User manual ZOOM 1010

ADVANCED GUITAR EFFECTS PROCESSOR ZOOM PLAYER Operation Manual Thank you for selecting the Advanced Guitar Effects Processor ZOOM Player 1010 (hereafter called "1010"). Outstanding Features 25 versatile built-in individual effects. Up to six effects can be combined in a patch, and up to 42 patches (12 user memory patches and 30 preset patches) are available, offering extraordinary flexibility. Integrated auto-chromatic guitar tuner. Integrated foot switches and informative control panel show settings at a glance and allow easy operation like a compact effect. Distortion effect is generated using analog circuitry, to assure rich and natural-sounding sustain and distortion effect. By using the optional foot controller FP01, pedal wah and volume control are possible, for further enhanced playability. Contents Panel Description ································································· 1 Top Panel ········································································ 1 Rear Panel ······································································· 2 Connections ········································································· 2 Getting Familiar With Some Basic Terms ································ 3 Using the Patches (Play Mode) ··············································· 4 Panel Display in Play Mode ················································ 4 Selecting a Patch ······························································ 4 Adjusting the Patch Level ··················································· 5 Bypassing the Effects ························································ 5 Muting the Output ···························································· 5 Tuning the Guitar ····························································· 5 Guitar Tuner Calibration ···················································· 6 Using a Foot Pedal ································································ 6 Creating a Patch (Edit Mode) ················································ 7 Activating Edit Mode ························································ 7 Editing a Patch ································································· 8 Switching Effect Modules On and Off ·································· 8 Storing a Patch ································································· 8 Effect Types and Parameters ················································· 9 Effect Module 1 (COMP & WAH) ······································· 9 Effect Module 2 (DISTORTION) ········································· 9 Effect Module 3 (EQ) ······················································ 11 Effect Module 4 (CHO/FLG) ············································ 11 Effect Module 5 (REV/DLY) ············································ 12 Patch Level ···································································· 12 Patch List ········································································· 13 Reinitializing the 1010 (Special Mode) ·································· 13 Specifications ···································································· 14 Panel Description Top Panel (9) (8) (7) (6) (5) INPUT AMP SIM ON COMP OUTPUT WAH DISTORTION EQ VOL CHO/FLG REV/DLY DC IN CONTROL IN BANK PATCH 1 RHYTHM 2 Classic OD 3 Valve OD 4 Vintage DRIVE 5 DRIVE Master 6 FUZZ 7 Power LEAD 8 METAL T 9 10 11 12 13 14 15 16 DIST COLOR SENS 1-16 0-10 ATTACK GAIN 0-10 1-16 TONE TONE-WAH 0-10 0-10-P1-P5 PATCH LEVEL ZNR 0-30 0-5 PRESENCE 0-(5)-10 HIGH 0-(5)-10 MID 0-(5)-10 LOW 0-(5)-10 1:CHO 2:FLG 3:DBL DEPTH 0-10 RATE 1-20 FEEDBACK 0-10 1:HALL 1:DLY 2:ROOM TIME TIME 1-10 0-42( 10mS) TONE FEEDBACK 0-10 0-10 MIX 0-10 PARM 1 PARM 2 PARM 3 PARM 4 STORE EDIT SELECT PARM BOTH WAH ON 0 -9:PRESET A - d:USER (1) DIST COLOR COMP WAH DIST EQ TUNER CHO FLG REVERB DELAY GROUP VALUE TUNER CALIB 435 - 445Hz (2) (3) (4) MODULE (10) (11) (1) Display The display shows vital information for operating the 1010. (8) Module cursor indicators In Play mode