User manual ZOOM 506II

Operation Manual Introduction Thank you for selecting the ZOOM 506 II (hereafter simply called the "506 II"). Please take the time to read this manual carefully so as to get the most out of the unit and to ensure optimum performance and reliability. Retain this manual, the warranty card and all other documentation for future reference. Contents SAFETY PRECAUTIONS · · · · · · · · · · · · · · · · · · · · · · 2 Features · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 3 Terms Used in This Manual · · · · · · · · · · · · · · · · · · · 4 Using the unit on batteries · · · · · · · · · · · · · · · · · · · 5 Controls and Functions · · · · · · · · · · · · · · · · · · · · · · 6 Selecting Patches for Play · · · · · · · · · · · · · · · · · · · · 8 Using the Tuner Function · · · · · · · · · · · · · · · · · · · · 10 Editing a Patch · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 12 Storing/Copying Patches · · · · · · · · · · · · · · · · · · · · 14 Changing the "Patch Call" Method · · · · · · · · · · · 16 Using the Optional Pedal · · · · · · · · · · · · · · · · · · · · 18 Restoring Factory Defaults · · · · · · · · · · · · · · · · · · 19 Linking Effects · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 20 Effect Types and Parameters · · · · · · · · · · · · · · · · 21 Specifications · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 31 Usage Precautions · · · · · · · · · · · · · · · · · · · · · · · · · · 31 Patch List Troubleshooting SAFETY PRECAUTIONS Safety Precautions In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows: This symbol indicates explanations about extremely dangerous matters. If users ignore this symbol and handle the device the wrong way, serious injury or death could result. This symbol indicates explanations about dangerous matters. If users ignore this symbol and handle the device the wrong way, bodily injury and damage to the equipment could result. Features · The 506 II is a sophisticated multi effect processor for bass guitar with the following features and functions: Top level performance While similar in price to a compact effect device, the 506 II incorporates a varied palette of 33 effects. Up to eight effects (including ZNR and amp simulator) can be combined in a patch. The memory of the unit holds 36 rewritable patches, providing noholds-barred performance. Intuitive user interface The user interface has been thoroughly redesigned. Large switches and keys and a rotary selector make the unit extremely simple to operate. Any desired effect can be called up swiftly and without fuss. Great bass effects The 506 II includes a number of unique effects designed specially for bass players, such as the innovative bass synthesizer and the "cry" effect that simulates a talking modulator. This makes it a snap to create your own original sound. Built-in auto-chromatic tuner The integrated tuning function for bass lets you quickly and precisely tune your instrument on stage. Dual power supply enables operation anywhere The dual power supply principle allows the unit to be powered either from an AC adapter or from four IEC R6 (size AA) batteries. Continuous operation time on batteries is 8 hours with manganese batteries and 28 hours with alkaline batteries. Compatible with foot switch and pedals An optional foot switch (FS01) or expression pedal (FP01/FP02) can be connected to the CONTROL IN jack. The foot switch is useful for quickly switching patches, and the expression pedal can serve to adjust the volume or effect tone in real time. Improved successor to 506 While inheriting the sound characteristics of the very successful ZOOM model 506, the 506 II is even more compact and carries a lower price tag. And what's more, it incorporates nine new effects, including bass distortion effects using sophisticated modeling techniques, practical stage-use and special effects. ZOOM 506 II BASS Features Warning Caution Please observe the following safety tips and precautions to ensure hazard-free use of the 506 II. · About power Warning · Since power consumption of this unit is fairly high, we recommend the use of an AC adapter whenever possible. When powering the unit from a battery, use only an alkaline type. · If battery leakage has occurred, wipe the battery compartment and the battery terminals carefully to remove all remnants of battery fluid. · While using the unit, the battery compartment cover should be closed. · AC adapter operation · Be sure to use only an AC adapter Caution Avoid using your 506 II in environments which supplies 9 V DC, 300 mA and is where it will be exposed to: equipped with a "center minus" plug · Extreme temperature (Zoom AD-0006). The use of an adapter · High humidity or moisture other than the specified type may · Excessive dust or sand damage the unit and pose a safety · Excessive vibration or shock hazard. · Connect the AC adapter only to an AC Handling outlet that supplies