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User manual ZOOM 2020

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User guide ZOOM 2020

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Thank you for selecting the advanced guitar effects processor ZOOM Player 2020 (hereafter called "2020"). The 2020 is a sophisticated multi-effect device with the following features and functions: · A total of 19 built-in individual effects, which can be combined in patches of up to six effects of five types. 20 preset patches and a user memory for 20 additional patches offer extraordinary flexibility. · Integrated foot pedals and informative control panel show settings at a glance and allow easy operation like a compact effector. · Compressor and distortion effects are generated using analog circuitry, to assure rich and natural-sounding sustain and distortion effects. · By using the optional foot controllers FP01 or FS01, pedal wah effects and single effect on/off switching are possible, for further enhanced playability. Please take the time to read this manual carefully, in order to get the most out of your 2020 and to ensure optimum performance and reliability. 1 Contents Safety Precautions · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 3 Usage Precautions · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 3 Terms Used in This Manual ·················································································4 Names and Functions of Controls and Connectors ·················································5 Front Panel · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 5 Rear Panel · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 6 Connection Examples·························································································7 Connection to one guitar amplifier (Example 1) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 7 Connection to two guitar amplifiers (Example 2)· · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 7 Connection to a tape recorder or mixer (Example 3) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 7 Using headphones for monitoring (Example 4) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 7 Playing a Patch (Use of the Play Mode) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 8 Selecting a Patch · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 8 Adjusting the patch level · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 9 Bypassing the Effects · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 9 Editing a Patch (Use of the Edit Mode) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 10 What Is a Patch? · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 10 Entering the Edit mode · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 10 Panel Display in Edit Mode · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 11 Editing a Patch · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 11 Turning Effect Modules On and Off · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 12 Compare · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 12 Storing a Patch · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 12 Effect Types and Parameters · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 13 Effect Module 1:Compressor + distortion (COMP+DIST) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 13 Effect Module 2: Equalizer (EQ) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 14 Effect Module 3: Modulation · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 15 Effect Module 4: Delay · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 16 Effect Module 5: Reverb · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 17 Patch Level · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 17 Other Functions · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 18 Restoring Individual Factory Preset Patches (Patch Recall) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 18 Restoring All Factory Preset Patches (Initialize) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 18 Application Examples for Use of Foot Pedal and Foot Switch · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 19 Using the FP01 · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 19 Using the FS01 · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 19 Specifications · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 20 2 Safety Precautions Please observe the following safety tips and precautions to ensure hazard-free use of the 2020. Usage Precautions · Electrical interference The 2020 uses digital circuitry that may cause interference and noise if placed too close to other electrical equipment, such as TV sets and radio receivers. If such problems occur, move the 2020 further away from the affected equipment. Also, when fluorescent lights or devices with built-in motors are close to the 2020, the unit may not function properly. · Power requirements The 2020 is powered by the supplied AC adapter AD0003/AD0004. Do not use any other kind of AC adapter to prevent malfunction and safety hazards. When wishing to use the 2020 in an area with a different line voltage, please consult your local ZOOM distributor about acquiring a proper AC adapter. · Cleaning Use a soft, dry cloth to clean the 2020. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, wax, or solvents (such as paint thinner or cleaning alcohol), since these may dull the finish or damage the surface. · Environment Avoid using your 2020 in environments where it will be exposed to: · Temperature extremes · High humidity or moisture · Excessive dust or sand · Excessive vibration or shock Please keep this manual in a convenient place for future reference. · Handling Since the 2020 is a precision electronic device, avoid applying excessive force to the switches and buttons. Also take care not to drop the unit, and do not subject it to shock or excessive pressure. · Alterations Never open the case of the 2020 or attempt to modify the product in any way since this can result in damage. · Connecting cables and input and output jacks You should always turn off the power to the 2020 and all other equipment before connecting or disconnecting any cables. Also make sure to disconnect all cables and the AC adapter before moving the 2020. 3 Terms Used in This Manual This manual has been written so that it can be easily understood also by first-time users. However, the 2020 offers several special functions which are not available with a conventional compact effector. This section explains some of the terms used throughout the manual to describe such functions. · Effect Module The 2020 offers five basic effect groups, as shown in the illustration below. Such an effect group is referred to as an "effect module". Each effect module can be thought of as a single compact effector. The 2020 therefore operates like five compact effectors connected in series. The following effect modules are available: PATCH INPUT COMP+ DIST EQ MODULATION DELAY REVERB OUTPUT GROUP BANK No. 0 1 PATCH No. 1­4 1­4 1­4 1­4 1­4 1­4 1­4 1­4 1­4 1­4 USER 2 3 4 0 1 PRESET PATCH LEVEL 2 3 4 · COMP+ DIST (Analog compressor and distortion effects) · EQ (Equalizer and wah effects) · MODULATION (modulation effects such as chorus and flanger) · DELAY (delay effects) · REVERB (reverberation effects) · Parameter The elements which determine the sound of an effect are referred to as "parameters". Parameter values can be adjusted for each effect module, to create your own patches with the 2020. · Mode The functions of the 2020 can be roughly divided into three different categories. These are called "modes", as described below. · Play Mode In this mode, patches can be selected and played. This is the default mode of the 2020 when power is turned on. · Edit (Manual) Mode In this mode, the parameters of each patch can be edited. The mode can also be used as a manual mode to switch effect modules on and off during a performance using a foot pedal. · Special Mode Serves to return some or all patch data to the factory preset condition. · Effect Type Each effect module contains several effect variations which are called "effect types". Each effect module can use one effect type at a time. For a list of effect types in each effect module, see the table on page 13. · Patches and Groups The 2020 allows you to use a maximum of five effect modules simultaneously. A combination of effect modules, each with individual parameter settings plus the final output level setting, is referred to as a "patch". The 2020 has two memory areas or "groups" where patches are stored: the user group for patches created by the user, and the preset group for factory defined patches where only the output level can be changed. · Bank The 2020 calls up patches in sets of four, and the foot pedals serve to switch between patches. Such a set of four patches is referred to as a "bank". To select a patch, first specify the group and the bank, and then use the foot pedals to select patch number 1 - 4. 