User manual YAMAHA PM5D-PM5D-RH V2

PM5D/PM5D-RH V2 DSP5D Owner's Manual EN FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. (class B) Explanation of Graphical Symbols CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The above warning is located on the rear/top of the unit. IMPORTANT SAFETY INSTRUCTIONS 1 2 3 4 5 6 7 8 Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11 12 Only use attachments/accessories specified by the manufacturer. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. Unplug this apparatus during lightning storms or when unused for long periods of time. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 13 9 14 10 WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. (98-6500) This product contains a high intensity lamp that contains a small amount of mercury. Disposal of this material may be regulated due to environmental considerations. For disposal information in the United States, refer to the Electronic Industries Alliance web site: www.eiae.org * This applies only to the PM5D (PM5D-RH) distributed by YAMAHA CORPORATION OF AMERICA. (mercury) ADVARSEL! Lithiumbatteri--Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren. VARNING Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktion. VAROITUS Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti. (lithium caution) IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows: The wire which is coloured GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN-and-YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. · This applies only to the DSP5D distributed by Yamaha-Kemble Music (U.K.) Ltd. (3 wires) NEDERLAND / THE NETHERLANDS · Dit apparaat bevat een lithium batterij voor geheugen back-up. · This apparatus contains a lithium battery for memory back-up. · Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur of gelieve dan contact op te nemen met de vertegenwoordiging van Yamaha in uw land. · For the removal of the battery at the moment of the disposal at the end of life please consult your retailer or Yamaha representative office in your country. · Gooi de batterij niet weg, maar lever hem in als KCA. · Do not throw away the battery. Instead, hand it in as small chemical waste. (lithium disposal) COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) Responsible Party : Address : Telephone : Type of Equipment : Model Name : Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620 714-522-9011 Digital Mixing System DSP5D This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: 1) this device may not cause harmful interference, and 2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected. * This applies only to the DSP5D distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC) This product contains a battery that contains perchlorate material. Perchlorate Material--special handling may apply, See www.dtsc.ca.gov/hazardouswaste/perchlorate. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (Perchlorate) PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord · Only use the voltage specified as correct for the device. The required voltage is printed on the name plate of the device. · Use only the specified power supply (PW800W or an equivalent recommended by Yamaha). · (DSP5D only) Use only the included power cord. If you intend to use the device in an area other than in the one you purchased, the included power cord may not be compatible. Please check with your Yamaha dealer. · Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. · (DSP5D only) Be sure to connect to an appropriate outlet with a protective grounding connection. Improper grounding can result in electrical shock. Water warning · Do not expose the device to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. · Never insert or remove an electric plug with wet hands. If you notice any abnormality · If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the device, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel. · If this device or power supply should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel. Do not open · Do not open the device or attempt to disassemble the internal parts or modify them in any way. The device contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following: Power supply/Power cord · Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms. · When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. · Turn the PM5D ON/OFF using only the power supply PW800W POWER switch. Turning the PM5D ON/OFF by plugging or unplugging the power cord, using a switch on a power tap, a breaker switch, or similar external means can result in damage. · When setting up the DSP5D, make sure that the front-panel power switch can be easily turned ON/OFF. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. · If the DSP5D is to be mounted in an EIA-standard rack, leave the back of the rack open and make sure that it is at least 10 cm away from walls or surfaces. Also, if the DSP5D is to be mounted with devices that tend to generate heat, such as power amplifiers, be sure to keep an adequate gap between the DSP5D and the heat-generating devices or install ventilation panels to prevent high temperatures from developing inside the DSP5D. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire. · Do not use the DSP5D in a confined, poorly-ventilated location. If the DSP5D is to be used in a small space other than an EIA-standard rack, make sure that there is adequate space between the DSP5D and surrounding walls or other devices: at least 10 cm behind and 10 cm above. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire. Location · When transporting or moving the device, always use four or more people (PM5D), two or more people (DSP5D). Attempting to lift the device by yourself may damage your back, result in other injury, or cause damage to the device itself. · Before moving the device, remove all connected cables. (5)-4 1/2 4 PM5D/PM5D-RH V2 / DSP5D Owner's Manual · Avoid setting all equalizer controls and faders to their maximum. Depending on the condition of the connected devices, doing so may cause feedback and may damage the speakers. · Do not expose the device to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. · Do not place the device in an unstable position where it might accidentally fall over. · Do not block the vents. This device has ventilation holes at the front and rear to prevent the internal temperature from becoming too high. In particular, do not place the device on its side or upside down. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire. · Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Doing so may result in noise, both in the device itself and in the TV or radio next to it. Handling caution · When turning on the AC power in your audio system, always turn on the power amplifier LAST, to avoid speaker damage. When turning the power off, the power amplifier should be turned off FIRST for the same reason. · Do not insert your fingers or hands in any gaps or openings on the device (vents, etc.). · Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device (vents, etc.) If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel. · (PM5D only) Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause problems with electrical contact or fader motion. · Do not use the headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. · Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors. Connections · Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum. Backup battery · This device has a built-in backup battery. When you unplug the power cord from the AC outlet, the internal data of current scene is retained. However, if the backup battery fully discharges, this data will be lost. When the backup battery is running low in the system using PM5D or PM5D/DSP5D Editor, each LCD display indicates "Low Battery!" during operation or "NO BATTERY!" when starting up the system (the BATTERY field also indicates "LOW" or "NO BATTERY" in the PREFERENCE2 screen). When using only the DSP5D, the message such as "Low Battery!" cannot be displayed because the DSP5D itself has no LCD display. When the DSP5D is cascade-connected to the PM5D or online with the DSP5D Editor, these messages will be displayed. In this case, have qualified Yamaha service personnel replace the backup battery. XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-). Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed. Always turn the power off when the device is not in use. The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualifi ed Yamaha service personnel about replacing defective components. Included Accessories PM5D/PM5D-RH · Owner's Manual (this document) · Gooseneck Lamps x 3 · Power Supply PW800W Connection Cable DSP5D · Owner's Manual (this document) · AC Power Cord · D-SUB 68-pin Cable 10 m x 2 (5)-4 2/2 PM5D/PM5D-RH V2 / DSP5D Owner's Manual 5 Table of Contents -- Operating section 1 Introduction.......................................... 10 5 Input channel operations .....................41 Thank you ....................................................................... 10 An overview of the PM5D system .................................... 