Lit indicator indicates which effect module is ON. In Edit mode Lit indicator indicates which effect module is ON, and flashing indicator indicates the currently edited effect module. In bypass/tuner mode Indicators serve as tuning meter. (2) VALUE + / - keys These keys serve to change the value of a setting. v (3) MODULE SELECT key In Play mode Serves to select the group (USER, PRESET or BOTH) In Edit mode Serves to select the module to be edited. (9) Tuner indicator Lights up in the bypass/tuner mode. (4) PARM/SELECT w key Serves to select the parameter to be edited. (10) BANK pedal In Play mode Selects the next higher bank. In Edit mode Switches the effect module COMP&WAH on and off. (5) STORE key Serves to store a patch. (6) EDIT key Serves to switch between Play mode and Edit mode. (11) Pedals 1 ­ 3 In Play mode The pedals serve to select a patch. In Edit mode The pedals serve to switch the effect modules DISTORTION, CHO/FLG, and REV/DLY on and off. (7) Parameter cursor indicators In Edit mode, the flashing indicator indicates the edited parameter. Rear Panel SERIAL NO. CONTROL IN DC IN OUTPUT INPUT ZOOM CORPORATION MODEL 1010 MADE IN JAPAN (1) (2) (3) (4) (1) CONTROL IN jack This connector allows use of the optional foot pedal FP01 to control pedal wah or volume level. (3) OUTPUT jack Connects to the amplifier. (4) INPUT jack (2) DC INPUT (AC adapter) jack The supplied AC adapter is connected here. As long as the AC adapter is connected, the unit is turned on. There is no separate power switch. Connects to the guitar. Connections SERIAL NO. CONTROL IN DC IN OUTPUT INPUT ZOOM CORPORATION MODEL 1010 MADE IN JAPAN (3) (4) FP01 AC outlet AC adapter 1010 (2) (1) Guitar Guitar amplifier (1) Connect an electric guitar to the INPUT jack. (2) Connect a guitar amplifier to the OUTPUT jack. HINT (3) To control volume or wah with the foot pedal FP01, connect the pedal to the CONTROL IN jack of the 1010. For details regarding use of the foot pedal, please refer to page 6. (4) After all other connections are completed, plug in the supplied AC adapter. This activates the unit. NOTE When monitoring the sound through an audio speaker, distortion effects may sound too weak. If this happens, choose a distortion color with amplifier simulation. For details regarding distortion color, please refer to the table of effect types on page 9. Make sure that power to connected equipment is turned off before plugging in or unplugging the AC adapter of the 1010. Getting Familiar With Some Basic Terms Effect Module The 1010 incorporates five effect blocks which are referred to as "effect modules". Each effect module can be thought of as a single compact effect. The 1010 therefore operates like five compact effects connected in series. The following five types of effect modules are available: USER Bank The 1010 calls up patches in sets of three, and the foot pedals serve to switch between patches. Each set of three patches is referred to as a "bank". Group Bank A b C d 0 1 2 3 4 5 6 7 8 9 Patch number 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 1­ 3 qCOMP&WAH Compression effect and pedal wah (with an external controller) qDISTORTION Analog distortion effects qEQ Equalizer for adjusting the tonal quality of the sound qCHO/FLG Chorus and modulation effects. qREV/DLY Reverb and delay effects for creating a spatial impression PRESET Parameter The elements which determine the sound of an effect are referred to as "parameters". Parameter values can be adjusted for each effect module, to create your own patches with the 1010. Effect Type Each effect module contains several effect variations which are called "effect types". An effect module can normally use only one effect type at a time, but the COMP&WAH module can use compressor and wah together. The DISTORTION module utilizes ZNR (Zoom Noise Reduction) in addition to distortion effect. For a list of effect types in each effect module, please see the table on page 9. Mode The functions of the 1010 can be divided into three different categories. These are