4 Names and Functions of Controls and Connectors Front Panel COMP+ DIST EFFECT 1 CLN I 3 OD I 5 DST I 2 CLN II 4 OD II 6 DST II PARM1 PARM2 COMP [0-3] EDGE [0,1] 3 ­ 6 GAIN [1-8] ZNR [0-15] EQ 1 EQ HIGH [­7-+7] MID [­7-+7] MIDf [1-16] LOW [­7-+7] LEVEL [1-8] MODULATION 2 WAH SENS [0-10] FREQ [1-64] DELAY 1 MONO 2 PPD [0-10](x100mS) DELAY TIME [0-99](mS) 6 STR [0,1] FEEDBACK [0-10] MIX [0-10] REVERB 1 REV 2 E/R TIME [1-10] TONE [­7-+7] MIX [0-10] PATCH LEVEL [0-31] (EDIT VALUE) 1 PIT PIT [­12-+12] FINE [­10-+10] BAL [0-10] 2 PHA 3 FLG 4 TRM 5 STEP 6 CHO DEPTH [0-10] RATE [1-50] 2 ­ 5 PERK [0-10] 3 DELAY TIME [0-90](x100mS) FEEDBACK [0-10] (1) BANK GROUP · BANK USER PRESET BOTH () (9) PARM3 PARM4 PARM5 (2) GROUP (10) (3) STORE 1 COMP+DIST 2 EQ 3 MODULATION 4 DELAY B REVERB VALUE (8) ADVANCED GUITAR EFFECTS PROCESSOR CANCEL PARAMETER SELECT ZOOM EDIT (MANUAL) + ­ (4) (5) (6) (7) 1 2 3 4 (11) (1) Display The display shows vital information for operating the 2020, such as group and bank numbers of a patch, effect parameter values and other messages. (2) GROUP key · In Play mode Serves to select the memory group for the patch, as follows. USER Only patches from the user group are available. PRESET Only patches from the preset group are available. BOTH Patches from both groups are available. · In Edit mode Serves to compare the currently edited patch with the patch before editing (compare function). For details, please refer to page 12. (3) STORE key Serves to store an edited patch with its new parameter and level settings in the user group. (4) VALUE + / - keys These keys serve to change the value of a parameter. Tapping the VALUE + key increases the value by one step, and tapping the VALUE - key decreases the value by one step. Keeping a key depressed changes the value continuously. To increase the speed of the change, press the other key as well. · In Play mode The keys serve to adjust the output level of the patch. · In Edit mode The keys serve to select an effect type and adjust the currently selected parameter. (5) PARAMETER SELECT keys Serve to select the parameter to be edited in Edit mode. (6) EDIT (MANUAL) / CANCEL key Pressing this key switches from Play mode to Edit mode. The Edit mode can also be used as Manual mode to switch effect modules on and off with a foot pedal. The key also serves to return from the Edit mode to the Play mode, and to cancel a store process. 5 (7) Edit mode LED This LED lights up when the 2020 is in the Edit (Manual) mode. (8) Module cursor LED · In Play mode Lit LED indicates which effect module in the current patch is ON. · In Edit mode Lit LED indicates which effect module in the currently edited patch is ON, and flashing LED indicates the currently edited effect module. (9) Parameter cursor LED Flashing LED indicates the currently edited parameter in Edit mode. (10) BANK pedal · In Play mode Selects the next higher bank. · In Edit (Manual) mode Switches REVERB for the effect module on and off. The pedal LED lights up when REVERB is on. (11) Pedal 1 - 4 · In Play mode The pedals serve to select a patch. The respective pedal LED lights up. · In Edit (Manual) mode The pedals serve to switch the effect modules COMP+DIST, EQ, MODULATION, DELAY on and off. The respective pedal LED lights up. Rear Panel INPUT TUNER OUT CONTROL IN MANUAL(SW) VOLUME /WAH(PEDAL) OUTPUT L/MONO R PHONES (REC OUT) DC9V 150mA SERIAL No. (1) (2) (3) (4) (5) (6) (7) (1) INPUT jack Serves for connection of a guitar. (2) TUNER OUT jack The guitar signal from the input is supplied without alteration at this output, to allow tuning without the need for cabling