10 Differences between the PM5D model and the PM5D-RH model ........................................... 11 About the channel structure of the PM5D ................................12 About the DSP5D ............................................................ 12 Differences with the PM5D.........................................................12 Regarding cascade connections between the PM5D and DSP5D ................................................................................13 About PM5D Editor and DSP5D Editor ............................ 13 Firmware versions ............................................................ 14 Major new functionality in PM5D firmware V2.0 ............. 14 Regarding word clock synchronization ............................ 15 How this manual is organized.......................................... 15 Conventions in this manual........................................................15 2 Top, front, and rear panels .................. 16 Top panel ........................................................................ 16 Rear panel........................................................................ 18 Front panel ...................................................................... 20 DSP5D front panel........................................................... 21 DSP5D rear panel ............................................................ 22 About the input channels ................................................ 41 AD IN section .................................................................. 43 Items in the AD IN section ......................................................... 43 Controlling the input sensitivity and phantom power (+48V) of the head amp ................................................... 44 INPUT channel strip......................................................... 45 Items in the INPUT channel strip.............................................. 45 ST IN/FX RTN channel strip ............................................. 47 Items in the ST IN/FX RTN channel strip ................................ 47 FADER FLIP/ENCODER MODE section ............................. 48 Items in the FADER FLIP/ENCODER MODE section ........... 48 Various operations for input channels.............................. 49 Selecting the function of the encoders....................................... 49 Exchanging the fader and encoder functions............................ 49 Sending a signal from an input channel to the STEREO bus ...................................................................................... 50 Sending the signal from the input channel to a MIX bus ........ 51 Enabling/disabling pairing.......................................................... 53 6 Output channel operations ..................55 3 Basic operation on the PM5D.............. 23 About the various types of user interface ......................... 23 User interface in the display ........................................................23 DISPLAY ACCESS section..........................................................24 Data Entry section........................................................................24 External user interface .................................................................25 Basic operation ................................................................ 26 Click ..............................................................................................26 Drag...............................................................................................26 Drag and drop ..............................................................................26 Accessing a desired screen ...........................................................27 Moving the cursor........................................................................27 Scrolling the screen ......................................................................28 Operating the buttons .................................................................29 Adjusting the setting of a knob or fader.....................................29 Assigning a name .........................................................................30 About the output channels.............................................. 55 MIX section ..................................................................... 57 Items in the MIX section ............................................................ 57 Operations in the MIX section................................................... 57 STEREO A/B channel strip ................................................ 61 Items in the STEREO A/B channel strip ................................... 61 Operations in the STEREO A/B channel strip .......................... 62 MATRIX section ............................................................... 63 Items in the MATRIX section .................................................... 63 Operations in the MATRIX section........................................... 63 7 Using the Selected Channel section.....65 4 Connections and setup ........................ 31 Examples of systems expanded with the DSP5D ............. 31 Example of simple input expansion (PM5D + one DSP5D unit) ..............................................31 PM5D + remotely connected input expansion (PM5D + DCU5D + two DSP5D units)..........................31 Control from DSP5D Editor (one DSP5D unit + PC) .............32 Audio connections........................................................... 33 Analog audio connections...........................................................33 Analog output connections.........................................................34 Digital input/output connections...............................................36 Installing an option card .............................................................37 Word clock connections and settings .............................. 38 About word clock.........................................................................38 Selecting the word clock master..................................................38 Restoring the current scene to the default state ............... 40 Switching the target of panel operations (when cascade-connected with the DSP5D) ........ 40 About the SELECTED CHANNEL section .......................... 65 Items in the SELECTED CHANNEL section ....................... 65 GROUP ........................................................................................ 65 CHANNEL SELECT ................................................................... 66 DELAY ......................................................................................... 66 GAIN/ATTENUATION/ø (Gain / Attenuation / Phase) ........ 67 NOISE GATE............................................................................... 67 STEREO ....................................................................................... 68 COMPRESSOR ........................................................................... 68 HPF (High Pass Filter)................................................................ 69 EQUALIZER................................................................................ 69 Operations in the SELECTED CHANNEL section .............. 70 Selecting a channel and editing its parameters ......................... 70 Compressor operations............................................................... 71 Gate operations ........................................................................... 72 EQ/HPF operations..................................................................... 73 8 Input Patch / Output Patch operations .74 Changing the input patch settings .................................. 74 Changing the output patch settings................................ 75 Inserting an external device into a channel...................... 77 Connecting an external device for insertion ............................. 77 Patching the insert-out and insert-in ........................................ 78 Directly outputting the signal of an input channel .......... 80 6 PM5D/PM5D-RH V2 / DSP5D Owner's Manual Table of Contents 9 Grouping and linking............................81 15 Graphic EQ and Parametric EQ .......118 About DCA Groups and Mute Groups ............................. 81 Items in the ASSIGN MODE section ................................. 81 Items in the DCA strip...................................................... 81 Using DCA Groups........................................................... 82 Assigning channels to DCA groups ............................................82 Controlling DCA groups.............................................................83 Using mute groups .......................................................... 83 Assigning channels to mute groups............................................83 Controlling mute groups.............................................................84 Using the Mute Safe function .....................................................84 Using EQ Link and Compressor Link ................................ 85 Patching the GEQ modules............................................ 