User manual ROLAND BR-600

Owner's Manual Thank you, and congratulations on your choice of the BOSS BR-600 Digital Recorder. Before using this unit, carefully read the sections entitled: · USING THE UNIT SAFELY (page 2­3) · IMPORTANT NOTES (page 4­5) These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Printing Conventions in This Manual · Text or numerals enclosed in square brackets [ ] indicate buttons. [PLAY] PLAY button [REC] REC button · Reference such as (p. **) indicate pages in this manual to which you can refer. Copyright © 2005 BOSS CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION. USING THE UNIT SAFELY Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers other adverse effects respect to the home furnishings, as well animals or pets. to damage or caused with and all its to domestic The symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled. The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet. 001 · Before using this unit, make sure to read the instructions below, and the Owner's Manual. Do not open (or modify in any way) the unit or its AC adaptor. 009 · ............................................................................................. 002c · Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards! ............................................................................................. 003 ............................................................................................. 010 · Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page. · ............................................................................................. 004 · Never use or store the unit in places that are: This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist. · Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are · Damp (e.g., baths, washrooms, on wet floors); or are · Humid; or are · Exposed to rain; or are · Dusty; or are · Subject to high levels of vibration. ............................................................................................. 011 · Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit. ............................................................................................. 012c · ............................................................................................. 007 · Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces. Use only the specified AC adaptor (PSA series), and make sure the line voltage at the installation matches the input voltage specified on the AC adaptor's body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock. ............................................................................................. 008b · Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" sheet when: · The AC adaptor or the power-supply cord has been damaged; or · If smoke or unusual odor occurs · Objects have fallen into, or liquid has been spilled onto the unit; or · The unit has been exposed to rain (or otherwise has become wet); or · The unit does not appear to operate normally or exhibits a marked change in performance. 2 013 · In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. Protect the unit from strong impact. (Do not drop it!) 108b · Before moving the unit, disconnect the AC adaptor and all cords coming from external devices. Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet. .............................................................................................. 109b ............................................................................................. 014 · · .............................................................................................. 110b ............................................................................................. 015 · · Do not force the unit's power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords--the total power used by all devices you have connected to the extension cord's outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through. Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" sheet. Batteries must never be recharged, heated, taken apart, or thrown into fire or water. Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet. If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precautions (p.24 ). · Carefully follow the installation instructions for batteries, and make sure you observe the correct polarity. .............................................................................................. 111: Selection · ............................................................................................. 016 1 · 2 ............................................................................................. 019 · Avoid using new batteries together with used ones. In addition, avoid mixing different types of batteries. 3 · · Remove the batteries whenever the unit is to remain unused for an extended period of time. 5 101b · The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet. At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire. Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children. 6 ............................................................................................. 102d · If a battery has leaked, use a soft piece of cloth or paper towel to wipe all remnants of the discharge from the battery compartment. Then install new batteries. To avoid inflammation of the skin, make sure that none of the battery discharge gets onto your hands or skin. Exercise the utmost caution so that none of the discharge gets near your eyes. Immediately rinse the affected area with running water if any of the discharge has entered the eyes. · Never keep batteries together with metallic objects such as ballpoint pens, necklaces, hairpins, etc. · ............................................................................................. 103b · .............................................................................................. 112 · Used batteries must be disposed of in compliance with whatever regulations for their safe disposal that may be observed in the region in which you live. .............................................................................................. 118c ............................................................................................. 104 · · Keep any screws you may remove and the included cover in a safe place out of children's reach, so there is no chance of them being swallowed accidentally. ............................................................................................. 106 · Never climb on top of, nor place heavy objects on the unit. Rev0.10 ............................................................................................. 