sync source. 'Time Code' displays time information received from the I/O-box ADAT Sync port. This is convenient for checking whether the system is running in time with the transmitting device (e.g. ADAT). User's Guide HDSP System Multiface © RME 15 MME Check Input verifies the current input signal against the settings in the record program. When de-activated a recording will always be allowed, even with non-valid input signals. TMS activates the transmission of Channel Status data and Track Marker information of the SPDIF input. Both settings are valid for MME only. Buffer Size The setting Buffer Size determines the latency between incoming and outgoing ASIO* data, as well as affecting system stability (see chapter 13). Under Windows MME this setting determines the DMA buffer size (see chapter 8.4). SPDIF In Defines the input for the SPDIF signal. 'Coaxial' relates to the phono socket, 'ADAT' to the optical TOSLINK input. SPDIF Out The SPDIF output signal is constantly available at the phono plug. After selecting 'ADAT' it is also routed to the optical output ADAT. For further details about the settings `Professional', `Emphasis' and `NonAudio', please refer to chapter 12. Clock Mode The card can be configured to use its internal clock (Master), or the clock source pre-defined via Pref. Sync Ref (AutoSync). Pref. Sync Ref Used to pre-select the desired clock source. If the selected source isn't available the card will change to the next available one. The currently used clock source and sample rate is displayed in the AutoSyncRef display. The automatic clock selection checks and changes between the clock sources ADAT optical, SPDIF, word clock and ADAT Sync. The latter is recommended especially for sample-accurate transfers under ASIO 2.0. System Clock Shows the current clock state of the HDSP system. The system is either Master (using its own clock) or Slave (AutoSync Ref). Hardware State This display shows the current state of the I/O-box: I/O Box error: I/O-box not connected or missing power I/O Box detected: The interface has found a I/O-box and tries to load the firmware I/O Box locked: Communication between interface and I/O-box ok * Under W2k/XP also GSIF data User's Guide HDSP System Multiface © RME 16 9.2 Clock Modes - Synchronization In the digital world, all devices are either the `Master' (clock source) or a `Slave' synchronized to the master. Whenever several devices are linked within a system, there must always be a single master clock. The Hammerfall DSP's intelligent clock control is very user-friendly, being able to switch between clock modes automatically. Selecting 'AutoSync' will activate this mode. In AutoSync mode, the system constantly scans all digital inputs for a valid signal. If this signal corresponds with the current playback sample rate, the card switches from the internal quartz (AutoSync Ref displays 'Master') to a clock generated from the input signal (AutoSync Ref displays 'Slave'). This allows on-the-fly recording, even during playback, without having to synchronize the card to the input signal first. It also allows immediate playback at any sample rate without having to reconfigure the card. AutoSync guarantees that normal record and record-while-play will always work correctly. In certain cases however, e.g. when the inputs and outputs of a DAT machine are connected directly to the Hammerfall DSP, AutoSync may cause feedback in the digital carrier, so synchronization breaks down. To remedy this, switch the HDSP's clock mode over to 'Master'. Remember that a digital system can only have one master! If the HDSP's clock mode is set to 'Master', all other devices must be set to `Slave'. All the ADAT optical inputs in the Hammerfall DSP as well as the SPDIF input will work simultaneously. Because there is no input selector however, the HDSP has to be told which of the signals is the sync reference (a digital device can only be clocked from a single source). This is why the system has been equipped with automatic clock source selection, which adopts the first available input with a valid digital signal as the clock reference input. The input currently used as sync reference is shown in the AutoSync Ref status field, together with its sample frequency. Via Pref. Sync Ref (preferred synchronization reference) a preferred input can be defined. As long as the card sees a valid signal there, this input will be designated as the sync source, otherwise the other inputs will be scanned in turn. If none of the inputs are receiving a valid signal, the card automatically switches clock mode to `Master'. To cope with some situations which may arise in studio practice, setting `Pref Sync Ref' is essential. One example: An ADAT recorder is connected to the ADAT1 input (ADAT1 immediately becomes the sync source) and a CD player is connected to the SPDIF input. Try recording a few samples from the CD and you will be disappointed. Few CD players can be synchronized. The samples