changes. (3) CONTROL IN VOLUME jack This connector allows use of the optional foot pedal FP01 to control the volume level of the 2020. Since the level is adjusted between the EQ module and the MODULATION module, the volume can be changed without affecting reverberation. (4) CONTROL IN MANUAL/WAH jack This jack serves for connection of the optional foot switch FS01 or foot pedal FP01. The FS01 can be used to switch between Play mode and Manual mode, and the FP01 can be used to control the wah effect of the EQ effect module. (5) OUTPUT L/MONO/R connectors Serves for connection to a guitar amplifier. To use the 2020 in stereo, connect cables to both jacks. For a monaural setup, connect the cable to the L/MONO jack. (6) PHONES (REC OUT) jack For connection of a pair of stereo headphones. Since the output at this jack has been processed by an amp simulator, it can also be used as recording output for connection to a tape recorder or mixer. (7) DC INPUT (AC adapter) jack The supplied AC adapter is connected here. To guard against inadvertently disconnecting the adapter cable, wind the cable once around the hook. As long as the AC adapter is connected here, the unit is turned on. There is no separate power switch. NOTE When connecting the FP01 to a CONTROL IN jack, use the EXP. OUT connector of the FP01. 6 Connection Examples Connection to one guitar amplifier (Example 1) Connection to a tape recorder or mixer (Example 3) GUITAR AMPLIFIER OUTPUT L/MONO INPUT MTR/Mixer PHONES OUT ZOOM INPUT ZOOM 2020 To use the 2020 with one guitar amplifier, connect the output of the musical instrument to the INPUT jack of the 2020, and the OUTPUT L/MONO jack of the 2020 to the amplifier. With this connection, stereo effects such as reverb and ping-pong delay are output in mono. 2020 By connecting an adapter cable to the PHONES jack with a stereo miniature phone plug at one end and two standard mono phone plugs (or two RCA-type phono plugs) at the other end, the output of the 2020 can be fed directly to a multi-track tape recorder or a mixer. Since the PHONES jack output is processed by an amp simulator, the recording will have the characteristic guitar amplifier sound, although it is a line connection. Connection to two guitar amplifiers (Example 2) Using headphones for monitoring (Example 4) GUITAR AMPLIFIER OUTPUT R OUTPUT L/MONO INPUT ZOOM PHONES OUT INPUT 2020 To use the 2020 with two guitar amplifiers, connect the OUTPUT L/R jacks of the 2020 to the amplifiers. A well balanced stereo sound can be obtained when the stereo effects are activated. ZOOM 2020 This setup is suitable for example to practice individually without disturbing others. 7 Playing a Patch (Use of the Play Mode) In the Play mode, a patch is selected and played. When the 2020 is turned on, it goes into the Play mode automatically. In the Play mode, the following information is shown on the display. (1) Group The currently selected group is shown in the GROUP field. (2) Bank number The currently selected bank number is shown in the BANK field. (3) Patch number The currently selected patch number is indicated by the pedal LED (1 - 4). (4) Effect module on/off The effect module on/off condition in the patch is indicated by the module cursor LED. Selecting a Patch · Turn off the amplifier(s) and set the volume control to minimum. Then connect the 2020 to the instrument and amplifier(s). · Turn on the amplifier(s) and adjust the volume to a suitable position while playing the instrument. The 2020 is turned on automatically when the cable from the AC adapter is connected to the 2020. · Select the desired group with the GROUP key. In the 2020, patches are divided into the user group for patches which can be created and altered freely by the user, and the preset group for factory defined patches where only the output level can be changed. Choose the group from which you want to select a patch. With each push of the GROUP key, the group setting cycles through the following three settings which are shown on the display. · U (USER) User group only · P (PRESET) Preset group only · U or P (BOTH) User group and preset group (1) COMP+ DIST EFFECT 1 CLN I 3 OD I 5 DST I 2 CLN II 4 OD II 6 DST II PARM1 PARM2 PARM3 PARM4 PARM5 