107d · Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit. 3 IMPORTANT NOTES 291a In addition to the items listed under "USING THE UNIT SAFELY" on page 2­3, please read and observe the following: Power Supply: Use of Batteries 301 355b · Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet. 302 · When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated. Maintenance 401a · The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern. 303a · The use of an AC adaptor is recommended as the unit's power consumption is relatively high. Should you prefer to use batteries, please use the alkaline type. 304a · For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth. 402 · When installing or replacing batteries, always turn off the power on this unit and disconnect any other devices you may have connected. This way, you can prevent malfunction and/or damage to speakers or other devices. 306b · Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation. Repairs and Data 452 · Batteries are supplied with the unit. The life of these batteries may be limited, however, since their primary purpose was to enable testing. 307 · Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices. Placement 351 · Please be aware that all data contained in the unit's memory may be lost when the unit is sent for repairs. Important data should always be backed up on a memory card/computer, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data. · Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference. 352a Additional Precautions 551 · This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers. 352b · Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off. 354a · Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit's memory on a memory card/computer. 552 · Unfortunately, it may be impossible to restore the contents of data that was stored in the unit's memory or a memory card once it has been lost. Roland Corporation assumes no liability concerning such loss of data. 553 · Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit. · Use a reasonable amount of care when using the unit's buttons, dials, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions. 554 Rev0.10 · Never strike or apply strong pressure to the display. 4 IMPORTANT NOTES 556 · When connecting / disconnecting all cables, grasp the connector itself--never pull on the cable. This way you will avoid causing shorts, or damage to the cable's internal elements. 558a · To avoid disturbing your neighbors, try to keep the unit's volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night). 559a · When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials. 561 · To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the cards. · Do not touch or allow metal to come into contact with the contact portion of the cards. · Do not bend, drop, or subject cards to strong shock or vibration. · Do not keep cards in direct sunlight, in closed vehicles, or other such locations (storage temperature: -25 to 85° C). · Do not allow cards to become wet. · Do not disassemble or modify the cards. Copyright 851 · Use only the specified expression pedal (EV-5, FV-500L, FV-500H; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit. 562 · Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions. · Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable. · Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law. 853 · Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit. Before Using Cards (CompactFlash) Using Memory Cards 704 · Carefully insert the Memory card all the way in--until it is firmly in place. fig.M512-Insert 204 * Microsoft and Windows are registered trademarks of Microsoft Corporation. 206e * Screen shots in this documents are reprinted with permission from Microsoft Corporation. 206j * Windows® is known officially as: "Microsoft® Windows® operating system." 207 * Apple and Macintosh are registered trademarks of Apple Computer, Inc. 209 * MacOS is a trademark of Apple Computer, Inc. 705 220 · Never touch the terminals of the Memory card. Also, avoid getting the terminals dirty. 707 · This unit's memory card slot accepts CompactFlash memory cards. Microdrive storage media are not compatible. 708 * All product names mentioned in this document are trademarks or registered trademarks of their respective owners. Rev0.10 · CompactFlash cards are constructed using precision components; handle the cards carefully, paying particular note to the following. 5 Contents IMPORTANT NOTES .............................. 4 Introduction to the BR-600 .................12 Features ...........................................................12 Memory Cards Supported by Your BR-600.......15 Formatting the memory card (CompactFlash) .......15 How to remove the card cover .................................15 Selecting the Input .............................36 Turning on the onboard stereo microphone ...........36 Adjusting the input sensitivity..................................36 Adjusting the recording level....................................37 Displaying the Level Meter .......................................37 Panel Descriptions .............................16 Front Panel ......................................................16 Rear Panel........................................................22 Front Panel ......................................................23 Inserting Batteries ..........................................24 About the Play Screen ...................................25 Using Insert Effects.............................38 Switch effect patches......................................38 Recording without insert effects ...............................39 Using the Rhythm ..............................40 What is the Rhythm? ..................................................40 Patterns and Arrangements.......................................40 Pattern Mode and Arrangement Mode ...................40 Playing Arrangements ...............................................41 Playing Patterns ..........................................................41 Changing arrangements.............................................42 Changing patterns.......................................................42 Changing the tempo of the arrangements or patterns ....................................................................43 Tapping to change the tempo of the arrangements or patterns ....................................................................43 Quick Start ......................... 