User manual ROLAND RS-50

Owner's Manual Thank you, and congratulations on your choice of the Roland RS-50. 201a Before using this unit, carefully read the sections entitled: "USING THE UNIT SAFELY" (p. 2­3) and "IMPORTANT NOTES" (p. 4­5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. 202 Copyright © 2003 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. USING THE UNIT SAFELY For the U.K. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers other adverse effects respect to the home furnishings, as well animals or pets. to damage or caused with and all its to domestic The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled. The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet. 001 007 · Before using this unit, make sure to read the instructions below, and the Owner's Manual. .......................................................................................................... 002c · Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces. .......................................................................................................... 008c · Do not open (or modify in any way) the unit or its AC adaptor. .......................................................................................................... 003 · Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page. .......................................................................................................... 004 · Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor's body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock. .......................................................................................................... 009 · Never use or store the unit in places that are: · Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are · Damp (e.g., baths, washrooms, on wet floors); or are · Humid; or are · Exposed to rain; or are · Dusty; or are · Subject to high levels of vibration. .......................................................................................................... · Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards! .......................................................................................................... 010 · This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist. .......................................................................................................... 2 011 · Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit. 101b · The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. .......................................................................................................... 102d .......................................................................................................... 012c · Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page when: · The AC adaptor or the power-supply cord has been damaged; or · If smoke or unusual odor occurs · Objects have fallen into, or liquid has been spilled onto the unit; or · The unit has been exposed to rain (or otherwise has become wet); or · The unit does not appear to operate normally or exhibits a marked change in performance. .......................................................................................................... 013 · Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet. .......................................................................................................... 103b · At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire. .......................................................................................................... 104 · In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. .......................................................................................................... 014 · Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children. .......................................................................................................... 106 · Never climb on top of, nor place heavy objects on the unit. .......................................................................................................... 107d · Protect the unit from strong impact. (Do not drop it!) .......................................................................................................... 015 · Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit. .......................................................................................................... 108b · Do not force the unit's power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords--the total power used by all devices you have connected to the extension cord's outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through. .......................................................................................................... 016 · Before moving the unit, disconnect the AC adaptor and all cords coming from external devices. .......................................................................................................... 109b · Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 16). .......................................................................................................... 110b · Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page. .......................................................................................................... 023 · Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet. .......................................................................................................... 118 · DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result. .......................................................................................................... · Should you remove the ground terminal screw, make sure to put it in a safe place out of children's reach, so there is no chance of them being swallowed accidentally. .......................................................................................................... 3 IMPORTANT NOTES 291a In addition to the items listed under "USING THE UNIT SAFELY" on page 2­3, please read and observe the following: Power Supply 301 Maintenance 401a · Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system). 