called "modes", as described below. Patches and Groups A combination of effect modules, each with individual parameter settings plus the final output level setting is referred to as a "patch". Patch INPUT COMP&WAH DISTORTION EQ CHO/FLG REV/DLY Play Mode (Please refer to page 4) In this mode, patches are selected and played. This is the default mode when power is turned on. Edit Mode (Please refer to page 7) In this mode, the parameters of each patch can be edited. OUTPUT Special Mode (Please refer to page 13) Serves to return some or all patch data to the factory preset settings. PATCH LEVEL The 1010 has two memory areas or "groups" where patches are stored: the USER group for patches that can be altered and stored by the user, and the PRESET group for factory defined read-only patches. There are 12 patches in the USER group and 30 patches in the PRESET group, for a total of 42 patches. Using the Patches (Play Mode) 1.First make sure that the AC adapter of the 1010 is disconnected and that the amplifier is switched off. Then connect the 1010 to the guitar and amplifier. 2.Plug in the AC adapter of the 1010 to activate the unit and switch the amplifier on. 3.Adjust the volume to a suitable position while playing the instrument. Selecting a Patch 1.Select the desired group with the PARAM SELECT key. In the 1010, patches are divided into the USER group and the PRESET group. Choose the group from which you want to select a patch. With each push of the PARAM SELECT key, the group setting cycles through the following three settings which are shown on the display. v · A (USER) USER group only · 0 (PRESET) PRESET group only · A or 0 (BOTH) USER group and PRESET group 2.Select the bank with the BANK pedal. v Panel Display in Play Mode When the 1010 is turned on by plugging in the AC adapter, the unit automatically goes into Play mode. In the Play mode, the following information is shown on the display. (1) Bank The currently selected bank is shown in the BANK field (left side) of the display. : · USER · PRESET : , , , , , , , , , , , , (2) Patch number The currently selected patch number is shown in the PATCH field (right side) of the display. A bank is a group of three patches. There are four banks (named A through d) in the USER group and 10 banks (0­9) in the PRESET group.When wishing to continuously select patches from both groups, choose the BOTH setting. With each push of the BANK pedal, the next higher bank is selected. (The bank display flashes during bank selection.) NOTE (3) WAH on/off The wah on/off condition of the currently selected effect is shown by a dot in the lower right corner of the display. (Pedal wah is possible when the optional foot pedal FP01 is connected.) Merely pressing the BANK pedal does not yet change the patch. To activate the patch and change the sound, press one of the pedals 1­ 3, as described below. 3.Select the patch by pressing one of the pedals 1 ­ 3. The patch number is shown on the right side of the display. (The bank indication is now constantly lit.) (4) Effect module on/off The effect module on/off condition in the patch is indicated by the module cursor indicator. (4) INPUT AMP SIM ON COMP OUTPUT WAH DISTORTION EQ VOL CHO/FLG REV/DLY DC IN CONTROL IN (1) BANK PATCH (2) 1 RHYTHM 2 Classic OD 3 Valve OD 4 Vintage DRIVE 5 DRIVE Master 6 FUZZ 7 Power LEAD 8 METAL T 9 10 11 12 13 14 15 16 DIST COLOR SENS 1-16 0-10 ATTACK GAIN 0-10 1-16 TONE TONE-WAH 0-10 0-10-P1-P5 PATCH LEVEL ZNR 0-30 0-5 PRESENCE 0-(5)-10 HIGH 0-(5)-10 MID 0-(5)-10 LOW 0-(5)-10 1:CHO 2:FLG 3:DBL DEPTH 0-10 RATE 1-20 FEEDBACK 0-10 1:HALL 3:DLY 2:ROOM TIME TIME 1-10 0-42( 10mS) TONE FEEDBACK 0-10 0-10 MIX 0-10 PARM 1 PARM 2 PARM 3 PARM 4 STORE EDIT SELECT PARM A.1. BOTH WAH ON 0 -9:PRESET A - d:USER (3) DIST COLOR COMP WAH DIST EQ TUNER CHO FLG REVERB DELAY GROUP VALUE TUNER CALIB 435 - 445Hz MODULE Adjusting the Patch Level The output level of the patch is called the patch level. In the Play mode, the patch level can be adjusted. 