will inevitably be corrupted, because the signal from the CD player is read with the (wrong) clock from the ADAT i.e. out of sync. In this case, 'Pref Sync Ref' should be temporarily set to SPDIF. User's Guide HDSP System Multiface © RME 17 If several digital devices are to be used simultaneously in a system, they not only have to operate with the same sample frequency but also be synchronous with each other. This is why digital systems always need a single device defined as `master', which sends the same clock signal to all the other (`slave') devices. RME's exclusive SyncCheck technology (first implemented in the Hammerfall) enables an easy to use check and display of the current clock status. The `SyncCheck' field indicates whether no signal (`No Lock'), a valid signal (`Lock') or a valid and synchronous signal (`Sync') is present at each of the digital clock source inputs. The `AutoSync Ref' display shows the current sync source and the measured frequency. In practice, SyncCheck provides the user with an easy way of checking whether all digital devices connected to the system are properly configured. With SyncCheck, finally anyone can master this common source of error, previously one of the most complex issues in the digital studio world. Thanks to its AutoSync technique and lightning fast PLLs, the HDSP is not only capable of handling standard frequencies, but also any sample rate between 25 and 105 kHz. Even the word clock input, which most users will use in varispeed operation, allows any frequency between 25 kHz and 103 kHz. At 88.2 or 96 kHz: If one of the ADAT inputs has been selected in `Pref Sync Ref', the sample frequency shown in the `SPDIF In' field differs from the one shown in `AutoSync Ref'. The card automatically switches to its Sample Split mode here, because ADAT optical inputs and outputs are only specified up to 48 kHz. Data from/to a single input/output is spread over two channels, the internal frequency stays at 44.1 or 48 kHz. In such cases, the ADAT sample frequency is only half the SPDIF frequency. 9.3 Changing the Jumper Settings The Multiface has internal jumpers, which allow to change input sensitivity and output level per channel. More information on these settings can be found in chapter 8.5 and 8.6. Please note that those jumpers are not thought of to be changed every day. They should be changed when the unit is operated for the first time, so that it matches the Studio's operating level. Else only change them if it is really neccessary. The factory default +4 dBu will in most cases offer perfect results. To change the jumper settings the Multiface must be opened. If you feel unsecure to do so please consult a technician and let him show you how to do it. Else please follow the instructions below step by step. 1. Remove all jacks and cables from the Multiface. 2. Loosen and remove both screws of the ADAT Sync D-sub socket. 3. Use a screwdriver (Phillips 1) to remove the 6 screws on the cover, and the upper middle screw in the front panel of the Multiface, so that the cover can be taken off. 4. Put the device so that the front panel is in front of you. Lift the cover at the front by about one centimeter (0.5 inch). Then pull the cover slowly about 2 centimeter (1 inch) in your direction. When doing so the TRS jacks and the D-Sub socket will slide out of the rear panel. The cover is now freed from the rest of the housing and can be turned to the right. User's Guide HDSP System Multiface © RME 18 Use this unique moment and have a look at the internal design of the Multiface. On the right side of the lower printed circuit board (PCB) you can see the two switching power supplies. They generate both 5 Volts (for the digital circuitry) and ±13 Volts (for the analog circuitry) from nearly every possible input voltage. In the center you'll see the heart of the Multiface, the Xilinx FPGA. The analog circuitry and DA-converter for the headphone output is located on the right from the FPGA. Left from the FPGA two Low Jitter PLLs can be seen. On the outer left side you'll find 16 capacitors of the analog outputs and a 50-pin flat cable connector. The flat cable connects lower and upper board, the latter being the analog board, which is mounted downunder at the cover. The analog board is covered from a thin metalized shield, preventing noise from digital circuitry and flat cable being coupled into analog inputs and outputs. The shield is flexible and can be bended up, so that the view onto the analog board gets free. But now back to the jumper settings. 6. Bend the flexible shield carefully upwards. You'll now see the analog board with its 16 jumpers for level settings. 