302 · The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern. 307 · For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth. 402 · Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices. · Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation. Repairs and Data 452 Placement 351 · Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference. 352a · This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers. 352b · Please be aware that all data contained in the unit's memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data. · Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off. 354a Additional Precautions · Never turn off the power while the display indicates "KEEP POWER ON!" If you turn off the power while this message is displayed, the internal user data will be lost. 551 · Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit. 355b · When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated. 358 · Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit's memory in another MIDI device (e.g., a sequencer). 552 · Unfortunately, it may be impossible to restore the contents of data that was stored in the unit's memory or in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data. 553 · Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound. · Use a reasonable amount of care when using the unit's buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions. 554 · Never strike or apply strong pressure to the display. 556 · When connecting / disconnecting all cables, grasp the connector itself--never pull on the cable. This way you will avoid causing shorts, or damage to the cable's internal elements. 558a · To avoid disturbing your neighbors, try to keep the unit's volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night). 4 559a · When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials. 561 · Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit. 985 · The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual. Handling CD-ROMs 563 · Unauthorized duplication, reproduction, hiring, and lending of the software included in the applied CD-ROM is prohibited. 801 · Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner. 204 * Microsoft and Windows are registered trademarks of Microsoft Corporation. 206j * Windows® is known officially as: "Microsoft® Windows® operating system." 207 * Apple and Macintosh are registered trademark of Apple Computer, Inc. 209 * MacOS is a trademark of Apple Computer, Inc. 220 * All product names mentioned in this document are trademarks or registered trademarks of their respective owners. 5 Contents IMPORTANT NOTES ...............................................................................4 Main Features..........................................................................................9 Panel descriptions ................................................................................10 Front panel................................................................................................................................................. 10 Rear panel .................................................................................................................................................. 13 Getting ready.........................................................................................14 Reset to default factory settings (Factory Reset) ..............................17 Listening to the demo songs ...............................................................18 Quick Start ........................................19 Try out the sounds................................................................................20 Applying various effects to the sound................................................26 Using the Rhythm Guide ......................................................................36 Advanced Use....................................39 Overview of the RS-50 ..........................................................................40 How the instrument is organized .......................................................................................................... 40 Classification of RS-50 sound types ....................................................................................................... 40 Effects ......................................................................................................................................................... 41 Number of voices ..................................................................................................................................... 41 About memory.......................................................................................................................................... 41 Temporary memory...................................................................................................................... 41 Rewritable memory ...................................................................................................................... 41 Non-rewritable memory .............................................................................................................. 41 Basic operation of the RS-50 ...............................................................42 Switching the mode.................................................................................................................................. 42 Patch mode..................................................................................................................................... 42 Performance mode ........................................................................................................................ 42 Editing parameters ................................................................................................................................... 42 Basic procedure ............................................................................................................................. 42 Executing a command .................................................................................................................. 42 Assigning a name .......................................................................................................................... 43 When one page contains two or more settings......................................................................... 