1.Press the VALUE + / - keys in the Play mode. When one of the VALUE + / - keys is pressed, the current patch level setting is shown on the display as a numeric value (0 ­ 30). In this condition, the PARAM4 indicator and COMP&WAH indicator are flashing. Pressing VALUE + increases the value and pressing VALUE decreases it. To change values continuously, hold down the key. NOTE Muting the Output You can temporarily mute the entire output from the 1010, which is useful for example when wishing to tune an instrument on stage. 1.To mute the output in the Play mode, press the pedal 1­ 3 whose number is shown on the right side of the display (i.e. the pedal that was used to select the current patch), and keep the pedal depressed for more than one second. NOTE For example, if the patch number shown on the right side of the display is "1", keep pedal 1 depressed for at least one second to mute the output. For details on how to store settings, please refer to page 8. Bypassing the Effects You can temporarily turn off all effects in a patch. This is useful for example to compare the original sound with the sound of a patch. 1.In the Play mode, press the pedal 1 ­ 3 whose number is shown on the right side of the display (i.e. the pedal that was used to select the current patch). NOTE 3.To return to the Play mode, press one of the pedals 1 3 to select a patch. HINT To return to the previously selected patch, simply press the BANK pedal. Tuning the Guitar The 1010 incorporates an automatic guitar tuning function. When the 1010 is set to the bypass or mute mode, the tuning function is automatically enabled. 1.In the Play mode, press the pedal whose number is shown on the right side of the display (i.e. the pedal that was used to select the current patch), to activate the bypass or mute mode. The tuner indicator lights up. For example, if the patch number shown on the right side of the display is "1", press pedal 1 to bypass the effects. 2.All effects in the patch are now bypassed and the original guitar sound is heard. The display shows "b " for one second to indicate that bypass has been selected, and then switches to tuner indication (if no sound is input from the guitar, the display shows " "). The tuner indicator also lights up. NOTE The above explanation uses the expression "original sound" for the sound that is heard in the bypass condition. However, since the 1010 uses digital processing for the signal routed through it (both in the "effect ON" and effect OFF condition), the output will not be exactly the same as when directly plugging the guitar into the amplifier. 2.Pick an open string on the guitar. The display shows the note which is closest to the current pitch. Tune the guitar to the desired pitch. C= F= F #= G= G #= A= A #= B= 3.To return to the Play mode, press one of the pedals 1 3 to select a patch. HINT C #= D= D #= E= To return to the previously selected patch, simply press the BANK pedal. 3.When the display shows the desired note, perform fine U The patch level setting change made in this way is only temporary. If you select a different patch without storing the new level setting first, the setting will be lost. In the Play mode, the patch level can be adjusted also for patches from the PRESET group, but the new level setting cannot be stored. When wishing to store the level, store the patch in the USER group. 2.The output of the 1010 is now completely cut off and the sound of the guitar cannot be heard. When the pedal is depressed, the indication "b " appears first on the display, but if the pedal is kept depressed for more than one second, the indication changes to " t" to indicate that the output has been muted. The display shows the indication " t" for one second and then switches to tuner indication (if no sound is input from the guitar, the display shows " "). The tuner indicator also lights up. U tuning. While the tuner function is being used, the module cursor indicators serve as a fine tuning meter. When the pitch is correct, the EQ indicator lights. If the pitch is too high, the REV/DLY indicator lights, and if it is too low, the COMP&WAH indicator lights. Watch the indicators while fine tuning your instrument. AMP SIM ON Guitar Tuner Calibration The reference frequency of the integrated guitar tuner can be adjusted for the reference note A. 1.In the Play mode, press the pedal whose number is shown on the right side of the display (i.e. the pedal that was used to select the current patch), to activate the bypass or mute mode. The tuner indicator lights up. 2.Press one of the VALUE + / - keys. 3.The current reference frequency is shown for a brief duration on the display. 