27 Connecting Peripheral Devices ...........28 How to Use the Cord Hook ..........................29 Using a Mic Converter Cable .......................30 Inserting the Memory Card ..........................30 Turning On / Off the BR-600 ..............31 Turning On the Power...................................31 Turning Off the Power ..................................31 Listening to a Demo Song ..................32 Selecting a demo song (Song Select) ...........32 Playing back a demo song ............................32 Moving the current position ...............33 Fast Forwarding and Rewinding..............................33 Moving to the start of a play .....................................33 Moving to the end of a play ......................................33 Moving through a song using hours, minutes, seconds, frames, or sub frames .................................33 Moving through a song in measures or beats ........33 Recording ..........................................44 Selecting the recording track .....................................44 About the recording (REC) modes ...........................45 Procedure .....................................................................46 Playing Back Recorded Music.............47 Silencing the sound of specific tracks (Track Mute) ................................................................47 Recording an additional performance while listening to an existing performance (Overdubbing)...............48 Putting multiple tracks together (Bounce) ...........................................49 Adjusting the Sound for Each Track ...........49 Adjusting the Perception of Stereo for the Sound (Pan) ..............................................................................49 Adjusting the tone (Track EQ) ..................................50 Adding Richness and Breadth to the Sound (Loop Effect).................................................................50 Connecting Instruments......................34 Choose which jack you will use to connect your instrument....................................................................34 Preparing Songs For Recording ..........35 Recording a new song (Song New)..........................35 Bouncing..........................................................52 Rev0.10 6 Section 1 Recording and Playback ..... 53 Recording ..........................................54 Creating Songs for Recording ......................54 About data types.........................................................54 Section 2 Editing.................. 71 Registering Time (Locator) ..................72 Registering a Locator Point...........................72 Moving to the Locator Point.........................72 Deleting a Locator Point................................72 Search for the Music's Start and End (Scrub/Preview).................................73 Scrubbing to Find the Music Starting/ Ending Point ...................................................73 Changing the Scrub Points............................74 Enabling Use of the Preview Function with [REW] and [FF] ...............................................74 Editing the Performance on a Track (Track Edit) ........................................75 Copying Data (Track Copy)..........................75 Copying by specifying the time (TME/MES) .........75 Copying the repeated portion (AB)..........................77 Copying a complete track (ALL) ..............................78 Selecting the Recording Track......................55 Changing V-Tracks ........................................56 Adjusting the Perception of Stereo in the Input Sounds (Pan) ........................................56 Recording Operations ...................................57 Repeating Playback (Repeat) .............58 Setting the Repeat Portion with Accurate Timing...................................59 Re-recording Only a Mistake (Punch-in/out)...................................60 Manually Punching In/Out .........................60 Manually punching in and out using [REC]...........60 Manually punching in and out using a foot switch .......61 Auto Punching In and Out ...........................61 Specifying the area for auto punching in/out........61 Erasing a registered auto punch in/out location ...62 How to record .............................................................62 Moving Data (Track Move) ..........................79 Moving by specifying the time (TME/MES) ..........79 Moving the repeated portion (AB) ...........................80 Moving a complete track (ALL)................................81 Repeatedly Recording Over the Same Location (Loop Recording) ...........................63 Setting the portion to be repeated ............................63 How to record .............................................................63 Erasing Data (Track Erase) ...........................82 Erasing by specifying the time (TME/MES)...........82 Erasing the repeated portion (AB)............................83 Erasing a complete track (ALL) ................................84 Canceling an Operation (Undo/Redo) ...64 Exchanging Data (Track Exchange).............85 Organizing the Songs You've Recorded.86 Reversing the Last Operation (Undo) .........64 Canceling the Undo (Redo) ..........................64 Putting Multiple Tracks Together (Bounce) ............................................65 Loading Songs Created with the BR-900CD/BR-864/BR-532...........67 Loading Songs Created with the BR-900CD/BR-864...................................67 Loading Songs Created with the BR-532........68 Displaying the Song Information ........69 Displaying the Remaining Available Recording Time ..............................................69 Displaying the Memory Card Usage ..........69 Copying a Song (Song Copy) .......................86 Erasing Songs (Song Erase)...........................86 Saving Memory on the Memory Card (Song Optimize)..............................................87 Naming a Song (Song Name) .......................88 Protecting a Song (Song Protect)..................88 Saving the Current Settings to the Song (Song Save)......................................................89 Creating a Master Tape/ Disc .............90 Rev0.10 7 Section 3 Using Effects ........ 91 Using the Insert Effects .......................92 Effect Patches and Banks...............................92 Editing Insert Effect Settings ........................93 Saving Insert Effects Settings (Write)..........94 Changing the destination Insert Effects are Connected .......................................................95 Insert Effect Parameter Functions .......96 Algorithm List ................................................96 BANK : GUITAR ...............................................................96 1. COSM GTR AMP................................................... 96 2. ACOUSTIC SIM .....................................................96 3. BASS SIM ................................................................97 4. COSM COMP GTR ................................................ 97 5. ACOUSTIC GTR .................................................... 97 6. BASS MULTI ..........................................................97 7. COSM BASS AMP ................................................. 98 8. COSM COMP BSS ................................................. 98 BANK : MIC .......................................................................98 9. VOCAL MULTI...................................................... 98 10. VOICE TRANS..................................................... 