43 Inputting numbers and numerals .......................................................................................................... 43 Selecting a part.......................................................................................................................................... 43 Creating a patch (Patch mode) ............................................................44 How to make the patch settings ............................................................................................................. 44 Changing the way that the tones are sounded (Key Mode) ................................................... 44 Editing the patch parameters ...................................................................................................... 44 Making settings that apply to the entire patch (Patch Common parameters) ..................... 45 Making settings for an individual tone (Patch Tone parameters) ......................................... 46 Saving a patch ........................................................................................................................................... 48 6 Contents Convenient functions for patch editing (Patch Utility)....................................................................... 49 Copying patch parameters (PATCH PRM COPY)................................................................... 49 Initializing the parameters of a patch (PATCH INITIALIZE)................................................ 50 Erasing a user patch you saved (PATCH REMOVE) .............................................................. 50 Transmitting patch/rhythm set settings from the MIDI OUT connector (XFER to MIDI) ............... 51 Restoring the factory settings (FACTORY RESET) .................................................................. 51 Creating a rhythm set (Patch mode) ...................................................52 How to make the rhythm set settings.................................................................................................... 52 Editing the rhythm set parameters............................................................................................. 52 Making settings that apply to the entire rhythm set (Rhythm Common parameters) ....... 52 Editing the settings of each rhythm tone (key) (Rhythm Tone parameters) ........................ 52 Saving a rhythm set (User Rhythm Set) ................................................................................................ 53 Convenient functions for rhythm set editing (Rhythm Set Utility) .................................................. 53 Copying effect settings from a rhythm set (RHY PRM COPY) .............................................. 53 Initializing the settings of a specific rhythm tone (RHY INITIALIZE) ................................. 54 Erasing a rhythm set you saved (RHY REMOVE) ................................................................... 54 Playing more than one sound simultaneously (Performance mode)..........55 Choosing a part and selecting the sound.............................................................................................. 55 Selecting performance numbers.................................................................................................. 55 Editing the settings of a performance.................................................................................................... 55 Making settings that apply to the entire performance ............................................................ 55 Editing the effect settings of a performance.............................................................................. 56 Editing the part settings of a performance (Part Setup) .......................................................... 56 Editing the effect settings for each part of the performance (Performance Part Effect) ..... 58 Saving a performance .............................................................................................................................. 59 Convenient functions for performance editing (Performance Utility) ............................................. 59 Copying part or effect parameters (PERFORM PRM COPY)................................................. 59 Initializing the parameters of a performance (PERFORM INIT) ........................................... 60 Transmitting performance settings from the MIDI OUT connector (XFER to MIDI)......... 61 Restoring the factory settings (FACTORY RESET) .................................................................. 61 Using the phrase/arpeggio function ...................................................62 Creating your own arpeggio template (User Template) ......................................................... 62 Using chord memory function.............................................................64 Creating an original chord set (User Chord Set) ...................................................................... 64 Adding effects .......................................................................................65 Turning the effect function on and off (MASTER EFFECT SWITCH) ............................................. 65 The effect signal path ............................................................................................................................... 66 Making effects settings ............................................................................................................................ 67 Setting multi-effects parameters............................................................................................................. 68 Making chorus settings............................................................................................................................ 86 Making reverb settings ............................................................................................................................ 87 Settings common to all modes (System Function) ...........................88 How to make the system function settings........................................................................................... 88 Functions of the system parameters ...................................................................................................... 