the rated voltage Caution · The 506 II is a precision instrument. required by the adapter. Except for the foot switches, do not · When disconnecting the AC adapter push other parts with your feet or from the AC outlet, always grasp the subject them to strong force. adapter itself and do not pull at the · Take care that no foreign objects (coins cable. or pins etc.) or liquids can enter the unit. · If the unit is not to be used for a long · Be sure to turn the power to all time, disconnect the AC adapter from equipment off before making the outlet. connections. Battery operation · Before moving the unit, turn the power · Use four IEC R6 (size AA) 1.5 V batteries off, and disconnect all cables and the (alkaline/manganese). AC adapter. · The 506 II cannot be used for recharging. Pay close attention to the labelling of the Alterations battery to make sure you choose the Caution Never open the case of the 506 II or correct type. attempt to modify the product in any way · If the 506 II is not to be used for an since this can result in damage to the unit. extended period of time, remove the battery from the unit. Environment · · · · 2 ZOOM 506 II BASS 3 Terms Used in This Manual This section explains some important terms that are used throughout the 506 II documentation. Effect module As shown in the illustration below, the 506 II can be thought of as a combination of several single effects. Each such effect is referred to as an effect module. In addition to modules comprising compressor effects (COMP) or distortion effects (DIST), the 506 II also provides a module for ZNR (ZOOM Noise Reduction) and an amp simulator. Parameters such as effect intensity can be adjusted for each module individually, and modules can be switched on and off as desired. BANK A PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 BANK F BANK E BANK d BANK C BANK b PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 PATCH 1 PATCH 2 PATCH 3 PATCH 4 PATCH 5 PATCH 6 Terms Used in This Manual Terms Used in This Manual / Using the unit on batteries IN COMP DIST EQ ZNR AMP SIM MOD DLY/REV OUT Effect type Within each effect module, there are several different effects which are referred to as effect types. For example, the modulation effect module (MOD) comprises chorus, flanger, pitch shifter, and other effect types. Only one of these can be selected at a time. An effect type is also often simply referred to as an effect. Effect parameter All effect modules have various parameters that can be adjusted. When likening an effect module to a compact effect device, the parameters can be thought of as the control knobs on the device. Changing the parameter settings will result in changes to items such as effect intensity and tonal characteristics. Patch In the 506 II, effect module combinations are stored and called up in units referred to as patches. A patch comprises information about the on/off status of each effect module, about the effect type used in each module, and about effect parameter settings. The memory of the 506 II can store up to 36 patches. Bank A group of six patches is called a bank. The 506 II manages a total of six banks, labelled A through F. The patches within each bank are numbered 1 through 6. To specify a patch, the 506 II uses the following format: "A1". This means that patch number 1 from bank A is selected. Therefore "b6" would refer to patch 6 from bank b. Play mode/edit mode The internal status of the 506 II is referred to as the operation mode. The two major modes are play mode, in which you can select patches and use them for playing your instrument, and edit mode, in which you can modify the effects. The [PLAY/EDIT] selector serves for switching between the play mode and edit mode. Using the unit on batteries 1. Turn the 506 II over and open the cover of the battery compartment on the bottom. Press the latch to release it and then raise the cover. 2. Insert four fresh IEC R6 (size AA) batteries into the battery compartment. Insert all batteries with the same orientation. Four IEC R6 (size AA) batteries Tab Battery compartment cover Rear of 506 II 3. Close the cover of the battery compartment. Close the cover of the battery compartment. Push the cover in until the latch audibly snaps into place. Use four IEC R6 (size AA) batteries. When the batteries are getting low, a dot (. ) in the bottom section of the display starts to flash. NOTE While not using the 506 II, you should disconnect the cable plugged into the INPUT jack, to prevent draining the batteries. ZOOM 506 II BASS 4 ZOOM 506 II BASS 5 Controls and Functions Top Panel [PLAY/EDIT] selector This knob serves for switching between play mode (in which you use the patches for playing) and edit mode (where you can edit patches to your liking). [+]/[-] keys Serve for switching banks up and down, adjusting parameters, and other functions. Controls and Functions Controls and Functions [STORE] key Display