ZNR [0-15] COMP [0-3] EDGE [0,1] 3 ­ 6 GAIN [1-8] (2) (EDIT VALUE) EQ 1 EQ HIGH [­7-+7] MID [­7-+7] MIDf [1-16] LOW [­7-+7] LEVEL [1-8] MODULATION 2 WAH SENS [0-10] FREQ [1-64] DELAY 1 MONO 2 PPD [0-10](x100mS) DELAY TIME [0-99](mS) 6 STR [0,1] FEEDBACK [0-10] MIX [0-10] REVERB 1 REV 2 E/R TIME [1-10] TONE [­7-+7] MIX [0-10] PATCH LEVEL [0-31] 1 PIT PIT [­12-+12] FINE [­10-+10] BAL [0-10] 2 PHA 3 FLG 4 TRM 5 STEP 6 CHO DEPTH [0-10] RATE [1-50] 2 ­ 5 PERK [0-10] 3 DELAY TIME [0-90](x100mS) FEEDBACK [0-10] BANK GROUP · BANK USER PRESET BOTH () GROUP STORE (4) 1 COMP+DIST 2 EQ 3 MODULATION 4 DELAY B REVERB VALUE ADVANCED GUITAR EFFECTS PROCESSOR CANCEL PARAMETER SELECT ZOOM EDIT (MANUAL) + ­ 1 2 3 4 (3) 8 · Select the bank with the bank pedal. A bank is a group of four patches. There are five banks each (numbered 0 through 4) for the user group and the preset group. With each push of the bank pedal, the bank number is incremented by one. The bank number display flashes. GROUP=PRESET GROUP=USER GROUP=BOTH Bypassing the Effects You can temporarily turn off all effects in a patch. This is useful for example to check the sonic character of a patch. · In the Play mode, press the pedal whose LED is lit (the pedal that was used to choose the current patch number) once more. All effects in the patch are now bypassed and the original instrument sound is heard. In the bypass condition, the LEDs of pedals 1 - 4 flash and the indication "bP" appears alternately on the group and bank number display. Press the same pedal again, or select a different patch to return to normal play mode. BANK key does not yet change the NOTE Only pressing the the patch and change the sound, patch. To activate press one of the pedals 1 - 4, as described below. · Select the patch by pressing one of the pedals 1 - 4. The LED of that pedal lights up, showing that the patch has been selected. Adjusting the patch level The final output level of the patch -- called the patch level -- is also stored as a parameter along with the other parameters of the patch. In the Play mode, the patch level only can be adjusted. · Press the VALUE + / - keys in the Play mode. When one of the VALUE + / - keys is pressed, the current patch level setting is shown on the display as a numeric value (0 - 31). Pressing VALUE + increases the value and pressing VALUE - decreases it. To change values continuously, hold down the key. To change values more rapidly, press the other key as well. NOTE · The patch level setting change made in this way is only temporary. If you select a different patch without storing the new level setting first, the setting will be lost. (For details on how to store settings, please refer to page 12.) · While other parameters of patches from the preset group cannot be altered, the patch level can be changed and stored. This is useful for example to match levels when combining user patches with preset patches. 9 Editing a Patch (Use of the Edit Mode) What Is a Patch? Before you attempt to edit a patch, you should have a general idea how patches are created. In the 2020, a patch can contain the following effect modules: · COMP+DIST (Analog compressor and distortion effects) · EQ (Equalizer and wah effects) · MODULATION (modulation effects such as chorus and flanger) · DELAY (delay effects) · REVERB (reverberation effects) A combination of these effect modules, each with individual parameter settings plus the final patch level setting, is referred to as a "patch". In the Edit mode, you can call up the various parameters of an effect module and change these parameters according to your wishes and preferences. Entering the Edit mode · Select the desired patch in the Play mode (from the user group or the preset group) and press the EDIT/CANCEL key. The 2020 is now in the Edit mode, and the Edit mode LED lights up. · Pressing the EDIT/CANCEL key once more returns the 2020 to the Play mode. PATCH INPUT COMP+ DIST 1 CLEAN 1 2 CLEAN 2 3 OVERDRIVE 1 4 OVERDRIVE 2 5 DISTORTION 1 6 DISTORTION 2 EQ 1 EQ 2 WAH MODULATION 1 PITCH 2 PHASER 3 FLANGER 4 TREMOLO 5 STEP 6 CHORUS DELAY 1 MONO DELAY 2 Pingpong DELAY REVERB 1 REVERB 2 E/R 3 DELAY OUTPUT PATCH LEVEL FP01 10 (3) BAL [0-10] COMP+ DIST EFFECT 1 CLN I 3 