89 Settings common to the entire system (GENERAL) ................................................................ 89 Settings related to controllers (CONTROLLER)....................................................................... 89 Settings related to MIDI (MIDI) .................................................................................................. 90 Making scale tune settings for a patch (PATCH SCALE) ....................................................... 91 7 Contents Performing with an external MIDI device............................................92 About MIDI ............................................................................................................................................... 92 MIDI messages used by the RS-50 ......................................................................................................... 92 Using the RS-50 to play an external MIDI sound module.................................................................. 93 Connecting to external MIDI sound modules .......................................................................... 93 Set the keyboard transmit channel ............................................................................................. 94 Playing the RS-50's sound generator from an external MIDI device................................................ 94 Connecting an external MIDI device.......................................................................................... 94 Setting the patch receive channel................................................................................................ 95 Setting the program change receive switch............................................................................... 95 Selecting RS-50 sounds from an external MIDI device............................................................ 95 Using an external MIDI controller to change the RS-50's tones............................................. 96 Recording to an external sequencer....................................................................................................... 96 Connecting to an external sequencer ......................................................................................... 96 Making settings before recording ............................................................................................... 96 Recording ....................................................................................................................................... 97 Listening to the recorded performance...................................................................................... 97 Playing together with the playback of a recorded performance............................................ 98 Transposing playback of performances (Master Key Shift).................................................... 98 Backing-up (saving) all RS-50 settings on your external MIDI sequencer....................................... 98 Using the RS-50 as a General MIDI/General MIDI 2 system-compatible sound module............. 98 Playing back General MIDI/General MIDI 2 music data ....................................................... 98 Performing with a computer ................................................................99 Appendix ........................................101 Troubleshooting..................................................................................102 Error Messages/Messages.................................................................105 Parameter list ......................................................................................106 Original tone list..................................................................................109 Patch list ..............................................................................................111 Rhythm set list ....................................................................................116 Performance list..................................................................................120 Rhythm guide list................................................................................120 Arpeggio template list ........................................................................120 Arpeggio style list...............................................................................122 Multi-chord set list ..............................................................................122 MIDI implementation chart .................................................................124 Specifications......................................................................................125 Index.....................................................................................................126 8 Main Features A broad range of new, high-quality sounds Careful attention has been paid to refining the most important sounds for a live keyboard, such as piano, organ, strings, and brass. In addition, the latest cutting-edge sounds are also included. The General MIDI score conforming to General MIDI /General MIDI 2 is also supported with high-quality sounds. General MIDI General MIDI is a set of recommendations which seeks to provide a way to go beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound generating devices. Sound generating devices and music files that meet the General MIDI standard bear the General MIDI logo ( ). Music files bearing the General MIDI logo can be played back using any General MIDI sound generating unit to produce essentially the same musical performance. Quick and easy sound editing To edit the sounds (patches) of the RS-50, you simply choose from the wide range of "tones" (pre-programmed instrumental sounds) and edit them. Editing is easy; you can adjust the brightness (filter), attack and decay, modulation (LFO), and effects, or layer two tones to create a rich sound. General MIDI 2 The upwardly compatible General MIDI 2 ( ) recommendations pick up where the original General MIDI left off, offering enhanced expressive capabilities, and even greater compatibility. Issues that were not covered by the original General MIDI recommendations, such as how sounds are to be edited, and how effects should be handled, have now been precisely defined. Moreover, the available sounds have been expanded. General MIDI 2 compliant