4.While the reference frequency is shown, use the VALUE + / - keys to adjust the frequency. The adjustment range is 435 to 445 Hz. This is shown on the display as "35"­ "45". NOTE RHYTHM c OD OD ge DRIVE E Master r LEAD AL T 9 10 11 12 13 14 15 16 DIST COLOR SENS 1-16 0-10 ATTACK GAIN 0-10 1-16 TONE TONE-WAH 0-10 0-10-P1-P5 PATCH LEVEL ZNR 0-30 0-5 PRESENCE 0-(5)-10 HIGH 0-(5)-10 MID 0-(5)-10 LOW 0-(5)-10 1:CHO 3:DBL 2:FLG DEPTH 0-10 RATE 1-20 FEEDBACK 0-10 1:HALL 3:DLY 2:ROOM TIME TIME 1-10 0-42( 10mS) TONE FEEDBACK 0-10 0-10 MIX 0-10 PARM 1 PARM 2 PARM 3 PARM 4 T COLOR COMP WAH DIST EQ TUNER TUNER CHO FLG REVERB DELAY 4. To return to the Play mode, press one of the pedals 1 3 to select a patch. HINT To return to the previously selected patch, simply press the BANK pedal. The default reference frequency setting that is established when the 1010 is turned on is 440 Hz. 435Hz : 440Hz : 445Hz : Using a Foot Pedal Controlling the volume 1.Connect the FP01 to the CONTROL IN jack of the 1010. 2.Operate the FP01 while using the 1010 in Play mode. NOTE Using the wah effect of the 1010 as pedal wah 1.Connect the FP01 to the CONTROL IN jack of the 1010. 2.Select a patch from the COMP&WAH module which uses pedal wah. For details on how to select a patch, please refer to page 4. 3.Operate the FP01 while using the 1010 in Play mode. The pedal now controls pedal wah. NOTE The volume adjustment made with the foot pedal is independent from the patch level setting of the individual patches. The control tap is located between the EQ and the CHO/FLG module. This allows changing the volume without reducing reverb or delay intensity. If wah control is selected in the COMP&WAH module, this will be activated automatically, and volume control is disabled. HINT To be able to use wah, set the COMP&WAH module to ON in Edit mode and set PARAM3 to any setting between P1 and P5. (For details, please refer to the Edit mode explanation starting on page 7 and the explanation of effect types and parameters starting on page 9.) If wah is enabled in the patch, a dot appears in the lower right corner of the display. HINT INPUT CONTROL IN Guitar 1010 FP01 Use the EXP. OUT jack of the FP01 for connection to the CONTROL IN jack of the 1010. Use the stereo cable supplied with the FP01 for making the connection. Creating a Patch (Edit Mode) Patch INPUT COMP&WAH 1 COMPRESSOR & WAH DISTORTION 1 RHYTHM 2 Classic OD 3 Valve OD 4 Vintage DRIVE 5 DRIVE Master 6 FUZZ 7 Power LEAD 8 METAL T AMP SIM 9 10 11 12 13 14 15 16 EQ 1 EQUALIZER CHO/FLG 1 CHORUS 2 FLANGER 3 DOUBLING REV/DLY 1 HALL 2 ROOM 3 DELAY OUTPUT PATCH LEVEL FP01 FP01 As shown in the illustration above, a patch of the 1010 contains parameters for the five types of effect modules and the patch level settings. In the Edit mode, you can call up any of these parameters and change them. Panel display in Edit mode In the Edit mode, the following information is shown. Activating Edit Mode 1.Select the desired patch in the Play mode (from the USER group or the PRESET group). NOTE (1) Effect module on/off The module cursor indicators of effect modules which are ON in the selected patch are lit. (2) Parameter type The type of the parameter currently selected for editing is indicated by the cross point of the flashing module cursor indicator and parameter cursor indicator. For details on how to select a patch, please refer to page 4. 