Shows patch numbers, setting values, and other information required for operation of the 506 II. Serves for storing edited patches, copying patches to another location, and other functions. [ ]/[ ] foot switches These switches are used for selecting patches, controlling the tuner, and other functions. Rear Panel / Connections CONTROL IN jack INPUT jack Serves for connecting the bass guitar. When the 506 II is operated on batteries, the unit will be turned on when a plug is inserted in this jack. Serves for connection of the optional foot switch (FS01) or expression pedal (FP01/FP02). OUTPUT jack This stereo phone jack serves for connection to the bass guitar amplifier. It is also possible to plug a pair of stereo headphones into this jack, or to use a Y cable for sending the output to two amplifiers. DC 9V (AC adapter) jack To use the 506 II on AC power, plug an AC adapter (ZOOM AD-0006) with a rated output of 9 volts DC, 300 mA (center minus plug) into this jack. When a plug is inserted in this jack, the 506 II is turned on. 6 ZOOM 506 II BASS ZOOM 506 II BASS 7 Selecting Patches for Play To try out the 506 II, we recommend that you simply play your instrument while switching patches. This will let you quickly see what the 506 II can do. Selecting Patches for Play Power-on When using the 506 II on batteries, plug a shielded cable with mono phone plug into the INPUT jack of the 506 II. When using the 506 II with the AC adapter, plug the adapter into the outlet and plug the cable from the adapter into the DC 9V jack on the 506 II. Turn on the bass guitar amplifier and adjust the volume to a suitable position. To directly switch the bank You can use the [+]/[-] keys to directly switch among the banks A - F. Selecting Patches for Play Selecting Patches for Play To adjust the master volume Keep both [+]/[-] keys depressed for more than 1 second. Set 506 II to play mode When the [PLAY/EDIT] selector is set to a different position, set it to "PLAY". 40 While the master volume setting is shown, pressing the [+] or [-] key changes the setting. The setting range is 0 - 50. When the unit is turned off and on again, the setting will be reset to 40. When using headphones, the master volume setting can be used to adjust the listening volume. A1 Bank Patch number The currently selected bank and patch number are shown on the display. Immediately after turning on power to the 506 II, the unit will be in play mode also if the [PLAY/EDIT] selector is set to a different position. Switch patches To switch patches in play mode, use the [ foot switches. ]/[ ] 8 ZOOM 506 II BASS ZOOM 506 II BASS 9 Using the Tuner Function The 506 II incorporates an auto-chromatic tuner for bass guitars. To use the tuner function, the built-in effects must be bypassed (temporarily turned off) or muted (original sound and effect sound turned off). Using the Tuner Function Adjusting the reference pitch of the tuner The center A reference frequency of the built-in tuner can be fine-adjusted. Switch to bypass or mute Using the Tuner Function Bypass: Press both [ ]/[ ] foot switches together briefly and release. Press one of the [+]/[-] keys. 40 Reference pitch Using the Tuner Function bp Mute: Press both [ ]/[ ] foot switches together and hold for at least 1 second. While the reference pitch setting is shown, pressing the [+] or [-] key changes the setting. The reference pitch range is 35 - 45 (center A = 435 Hz - 445 Hz). NOTE Mt NOTE When the unit is turned off and on again, the reference pitch setting is reset to 40 (440 Hz). The bypass or mute condition cannot be activated when the unit is in the edit mode. Return to play mode Press one of the [ ]/[ ] foot switches. Tune the bass guitar Play the open string you want to tune, and watch the display. The left side of the display shows the note which is closest to the current pitch. The right side of the display shows a symbol that indicates by how much the tuning is off. Pitch is high Pitch is correct Pitch is low A8 A8 Tune the other strings in the same way. Indication turns faster the more the pitch is off. ZOOM 506 II BASS 10 ZOOM 506 II BASS 11 Editing a Patch The patches of the 506 II can be freely edited by changing the effect parameter settings. Try editing the currently selected patch to create your own sound. Editing a Patch Change the parameter value Use the [+]/[-] keys. Holding down one of these keys will continuously change the value. Additionally pressing the opposite key will cause a faster change. Pressing both keys simultaneously skips to the first value of the next effect type in the same effect module. Select the effect parameter Use the [PLAY/EDIT] selector to select the effect you want to change. The value of the currently selected parameter is shown on the display. (When the 506 II is in edit mode, a dot (.) is shown in the bottom right section of the display.) Parameter value Editing a Patch Editing a Patch 40 Lit