98 11. COSM COMP VCL ..............................................99 BANK : LINE .....................................................................99 12. STEREO MULTI ...................................................99 13. LO-FI BOX ............................................................99 BANK : SIMUL................................................................ 100 14. VO+GT AMP ......................................................100 15. VO+AC.SIM........................................................ 100 16. VO+ACOUSTIC .................................................100 Foot Volume ..............................................................104 Lo-Fi Box ...................................................................105 Noise Suppressor .....................................................106 Octave ........................................................................106 Phaser .........................................................................106 Pitch Shifter ...............................................................106 Preamp .......................................................................107 Ring Modulator ........................................................ 108 Slow Attack ............................................................... 108 Speaker Simulator .....................................................108 Tremolo/Pan ............................................................109 Voice Transformer ...................................................109 Wah ............................................................................110 Mastering ........................................111 Mastering.......................................................111 Editing the Mastering Tool Kit Settings .......113 Saving the Mastering Tool Kit Settings (Write) ............................................................114 Mastering Tool Kit Parameter Functions .........................................115 Algorithm ......................................................115 Parameter List...............................................115 Equalizer ....................................................................115 Bass Cut Filter........................................................... 116 Enhancer ....................................................................116 Input ...........................................................................116 Expander ................................................................... 116 Compressor ...............................................................117 Mixer ..........................................................................117 Limiter ....................................................................... 117 Output ........................................................................117 Parameter List...............................................101 Acoustic Guitar Simulator ......................................101 Acoustic Processor................................................... 101 Bass Simulator ..........................................................101 Chorus ....................................................................... 102 Compressor............................................................... 102 COSM Comp (compressor)/Limiter..................... 102 De-esser ..................................................................... 103 Defretter ....................................................................103 Delay.......................................................................... 103 Doubling ...................................................................103 Using the Loop Effects ......................118 Selecting the Loop Effect .............................118 Adjusting How the Loop Effect is Applied....119 Loop Effect Parameter Functions.......120 Parameter List...............................................120 CHORUS/DELAY/DBLN (Doubling) .................120 REVERB ..................................................................... 120 Enhancer ...................................................................104 Equalizer ................................................................... 104 Flanger .......................................................................104 Using the Track EQ ..........................121 Setting the Track EQ ....................................121 Track EQ Parameter Functions..........122 Parameter List...............................................122 Rev0.10 8 Fixing the Pitch of Vocals (Pitch Correction).............................123 The Pitch Correction ....................................123 Makeup of the Pitch Correction.................123 Pitch Correction Patches .............................123 Precautions for Pitch Correction Usage....123 Using the Pitch Correction..........................124 Setting the Correction Method for Vocal Pitch (Pitch Correction Edit).................................126 Saving the Pitch Correction Settings (Write)...........................................................127 Making Detailed Settings for Pitch Correction (Correction Event Map)...........128 Section 4 Using The Rhythm ............. 131 About Rhythms ................................132 About the Drum Pads..................................132 About the Drum Sounds (Drum Kits).......132 What Are Patterns and Arrangements?....133 What is a Pattern? .....................................................133 What is an Arrangement? ........................................134 About Pattern Mode and Arrangement Mode......................................134 Playing the Drum Sounds.................135 Changing the Drum Sound (Drum Kits) .....................................136 Selecting Drum Kits .............. 136 Creating Original Drum Kits (Tone Load) ......................... 138 Loading Drum Sounds from Audio Tracks.................................................138 Copying drum sounds from other drum kits ............................................140 Erasing drum sounds ..................................141 Changing the position (pan) of the drum sounds......................................141 Playing Rhythm Patterns..................142 Changing the Tempo of a Pattern..............142 Using the TAP Button to Change the Tempo of a Pattern ...............................142 Playing Rhythm Arrangements ........143 Changing the Tempo of an Arrangement ..143 Using the TAP Button to Change the Tempo of an Arrangement ...................143 Creating Original Patterns ...............144 Creating Patterns by Tapping the Drum Pads (Realtime Recording)...............................................144 Inputting Drum Sounds One by One While Confirming the Input Visually (Step Recording).......................................................144 Importing SMFs.........................................................144 Rev0.10 9 Creating Patterns by Tapping the Drum Pads (Realtime Recording) ............ 