7. The jumpers controlling the sensitivity of the inputs are located directly behind each TRS input jack. They allow three different settings: Left (middle plus left pin), right (middle plus right pin), and without jumper. If the device is still placed with the front panel to the front, then Left means +4 dBu (factory default), right means Lo Gain, and without jumper means ­10 dBV. 8. The jumpers controlling the output level are located on the other side of the board, and are placed in pairs. The jumper more near to the center of the board is the one of the even channel (2/4/6/8). Again three settings are possible: Left (middle plus left pin), right (middle plus right pin), and without jumper. If the device is still placed with the front panel to the front, then Left means +4 dBu (factory default), right means Lo Gain, and without jumper means ­10 dBV. A drawing showing the jumper position for each level setting is found on the left side (underneath the flat cable) on the analog board. To prevent the loss of jumpers in ­10 dBV mode, we recommend not to remove them completely, but to mount them at the outside of the jumper (no connection to the center pin). Now you are ready to re-assemble the Multiface. 9. Turn the cover to the left and move it back over the Multiface. Take care that the flat cable has the same accurate shape as when opening it. Else the flat cable will cause mechanical problems while re-assembling! 10. Move the cover so that it is placed 2 centimeters (1 inch) above the housing. Tilt the cover so that the jacks point to the holes in the rear panel. Carefully slide the jacks into the holes by moving the cover away from you. When inserted completely into the rear panel, the cover can now be layed down. 11. Re-fit the 6 screws into the cover, and re-fit and tighten both screws of the D-sub jack. That's it! User's Guide HDSP System Multiface © RME 19 10. Word Clock 10.1 Technical Description and Usage Correct interpretation of digital audio data is dependent upon a definite sample frequency. Signals can only be correctly processed or transferred between devices if these all share the same clock, otherwise digital signals are misinterpreted, causing distortion, clicks/crackle and even dropouts. AES/EBU, SPDIF and ADAT are self-clocking, so an additional line for word clock could be considered redundant. In practice however, using several devices at the same time can cause problems. For example, if devices are connected in a loop without there being a defined `master' device, self-clocking may break down. Besides, the clocks of all devices must be synchronized from a single source. Devices without SPDIF inputs (typically playback devices such as CD players) cannot be synchronized via self-clocking. In digital studios, synchronization requirements can be met by connecting all devices to a central sync source. For instance, the master device could be a mixing desk, sending a reference signal - word clock - to all other devices. However, this will only work if all the other devices have word clock inputs (e.g. some professional CD players) allowing them to run as slaves. This being the case, all devices will receive the same clock signal, so there is no fundamental reason for sync problems when they are connected together. 10.2 Cables and Termination Word clock signals are usually distributed in the form of a network, split with BNC T-adapters and terminated with resistors. We recommend using off-the-shelf BNC cables to connect all devices, as this type of cable is used for most computer networks. You will find all the necessary components (T-adapters, terminators, cables) in most electronics and/or computer stores. To avoid voltage loss and reflections, both the cable itself and the terminating resistor should have an impedance of 75 Ohm. If the voltage is too low, synchronization will fail. High frequency reflection effects can cause both jitter and sync failure. In practice, the situation has improved in recent years. The relatively low frequency of word clock signals is not a problem for modern electronic circuits. Because of the higher voltage, word clock networks are often more stable and reliable if cables are not terminated at all. Also, 75 Ohm cable is almost impossible to find these days. 50 Ohm cable is standard - this will also work as long as the termination resistors are 75 Ohm. The word clock input of the Hammerfall DSP is a high-impedance type ensuring maximum flexibility, and is therefore not terminated. If normal termination is necessary (e.g. because Hammerfall DSP is the last device in the chain), simply connect a T-adapter to its BNC input jack, connect the cable supplying the word clock signal to one arm of the T-adapter and terminate the other with a 75 Ohm resistor (as a short BNC plug). In case Hammerfall DSP resides within a chain of devices receiving word clock, plug a Tadapter into Hammerfall DSP's BNC input jack and the cable supplying the word clock signal to one end of the adapter (as above), but connect the free end to the next device in the chain via a further BNC cable. The last device in the chain should be terminated using another T-adapter and a terminator plug as described in the previous paragraph. User's Guide HDSP System Multiface © RME 20