Changing the module on/off condition Press both [ together. ]/[ ] foot switches This is possible only if the basic parameter of that module (marked with an asterisk in the illustration ) has been selected. NOTE Modules and parameters that can be selected with the [PLAY/EDIT] selector (1) Patch level (2) Basic parameters of COMP module (*) (3) Basic parameters of DIST module (*) (4) Extended parameters of DIST module (5) Basic parameters of EQ module (*) (6) Extended parameters of EQ module When an effect module has been switched off, the extended parameter of that module is not shown. (5) (4) (3) (2) (1) (6) (7) (8) (9) (10) Terminate the edit mode (7) Basic parameters of ZNR/AMP module (*) (8) Basic parameters of MOD module (*) (9) Basic parameters of DLY/REV module (*) (10) Extended parameters of DLY/REV module To terminate the edit mode and return to the play mode, set the [PLAY/EDIT] selector to the "PLAY" position. NOTE Unless you store the edited patch in memory, the settings you made will be lost when you select a different patch after returning to the play mode. Do not forget to store an edited patch that you wish to keep, as described on page 14. 12 ZOOM 506 II BASS ZOOM 506 II BASS 13 Storing/Copying Patches An edited patch can be stored at any desired location in the internal memory of the unit. It is also possible to copy an existing patch and store it at another location. Storing/Copying Patches Press the STORE key in play mode or edit mode. The bank and patch number on the display are flashing. Press the STORE key once more. When the store/copy process is completed, the unit reverts to the original mode, with the target patch being selected. b4 NOTE Storing/Copying Patches Storing/Copying Patches A1 Use the [ ]/[ ] foot switches to select the target location in which to store the patch. NOTE When the store/copy process is executed, the previous content of the store target is overwritten and cannot be restored if it was a usercreated patch. You should therefore take care when selecting a target patch. However, the factory default settings of an individual patch or all patches can be restored, as described on page 19. When storing or copying a patch, it is not possible to use the [+]/[-] keys to switch only the bank number. To cancel the store/copy process Press the [-] key instead of the STORE key. The store process is aborted and the unit reverts to the previous mode. NOTE b4 14 ZOOM 506 II BASS The store process is also canceled when [PLAY/EDIT] selector is operated instead of the [-] key. ZOOM 506 II BASS 15 Changing the "Patch Call" Method In normal operation, the sound of the 506 II will change immediately if a patch is selected in play mode. This may be undesirable if a patch from a distant memory location is called and the sound of other unwanted patches in between is heard. If desired, you can change the "Patch call" method from direct selection to the pre-select method. In pre-select mode, you first specify the desired patch and then confirm the selection. The sound will only change after you have confirmed the operation. Changing the "Patch Call" Method Confirm the patch change When the desired patch is shown, press the [ ]/[ ] foot switches together. Changing the "Patch call" method to pre-select To change the "Patch call" method to preselect, you must turn the unit on while holding down the [ ] foot switch. A3 A3 Confirm Changing the "Patch Call" Method Changing the "Patch Call" Method Specifying the desired patch Use the [ ]/[ ] foot switches to select the patch you want to use next. You can also use the [+]/[-] keys to only switch the bank. The patch change is confirmed, the sound changes, and the display stops flashing and stays constantly lit. Changing the "Patch call" method back to direct select To change the "Patch call" method back to normal direct select operation, simply turn the unit off and back on again. This will return the patch select method to the default setting. A1 A2 A3 The bank and patch number of the patch to be used next will be shown on the display, but the sound does not yet change. 16 ZOOM 506 II BASS ZOOM 506 II BASS 17 Using the Optional Pedal The 506 II is equipped with a CONTROL IN jack designed for connection of an optional foot switch or expression pedal. This section explains how to use these accessories. Restoring Factory Defaults The 506 II comes with 36 preprogrammed patches. These factory default patches can be restored also if they were overwritten by patches created by the user. There are two ways of restoring factory defaults. "All Initialize" returns the entire set of patches to the original condition. "Factory Recall" restores a specific patch to the original condition. 