145 Rehearsing Recordings................................146 Deleting Unneeded Drum Sounds ............147 Changing the Metronome Volume............147 Section5 Using USB ........... 161 Before Using USB (Overview) ...........162 How USB Can Be Used ...............................162 Compatible OS..............................................162 Composition of Data on Memory Cards....162 Connecting a Computer ..............................163 Notes on Using USB.....................................163 With Windows.................................164 Saving BR-600 Data to Computers (Backup).........................................................164 Reading backup data back into the BR-600 from PC (Recover)........................................165 Saving BR-600 Track Data in WAV/AIFF Format (WAV/AIFF Export)...................................167 Resolving insufficient memory issues when exporting WAV/AIFF ..............................................169 Inputting Sounds One by One While Confirming the Input Visually (Step Recording) .................. 148 Naming Patterns .............................151 Copying Patterns .............................152 Erasing Patterns ..............................153 Creating Original Arrangements ......154 Inserting Steps ..............................................156 Erasing Steps.................................................156 Naming Arrangements ....................157 Copying Arrangements ....................158 Erasing Arrangements .....................159 Loading WAV/AIFF Files in BR-600 Tracks (WAV/AIFF Import) ...................................170 Importing SMFs and Creating Patterns........172 Loading Drum Sounds from WAV/AIFF Files (Tone Load)..........................................174 Using the BR-900CD/BR-864/ BR-532's Data ................................................176 With Macintosh................................178 Saving BR-600 Data to Computers (Backup)........................................................178 Reading backup data back into the BR-600 from PC (Recover)........................................179 Saving BR-600 Track Data in WAV/AIFF Format (WAV/AIFF Export)...................................180 Resolving insufficient memory issues When exporting WAV/AIFF ..............................................181 Loading WAV/AIFF Files in BR-600 Tracks (WAV/AIFF Import) ..................................182 Importing SMFs and Creating Patterns .....184 Loading Drum Sounds from WAV/AIFF Files (Tone Load)..........................................186 Using the BR-900CD / BR-864 / BR-532's Data ..............................188 Rev0.10 10 Section6 Other Convenient Functions.. 189 Adjusting the Display Contrast .........190 Using a Foot Switch or Expression Pedal ............................191 When Using an Expression Pedal..............191 When Using a Foot Switch..........................191 Tuning an Instrument (Tuner) ...........192 Changing to the Tuner ................................192 Explanation of the indications that appear while tuning .........................................192 Section7 Appendices ......... 203 Effect Patch List ................................204 Mastering Tool Kit Patch List ............207 Pitch Correction Patch List ................207 Arrangement / Pattern List ..............208 Preset Arrangement List .............................208 Preset Pattern List ........................................209 Parameter List .................................210 Troubleshooting...............................213 Problems with the Sound............................213 Problems with the Memory Card ..............214 Problems with USB ......................................214 Error Messages ................................215 Specifications...................................218 Index...............................................220 Tuning............................................................192 Setting the Reference Pitch of the Tuner ....193 Mixing the Output from an External Audio Device with the Output from Your BR-600 (Audio Sub Mix)...................194 Practicing Difficult Phrases (Phrase Trainer) ..............................195 Slowing Down the Speed (Time Stretch) .....195 Canceling the Center Sound (Center Cancel) .............................................196 Initializing the BR-600's Settings ......197 Initializing All the BR-600's Settings.........197 Initializing the System Settings..................197 Initializing the Effect Settings ....................198 Initializing the Rhythm Arrangements/ Patterns/Drum Kits.....................................198 Initializing the Memory Card.....................199 Conserving Battery Power (Power Save) ..................................200 Deactivating the power save function ...................200 Utility Parameter List .......................201 About the System Parameters ....................201 About the Sync Parameters ........................202 About the Scrub Parameters.......................202 Rev0.10 11 Introduction to the BR-600 Features Simple operation The BR-600 digital multitrack recorder has been designed to provide the intuitive feel of a conventional music recorder, making it simple to operate, even for beginners. No matter what your experience, the BR-600 brings you the excitement of digital recording, from recording of the performance to the final mixdown, right from the day you take it home. Equipped with V-Tracks The BR-600 has eight audio recording tracks, which provides for simultaneous recording on two tracks, or simultaneous playback from eight tracks. Moreover, each track incorporates eight virtual tracks, called "V-Tracks," for a total recording capability of 8 x 8 = 64 tracks! This increased versatility allows you to do things such as record numerous takes of a guitar solo, which you can later choose from when putting it all together. Also, while playing back eight tracks, you can use the bounce mode to bounce to a V-Track and perform stereo bouncing without needing to erase any data. Slender shape for easy portability With portability a priority in its design, the BR-600 features a smaller than Letter size (183 x 257 mm (10-1/8 x 7-1/4 inches)) and is only 27 mm (1-1/8 inches) thick. It can also run on six AA-size batteries(alkaline batteries recommended), meaning you can put it into a guitar case pocket and take it with you, enabling you to record wherever you go. What are V-Tracks? Each track consists of eight virtual tracks, and you can choose any one of these tracks for recording or playback. This means that you can record to up to a maximum of 64 tracks, and then select any eight of them to play back. These virtual tracks that make up the actual tracks are called "V-Tracks." Digital audio workstation All processes are fully digital In addition to a digital mixer and digital recorder, the BR600 contains five digital effects processors. It is possible to perform all steps needed for recording, including editing, bouncing tracks, using effects, and mixing down, entirely