OD I 5 DST I 2 CLN II 4 OD II 6 DST II PARM1 PARM2 PARM3 PARM4 PARM5 ZNR [0-15] COMP [0-3] EDGE [0,1] EQ 1 EQ HIGH [­7-+7] MID [­7-+7] MODULATION 2 WAH SENS [0-10] FREQ [1-64] DELAY 1 MONO 2 PPD [0-10](x100mS) DELAY TIME [0-99](mS) 6 STR [0,1] FEEDBACK [0-10] MIX [0-10] REVERB 1 REV 2 E/R TIME [1-10] TONE [­7-+7] MIX [0-10] PATCH LEVEL [0-31] (EDIT VALUE) 1 PIT PIT [­12-+12] FINE [­10-+10] BAL [0-10] 2 ­ 5 PERK [0-10] 6 STR [0,1] 2 PHA 3 FLG 4 TRM 5 STEP 6 CHO DEPTH [0-10] RATE [1-50] 2 ­ 5 PERK [0-10] 3 DELAY TIME [0-90](x100mS) FEEDBACK [0-10] (2) GROUP · BANK USER PRESET BOTH 3 ­ 6 GAIN [1-8] MIDf [1-16] LOW [­7-+7] LEVEL [1-8] () GROUP STORE 1 COMP+DIST 2 EQ 3 MODULATION 4 DELAY B REVERB VALUE (1) ADVANCED GUITAR EFFECTS PROCESSOR CANCEL PARAMETER SELECT ZOOM EDIT (MANUAL) + ­ 1 2 3 4 Panel Display in Edit Mode In the Edit mode, the following information is shown on the panel display. (1) Effect module on/off The LEDs of pedals for effect modules which are on (pedals 1 - 4 and BANK pedal) are lit. Editing a Patch · In the Edit mode, use the PARAMETER SELECT keys to select the desired parameter. The left/right PARAMETER SELECT keys control the module cursor LEDs and the up/down PARAMETER SELECT keys control the parameter cursor LEDs. The display indication changes accordingly. HINT The pedals 1 - 4 and the BANK pedal correspond to the following effect modules. Pedal 1 Pedal 2 Pedal 3 Pedal 3 BANK pedal COMP+DIST EQ MODULATION DELAY REVERB HINT The topmost row of parameter LEDs corresponds to the EFFECT parameter which changes the effect type. When the effect type is changed, the setting of parameters 1 - 5 also changes. Therefore it is best to first select the effect type and then work on the other parameters when creating an effect from scratch. (2) Parameter value The value of the parameter currently selected for editing is shown on the display. (3) Parameter type The type of the parameter currently selected for editing is indicated by the flashing module cursor LED and parameter cursor LED. COMP+ DIST EFFECT 1 CLN I 3 OD I 5 DST I 2 CLN II 4 OD II 6 DST II PARM1 PARM2 PARM3 PARM4 PARM5 ZNR [0-15] COMP [0-3] EDGE [0,1] 3 ­ 6 GAIN [1-8] · Use the VALUE +/- keys to change the parameter value. The value of the currently selected parameter is changed. To change values continuously, hold down the key. To change values quickly, press the other key as well. EQ 1 EQ HIGH [­7- +7] MID [­7-+7] MIDf [1-16] LOW [­7-+7] LEVEL [1-8] MODULATION 2 WAH SENS [0-10] FREQ [1-64] DELAY 1 MONO 2 PPD [0-10](x100mS) DELAY TIME [0-99](mS) 6 STR [0,1] REVERB 1 REV 2 E/R TIME [1-10] TONE [­7-+7] MIX [0-10] PATCH LEVEL [0-31] 1 PIT PIT [­12-+12] FINE [­10-+10] BAL [0-10] 2 PHA 3 FLG 4 TRM 5 STEP 6 CHO DEPTH [0-10] RATE [1-50] 2 ­ 5 PERK [0-10] 3 DELAY TIME [0-90](x100mS) FEEDBACK [0-10] FEEDBACK [0-10] MIX [0-10] 1 COMP+DIST 2 EQ 3 MODULATION 4 DELAY B REVERB 11 HINT For details on the parameters of each effect module, please refer to "Effect Types and Parameters" on page 13. Storing a Patch If an edited patch (or a patch whose patch level setting was changed in the Play mode) is not stored, the change will be lost when another patch is selected. To preserve a setting, store the patch as described below. · Press the STORE key in the Play mode or Edit mode. This activates the store mode, and you can now choose the bank number and patch number in which you want to store the patch. group, parameters other NOTE For patches from the preset be stored. Therefore, than the patch level cannot even if a patch was chosen from the preset group, the store destination will automatically become "U" (user group) if a parameter other than the patch level was changed. If only the patch level was changed, the store destination can also be "P" (preset group). · Change other parameters in the same way. changes NOTE Parameter setting return to made in this way are only temporary. If you the Play mode or select a different patch without storing the new settings first, the settings will be lost. For details on how to store a patch, please refer to next section. Turning Effect Modules On and Off In the Edit mode, each effect can be turned on and off independently from others. · Pressing a pedal