1. While holding down the STORE key, plug the appropriate cable into the INPUT jack (or DC 9V jack). The indication "AL" flashes on the display. Using the foot switch (FS01) Connecting the optional foot switch FS01 to the CONTROL IN jack allows changing banks with the foot switch while the unit is in play mode. (Operating the foot switch in play mode has the same effect as pressing the [+] key.) 1. Plug the cable from the FS01 into the CONTROL IN jack, and then plug the appropriate cable into the INPUT jack (or DC 9V jack). 2. Press the foot switch. With each push of the foot switch, the bank is switched up. Using the Optional Pedal AL To perform All Initialize 2. Press the STORE key once more. All patch settings are returned to the factory default condition, and the unit switches to play mode. To cancel All Initialize, press the [-] key. NOTE A1 b1 C1 d1 E1 F1 Restoring Factory Defaults Using the expression pedal (FP01/FP02) Connecting an expression pedal (FP01/FP02) to the CONTROL IN jack allows adjusting the volume or an effect parameter in real time. For information on parameters that can be adjusted with the expression pedal, please refer to pages 22 - 29. 1. Plug the cable from the expression pedal into the CONTROL IN jack, and then plug the appropriate cable into the INPUT jack (or DC 9V jack). 2. Select the patch in play mode, and move the expression pedal back and forth. Depending on the program content of the patch, the volume or effect parameter will change. NOTE All user-created patches will be lost when performing All Initialize. Use this function with care. To perform Factory Recall 2. Use the [ ]/[ ] foot switches to select the patch you want to return to the original condition. The specified bank and patch number are flashing on the display. C2 During Factory Recall, the [+]/[-] keys cannot be used to switch the bank only. 3. Press the STORE key once more. The settings of the specified patch are returned to the factory default condition. If desired, repeat steps 2 and 3 to restore other patches. To terminate the Factory Recall operation, press the [-] key. The unit will switch to the play mode at this point. ZOOM 506 II BASS If the foot switch or expression pedal is connected to the 506 II while the unit is powered, malfunction may occur. Be sure to plug the foot switch or expression pedal into the CONTROL IN jack first and then plug the appropriate cable into the INPUT jack (or DC 9V jack). The pedal is active also in edit mode. 18 ZOOM 506 II BASS 19 Linking Effects The patches of the 506 II consist of seven serially linked effect modules, as shown in the illustration below. (The maximum number of effects that can be used simultaneously is 8.) You can use all effect modules or selectively set certain modules to on or off. Effect module Effect Types and Parameters Starting on the next page, all effect types in all effect modules are listed, together with their parameters. How to read the listing Display The display example shown at the left side of the effect parameter listing shows the setting that can be adjusted with the [+]/[-] keys. Which setting this is depends on the module. Effect type only shown Parameter setting value only shown COMP COMPRESSOR LIMITER FAT WAH PEDAL FAT WAH RESONANT WAH PEDAL RESONANT WAH DIST BANDPASS ENH HIPASS ENH CLEAN 1 CLEAN 2 RICH FAT SLAP EDGE DRIVE VINTAGE FUZZ THRASH EQ 4 BAND EQ PHASE SHIFT ZNR ZNR AMP AMP SIM MOD CHO CHORUS 1 PEDAL CHORUS 1 CHORUS 2 PEDAL CHORUS 2 FLANGER PEDAL FLANGER STEP PEDAL STEP CRY1 CRY2 PEDAL CRY DEFRET PEDAL DEFRET BASS SYNTH PEDAL BASS SYNTH OCTAVE OCTAVE>CHORUS PEDAL OCTAVE PITCH SHIFT PEDAL PITCH DOWN PEDAL PITCH UP DLY/REV DELAY ECHO HALL ROOM FU Effect type 40 Setting value Effect type and parameter setting value shown [PLAY/EDIT] selector The drawing of the [PLAY/EDIT] selector shows the position which is used to call up that module and parameter. Effect type C9 Setting value MOD MOD module basic parameters This effect module comprises modulation effects such as chorus, flanger, and octaver. Use the [+]/[-] keys to select the effect type and adjust the effect intensity. Effect type Module on/off For every effect module, the last basic parameter setting is " o F ". When this is selected, the respective module is turned off, which means that it will not affect the sound output by the 506 II. (The effect is the same as when both [ ]/[ ] foot switches are pressed together in edit mode.) Linking Effects CHORUS (Chorus) This effect mixes a variable pitch-shifted component to the original signal, resulting in full-bodied and expansive sound. Higher setting values result Effect Types and Parameters PEDAL BASS SYNTH (Pedal Bass Synthesizer) bP Using the expression pedal (FP01/FP02) connected to the CONTROL IN jack, the mixing ratio of b2 effect sound and original sound can be adjusted. o1 o6 oF OCTAVE (Octaver) This effect downshifts the sound by one octave and mixes it to the original sound. Higher right-digit setting values result in a higher effect sound ratio. OFF (Off) Turns the MOD module off. Within the effect modules, you can select an effect type from several possible choices. For example, the COMP module contains various compressor and limiter effect types, from which you can choose one. The MOD module allows you to choose two effect types simultaneously, such as OCTAVE > CHORUS. Expression pedal A pedal icon ( ) in the listing indicates a parameter that can be controlled with the expression pedal (FP01/FP02). When such a parameter is selected, the respective module can be controlled in real time with a connected expression pedal. When a parameter marked with a pedal icon is selected, the sound will correspond to the representative setting of that effect. If there is no parameter marked with a pedal icon selected in the entire patch, the expression pedal operates as a volume pedal. 