User manual TASCAM 788 ROAD MAP

788 Road Map INPUT A INPUT B INPUT C INPUT D AUX INPUT P7 IMPEDANCE MIC GUITAR LEFT RIGHT TRIM TRIM TRIM TRIM LINE MIC LINE MIC LINE MIC LINE MIC INPUT A INPUT B INPUT C INPUT D AUX INPUT STEREO TRACK 1 TRACK 2 TRACK 3 TRACK 4 TRACK 5 TRACK 6 TRACK 7 TRACK 8 Inputs on the 788 can be routed directly to a mixer channel, or they can be assigned to the submixer. On the main mixer, any input can be assigned to any channel. P7 The stereo mix can be assigned to mixer channels for live submixing or bouncing tracks. Tracks from the recorder section can be assigned to the main mixer. Tracks can only be assigned to their associated mixer channels. (i.e. Track 1 to channel 1) Tracks are always active in the TRACK CUE mix. P7 INPUT SUBMIXER PAN PAN PAN PAN PAN PAN CH 1 CH 2 CH 3 CH 4 CH 5 CH 6 CH 7/8 PAN CUE PAN CUE PAN CUE PAN CUE PAN CUE PAN CUE PAN CUE PAN CUE P 10 LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT P 20 LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT P 10 LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL COMPRESSOR DISTORTION NOISE GATE FLANGER DELAY The submixer can be assigned to the stereo buss. If not in use, it can be unassigned. D THRESHOLD EFFECT 1 can be inserted into any single channel for use as a multi-effect processor. THRESHOLD THRESHOLD THRESHOLD THRESHOLD THRESHOLD THRESHOLD The TRACK CUE mix feeds directly into the MONITOR section of the 788, and can be turned on and off with the CUE button. E ATTACK ATTACK ATTACK ATTACK ATTACK ATTACK ATTACK RATIO RATIO RATIO RATIO RATIO RATIO RATIO GAIN GAIN GAIN GAIN GAIN GAIN GAIN EFFECT 2 can be used as a multichannel dynamic processor, inserting a single dynamic processor into every channel of the main mixer. EQ IN/OUT EQ IN/OUT EQ IN/OUT EQ IN/OUT EQ IN/OUT EQ IN/OUT EQ IN/OUT HI GAIN HI GAIN HI GAIN HI GAIN HI GAIN HI GAIN HI GAIN P8 -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB HI FREQ HI FREQ HI FREQ HI FREQ HI FREQ HI FREQ HI FREQ 1.7kHz 18kHz 1.7kHz 18kHz 1.7kHz 18kHz 1.7kHz 18kHz 1.7kHz 18kHz 1.7kHz 18kHz 1.7kHz 18kHz The monitor section offers the ability to listen to different locations in the mixing process. The letters in the chart below match up with the letters in the chart at left to indicate where the audio is being monitored . MID GAIN MID GAIN MID GAIN MID GAIN MID GAIN MID GAIN MID GAIN -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ P 10 A B 16 32Hz 18kHz 32Hz 18kHz 32Hz 18kHz 32Hz 18kHz 32Hz 18kHz 32Hz 18kHz 32Hz 18kHz MID Q MID Q MID Q MID Q MID Q MID Q MID Q .25 16 .25 16 .25 16 .25 16 .25 16 .25 16 .25 LOW GAIN LOW GAIN LOW GAIN LOW GAIN LOW GAIN LOW GAIN LOW GAIN C D -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB -12dB +12dB LOW FREQ LOW FREQ LOW FREQ LOW FREQ LOW FREQ LOW FREQ LOW FREQ E 32Hz 1.6kHz 32Hz 1.6kHz 32Hz 1.6kHz 32Hz 1.6kHz 32Hz 1.6kHz 32Hz 1.6kHz 32Hz 1.6kHz EFF/AUX PRE / POST FADER EFF/AUX PRE / POST FADER EFF/AUX PRE / POST FADER EFF/AUX PRE / POST FADER EFF/AUX PRE / POST FADER EFF/AUX PRE / POST FADER EFF/AUX PRE / POST FADER MONITOR OUT PAN PAN PAN PAN PAN PAN PAN P9 LEFT RIGHT PHONES LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT P 20 MASTER EFFECT SEND EFFECT 1 can be used as a high quality effect processor on this send. STEREO EFFECT PROCESSOR B PRE / POST FADER PRE / POST FADER PRE / POST FADER PRE / POST FADER PRE / POST FADER PRE / POST FADER PRE / POST FADER PAN PAN PAN PAN PAN PAN PAN The page markers to the right of each section indicate locations in the 788 Operational Tutorial where there is detailed information about each function. LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT AUX AUX AUX AUX AUX AUX AUX MASTER AUX SEND EFFECT 2 can be used as a high quality effect processor on this send. STEREO EFFECT PROCESSOR C CH 1 PAN PAN CH 2 PAN CH 3 PAN CH 4 PAN CH 5 PAN CH 6 PAN CH 7/8 PAN P9 LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT LEFT RIGHT SOLO SOLO SOLO SOLO SOLO SOLO SOLO AUX SEND LEFT RIGHT Channels will feed associated tracks. (i.e. Channel 4 feeds Track 4.) If a track is put into RECORD READY, the associated channel is disengaged from the stereo mix so that it can be monitored through the CUE mix. TRACK 1 REC READY TRACK 2 REC READY TRACK 3 REC READY TRACK 4 REC READY TRACK 5 REC READY TRACK 6 REC READY TRACK 7/8 REC READY P 13 STEREO DYNAMICS PROCESSOR P 20 EFFECT 2 can be used as a dynamic processor on the stereo output. STEREO A STEREO OUT ANALOG DIGITAL LEFT RIGHT COAXIAL