corresponding to an effect module that is currently on (pedal LED and effect module cursor LED are lit) turns the effect module off. The LED goes out. Press the pedal again to turn the effect back on. · Use the BANK pedal and pedals 1 - 4 to specify the bank number and patch number. If no input is made, the patch will be stored in the original bank number and patch number. HINT The effect module on/off setting can also be stored as part of a patch. NOTE When a patch is stored, the patch that was previously stored in that number will be overwritten (erased). Take care not to erase a patch that you want to keep. When wishing to restore the factory preset patches, please refer to the explanation on page 18. Compare During editing, it is possible to temporarily return to the setting that was active before starting the editing process. This is called the "compare" function. · In the Edit mode, press the GROUP key. The previous value of the parameter where the cursor is currently located and the indication "CP" appear alternately on the display. · Press the STORE key again. The patch is stored, and the 2020 reverts to the Play mode. If the STORE key has not yet been pressed for the cancel the store process and return to the immediately preceding mode. NOTE second time, you can use the EDIT/CANCEL key to HINT When connecting the FP01 to a CONTROL IN jack, use the EXP. OUT connector of the FP01. · Press the GROUP key once more. The 2020 returns to the Edit mode. HINT The compare function is useful for example to check how a certain parameter change affects the overall sound. When the parameter is selected with the PARAMETER SELECT keys, the value of that parameter is shown on the display. 12 Effect Types and Parameters In this section, all effect types and parameters of the 2020 are explained. Parameters that are the same for several effects are explained in detail only the first time they appear. COMP+ DIST 1 CLEAN 1 2 CLEAN 2 3 OVERDRIVE 1 4 OVERDRIVE 2 5 DISTORTION 1 6 DISTORTION 2 EQ 1 EQ 2 WAH MODULATION 1 PITCH 2 PHASER 3 FLANGER 4 TREMOLO 5 STEP 6 CHORUS DELAY 1 MONO DELAY 2 Pingpong DELAY REVERB 1 REVERB 2 E/R 3 DELAY PATCH LEVEL Parameter 1 Parameter 2 Parameter 4 COMP EDGE ZNR 0 to 3 0, 1 0 to 15 s Effect Module 1: Compressor + distortion (COMP+DIST) The compressor effect maintains the volume at a certain level without impairing the sense of tone and attack. The distortion effect produces a characteristic tube- amplifierlike distortion combined with long sustain. 3 OD I (Overdrive 1) Overdrive effect with the warm distortion sound that is typical for tube amplifiers. 1 CLN I (Clean 1) This effect type uses only the compressor, to obtain a clean sound without distortion. The effect is especially suitable for electric guitars. Parameter 1 Parameter 2 Parameter 3 Parameter 4 COMP EDGE GAIN ZNR 0 to 3 0, 1 1 to 8 0 to 15 Parameter 1 Parameter 2 Parameter 4 COMP EDGE ZNR 0 to 3 0, 1 0 to 15 Explanation (3)GAIN: Determines distortion intensity in the overdrive circuit. The higher the value, the deeper the distortion. Explanation (1)COMP (compressor): determines the depth of the compression. The higher the value, the smaller the level difference, and the longer sustain is obtained. (2)EDGE: At a setting of "1", the treble range is emphasized. This parameter makes the sound more distinct. (4)ZNR (Zoom Noise Reduction): This parameter adjusts the threshold for the ZNR feature which cuts noise during performance pauses. You should set the parameter to a value as high as possible, but without causing the instrument release to sound unnatural. 4 OD II (Overdrive 2) Overdrive effect with heavy, fuzzy distortion. Parameter 1 Parameter 2 Parameter 3 Parameter 4 COMP EDGE GAIN ZNR 0 to 3 0, 1 1 to 8 0 to 15 5 DST I (Distortion 1) Hard distortion effect similar to a large amplifier driven to full capacity. 2 CLN II (Clean 2) Clean sound effect with flat characteristics that is suitable also for electro-acoustic guitar. 13 Parameter 1 Parameter 2 Parameter 3 Parameter 4 COMP EDGE GAIN ZNR 0 to 3 0, 1 1 to 8 0 to 15 is the center frequency. (4)LOW (low range): Adjusts the low frequency range. A value of 0 (zero) signifies flat response. The higher the value, the stronger is the low frequency boost. (5)LEVEL: Determines the EQ module output level. 