within the digital realm, so there is no deterioration in the signal quality. Using the USB connector also allows you to save the song data you create to a computer. V-Track1 V-Track2 V-Track3 V-Track4 V-Track5 V-Track6 V-Track7 V-Track8 A "Track Sheet" is provided at the rear of this manual (p. 226), which you make copies of, and fill in when recording music to V-Tracks. Rhythm function The "Rhythm function" makes it easy to capture phrases or musical ideas that come to mind. Simply select an appropriate Rhythm pattern, and set the tempo. In addition to the internal preset Rhythm patterns already provided, you can also create your own original Rhythm patterns. By recording using the Rhythm function, editing one measure at a time is greatly simplified. Rev0.10 "Section 4 Using The Rhythm" (p. 131) 12 Introduction to the BR-600 Versatile digital effects processors The BR-600 comes with five different types of effects processors. These systems, including recording effects (Insert effects), send/return (Loop Effects), tone adjustment (Track EQ), vocal pitch correction (Pitch Correction), and mastering effects (Mastering Tool Kit) can be used independently for each application as needed. This enables high-quality song production in a single device, with no need to connect any external effects. The BR-600 has many built-in simulations and effects, including amp modeling with COSM for a wide variety of insert effects. Many effects for vocal, keyboard, and guitar tracks are also included for a vast array of applications. The loop effects include spatial effects such as chorus and reverb, which are vital for proper stereo mixdown. The Track EQ is a built-in, two-band EQ whose utility is most fully exhibited in making tone adjustments during mixdown. The Pitch Correction feature allows you to freely adjust the pitch of vocals, assuring that you can obtain reliable, highquality performances. The Mastering Tool Kit allows you add compression to songs that have been mixed down and provides a variety of other effects. Editing functions With the BR-600, you can copy, move, and erase audio, and perform many other editing operations that are only possible with digital recorders. This means operations such as copying and repeating a multiple-bar phrase, moving a multiple-bar phrase to another track, and erasing the data of a track, whole or in part, can be performed with ease. Non-destructive editing Being a digital recorder, the BR-600 offers non-destructive editing. With non-destructive editing, after performing any editing and recording operations, you can still return your data to its previous state (undo and redo functions). "Canceling an Operation (Undo/Redo)" (p. 64) Quick movement to a point You can assign a marker to any point in a track that you wish (locator function). If you assign markers to locations such as the end of the opening or the beginning of a solo, you will be able to move instantly to the point where you wish to begin listening. "Registering Time (Locator)" (p. 72) Equipped with chromatic tuner (C1 to B6 sound range) Your BR-600 is also equipped with a chromatic tuner so that you can tune your guitar or bass while it is still connected to the BR-600. "Using the Insert Effects" (p. 92) "Using the Loop Effects" (p. 118) "Using the Track EQ" (p. 121) "Fixing the Pitch of Vocals (Pitch Correction)" (p. 123) "Mastering" (p. 111) "Tuning an Instrument (Tuner)" (p. 192) Phrase Trainer function What is COSM (Composite Object Sound Modeling)? Technology that virtually reconstructs an actually existing structure or material using a different means is called "modeling" technology. COSM is proprietary Roland technology that creates new sounds by combining various sound modeling technologies. When you play back a song you have recorded from the CD player, you can slow down the tempo without changing the pitch. Also, you can remove the sound you hear at the center (such as vocals and guitar solo) from the song. "Practicing Difficult Phrases (Phrase Trainer)" (p. 195) Includes USB port Connecting your computer here allows you to exchange data between the BR-600 and a computer. Rev0.10 13 Introduction to the BR-600 Full complement of input connectors (jacks) Your BR-600 is equipped with the input jacks shown below. GUITAR/BASS : This high-impedance input jack allows you to directly connect your guitar or bass (accepts 1/4" phone plugs). MIC1 : This jack allow a mic to be connected. This is TRS-type microphone input connector. Connect your mic here if recording vocals or narration. MIC2 : This jack allow a mic to be connected. This is TRS-type microphone input connector. If recording using two mics, with one mic connected to the MIC 1 input, connect the second mic here. LINE IN : These jacks accept stereo input from keyboards, CD players, and other devices at line level (Stereo miniature phone type). Onboard stereo mic The BR-600 features an onboard stereo microphone, perfect for situations such as when you want to quickly make an impromptu recording of something your band is practicing. * Connecting an external mic disables the onboard mic (p. 36). * This mic is not a speaker. If you want to listen to sounds from the BR-600, use headphones or connect LINE OUT to an appropriate audio device. Two-way power supply allows you to record anywhere You can use the BR-600 powered by batteries (six size AA dry cells x 6, alkaline batteries recommended) or with the AC adaptor. And, thanks to its an onboard stereo microphone, you can make recordings anywhere and anytime you desire. Rev0.10 14 Introduction to the BR-600 Memory Cards Supported by Your BR-600 The BR-600 uses CompactFlash cards as the storage media for recording and playback. The BR-600 uses 32 MB to 1 GB CompactFlash cards with a 3.3 V power supply. For more on supported memory cards (CompactFlash) for the BR-600, refer to "About Memory Cards" (separate sheet). 3 Grasp the top and bottom of the card cover with your fingers and pull the cover off in the direction indicated in the figure. fig.00-030 Formatting the memory card (CompactFlash) CompactFlash cards bought at a computer shop, or ones previously used with a digital camera cannot be used as is with the BR-600. These CompactFlash cards must first be initialized for use with the BR-600. For more details regarding initializing, see p. 199. 4 Attach the previously removed screws in the positions shown in the figure to prevent loss. How to remove the card 5 cover To prevent theft of the memory card (CompactFlash), the BR-600 is shipped from the factory with a card cover. To remove the card cover, use the following procedure. Turn the BR-600 over, so it's in its normal position. 