2.Press the EDIT key. The 1010 is now in the Edit mode. The flashing module indicator shows which effect module is selected for editing, and the flashing parameter indicator shows which parameter within the module is selected for editing. 3.Pressing the EDIT key once more returns the 1010 to the Play mode. (3) Parameter value The value of the parameter currently selected for editing is shown on the display. Editing a Patch 1.Press the EDIT key to activate the Edit mode. v 2.Use the MODULE SELECT module you wish to edit. key to select the effect (2) COMP WAH DISTORTION EQ VOL CHO/FLG REV/DLY (3) RATE 1-20 BANK PATCH DIST COLOR SENS 1-16 0-10 ATTACK GAIN 0-10 1-16 TONE TONE-WAH 0-10 0-10-P1-P5 PATCH LEVEL ZNR 0-30 0-5 PRESENCE 0-(5)-10 HIGH 0-(5)-10 MID 0-(5)-10 LOW 0-(5)-10 1:CHO 3:DBL 2:FLG DEPTH 0-10 RATE RATE 1-20 1-20 FEEDBACK 0-10 1:HALL 3:DLY 2:ROOM TIME TIME 1-10 0-42( 10mS) TONE FEEDBACK 0-10 0-10 MIX 0-10 PARM 1 PARM 2 PARM 3 PARM 4 16 BOTH WAH ON COMP WAH DIST EQ TUNER CHO FLG REVERB DELAY (1) The indicator of the effect module currently selected for editing is flashing. NOTE NOTE The EQ module cannot be switched off. To disable this module, set all parameters (PARAM 1 through PARAM 4) to the value "5". The pedals 1 ­ 3 and the BANK pedal correspond to the following effect modules: · BANK pedal: · Pedal 1: · Pedal 2: · Pedal 3: COMP&WAH DISTORTION CHO/FLG REV/DLY With each push of the MODULE SELECT key, the edited module moves one position to the right. When the REV/DLY module is reached, the cursor loops back to the COMP&WAH module. MODULE MODULE MODULE MODULE MODULE MODULE v HINT COMP WAH DIST EQ CHO FLG REVERB DELAY COMP WAH 3. Next, use the PARAM SELECT w key to select the parameter within that module that you wish to edit. The indicator of the selected parameter is flashing. NOTE The effect module ON/OFF setting can also be stored as part of a patch. Storing a Patch If an edited patch is not stored, the change will be lost when another patch is selected. To preserve a setting, store the patch as described below. 1.Press the STORE key in the Edit mode. This activates the store standby condition. HINT With each push of the PARAM SELECT key, the selected parameter moves one position down. When PARAM 4 is reached, the cursor loops back to PARAM 1. PARM PARM 1 PARM 2 PARM 3 PARM 4 PARM 1 PARM PARM PARM Storing is possible also in the Play mode. PARM The value of the selected effect parameter is shown on HINT the display. If the display shows only " ", the effect module is OFF. Set the effect module to ON before editing, as described on page 8. 2.Choose the bank and patch number in which you want to store the patch. Use the BANK pedal to first select the bank and then specify the patch number with the pedals 1 ­ 3. NOTE 4. Use the VALUE value. HINT +/- keys to change the parameter For details on the parameters of each effect module, please refer to "Effect Types and Parameters" on pages 9 ­ 12. Parameter setting changes made in this way are only temporary. If you return to the Play mode or select a different patch without storing the new settings first, the settings will be lost. Patches cannot be stored in the PRESET group. If a patch was chosen from the PRESET group, the store destination will automatically become the USER group. Specify a bank and patch number in the USER group. NOTE 3.If no bank and patch number is specified for a patch selected from the USER group, the patch will be stored in the original location. If no bank and patch number is specified for a patch selected from the PRESET group, the patch will be stored in "A1" of the USER group. HINT For details on how to store a patch, please refer to the explanation at right. Switching Effect Modules On and Off In the Edit mode, effect modules can be turned on and off independently. 1. Pressing a pedal corresponding to an effect module that is currently on (module cursor indicator lit) turns the effect module off. The indicator goes out. 2. Press the pedal again to turn the effect module back on. When a patch is stored, the patch that was previously stored in that number will be overwritten (erased). Take care not to erase a patch that you want to keep. When wishing to restore all factory preset patches, please refer to "Reinitializing the 1010 (Special Mode)" on page 13. Restoring individual patches is not possible. 