6 DST II (Distortion 2) Distortion with a thick, full-bodied character that is ideal for the heavy metal genre. HINT The LEVEL parameter allows compensation for the change in output level due to a tone boost or cut. When HIGH, MID, and LOW are all at the flat setting, the LEVEL setting "5" produces the same volume as EQ OFF. Parameter 1 Parameter 2 Parameter 3 Parameter 4 COMP EDGE GAIN ZNR 0 to 3 0, 1 1 to 8 0 to 15 2 WAH This is an auto wah effect where the emphasized frequency range changes according to the dynamics of the input signal. If the optional foot pedal FP01 is used, manual pedal wah is also possible. s Effect Module 2: Equalizer (EQ) This effect module comprises two effect types to control the tonal character of the sound. Parameter 1 Parameter 2 Parameter 5 SENS FREQ LEVEL 0 to 10 1 to 64 1 to 8 1 EQ (Equalizer) This is an equalizer with independent boost/cut for the high, medium, and low frequency range. The mid-range control is a parametric type allowing the user to freely select the center frequency. Explanation (1)SENS (sensitivity): Determines the sensitivity of the auto wah effect. The bigger the value, the bigger the frequency change even at low volume levels. At a setting of 0 (zero), the frequency range emphasis acts as a fixed bandpass filter. (2)FREQ (frequency): Determines the reference frequency. Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 HI MID MID f LOW LEVEL -7 -7 0 -7 1 to to to to to +7 +7 16 +7 8 HINT At a SENS setting of 0 (zero), the foot pedal FP01 acts as a pedal wah, and at other settings as a controller which changes the auto wah sensitivity. For details, please refer to page 19. Explanation (1)HI (high range): Adjusts the high frequency range. A value of 0 (zero) signifies flat response. The higher the value, the stronger is the high frequency boost. (2)MID (midrange): Adjusts the medium frequency range. A value of 0 (zero) signifies flat response. The higher the value, the stronger is the medium frequency boost. (3)MID f (midrange frequency): Determines the center frequency for cut/boost. The higher the value, the higher Equalizer Operation Gain Mid f 0 Frequency LOW MID HI 14 s Effect Module 3: Modulation This effect module has six effect types which vary the pitch over time. 3 FLG (Flanger) This effect adds a delayed component to the direct sound, with periodically changing delay time in the range of several to several tens of milliseconds. The result is an intense, distinct sound. When combined with distortion, a swirling "jet sound" type flanger effect can be obtained. 1 PIT (Pitch) This effect shifts the pitch up to one octave up or down, and adds the shifted signal to the direct sound. Parameter 1 Parameter 2 Parameter 3 PIT FINE BAL -12 to +12 -10 to +10 0 to 10 Parameter 1 Parameter 2 Parameter 3 DEPTH RATE PEAK 0 to 10 1 to 50 0 to 10 Explanation (1)PIT (Pitch): Determines the pitch change in semitone steps. The setting range is one octave up or down. (2)FINE: Allows fine adjustment of pitch. (3)BAL (Balance): Determines the balance between effect sound and direct sound. At a setting of 0 (zero), the output signal contains only the direct sound, and at a setting of 10 only the effect sound. Explanation (1)DEPTH: Determines the depth of the flanger effect. (2)RATE: Determines the speed of the flanger variation. (3)PEAK: Determines the amount of feedback. Increasing this parameter stresses the modulation impression and adds a distinct character to the sound. 4 TRM (Tremolo) This effect periodically varies the intensity of the sound. The effect can be adjusted from conventional tremolo to a strong clipping effect. HINT By setting the pitch to 0 (zero) and somewhat raising the FINE parameter, you can create a chorus effect with slight modulation. 2 PHA (Phase) This effect adds a phase-shifted component to the direct sound, with a variable amount of phase shift. The effect creates a warm, distinct sound that is different for example from flanger or chorus. Parameter 1 Parameter 2 Parameter 3 DEPTH RATE PEAK 0 to 10 1 to 50 0 to 10 Parameter 1 Parameter 2 Parameter 3

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