118 Expanding the GEQ modules......................................... 119 Basic graphic EQ operations .......................................... 119 Controlling the graphic EQ from the display ......................... 119 Controlling the graphic EQ from the DCA section................ 120 Basic parametric EQ operations ..................................... 121 Controlling the parametric EQ from the display.................... 121 Controlling the parametric EQ from the SELECTED CHANNEL section.......................................................... 122 16 Remote control ................................123 10 Scene memory....................................87 About scenes ................................................................... 87 Items in the SCENE MEMORY section .............................. 88 Using scene memories ..................................................... 89 Storing a scene..............................................................................89 Recalling a scene...........................................................................90 Using PREVIEW mode ...................................................... 90 Using the Auto Store function.......................................... 91 Using the Direct Recall function ....................................... 91 Using the Selective Recall function................................... 92 Using the Recall Safe function .......................................... 94 Using the Fade function................................................... 95 Using the Tracking Recall function ................................... 96 Using the Global Paste function ....................................... 97 MIDI on the PM5D ........................................................ 123 Using program changes to control events ..................... 123 Using control changes to control events........................ 125 Using the MIDI Remote function ................................... 127 Assigning MIDI messages to controllers ................................. 127 Using MIDI remote channels................................................... 131 Transmitting MIDI events when you switch scenes........ 132 Using GPI (General Purpose Interface) ........................... 133 Using GPI IN ............................................................................. 133 Calibrating the GPI IN ports .................................................... 135 Using GPI OUT......................................................................... 136 17 Using memory cards........................138 11 Monitor and Cue................................99 Using memory cards with the PM5D ............................. 138 Saving files to a memory card........................................ 138 Loading files from a memory card ................................. 140 About the MONITOR and CUE sections ........................... 99 Using the Monitor function ........................................... 100 Items in the MONITOR section...............................................100 Monitoring a signal....................................................................101 Using the Cue/Solo functions ........................................ 102 Items in the CUE section...........................................................102 About CUE mode and SOLO mode.........................................102 Cue and Solo groups..................................................................103 Using the Cue function .............................................................104 Using the Solo function.............................................................104 18 Surround pan ...................................142 About surround pan ...................................................... 142 Bus configuration and operation in surround mode ...... 143 About the surround buses ........................................................ 143 How the MIX section will operate ........................................... 143 Basic settings for surround buses ................................... 144 Controlling surround pan .............................................. 145 Notes regarding surround pan ...................................... 147 12 19 Other functions................................148 Talkback and Oscillator....................105 About the TALKBACK/OSCILLATOR sections.................. 105 Items in the TALKBACK/OSCILLATOR sections..................105 Using talkback ............................................................... 106 Using the oscillator ........................................................ 107 13 Meters...............................................108 Items in the meter section ............................................. 108 Switching the meter display........................................... 108 Switching the metering point ........................................ 109 Specifying the metering point for input channels ...................109 Specifying the metering point for output channels ................109 Viewing the gain reduction of the internal gates and compressors....................................................... 110 Viewing the gain reduction for input channels .......................110 Viewing the gain reduction for output channels.....................110 14 Effects ...............................................111 About the internal effects............................................... 111 Using an internal effect via a MIX bus ............................ 112 Inserting an internal effect into a channel ...................... 113 Basic operations in the effect screen .............................. 114 Recalling settings from the effect library..................................114 Editing the effect parameters ....................................................115 Storing settings in the effect library ..........................................115 Using the Tap Tempo function ...................................... 116 Using the Freeze effect................................................... 117 Using the user defined keys ........................................... 148 Items in the USER DEFINED section ..................................... 148 Assigning functions to the User Defined keys ........................ 148 Executing functions assigned to the User Defined keys ......... 149 Using the FADER MODE section .................................... 149 Items in the FADER MODE section........................................ 149 Assigning the FADER MODE section layer ............................ 149 Switching the FADER MODE section layer............................ 150 Locking the PM5D (Security functions).......................... 151 Setting the System Password or Console Password................ 151 Using Parameter Lock or Console Lock.................................. 152 Using cascade connections ............................................ 153 Example of cascade connections between the PM5D and DSP5D.............................................................................. 153 Example of cascade connections between PM5D units ......... 153 Specifying the DSP5D's machine ID number......................... 153 Basic settings for cascade connection ...................................... 154 Selecting the buses used for cascade connection .................... 156 Connecting the PM5D to your computer via USB ......... 158 Caution when using the USB TO HOST connector .............. 158 Connecting the DSP5D to your computer via Ethernet . 159 Initializing the PM5D's internal memory........................ 160 Initializing the DSP5D's internal memory....................... 160 Adjusting the faders and input/output gain (Calibration) ...................................................... 161 Calibrating the faders................................................................ 161 Adjusting the analog input gain (PM5D-RH model only).... 162 Adjusting the output gain......................................................... 162 PM5D/PM5D-RH V2 / DSP5D Owner's Manual Table of Contents 7 Table of Contents -- Reference section Information shown in the display.......... 163 Upper part of the display (always visible)....................... 163 Main area of the display ................................................ 164 Lower part of the display (always visible) ....................... 164 Output functions .................................... 243 OUTPUT PATCH function .............................................. 243 OUTPUT PATCH screen ......................................................... 243 INSERT PATCH screen............................................................ 244 INSERT POINT screen............................................................. 246 NAME screen............................................................................. 247 OUTPUT PATCH LIBRARY screen ....................................... 247 OUTPUT INSERT function .............................................. 248 INSERT IN MIX 1-24 screen ................................................... 