4.Press the STORE key again. The patch is stored, and the 1010 reverts to the Play mode. NOTE If the STORE key has not yet been pressed for the second time, you can use the EDIT key to cancel the store process and return to the Play mode. Effect Types and Parameters In this section, all effect types and parameters of the 1010 are explained. Parameters that are the same for several effects are explained in detail only the first time they appear. COMP&WAH 1 COMPRESSOR & WAH DISTORTION 1 RHYTHM 2 Classic OD 3 Valve OD 4 Vintage DRIVE 5 DRIVE Master 6 FUZZ 7 Power LEAD 8 METAL T AMP SIM 9 10 11 12 13 14 15 16 EQ 1 EQUALIZER CHO/FLG 1 CHORUS 2 FLANGER 3 DOUBLING REV/DLY 1 HALL 2 ROOM 3 DELAY PATCH LEVEL Effect Module 1 COMP & WAH (Compressor & Wah) This module combines a compression with a wah effect. Using the compressor and wah together is also possible. 1 Effect Module 2 DISTORTION This module comprises eight kinds of distortion effects and eight different amp simulators (which recreate the sound of picking up a guitar amplifier with a microphone). HINT COMP & WAH (Compressor & Wah) The compressor maintains the volume at a given level without impairing the sense of tone and attack. Wah emphasizes the frequency of the guitar. If the optional foot pedal FP01 is used, the emphasized frequency range can be shifted up and down with the pedal. 1 When using the unit with a guitar amplifier, choose settings 1­ 8. When monitoring via an audio speaker or headphones, use settings 9­ 16. This module also comprises ZNR (Zoom Noise Reduction). Adjust it to match the connected guitar. NOTE 19 COMP & WAH SENS ATTACK TONE WAH 0 ­10 0­10 0­10 P1­P5 RHYTHM PARAMETER 1 PARAMETER 2 PARAMETER 3 This effect gives a dry, cool sound with subdued bass and accentuated highs. It is well suited for blues or rhythm backing. 19 RHYTHM 1­16 1­16 0­10 0­5 Description (1) SENS (Sensitivity) Determines the compressor depth. Higher values result in a more uniform level and longer sustain. A setting of "0" turns the compressor off. This is suitable for using only the wah effect. (2) ATTACK Determines the time lag between the guitar sound input and the onset of compression. Lower values produce faster attack. (3) TONE This is a tone-control-type equalizer. The neutral setting is 0 (zero). Low values emphasize the bass and high values emphasize the treble range. (4) WAH When the foot pedal FP01 is connected, set PARAM3 to any value from P1 to P5. These parameters control the emphasized frequency range when no pedal is connected. Higher values mean higher frequency. PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 COLOR GAIN TONE ZNR Description (1) COLOR Determines the distortion color. For normal rhythm play, use "1" and for rhythm play with amp simulator effect, use "9". (2) GAIN Determines distortion intensity of the overdrive circuit. Higher values produce more distortion. (3) TONE This is a tone-control-type equalizer. (4) ZNR (Zoom Noise Reduction) Control the ZNR circuit which reduces unwanted noise. Adjusting the value controls the amount of Zoom Noise Reduction. 2 10 Classic OD (Classic Overdrive) 5 13 DRIVE Master This gives natural sounding overdrive distortion similar to that achieved with conventional compact effects. 2 10 This gives hard distortion sound similar to driving a large amp to full level. 5 13 Classic OD COLOR GAIN TONE ZNR 1­16 1­16 0­10 0­5 DRIVE Master COLOR GAIN TONE ZNR 1­16 1­16 0­10 0­5 PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 Description (1) COLOR To select normal classic overdrive, set this parameter to "2". To add the amp simulator effect, use "10". (2) GAIN Determines distortion intensity of the overdrive circuit. Higher values produce more distortion. 3 11 Description (1) COLOR To select normal drive distortion, set this parameter to "5". To add the amp simulator effect, use "13". 