1 2 Turn over the BR-600. Use a Phillips head screwdriver to remove the screws on the bottom panel. fig.00-020 · CompactFlash Type II cards are not compatible. · CompactFlash cards are available at your nearest computer or digital camera shop. · When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the four corners or at both ends to prevent damage to the buttons and controls. Also, you should try to orient the unit so no buttons or controls get damaged. · When turning the unit upside-down, handle with care to avoid dropping it, or allowing it to fall or tip over. · Should you remove the screws, make sure to put them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally. · CompactFlash and are trademarks of SanDisk Corporation and licensed by CompactFlash association. · BOSS Corporation is an authorized licensee of the CompactFlashTM and CF logo ( ) trademarks. Rev0.10 15 Panel Descriptions Front Panel fig.00-050 1 7 2 3 4 8 6 5 1 Input section REC LEVEL (Recording Level) dial Use this dial to adjust the volume of the input source for recording. * If you use the REC LEVEL dial to turn down the volume of the input source during recording, the sound will be recorded in the audio track at a low volume, so that noise will be more apparent when you raise the volume of the audio track for playback. If you want to lower the sound of the input source that you are monitoring, lower the volume with the MASTER fader. To change the volume of the music being played back, use the TRACK fader for the respective tracks. GUITAR/BASS/MIC2 dial This dial adjusts the input sensitivity for the GUITAR/ BASS and MIC2 inputs. MIC1 dial This dial adjusts the sensitivity for MIC1 and the onboard stereo mic. PEAK indicator This indicator shows how strong the input level is at the various input jacks (e.g., GUITAR/BASS, MIC2, and MIC1). This indicator lights at a level -6 dB lower than where sound distortion occurs. Adjust the input sensitivity with the GUITAR/BASS/MIC2 dial so that this indicator lights only occasionally, at those moments when you play your guitar (or other instrument) at its loudest. "Adjusting the recording level" (p. 37) I "Adjusting the input sensitivity" (p. 36) Try to record at the highest volume possible before the sound begins to distort. This works to improve the quality of the sound and reduce noise. When you want to lower the volume used while checking the sound, use the MASTER fader to lower the volume. Rev0.10 16 Panel Descriptions INPUT SELECT buttons Use these buttons to select the input source (input jack) that you wish to record. The selected button will light. You can mute (silence) the input sound by pressing a button that is lit. "Selecting the Input" (p. 36) [GUITAR] For selecting either guitar or bass use of the GUITAR/BASS jack, or the MIC2 jack. TIME/VALUE dial You can use this dial to shift the current position within a song (e.g., fast forwarding and rewinding). It is also used to change the values of the various function settings. 4 [PAD] This enables the buttons used for playing the drum sounds (the drum pads). [MIC] This is used to select the MIC1 jack, used for external mics, or the onboard stereo mic. Connecting a mic to the MIC1 jack or MIC2 jack switches off the onboard stereo mic. [LINE] This selects the LINE IN jack, used for CD players or other portable audio players or other line-level devices. SIMUL By pressing [GUITAR] and [MIC] simultaneously, you can record from both inputs at the same time. * If the INPUT SELECT setting is changed, the insert effect bank (p. 92) changes automatically. "Section 4 Using The Rhythm" (p. 131) [EFFECTS] Use this button to turn on and off the insert effects (p. 92) or call up the screen for editing the various settings. This button is used to make settings for the Mastering Tool Kit. [PITCH CORRECTION] Use this button to turn on and off the Pitch Correction. This function adjusts the pitch of recorded vocals. "Fixing the Pitch of Vocals (Pitch Correction)" (p. 123) [PAN/EQ/LOOP FX] PAN This calls up the screen for setting the panning (position) of the sounds to be played back in each track and the input sounds.(p. 49, p. 56) EQ This calls up the screen for editing the tone (low/high) for each track (equalizer).(p. 50) LOOP FX This calls up the screen for setting the send level of each track respective to the loop effects (p. 50, p. 118), setting the various parameters, and more.(p. 120) 2 [REC MODE (Recording Mode)] This button is used for selecting the recording mode. "Recording" (p. 44, p. 54) " Putting multiple tracks together (Bounce)" (p. 49, p. 65) "Mastering" (p. 111) 3 [EXIT] Press this button to return to the previous screen or cancel the last entry. [ENTER] Press this button to confirm a selection or a value being entered. CURSOR buttons Press these buttons to move the cursor within the screen. "Using the Loop Effects" (p. 118) "Using the Track EQ" (p. 121) Rev0.10 17 Panel Descriptions [TUNER] Use this button to turn on and off the tuner. [V-TRACK] Use this button to call up the screen for selecting a V-Track. "Tuning an Instrument (Tuner)" (p. 192) [RHYTHM ON/OFF] This switches the Rhythm function on and off. [ARRANGE] This switches the Rhythm function to Arrange mode. [UTILITY] "What are V-Tracks?" (p. 12) "Changing V-Tracks" (p. 56) This button calls up various functions offered by your BR600, such as track editing, song management, and memory card operations. [UNDO/REDO] For undoing the last-performed recording or editing operation and returning the data to its previous state. By pressing this button once again, you can bring back the canceled recording or re-execute the editing operation. "Playing Rhythm Arrangements" (p. 143) "Creating Original Arrangements" (p. 154) [PATTERN] This switches the Rhythm function to Pattern mode. "Canceling an Operation (Undo/Redo)" (p. 64). "Playing Rhythm Patterns" (p. 142) "Creating Original Patterns" (p. 144) [RHYTHM EDIT] This calls up the screen for programming arrangements and patterns. "Creating Patterns by Tapping the Drum Pads (Realtime Recording)" (p. 145) "Inputting Sounds One by One While Confirming the Input Visually (Step Recording)" (p. 148) [PHRASE TRAINER] Use this button to perform the settings for the phrase trainer function. When using the phrase trainer, you can turn on or off the center cancel function (for removing vocals at the center), or the time stretch function (for slowing down playback). "Slowing Down the Speed (Time Stretch)" (p. 195) "Canceling the Center Sound (Center Cancel)" (p. 196) Rev0.10 18 Panel Descriptions 5 REC/PLAY section [ZERO] Moves you to the time location 00:00:00-00.0. "Moving the current position" (p. 33) [REW] The song will rewind while you hold down the button. "Specifying the area for auto punching in/out" (p. 61) AUTO PUNCH This button is used to make settings for the automatic punch in/out function. [ON/OFF] This turns the auto punch-in/out function on/off. When this is on, the button will light. "Moving the current position" (p. 33) [FF] The song will fast-forward while you hold down the button. [IN] For setting the auto punch-in location. Press this button to set the punch-in point. When set, the button will light. After the punch-in location is set, you can press this button to