248 INSERT IN MATRIX/STEREO/MONITOR screen .............. 248 HA LIBRARY screen ................................................................. 249 OUTPUT EQ function .................................................... 250 EQ PARAM (EQ Parameter) screen........................................ 250 MIX 1-24 screen ........................................................................ 251 MATRIX/STEREO screen ........................................................ 251 OUTPUT EQ LIBRARY screen................................................ 252 OUTPUT COMP function............................................... 253 COMP PARAM (Compressor parameter) screen .................. 253 MIX 1-24 screen ........................................................................ 255 MATRIX/STEREO screen ........................................................ 255 COMP LIBRARY (Compressor library) screen...................... 256 OUTPUT DELAY function ............................................... 257 MIX 1-24 screen ........................................................................ 257 MATRIX/STEREO screen ........................................................ 257 OUTPUT DCA/GROUP function..................................... 258 DCA GROUP ASSIGN screen ................................................. 258 MUTE GROUP ASSIGN screen .............................................. 259 EQ LINK ASSIGN screen ......................................................... 260 COMP LINK ASSIGN (Compressor link assign) screen ....... 261 MATRIX/ST function ...................................................... 262 MATRIX/ST ROUTING screen............................................... 262 MIX to MATRIX VIEW screen................................................ 264 LCR screen ................................................................................. 267 SURR SETUP screen................................................................. 268 OUTPUT VIEW function ................................................. 270 CH VIEW (Channel view) screen............................................ 270 SIGNAL FLOW screen ............................................................. 272 FADER VIEW screen ................................................................ 273 CH JOB (Channel job) screen.................................................. 274 OUTPUT CH LIBRARY screen ............................................... 275 Function menu........................................ 165 Global functions...................................... 166 EFFECT functions ........................................................... 166 EFFECT PARAM (Effect parameter) screen ...........................166 EFFECT ASSIGN screen............................................................168 EFFECT LIBRARY screen .........................................................169 PLUG-IN screen.........................................................................170 GEQ function................................................................. 170 GEQ PARAM (GEQ parameter) screen ..................................170 GEQ ASSIGN screen .................................................................173 GEQ LIBRARY screen ...............................................................174 SCENE function ............................................................. 175 SCENE screen.............................................................................175 EVENT LIST screen...................................................................177 SELECTIVE RECALL screen ....................................................180 RECALL SAFE screen ................................................................182 FADE TIME screen....................................................................184 TRACKING RECALL screen ....................................................186 GLOBAL PASTE screen ............................................................187 MIDI REMOTE function ................................................. 188 MIDI SETUP screen ..................................................................188 MIDI PGM CHANGE (MIDI program change) screen ........190 MIDI CTRL CHANGE (MIDI control change) screen ..........191 MIDI REMOTE screen..............................................................192 GPI screen...................................................................................194 FADER START screen...............................................................196 TRANSPORT screen .................................................................198 DME CONTROL screen ...........................................................199 UTILITY function ............................................................ 204 PREFERENCE 1/2 screens ........................................................204 USER DEFINE screen................................................................208 SAVE screen ...............................................................................211 LOAD screen ..............................................................................215 FADER ASSIGN screen .............................................................217 SECURITY screen......................................................................218 SYS/W.CLOCK function ................................................. 219 WORD CLOCK screen..............................................................219 MIXER SETUP screen ...............................................................221 CASCADE screen.......................................................................226 HA (Head Amp) screen.............................................................228 OUTPUT PORT ATT (Output port attenuation) screen ......229 DITHER screen ..........................................................................229 HA LIBRARY screen..................................................................230 METER function ............................................................. 231 INPUT METER screen ..............................................................231 OUTPUT METER screen..........................................................232 INPUT GR (Input Gain Reduction) screen.............................233 OUTPUT GR (Output Gain Reduction) screen .....................234 MON/CUE function ....................................................... 234 TALKBACK screen ....................................................................234 OSCILLATOR screen ................................................................236 2TR I/O screen ...........................................................................237 MONITOR screen .....................................................................238 CUE/SOLO screen .....................................................................240 8 PM5D/PM5D-RH V2 / DSP5D Owner's Manual Table of Contents Input functions ........................................277 INPUT PATCH function .................................................. 277 INPUT PATCH screen ..............................................................277 DIRECT OUT PATCH screen..................................................278 INSERT PATCH screen ............................................................279 INSERT/DIRECT OUT POINT screen ...................................281 NAME screen .............................................................................282 INPUT PATCH LIBRARY screen ............................................283 INPUT HA/INSERT function............................................ 283 CH 1-24 (Input channel 1-24) screen ......................................283 CH 25-48 (Input channel 25-48) screen ..................................283 STIN/FXRTN (ST IN/FXRTN channel) screen ......................283 INSERT 1-24 screen...................................................................284 INSERT 25-48 screen.................................................................284 INSERT STIN screen .................................................................284 HA LIBRARY screen..................................................................285 INPUT ø/EQ function ..................................................... 286 EQ PARAM (EQ parameter) screen ........................................286 EQ 1-24 screen ...........................................................................287 EQ 25-48 switch .........................................................................287 EQ STIN/FXRTN screen ...........................................................287 ø/ATT 1-48 (Phase/Attenuation 1-48) screen .........................288 ø/ATT STIN/FXRTN (Phase/Attenuation STIN/FXRTN) screen ................................................................................288 INPUT EQ LIBRARY screen ....................................................289 INPUT GATE/COMP function......................................... 