6 14 FUZZ Valve OD (Valve Overdrive) This gives a vintage type fuzz sound. The TONE parameter can be used to vary the character. 6 14 This gives warm sounding distortion similar to that of a tube amplifier. 3 11 FUZZ 1­16 1­16 0­10 0­5 Valve OD 1­16 1­16 0­10 0­5 PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 COLOR GAIN TONE ZNR PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 COLOR GAIN TONE ZNR Description (1) COLOR To select normal valve overdrive, set this parameter to "3". To add the amp simulator effect, use "11". 4 12 Description (1) COLOR To select normal fuzz distortion, set this parameter to "6". To add the amp simulator effect, use "14". (3) TONE Higher values give a treble-rich sound character with distortion mainly in the upper frequencies. Lower values yield a mild sound character. 7 15 Vintage DRIVE Power LEAD This gives hard distortion sound with an edge. 4 12 This gives distortion with a bass boost and solid character. Vintage DRIVE COLOR GAIN TONE ZNR 1­16 1­16 0­10 0­5 7 15 PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 Power LEAD COLOR GAIN TONE ZNR 1­16 1­16 0­10 0­5 Description (1) COLOR To select normal vintage overdrive, set this parameter to "4". To add the amp simulator effect, use "12". (2) GAIN Determines distortion intensity of the overdrive circuit. Higher values produce more distortion. PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 Description (1) COLOR To select normal power lead distortion, set this parameter to "7". To add the amp simulator effect, use "15". (3) TONE This is a tone-control-type equalizer. 8 16 METAL T Effect Module 4 CHO/FLG (Chorus/Flanger) This effect module comprises three effect types for modulation. 1 This gives distortion which stresses the upper and lower ends of the frequency spectrum, suitable for heavy metal. 8 16 METAL T 1­16 1­16 0­10 0­5 PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 COLOR GAIN TONE ZNR CHORUS An effect sound with periodically changing pitch is added to the direct sound, for rich ambience. 1 Description (1) COLOR To select normal metal T distortion, set this parameter to "8". To add the amp simulator effect, use "16". CHORUS ( EFFECT TYPE ) DEPTH RATE FEEDBACK 1­3 0­10 1­20 0­10 Effect Module 3 EQ This equalizer module allows tone control in four bands. The module is always on. For flat response, set all parameters to "5". 1 PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 EQUALIZER This equalizer allows boost or cut in the presence (superhigh), high, mid, and low frequency ranges. 1 EQUALIZER PRESENCE HIGH MID LOW 0­(5)­10 0­(5)­10 0­(5)­10 0­(5)­10 Description (1) EFFECT TYPE Selects the effect type. To use the chorus effect, set the parameter to "1". (2) DEPTH Determines the modulation depth. (3) RATE Determines the modulation rate. (4) FEEDBACK Determines the signal level fed to the mixer circuit between the output of the EQ module and the input of the REV/DLY module. 2 PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 FLANGER Description (1) PRESENCE Adjusts the range of harmonics and overtones of a guitar. "5" is flat, lower values produce a cut and higher values a boost. (2) HIGH Adjusts the treble range. "5" is flat, lower values produce a cut and higher values a boost. (3) MID Adjusts the midrange. "5" is flat, lower values produce a cut and higher values a boost. (4) LOW Adjusts the bass range. "5" is flat, lower values produce a cut and higher values a boost. An effect sound delayed by several dozen milliseconds is added to the direct sound, and the delay is periodically changed, resulting in a strong flanger effect. 2 FLANGER ( EFFECT TYPE ) DEPTH RATE FEEDBACK 1­3 0­10 1­20 0­10 PARAMETER 1 PARAMETER 2 PARAMETER 3 PARAMETER 4 Description (1) EFFECT TYPE To use the flanger effect, set the parameter to "2". (4) FEEDBACK Determines the amount of feedback, i.e. the proportion of the signal routed back to the input of the effect circuit. Increasing this parameter will result in a flanger with very pronounced character. 3 DOUBLING