sound generators are capable of reliably playing back music files that carry either the General MIDI or General MIDI 2 logo. In some cases, the conventional form of General MIDI, which does not include the new enhancements, is referred to as "General MIDI 1" as a way of distinguishing it from General MIDI 2. Numerous phrase/arpeggio templates In addition to an arpeggio function, the instrument also features "phrase templates," which allow you to activate performance techniques geared toward a particular sound as well as typical phrases simply by pressing a key---great tools for music production. Multi-chord memory function The Chord Memory function lets you play a registered chord by pressing a single key. You can register different chord forms to each key, and recall multiple chords together. Several sets of chord progressions that typically appear in one song have been registered as presets. Compact and easy to carry The RS-50 is compact, light, and easy to carry. It's an instrument with great sounds and professional-level functionality that can be easily carried between your bedroom and the stage or studio. Dedicated sound editor is included The dedicated sound editing program "RS Editor" (Mac and Windows versions on a hybrid CD-ROM) is included, allowing you to use your computer to create and rearrange sounds quickly and easily. D Beam controller The D Beam controller gives you control over a variety of effects, simply by moving your hand. In conjunction with the visual element, this can be a powerfully impressive addition to a live performance. Rhythm Guide function As an alternative to the metronome, you can use more realistic rhythm patterns as enjoyable backing for your playing. 9 Panel descriptions Front panel fig.04-01.l A B C D E I F A D BEAM CONTROLLER You can apply a variety of effects to sounds simply by moving your hand (p. 31). EDIT Section [PARAM] (Parameter) button This button accesses sound or performance settings (parameters). The settings that are accessed will depend on the selected mode (Patch/Performance) or state. [SOLO SYNTH] (Solo Synthesizer) button You can generate passages that sound as if you are rapidly playing the keyboard. [EFFECTS] button This button switches effects (MFX, chorus, reverb) on/off, and accesses effect-related settings. [ACTIVE EXPRESS] (Active Expression) button This lets you use the D Beam controller for Active Expression. [UTILITY] button In Patch/Performance modes, this button accesses various utility functions, such as those for copying data or initializing sound generator settings. [ASSIGNABLE] button This lets you assign a desired function to the D Beam controller (p. 33). B [VOLUME] knob Adjusts the overall volume that is output from the rear panel OUTPUT jacks and PHONES jack (p. 15). Others [SYSTEM] button This button accesses settings that affect the entire RS-50, such as tuning, display contrast, and MIDI message reception. [PART SELECT] button When this button is lit in Performance mode, you can use the direct access buttons to select a part to play from the keyboard or to edit (p. 43). C MODE Section [PATCH] button Switches the RS-50 into the Patch mode (p. 42). [AUDITION] button You can repeatedly listen to an audition phrase for the currently selected patch (p. 22). [PERFORMANCE] button Switches the RS-50 into the Performance mode (p. 42). [DEMO] button Accesses the demo playback function (p. 18). 10 Panel descriptions fig.04-01.r G H [WRITE] button Saves patch/performance settings or system settings. F [NUMERIC] button When this button is lit, the direct access buttons will function as a numeric keypad. This lets you directly input or specify a numerical value for the displayed item (patch number or parameter). [-/+OCT] (Octave Shift) / [-/+TRANSPOSE] (Transpose) buttons - /+OCT: - /+TRANSPOSE: These buttons adjust the pitch of the keyboard in octave steps (maximum +/-3 octaves) (p. 30). Pressing either of these buttons while holding down [SHIFT] allows you to transpose the keyboard in semitone steps (-5­+6) (p. 31). [0]­[9] (DIRECT ACCESS buttons) In Patch mode, use these buttons to switch between the sound categories printed on the panel (p. 20). In Performance mode, use these buttons to directly select a performance by specifying the lowest digit of the performance number (p. 55). However, if the [NUMERIC] or [PART SELECT] buttons are lit, the [0]­[9] buttons will change to the corresponding function. [PHRASE/ARPEGGIO] button Switches phrase/arpeggio function on/off. To make settings for the phrase/arpeggio, make this button light and then press [PARAM] (p. 23). [CHORD MEMORY] button Switches chord memory function on/off. To make settings for the chord memory function, get this button to light and then press [PARAM] (p. 24). G [VALUE -/+] buttons Use these buttons to switch the number of an item (patch, performance, various parameters, etc.) in the display, or to increase/ decrease a value. While one of these buttons is first held down and the other is pressed, the value then changes rapidly. Or, if you hold down [SHIFT] while using these buttons, the value will change in larger steps. D DISPLAY This displays information regarding the operation you are performing. E [RHYTHM GUIDE] button Switches Rhythm guide function on/off (p. 36). 11 Panel descriptions PAGE/CURSOR [ ]/[ ] / JUMP [ ]/[ ] buttons PAGE/CURSOR: JUMP: Use these buttons to move between pages or to move the cursor (p. 42). In grouped pages, you can hold down [SHIFT] and use these buttons to move between groups (p. 42). · If balance/LFO is selected (BALANCE/LFO indicator lit) [BALANCE] knob Adjusts the LOWER and UPPER volume balance (p. 26). [LFO RATE] knob Adjusts the rate of the LFO effect, such as vibrato (p. 27). While one of these buttons is first held down and the other is pressed, the page or cursor then moves rapidly. [LFO DEPTH] knob Adjusts the depth of the LFO effect, such as vibrato (p. 27). [EXIT] button Press this button to return to the main screen of a mode, or when you want to cancel the current operation. [KEY MODE] button Switches the Key Modes (p. 44). [ENTER] button Use this button to finalize a value or execute an operation. [FILTER LFO] button This determines whether the LFO changes the filter cutoff frequency (ON), or the pitch (OFF) (p. 