289 GATE PARAM (Gate parameter) screen .................................289 COMP PARAM (Compressor parameter) screen ..................291 CH 1-12 (Input channel 1­12) screen .....................................293 CH 13-24 (Input channel 13­24) screen .................................293 CH 25-36 (Input channel 25­36) screen .................................293 CH 37-48 (Input channel 37­48) screen .................................293 ST IN (ST IN channel) screen...................................................293 GATE LIBRARY screen .............................................................294 COMP LIBRARY (Compressor library) screen ......................295 INPUT DELAY function ................................................... 295 CH 1-24 (Input channel 1­24) screen .....................................295 CH 25-48 (Input channel 25­48) screen .................................295 ST IN (ST IN channel) screen...................................................295 INPUT DCA/GROUP function......................................... 296 DCA GROUP ASSIGN screen ..................................................296 MUTE GROUP ASSIGN screen...............................................297 EQ LINK ASSIGN screen..........................................................298 COMP LINK ASSIGN (Compressor link assign) screen .......299 PAN/ROUTING function ................................................ 299 CH to MIX (Channel to mix) screen .......................................299 MIX SEND VIEW screen ..........................................................305 FIX ASSIGN VIEW screen ........................................................307 LCR screen..................................................................................308 SURR PARAM (Surround parameter) screen.........................309 SURR VIEW (Surround view) screen ......................................310 M/S screen ..................................................................................311 INPUT VIEW function ..................................................... 311 CH VIEW (Channel view) screen ............................................311 SIGNAL FLOW screen ..............................................................313 FADER VIEW screen.................................................................314 CH JOB screen ...........................................................................314 INPUT CH LIBRARY (Input channel library) screen............316 Appendices..............................................317 EQ Library List................................................................ 317 GATE Library List............................................................ 318 Compressor Library List ................................................. 319 Dynamics Parameters .................................................... 321 GATE section............................................................................. 321 COMP section ........................................................................... 322 Effect Library List............................................................ 324 Effects Parameters.......................................................... 325 Effects and tempo synchronization ......................................... 336 Scene Memory/Effect Library to Program Change Table .. 337 Parameters that can be assigned to control changes ..... 341 Control change parameter assignments ........................ 343 NRPN parameter assignments ....................................... 360 Channel Library List ....................................................... 364 List of parameters available for Pair, Recall Safe or OUTPUT ISOLATION operation ......................... 365 MIDI Data Format.......................................................... 368 Warning Messages......................................................... 377 Error Messages............................................................... 379 Troubleshooting ............................................................ 380 General Specifications.................................................... 381 PM5D/PM5D-RH..................................................................... 381 DSP5D........................................................................................ 383 Input/output characteristics........................................... 384 Electrical characteristics ................................................. 389 PM5D/PM5D-RH..................................................................... 389 DSP5D........................................................................................ 391 Other Functions............................................................. 393 Pin Assignment .............................................................. 394 Dimensions.................................................................... 395 MIDI Implementation Chart .......................................... 396 Index ............................................................................. 397 PM5D/PM5D-RH Block Diagram ...................End of Manual DSP5D Block Diagram ...................................End of Manual PM5D Level Diagram.....................................End of Manual PM5D-RH Level Diagram ...............................End of Manual DSP5D Level Diagram ...................................End of Manual · The illustrations and screen displays as shown in this Owner's Manual are for instructional purposes only, and may be different from the ones on your device. · The company names and product names in this Owner's Manual are the trademarks or registered trademarks of their respective companies. PM5D/PM5D-RH V2 / DSP5D Owner's Manual Table of Contents 9 Operating section 1 Thank you Thank you for purchasing the Yamaha PM5D digital mixing console and/or Yamaha DSP5D digital mixing system. In order to take full advantage of the PM5D/DSP5D's superior functionality and enjoy years of trouble-free use, please read this manual before you begin using the product. After you have read the manual, keep it in a safe place. Introduction An overview of the PM5D system The PM5D is an expandable digital mixing console with the following features. Full digital SR mixing system The PM5D is a full-digital SR mixing console that takes advantage of cutting-edge digital audio processing technology. 24-bit linear AD/DA converters are used to deliver up to 110 dB of dynamic range and amazing sound quality. As input channels, it provides 48 monaural channels, four stereo channels, and four stereo channels for effect return. As output channels, it provides 24 MIX channels, eight MATRIX channels, and two STEREO channels. The PM5D can be used in a wide range of applications. You can assign desired channels to be controlled by the eight DCA faders on the panel, and use them as group faders. Add-On effects provided as standard As effect types, the channel strip package (COMP276/276S, COMP260/260S, EQ601), master strip package (OPEN DECK), and reverb package (REV-X) are provided as standard. Scene memories and libraries Mix parameters and internal effect settings can be stored in memory as up to 500 scenes for immediate recall. Effects, input/output patching, input channel/output channel settings, internal head amp (PM5D-RH model only) or external head amp settings can be stored in various libraries, independently of scenes. PM5D model and PM5D-RH model In addition to the standard PM5D model that provides manual control of the head amp for each input, the PM5D-RH model is also available, providing programmable control of head amp input sensitivity and phantom power settings. You can choose the model appropriate for your situation and budget. Digital cascade connection Up to four PM5D units, or one PM5D and one Yamaha DM2000/02R96 unit, can be cascade-connected to share buses in the digital domain. In particular when PM5D units are cascaded together, operations such as scene saving and recall can also be linked. DME64N can also be used as inserts or as extended signal processors via a cascade connection. Cutting-edge user interface For the input channels and STEREO A/B channels, dedicated channel strips are provided where you can operate the fader, pan, cue, and on/off controls. For MIX channels and MATRIX channels, encoders allow you to control the send level and master level. The PM5D allows quick and intuitive operation just as on an analog mixer. In addition, you can use the SELECTED CHANNEL section to manually control the principal parameters (delay, EQ, gate, compressor) of the desired channel. Surround panning Surround pan functionality allows multi-channel playback systems to be used, letting you place the signal of an input channel in two-dimensional space, or move the sound image forward/backward and left/right. 3-1ch, 5.1ch, and 6.1ch surround modes are available. I/O card expansion The rear panel provides four slots in which separately sold mini-YGDAI cards can be installed. AD cards, DA cards, or digital I/O cards can be installed in these slots to add inputs and outputs. Eight effect modules / Twelve graphic EQ modules Eight high-quality multi-effect modules are built in. Effects such as reverb, delay, multiband compressor, and various modulation effects can be routed via internal buses or inserted into the desired channel. 