automatically move to the punch-in location. * Press this button while holding down [ON/OFF] to clear the set punch-in location. "Erasing a registered auto punch in/out location" (p. 62) [OUT] For setting the auto punch-out location. Press this button to set the punch-out location at the current location in the track. When set, the button will light. After the punch-out location is set, you can press this button to automatically move to the punch-out location. * Press this button while holding down [ON/OFF] to clear the set punch-out location. "Moving the current position" (p. 33) [REPEAT] You can specify a region that you wish to hear, and hear it repeatedly This is convenient for making recordings involving repeated punchins and punch-outs(p. 60) and for practicing and copying phrases. "Repeating Playback (Repeat)" (p. 58) [STOP] Stops recording or playback of the song. "Recording Operations" (p. 57) "Erasing a registered auto punch in/out location" (p. 62) [LOCATOR] Use this button to store any location that you desire. Then, by pressing this button, you can automatically move to that location. [PLAY] Plays back songs. When [REC] is pressed and flashing, press [PLAY] to start recording. During recording or playback, the indicator on the button lights in green. "Listening to a Demo Song" (p. 32) "Recording Operations" (p. 57) [REC (Recording)] This is the Recording button. In addition to the Recording operation, it is also used for manual punch-in/out. While in recording standby, the button flashes in red, and during recording, it lights in red. "Recording Operations" (p. 57) "Manually Punching In/Out" (p. 60) When a location is set, the button will light and you will jump to the location each time this button is pressed. * Press this button while holding down AUTO PUNCH [ON/ OFF] to clear the set location. "Registering Time (Locator)" (p. 72) Rev0.10 19 Panel Descriptions 6 Track/Fader section [TAP (TEMPO)] By tapping this button, you can set the tempo for the Rhythm. TRACK MIXER fader 1­4, 5/6­7/8 For controlling the volumes of each track during playback. RHYTHM fader Adjusts the volume of the Rhythm. "Tapping to change the tempo of the arrangements or patterns" (p. 43) [DELETE/MUTE] You can mute the sound on a track by holding down this button and pressing the REC TRACK button for that track. Performing this same operation again cancels the mute. While the sound is muted, the REC TRACK button for the track flashes orange or green. "Playing Arrangements" (p. 41) "Playing Patterns" (p. 41) MASTER fader Controls the overall volume of the BR-600. "Listening to a Demo Song" (p. 32) REC TRACK (Recording Track) buttons 1­4, 5/6­7/8 Use these buttons to select to which track you will record. The button of the track selected will flash in red and then light in red when recording begins. When recording is finished, the button of the selected track will light alternately in orange and green. The relationship between the indicator and the track conditions is given below. Off : This track contains no recorded data. Green : An audio track that contains recorded data. Flashing in red : The track is selected as the recording destination, and is in recording standby. Red : This track currently being recorded. Lighting alternately in orange and green : This track contains recorded data and is selected for recording. * If a recording track was muted, muting will be defeated when recording ends. "Silencing the sound of specific tracks (Track Mute)" (p. 47) During creation of Rhythm patterns, you can delete rhythm sounds you have input by holding down this button and pressing the Drum Pads. "Deleting Unneeded Drum Sounds" (p. 147) Rev0.10 20 "Recording" (p. 54) Panel Descriptions 7 fig.00-051 Display 8 fig.00-052 MEMORY CARD slot Eject button Information about items for which settings are available in volume level and menu screens, parameter settings screens, and other screens are displayed here. If the screen is difficult to view, see "Adjusting the Display Contrast" (p. 190). 1. MEASURE Displays the current position within the song. Indicated from left to right are the measure, beat, and clock. 2. TEMPO The Rhythm tempo is indicated here. 3. TIME Displays the time of the current position of the song (hours-minutes-seconds). 4. FRAME This indicates the frame number showing the current position in the song. This is set to 30 frames per second (non-drop). This is one type of what is called MTC (MIDI Time Codes). This slot is where memory cards (CompactFlash) are inserted when you want to save data. You cannot record unless you have a memory card inserted here. Eject button Press this button to eject the memory card. "Inserting the Memory Card" (p. 30) The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual. Rev0.10 21 Panel Descriptions Rear Panel 10 9 8 7 6 5 4 3 2 1 1. MIC2 jack (TRS 1/4" phone type) These jack allows a mic to be connected (p. 34). * If the connection has been made to the GUITAR/BASS and the MIC2 jacks, the MIC2 jack is given priority. * Connecting a mic to MIC2 switches off the onboard stereo mic. 2. MIC1 jack (TRS 1/4" phone type) These jacks allow a mic to be connected (p. 34). * Connecting a mic to MIC1 switches off the onboard stereo mic. The pin assignment for the MIC1 and the MIC2 jack is as shown below. · When the foot switch is used, you can start/stop playback, punch in/out, and more. · When an expression pedal is used, you can control the depth of insert effects with your foot. "Using a Foot Switch or Expression Pedal" (p. 191) 7. POWER switch This is the power switch. It turns the power of the BR-600 on/off (p. 31). 8. DC IN (AC Adaptor) jack Connect the supplied AC adaptor (PSA series) to this jack. You must use only the PSA series AC adaptor (p. 28). You can purchase a PSA adaptor at musical instrument retailers. 9. Cord Hook Wrap the cable around this hook so that the AC adaptor cable is not pulled out accidentally (p. 29). 3. LINE IN jack (Stereo mini type) This input jack accepts analog audio signals (p. 34). Connect the output of CD players or other portable audio players or other audio equipment. 4. LINE OUT jack (RCA Pin type) These jacks output analog audio signals. You can connect external audio equipment (e.g. a stereo amp) to this jack, or connect an CD recorder or other such device to this jack for analog recording of the BR-600's output (p. 90). 5. USB connector This is the connector for connecting your computer to the BR-600 with a USB cable (p. 162). 6. FOOT SW/EXP PEDAL jack This is an input jack for connecting a separately sold foot switch (BOSS FS-5U, Roland DP-2) or expression pedal (Roland EV-5, BOSS FV-500L/FV-500H). · You must use only the PSA series AC adaptor. Use of any other adaptor may cause overheating or malfunctions. · If the AC adaptor is disconnected during operation, your important recorded data may be lost. 10. Security Slot ( ) Rev0.10 http://www.kensington.com/ 22 Panel Descriptions Front Panel fig.00-090 3 2