27). [SHIFT] button By holding down this button and pressing another button, you can access a secondary function of that button (printed below the button in square brackets). [CUTOFF] knob Changes the tone's Cutoff Frequency value (p. 29). [TAP TEMPO] button Adjusts the tempo according to the timing at which you tap this button. You can also use VALUE [-]/[+] to adjust the tempo if desired (p. 37). [RESONANCE] knob Changes the tone's Resonance value (p. 29). I H PATCH MODIFY section [DESTINATION TONE] button Selects either UPPER or LOWER as the tone to be edited. Pitch bend/Modulation lever This allows you to control pitch bend or apply vibrato (p. 29). Patch Modify select button Selects whether the three knobs located at the right will edit the envelope or the balance and LFO. · If envelope is selected (ENV indicator lit) [ATTACK] knob Adjusts the attack speed of the sound (p. 28). [DECAY] knob Adjusts the speed at which the sound decays while you continue holding the key (p. 28). [RELEASE] knob Adjusts the length of the release after you take your finger off the key (p. 28). 12 Panel descriptions Rear panel fig.04-02 A B C D E F GH A MIDI connectors (IN, OUT) These connectors can be connected to other MIDI devices to receive and transmit MIDI messages (p. 92). Use MIDI cables (sold separately) to make connections. IN: OUT: MIDI messages from an external device are received at this connector. MIDI messages are transmitted from this connector to an external device. E Cord hook To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the DC IN jack, anchor the power cord using the cord hook, as shown in the illustration. fig.CordHook.e Cord Hook The cord of the supplied AC Adaptor To the Power Outlet B PEDAL jacks CONTROL: An optional expression pedal (such as the EV-5), pedal switch (the optional DP-2 or DP-8), or foot switch (the optional BOSS FS-5U) can be connected to this jack (p. 14). HOLD: An optional pedal switch (such as the DP-2 or DP-8) or foot switch (the optional BOSS FS-5U) can be connected to this jack for use as a hold pedal (p. 14). F DC IN jack Connect the AC adaptor here (p. 14). Be sure to use only the supplied AC adaptor. G POWER switch This switch turns the power on/off (p. 15). If you are using DP-8, set the DP-8's function switch to "Switch." C OUTPUT jacks These jacks output stereo (L/R) audio signals to your amp or mixer. For mono output, use the L jack. H Ground terminal 927 Depending on the circumstances of a particular setup, you may D PHONES jack This is the jack for connecting headphones (sold separately) (p. 14). experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page. Unsuitable places for connection · Water pipes (may result in shock or electrocution) · Gas pipes (may result in fire or explosion) · Telephone-line ground or lightning rod (may be dangerous in the event of lightning) 13 Getting ready Connecting the RS-50 to external equipment The RS-50 does not contain an amp or speaker. You'll need to listen to it through powered monitors, a mixer and connected monitors, a stereo system, or through headphones. Connect as follows when using the RS-50 as a stand-alone device. fig.q01-01.e Stereo headphones AC adaptor to AC power outlet Pedal switch (DP-2, DP-8) or foot switch (BOSS FS-5U) Audio cable Roland Expression pedal (EV-5) or pedal switch · To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. · To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration. · Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit. · Audio cables, MIDI cables, and stereo headphones are not included. You will need to purchase these items from your dealer. · Mixer etc. Monitor speakers (powered) Audio set etc. Power amp 921, 924, 925 1. 2. Before starting the connection procedure, make sure that the power to all devices has been turned off. Connect the supplied AC adaptor to the RS-50, and then plug its other end into a power outlet. In order to take full advantage of the RS-50's performance, we recommend using a stereo amp/speaker system, If you are using a mono system, make you connections to the OUTPUT jack L (MONO). · CONTROL PEDAL jack can also accommodate pedal switches. 14 Getting ready 3. Connect the RS-50 and the external device as shown in the figure. Use audio cables to connect audio equipment, such as an amp or speakers. If you are using headphones, plug them into the PHONES jack. Connect pedal switches or expression pedals as necessary. If you want to know how to make the connections with another external device, refer to: Using the RS-50 to play an external MIDI sound module (p. 93) Playing the RS-50's sound generator from an external MIDI device (p. 94) Recording to an external sequencer (p. 96) Turning on/off the power Turning on the power 1. Before turning on the RS-50's power, check the following: · Are all devices connected properly? · Are the volume controls of the RS-50 and any other connected equipment turned to the minimum position? · Is the AC adapter correctly connected to the RS-50? 941, 942 2. Press the power switch on the rear panel of the RS-50 to turn on the power. fig.q01-02 Once the connections have been completed (p. 14), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. 3. 4. Turn on the power of the connected audio devices. Play the RS-50's keyboard and gradually raise the volume controls of the RS-50, or the connected audio equipment to an appropriate volume level. fig.q01-03 This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally. Turn up the RS-50's volume level carefully. Excessive volume can damage connected audio devices, your hearing, or annoy your neighbors. 15 Getting ready Turning off the power 1. Before you turn off the power, make sure of the following points. · Are the volume controls of the RS-50 and the other connected equipment turned to the minimum position? · Have you saved the sounds or other data you've created? (p. 48, p. 53, p. 59) 2. 3. Turn off the power for all connected audio devices. Turn off the RS-50's power switch. Adjusting the display contrast (LCD CONTRAST) The characters in the display may be difficult to view immediately after turning on the power or after extended use; this may also be because of where and how the display is situated. Follow the steps below to adjust the display's contrast. fig.q01-04 1 2 3 1. 