31-band graphic EQ (alternatively, 8-band parametric EQ) can also be inserted into any channel or any output. Expansion via the DSP5D A maximum of two DSP5D digital mixing systems can be cascade-connected to a PM5D to expand the inputs and outputs. You can also connect a Yamaha DCU5D digital cabling unit between the PM5D and DSP5D, and locate the DSP5D remotely. 10 PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section The PM5D is available as the standard PM5D model or as the PM5D-RH model which allows internal head amp settings to be programmed. These models differ as follows. PM5D model · Head amp adjustments (input sensitivity settings, phantom power (+48V) on/off) for the analog inputs (INPUT jacks 1­48, ST IN jacks 1­4) are performed manually, using the controls of the top panel. PM5D-RH model · Head amp adjustments (input sensitivity settings, phantom power (+48V) on/off) for the analog inputs are controlled from within the screen via software. For this reason, the top panel does not have head amp controls; instead, LEDs showing the presence or absence of a signal are provided. Head amp settings can be saved in a library and recalled at any time. · Insert jacks (INSERT IN/OUT jacks) for the monaural analog inputs (INPUT jacks 1­48) are provided on the rear panel, allowing external effect processors to be inserted in the analog domain. · ST IN jacks 1­4 are only for line level. · There is no +48V MASTER switch. ST IN jacks 1­4 INPUT jacks 1­48 · Insert jacks for the analog inputs are not provided. · ST IN jacks 1­4 support mic levels through line levels. Phantom power can also be supplied to ST IN jacks 1­ 4. · The +48V MASTER switch turns all phantom power (+48V) on/off. INSERT IN/OUT jacks 1­48 ST IN jacks 1­4 INPUT jacks 1­48 PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section 11 Introduction Differences between the PM5D model and the PM5D-RH model 1 1 Introduction About the channel structure of the PM5D The PM5D provides the following input channels and output channels. Output channels This section mixes the signals sent from input channels etc., and sends them to the corresponding output jacks or output buses. There are three types of output channel, as follows. · MIX channels 1­24 These channels process signals sent from input channels to MIX buses. In the initial state, output signals are assigned to MIX OUT jacks 1­24. These channels are used mainly for foldback or as sends to external effects. The signals of MIX channels 1­24 can also be sent to the STEREO bus or MATRIX buses. · MATRIX channels 1­8 These process the signals sent from MIX channels or STEREO A/B channels to MATRIX buses, and output them from the MATRIX OUT jacks. This allows MIX channels or STEREO A/B channels to be mixed at the desired balance for output. · STEREO A/B channels These process the signals sent from input channels or MIX channels, and output them to STEREO OUT jacks A/B. These channels are used as the main stereo outputs. Normally, the same signal is sent from the STEREO A and B channels. However, it is also possible to use the STEREO B channel as the center channel for three-channel L/C/R playback. Input channels This section processes input signals and sends them to the STEREO bus or MIX buses. There are three types of input channel, as follows. · Input channels 1­48 These channels are used to process monaural signals. By default, the input signals from the monaural analog input jacks (INPUT jacks 1­48) are assigned to these channels. · ST IN channels 1­4 These channels are used to process stereo signals. By default, the input signals from the stereo analog input jacks (ST IN jacks 1­4) are assigned to these channels. · FX RTN channels 1­4 These channels are used mainly to process the return signals (stereo) from the internal effects. By default, the left/right output channels of internal effects 1 through 4 are assigned to these channels. Hint Signal assignments to the input channels can be changed as desired. About the DSP5D The DSP5D is a digital signal processing (DSP) system expanding the inputs and outputs of the PM5D. · Its audio processing capability is equivalent to that of the PM5D-RH. As analog audio input/output jacks, it provides INPUT jacks 1­48, ST IN jacks 1­4, and OMNI OUT jacks 1­24. · Up to two DSP5D units can be cascade-connected to one PM5D. By connecting it with DSP5D units, the PM5D system can be expanded to a maximum of 168 channels of input (144 channels + 12 ST). · By switching the control target on the PM5D, the DSP5D can be seamlessly controlled in the same way as the PM5D itself. · You can use DSP5D Editor application software to remotely control and edit the parameters of the DSP5D. Only Windows computers are supported. · The DSP5D can be connected to a Yamaha DCU5D digital cabling unit and placed on stage, and operated remotely from the PM5D. · The front panel provides two slots in which you can install separately sold mini-YGDAI cards to add inputs and outputs in a variety of digital formats. Differences with the PM5D Connectors and interfaces not found on the DSP5D · INSERT IN/OUT jacks, MIX OUT jacks, LAMP jacks, MONITOR OUT jacks, CUE OUT jacks, STEREO OUT A/B jacks, MATRIX OUT jacks, 2TR IN ANALOG jacks, TIME CODE INPUT jack, USB TO HOST connector, GPI connector, RS422 REMOTE connector, HA REMOTE connector, MIDI IN/THRU/OUT connectors, 2TR OUT DIGITAL jack, 2TR IN DIGITAL jack, SLOT 3­4, MEMORY CARD slot, MOUSE connector, KEYBOARD connector, PHONES jack · Controllers such as faders, display devices such as meters. LCD display, +48V MASTER switch (PM5DRH), 75 ON/OFF switch Connectors and interfaces found only the DSP5D · OMNI OUT jacks, CASCADE IN/OUT RJ-45 connectors, NETWORK connector, AC IN connector · POWER switch, mode switch, FAN switch About the connectors: Since the DSP5D does not have the functionality for the connectors with which DSP5D is not equipped, these functions and connectors are not shown in the screen of the PM5D or DSP5D Editor. 12 PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section Note · The explanations in chapter 5 and following of this Owner's Manual are based on the functionality and operating procedures of the PM5D. Supplementary explanations regarding the DSP5D are added only in cases where there is a significant difference in functionality or operating procedure. However, in cases where it is obvious that the abovedescribed differences would make clear differences in operation or in the on-screen display, explanations for the DSP5D will be omitted. · There are some differences between the PM5D and DSP5D in the I/O cards that are supported. For the most recent information regarding I/O cards, refer to the following Yamaha website. http://www.yamahaproaudio.com/ Operation when cascade-connected · Output channels In general, operations for the output channels of cascade-connected buses will be linked between machines. (You can also specify that they not be linked.) This means that you can operate the system as if it were a single console with an expanded number of inputs. However, since the inserts to output channels will also be duplicated, inserted GEQ modules and effects may also be consumed in duplicate or triplicate. (Separate GEQ modules or effects are inserted into the linked buses on each machine.) · Scene memories and libraries Scene memory and library data is stored on each machine. When a scene or a library associated with a scene is stored or recalled, the same scene/library number will be stored/recalled on all machines. When the cascade-connection becomes active, the PM5D's library data not associated with a scene will be sent to each DSP5D to synchronize the libraries. The data on cascade-connected machines can also be saved together to a memory card. · Effects The DSP5D provides GEQ modules and effects that are equivalent to those on the PM5D, but since the connections between machines are bus cascade connections, inserts into input channels are limited to being within each machine. · DCA groups / Mute groups These will operate in tandem for cascade-connected PM5D/DSP5D machines. ( p.156) · CH JOB function Channel copy operations between the PM5D/DSP5D can be performed from the PM5D front panel. However, channels can be moved using the INPUT VIEW function only within each machine. ( p.274, 314) Connection to a computer The PM5D can be connected to a computer via a USB cable from its USB TO HOST connector, but the DSP5D can be connected to a computer via an Ethernet CAT5 cable from its NETWORK connector. Regarding cascade connections between the PM5D and DSP5D By bi-directionally cascade-connecting the PM5D and DSP5D, you can share MIX buses 1­24, STEREO A/B buses, and CUE buses. For details on cascade connections, refer to p.153. Note · Cascade connection with the DSP5D is possible only for PM5D V2.0 or later. If you're using earlier version than V2.0, you will need to upgrade to PM5D V2.0 or later. You can download the most recent firmware from the following Yamaha website. http://www.yamahaproaudio.com/ · Connectors and interfaces not found on the DSP5D cannot be controlled from the PM5D. For example, the MONITOR [LEVEL] and MONITOR [PHONES] knobs found on the PM5D's top panel are always operated at the level of the PM5D. Controlling the DSP5D · As the target of control from the PM5D's panel and screen, you can recall machine #1 (PM5D), machine #2 About PM5D Editor and DSP5D Editor These programs are application software for operating the PM5D/DSP5D's functionality from a computer. You can use this software to remotely control and edit the parameters of the PM5D/DSP5D. The USB-MIDI driver (for the PM5D) or DME-N Network driver (for the DSP5D) required for connection with a computer, as well as the PM5D/DSP5D editor, can be downloaded from the following Yamaha website. http://www.yamahaproaudio.com/ Note DSP5D Editor supports only Windows computers. PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section 13 Introduction About the interface: Since the DSP5D does not have controllers such as faders or the LCD display, it is operated from the PM5D or DSP5D Editor. (first DSP5D), or machine #3 (second DSP5D) as desired. For details on operation, refer to p.153. · Functions assigned to the user-defined keys or the FADER MODE section can be used to select the DSP5D as the target machine to be operated ( p.148, 149). Operations can be performed from the panel of the PM5D itself or from DSP5D Editor connected to the DSP5D. 1 1 Introduction Firmware versions You can download the most recent firmware from the following Yamaha website. http://www.yamahaproaudio.com/ For either the PM5D or the DSP5D, you can check the firmware version in the UTILITY function PREFERENCE 2 screen ( p.207). Major new functionality in PM5D firmware V2.0 The major new functionality and improvements that were added in conjunction with the upgrade to firmware V2.0 are as follows. Basic functionality and panel operations · You can now control the DSP5D from the PM5D's panel. ( p.153) · On/off operations of the channel selected in the FADER MODE section can now be operated from the DCA [MUTE] key. · Even if the FADER [FLIP] key is on, you can now use the encoders to control the panning of the signal sent to the MIX buses, the head amp gain, or the attenuators. ( p.49) · If there is no vacant library number when you store the selected scene as NEW, it will now be impossible to save the scene; this prevents an existing library item from being overwritten. · Remote control of the DME64N/24N (firmware V2.0 and later) is now faster. In particular, operation is faster when connected via an MY16-C or MY16-CII card (supported from V1.2). · As parameters that can be operated in the screen, MONITOR LEVEL and CUE LEVEL have been added. You can now assign these to the faders of the DCA strip so that the monitor or cue levels can be adjusted. ( p.149) · When you insert a GEQ in the GEQ PARAM screen, insert-in will automatically be turned on for that channel, and will be automatically turned off when you remove the GEQ. SCENE functions · In the SCENE screen, you can now specify "read-only" scenes that will not be overwritten when you load scenes from a memory card. ( p.175) · In the SCENE screen, a DELAY field has been added, allowing you to specify the timing of the program change or MIDI events that are transmitted when the scene is recalled. ( p.175) · In the SELECTIVE RECALL screen and the RECALL SAFE screen, the ON parameter has been added as a channel parameter that can be included in or excluded from recall operations. ( p.180, 182) · In the SELECTIVE RECALL screen and RECALL SAFE screen, separately from the conventional Recall Safe functionality, an OUTPUT ISOLATION field has been added, so that output channels and parameters to be excluded from recall operations can be stored in SETUP memory (which is not affected by memory card load operations). ( p.180, 182) EFFECT functions · Add-On Effects (COMP276/276S, COMP260/260S, EQ601, OPEN DECK) and DE-ESSER have been added. · A DSP CONFIGURATION option has been added to the EFFECT ASSIGN screen and to the GEQ function GEQ ASSIGN screen, allowing internal effects 1­8 to be used as graphic EQ or parametric EQ. ( p.168, 173) · When the panel [SEL] key is pressed in the EFFECT PARAM screen, or when a [SEL] key is turned on via a linking setting, the effect module inserted in that channel will automatically be selected. · If you've used the tap tempo function to specify the tempo in the EFFECT PARAM screen and then edited the DELAY parameter, the tempo will now stay unchanged. SYS/W.CLOCK functions · In the MIXER SETUP screen, a VIRTUAL SOUNDCHECK button has been added, allowing you to temporarily switch the input signals without affecting the scene memory (input patching). For example, this allows you to perform a sound check using prerecorded material played back by a DAW connected to a slot, instead of the analog input material received via the INPUT jacks. ( p.221) · In the OUTPUT ATT PORT screen, a ø (phase) button has been added, allowing you to switch the phase between normal and reverse for each output channel or I/O channel output port. UTILITY functions · In the PREFERENCE 1 screen, a DCA MUTE TARGET option has been added, allowing you to specify that the DCA [MUTE] key will mute the send to the MIX bus. ( p.205) · In the PREFERENCE 1 screen, an ATT OPERATION ON PANEL option has been added, allowing you to prevent the panel encoders from operating the attenuators. ( p.206) · In the PREFERENCE 1 screen, a MIX SEL/ENCODER MODE LINK option has been added, allowing you to GEQ functions · Options have been added to the GEQ PARAM screen, allowing you to switch a graphic EQ to a parametric EQ. ( p.170) · Not only when the panel [SEL] key is pressed in the GEQ PARAM screen but also when a [SEL] key is turned on via a linking setting, the GEQ module inserted in that channel will automatically be selected. 14 PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section · · · · · link selection of MIX channels with selection of MIX SEND SELECT keys. ( p.206) In the USER DEFINE screen, functions such as DSP5D CONTROL and ENCODER MODE KEY have been added to the functions that can be assigned to userdefined keys. ( p.208) In the FADER ASSIGN screen, options have been added, allowing you to use the STEREO/DCA strip section to control the monitor/cue level and on/off status. ( p.217) In the FADER ASSIGN screen, you can now assign the desired channels of the DSP5D as well. ( p.217) In the SECURITY screen, a LOAD LOCK function has been added, allowing you to disable loading for each type of file. ( p.218) In the SECURITY screen, a RECALL LOCK option has been added, allowing you to lock parameters so that they will not be changed when a scene or library is recalled. ( p.218) Input/output functions · In the OUTPUT PATCH function OUTPUT PATCH screen, you can now change the patching of output channels to MIX OUT jacks 1­24. ( p.243) · In the OUTPUT PATCH function INSERT POINT screen and the INPUT PATCH function INSERT/ DIRECT OUT POINT screen, a SET ALL button and CLEAR ALL button have been added, allowing you to turn all channels on/off in a single operation. ( p.246, 281) · In the OUTPUT PATCH function, a NAME screen has been added, allowing you to assign names to output channels for display in various screens (supported from V1.2). ( p.247) · In the INPUT VIEW function CH JOB screen, channel settings can now be moved as well as copied. ( p.314) · In the INPUT PATCH function INSERT/DIRECT OUT POINT screen, PRE ATT has been added as a direct output transmit location. ( p.282) · In the PAN/ROUTING function MIX SEND VIEW screen, the send position (PRE/POST) of the signal sent to the MIX bus is now indicated by the color of the bar graph. ( p.306) · You can now set a Q of up to 16 for the parametric EQ in the input channels, output channels, and GEQ modules. · You can now set a threshold level of down to ­72 dB for an input channel GATE. 1 Introduction Regarding word clock synchronization The signal used to synchronize digital audio signal processing is called "word clock." Normally, one device transmits a reference word clock signal, and the other devices receive this word clock signal and synchronize to it. In order to transmit or receive digital audio signals to or from an external device via the PM5D/DSP5D's digital input/output jacks or via a digital I/O card installed in a slot, the word clock must be synchronized between the devices. Be aware that if the word clock is not synchronized, the signals will not be transmitted correctly, and unpleasant noise will occur. Hint · For details on synchronizing the word clock of the PM5D/ DSP5D and external devices, refer to the explanation of word clock in Operating section "Chapter 4. Connections and setup" ( p.38), and to the Reference Section "WORD CLOCK screen" ( p.219). · As an exception, digital signals that are not synchronized with the PM5D/DSP5D can be input via a digital I/O card that contains a sampling rate converter, or via the 2TR IN/ OUT DIGITAL jacks. How this manual is organized This owner's manual is divided into the following three sections. Conventions in this manual In this manual, non-locking panel switches that you press are called "keys," and those that change their on/off status when you push them in (locking types) are called "switches." Of the control knobs on the panel, those that turn from a minimum value to a maximum value are called "knobs," while those that turn endlessly are called "encoders." Controls located on the panel are enclosed in square brackets [ ] (e.g., [CUE] key, [PAD] switch) in order to distinguish them from the buttons and knobs displayed in the screen. For some controls, the section name is listed before the [ ] (e.g., CH [ON] key, EQ [FREQUENCY] encoder). Unless otherwise specified, references to the PM5D apply to both the PM5D model and the PM5D-RH model. If specifications differ between the PM5D model and the PM5D-RH model, such differences will be noted each time they occur. Operating section This section explains the items on the front and rear panels, connections and setup, and how to operate the PM5D's basic functionality. In particular if you have not operated a digital console before, we recommend that you read chapters 2 through 7 first. Reference section This section explains the functionality and operation for all of the PM5D's screens. Refer to this section when you want to learn about the items in the screens. Appendices This contains various information such as library lists, parameter lists for the internal effects, the MIDI data format, and lists of warning messages and error messages. PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section 15 2 Top, front, and rear panels 2 Top, front, and rear panels This chapter explains the names and functions of each part of the PM5D/DSP5D. Details for each section of the top panel are explained in subsequent chapters of this operating section; refer to the appropriate chapter for more information. Top panel (PM5D model) 6 8 1 4 5 7 A AD IN section (PM5D model) In this section you can adjust the sensitivity of the analog signals being input from the rear panel INPUT jacks 1­48 and ST IN jacks 1­4, and switch pad, insert, and phantom power (+48 V) on/off ( p.43). 3 C INPUT channel strip section This section controls the principal parameters for input channels 1­48 ( p.45). D FADER FLIP/ENCODER MODE section Here you can select the parameters controlled by the faders/encoders of the INPUT channel strip (3) ( p.48). E MIX section (PM5D-RH model) 2 This section controls the on/off status and send level of the signals sent from input channels to MIX buses, and adjusts the master level of the MIX channels ( p.57). F MATRIX section This section controls the send level of the signals sent from MIX channels to MATRIX buses, and adjusts the master level of the MATRIX channels ( p.63). G SELECTED CHANNEL section B AD IN section (PM5D-RH model) This area indicates the presence, peak level, and phantom power (+48V) on/off status of the input signal from rear panel INPUT jacks 1­48 and ST IN jacks 1­ 4. Hint For the PM5D-RH model, input sensitivity and phantom power on/off are controlled by operations in the display ( p.44). In this section you can view and control the mix parameters for the currently selected input channel or output channel ( p.65). H Meter section This section contains peak level meters that indicate the input levels of input channels and the output levels of output channels and cue monitoring, as selected by key operations ( p.108). 16 PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section O CUE/MONITOR section This section selects the monitor source that is output from the MONITOR OUT jacks, and adjusts the levels. This section also determines the cue point and monitoring method that will be used when you press a [CUE] key for a channel ( p.99). 2 Top, front, and rear panels P OSCILLATOR/TALKBACK section This section switches the oscillator or talkback on/off, and adjusts the talkback level ( p.105). 8 9 N R M L O Q R T S P Q DISPLAY ACCESS section This section selects the functions or screen shown in the display ( p.24). R USER DEFINED KEYS sections This section executes the functions that have been assigned to the User Defined keys [1]­[25] ( p.148). S Data entry section This section lets you move the pointer (the arrow displayed in the screen) or cursor (the red frame indicating a selection) in the display and edit the parameter value ( p.24). J K T ASSIGN MODE section This section lets you assign mute groups and DCA groups for control from the panel ( p.81). I Display This display shows the information you need to operate the PM5D, and lets you make system-wide settings and control mix parameters for input and output channels ( p.23). Hint You can adjust the angle of the display by moving the upper part of the display frame forward or backward. Note Before moving the PM5D, you must lower the display all the way back until it is fastened in place. J FADER MODE section Here you can select the combination of channels or DCA groups that will be controlled by the faders of the DCA strip section (K) ( p.149). K DCA strip section From this section you can control the channels assigned to DCA groups 1­8 ( p.81). L ST IN/FX RTN (Stereo in / Effect return) channel strip section This section controls the principal parameters of ST IN channels 1­4 or FX RTN channels 1­4 ( p.47). M STEREO strip section This section controls the principal parameters of the STEREO A/B channels ( p.61). N SCENE MEMORY section This section stores/recalls mix parameters as scene memories ( p.88). Mute operations for mute groups 1­8 are also performed in this section ( p.83). PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section 17 2 Top, front, and rear panels Rear panel 3 1 4 (PM5D-RH model) 6 2 (PM5D model) A INPUT jacks 1­48 (PM5D model) These are balanced XLR-3-31 type input jacks for inputting analog audio signals from line level devices or microphones. Nominal input level is ­60 dBu to +10 dBu. Male XLR plug 1 (ground) 3 (cold) 5 D +48V MASTER switch (PM5D-RH model only) This is the master phantom power (+48V) switch for INPUT jacks 1­48 and ST IN jacks 1­4. If this switch is off, the +48V buttons shown in the display are unavailable. 2 (hot) B INSERT IN/OUT jacks 1­48 (PM5D model only) These are balanced TRS phone type input/output jacks for inserting external effects or dynamics processors etc. into INPUT jacks 1­48. Nominal input/output level is +4 dBu. 1/4" TRS phone plug Tip (hot) Ring (cold) E INPUT jacks 1­48 (PM5D-RH model) These are balanced XLR-3-31 type input jacks for inputting analog audio signals from line level devices or microphones. Nominal input level is ­62 dBu to +10 dBu. Male XLR plug 1 (ground) 3 (cold) Sleeve (ground) 2 (hot) C ST IN (Stereo input) jacks 1­4 (PM5D model) These are balanced XLR-3-31 type input jacks for inputting analog audio signals from line level devices. Nominal input level is ­34 dBu to +10 dBu. Male XLR plug 1 (ground) 3 (cold) F ST IN (Stereo input) jacks 1­4 (PM5D-RH model) These are balanced XLR-3-31 type input jacks for inputting analog audio signals from line level devices or microphones. Nominal input level is ­62 dBu to +10 dBu. Male XLR plug 1 (ground) 3 (cold) 2 (hot) 2 (hot) 18 PM5D/PM5D-RH V2 / DSP5D Owner's Manual Operating section K STEREO OUT A/B jacks These are XLR-3-32 (balanced) jacks that output the analog signals of the STEREO A/B channels. Nominal output level is +4 dBu. 2 Top, front, and rear panels 7 8 Female XLR plug 2 (hot) 3 (cold) 1 (ground) L MATRIX OUT jacks G MIX OUT jacks These are XLR-3-32 (balanced) jacks that output analog signals such as those that are patched from MIX channels 1­24. Nominal output level is +4 dBu. Female XLR plug 2 (hot) 3 (cold) 1 (ground) 1 (ground) These are XLR-3-32 (balanced) jacks that output the analog signals of MATRIX channels 1­8. Nominal output level is +4 dBu. Female XLR plug 2 (hot) 3 (cold) M DC POWER INPUT connector This is a connector for connecting the PW800W power supply. Use the dedicated cable included with the PM5D to make the connection. H LAMP connector This is a four-pin female XLR output jack for supplying power to a gooseneck lamp. (These jacks are provided at three locations). The location of these jacks differs between the PM5D model and the PM5D-RH model. N R L R L VUT X Y L K C 9 R L R J L M OUT IN 75 ON OFF SMPTE USB IN 3 2 1 3 2 1 COAXIAL AES/EBU AES/EBU COAXIAL AES/EBU AES/EBU R L R L THRU OUT IN 8 7 6 5 4 3 2 1 Q O RPS W Z a N 2TR IN ANALOG jacks 1/2 I MONITOR OUT jacks These are XLR-3-32 (balanced) jacks that output the monitor signal selected in the MONITOR section of the top panel. Nominal output level is +4 dBu. Female XLR plug 2 (hot) 3 (cold) 2 (hot) 1 (ground) These are XLR-3-31 (balanced) jacks that input stereo analog signals from an external source. Nominal input level is +4 dBu. Male XLR plug 1 (ground) 3 (cold) O TIME CODE INPUT jack This is an XLR-3-31 (balanced) jack that receives SMPTE time code (LTC) from an external source. Male XLR plug 1 (ground) 3 (cold) Note Although the various output jacks and 2TR IN ANALOG jacks have a nominal input/output level of +4 dBu (maximum level is +24 dBu), an internal switch allows this to be changed to ­2 dBu (maximum level +18 dBu) if necessary. For details, contact your Yamaha dealer.