2. Press [SYSTEM] so it is lit. Use PAGE/CURSOR [ fig.q01-05 ]/[ ] to select "LCD Contrast." The LCD CONTRAST setting is saved automatically, and is retained even while the power is off. 3. Use VALUE [-]/[+] to set the value (1­10). 16 Reset to default factory settings (Factory Reset) This restores all data in the RS-50 to the factory-set condition (Factory Reset). fig.q02-01 1 2 3 4, 5 Be sure not to turn off the power while Factory Reset is being performed. If the power is turned off or interrupted while data is being written to memory, the internal data may become corrupted. 1. 2. 3. Press [PATCH] so it is lit and you are in Patch mode. Press [UTILITY] so it is lit. Use PAGE/CURSOR [ fig.q02-02_40 ]/[ ] to select "5:FACTORY RESET." If there is important data you've created that's stored in the RS-50's internal memory, you must note that all such data will be discarded when a Factory Reset is performed. If you want to keep the existing data, save it using an external sequencer (p. 98). 4. Press [ENTER]. fig.q02-03_40 Press [EXIT] to cancel the factory reset. 5. Press [ENTER] again to execute the Factory Reset. When the display indicates "COMPLETED," the factory reset operation has been completed. Factory Reset can be executed not only from Patch mode, but also from the Utility functions of Performance mode (p. 61). 17 Listening to the demo songs The RS-50 contains Demo songs. Here's how to listen to the demo songs and experience the superb sounds and effects of the RS-50. fig.q03-01 1 2 3 4 1. Press [DEMO]. fig.q03-02_40 2. Use VALUE [-]/[+] to select the song that you wish to hear. If you want to listen to all of the songs played in order, select "All Songs." 3. Press [ENTER] to start demo song playback. The selected song is played back repeatedly. When "All Songs" is selected, the entire selection of song is played back repeatedly. While the demo songs are playing back, playing the keyboard will not produce sound. 4. Press [EXIT] to stop playback. To return the keyboard to performance mode, press [EXIT] again or press [DEMO] again so the indicator goes out. 981a, 982 · Unsaved settings changes may be lost when you start Demo Play. Carry out the write procedure as required to save such data before listening to the demo songs (p. 48, p. 53, p. 59). · All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws. · No data for the music that is played will be output from MIDI OUT. Demo songs list The RS-50 comes with 3 demos. "T" Roland Corporation Short, sweet Roland Corporation Catch Me Roland Corporation 18 Quick Start 19 Try out the sounds Selecting a patch On the RS-50, the sounds you use for normal playing are called patches. A patch is analogous to an instrument held by a member of an orchestra. Each patch consists of two tones; an upper tone and lower tone. You can assign the two tones to their own region of the keyboard (p. 44), and make independent settings for each tone (p. 46). Selecting a patch by category The RS-50 allows you to rapidly select and call up a patch by specifying the type of patch. All the patches are organized into 10 category groups. Button Category Group PIANO (Pf) [1] [2] Category PNO EP KEY AC.PIANO EL.PIANO KEYBOARDS Contents [3] [4] [5] [6] [7] [8] [9] [0] Acoustic Piano Electric Piano KBD & Other Keyboards ORGAN (Ky) (Clav, Harpsichord, etc.) BEL BELL Bell, Bell Pad MLT MALLET Mallet ORG ORGAN Electric and Church Organ ACD ACCORDION Accordion HRM HARMONICA Harmonica, Blues Harp GUITAR (Gt) AGT AC.GUITAR Acoustic Guitar EGT EL.GUITAR Electric Guitar DGT DIST.GUITAR Distortion Guitar ORCH (Oc) STR STRINGS Strings ORC ORCHESTRA Orchestra Ensemble HIT HIT&STAB Orchestra Hit, Hit WND WIND Winds (Oboe, Clarinet, etc.) FLT FLUTE Flute, Piccolo WORLD (Wr) PLK PLUCKED Plucked (Harp, etc.) ETH ETHNIC Other Ethnic FRT FRETTED Fretted Inst (Mandolin, etc.) BRASS (Br) BRS AC.BRASS Acoustic Brass SBR SYNTH.BRASS Synth Brass SAX SAX Sax VOCAL & BPD BRIGHT PAD Bright Pad Synth PAD (Vo) SPD SOFT PAD Soft Pad Synth VOX VOX Vox, Choir SYNTH (Sy) HLD HARD LEAD Hard Synth Lead SLD SOFT LEAD Soft Synth Lead TEK TECHNO SYNTH Techno Synth PLS PULSATING Pulsating Synth FX SYNTH FX Synth FX (Noise, etc.) SYN OTHER SYNTH Poly Synth BASS (Bs) BS BASS Acoustic & Electric Bass SBS SYNTH.BASS Synth Bass RHYTHM & DRM DRUMS Rhythm Set SFX (Rh) PRC PERCUSSION Percussion SFX SOUND FX Sound FX BTS BEAT&GROOVE Beat and Groove CMB COMBINATION Other Patches 20 Try out the sounds fig.q04-02 1 2 3 1. 2. 3. Press [PATCH] so it is lit and you are in Patch mode. Use [0]­[9] to specify the category group of the patch you want to select. Use VALUE [-]/[+] to select sounds within the category group. You can turn [NUMERIC] on and use the [0]­[9] numeric keys to input a patch number directly. Press [ENTER] to finalize the number (p. 43). The rhythm sets are included in [0] (p. 22). Selecting sounds by category In Patch mode, the direct access buttons [0]­[9] act as category select buttons. Since the patches you select for [0]­[9] (each category) will be remembered even when the power is turned off, you can select ten favorite patches from the panel and recall those patches instantly just by pressing [0]­[9]. Patch list (p. 111) 21 Quick Start Try out the sounds Selecting patches while listening to phrases (Patch Audition) Without playing keyboards, you can audition the sounds using phrases that have been pre-programmed to be suitable for the character of each patch. fig.q04-03 1 3 1. Press [AUDITION]. The currently selected patch will begin sounding. 2. 3. Select patches as described in Selecting a patch by category (p. 20). Press [AUDITION] once again or press [EXIT] to stop the patch audition. Selecting a rhythm set The RS-50 provides rhythm sets that let you play different percussion instrument sounds or special effects from each key. fig.q04-04 1 2 3 1. 2. 3. Press [PATCH] so it is lit and you are in Patch mode. Press [0] to select "RHYTHM & SFX." Use VALUE [-]/[+] to switch rhythm sets. There are patches other than rhythm sets in the Rhythm & SFX category group. Rhythm sets have "KIT," "MENU," or "GM2" in their names. With [0] pressed, you can turn [NUMERIC] on and use the [0]­[9] buttons to input a rhythm set number directly. Press [ENTER] to finalize the number (p. 43). Rhythm set list (p. 116) 22