20 ZOOM 506 II BASS ZOOM 506 II BASS 21 PATCH LEVEL PATCH LEVEL r1 r8 rP oF RESONANT WAH (Resonant Wah) This effect type applies auto wah to a narrow frequency band, resulting in a special effect. Higher right-digit setting values result in higher input sensitivity for the auto wah effect. 1 30 Adjusts the overall volume of the patch. A value of 25 corresponds to unity gain (input level and output level are equal). PEDAL RESONANT WAH (Pedal Resonant Wah) This effect type allows using an expression pedal (FP01/FP02) connected to the CONTROL IN jack to control the frequency that is emphasized by the resonant wah effect. COMP LIMIT WAH COMP module basic parameters This module comprises the compressor, limiter, auto wah, and other effect types. Use the [+]/[-] keys to select the effect type and adjust the effect intensity. OFF (Off) Turns the COMP module off. DIST DIST module basic parameters In addition to five distortion type effects and five clean type effects, this module also comprises two enhancer effect types. Use the [+]/[-] keys to select the effect type. COMPRESSOR (Compressor) C1 C9 Effect Types and Parameters This effect type attenuates high-level signal components and boosts low-level signal components, thereby keeping the overall signal level within a certain range. The effect prolongs sustain and makes the sound more uniform. Higher setting values result in stronger compression. LEVEL LEVEL bE Compressor BANDPASS ENH (Bandpass Enhancer) Enhancer using a bandpass filter. Makes the sound more distinct. Original sound TIME Effect Types and Parameters HE TIME HIPASS ENH (High-Pass Enhancer) Enhancer using a high-pass filter, resulting in a different sonic character from the bandpass enhancer. LIMITER (Limiter) L1 L9 F1 F8 This effect type attenuates peak levels and prevents overload of the next module. Higher setting values result in stronger limiter action. LEVEL LEVEL C1 CLEAN 1 (Clean 1: clean type effect) Clean sound with flat characteristics. C2 Limiter CLEAN 2 (Clean 2: clean type effect) High-class clean sound with attenuated midrange. Original sound TIME rC TIME RICH (Rich: clean type effect) Rich clean sound with emphasized bass range. FAT WAH (Fat Wah) This effect type applies auto wah which is dependent on playing intensity. It is characterized by a fat sound. Higher right-digit setting values result in higher input sensitivity for the auto wah effect. Ft FAT (Fat: clean type effect) Clean sound with emphasized midrange. SL EG SLAP (Slap: clean type effect) Clean sound suitable for the slap playing style. PEDAL FAT WAH (Pedal Fat Wah) EDGE (Edge: distortion effect) Treble-rich drive sound. FP 22 This effect type allows using an expression pedal (FP01/FP02) connected to the CONTROL IN jack for pedal wah. The expression pedal then controls the frequency that is emphasized by the fat wah effect. ZOOM 506 II BASS ZOOM 506 II BASS 23 dr ut DRIVE (Drive: distortion effect) Overdrive sound with emphasized midrange. EQ PHASE EQ module basic parameters This module comprises a 4-band equalizer and phaser. Use the [+]/[-] keys to select the effect type and adjust the effect intensity. VINTAGE (Vintage: distortion effect) Overdrive sound simulating a vintage amplifier. FU tH FUZZ (Fuzz: distortion effect) Wild fuzz sound. 4 BAND EQ (4-Band Equalizer) THRASH (Thrash: distortion effect) Distortion sound suitable for thrash metal. oF OFF (Off) Turns the DIST module off. 01 50 GAIN DIST module extended parameters These parameters serve to adjust the sound outline or distortion depth for the effect type selected with the DIST module basic parameters. Allows boost or cut in the bass/middle/high/presence band. You can select one out of 50 patterns (01 - 50). · 01 - 10: Lower values result in attenuated highs and emphasized lows. · 11 - 20: Lower values result in lower emphasized frequency. · 21 - 24: Lower values result in emphasized midrange. · 25: Flat characteristics · 26 - 30: Higher values result in emphasized highs. · 31 - 40: Higher values result in higher emphasized frequency. · 41 - 50: Higher values result in emphasized presence and lows. PHASE SHIFT (Phaser) LEVEL Original sound Effect sound P1 P9 oF This effect mixes a phase-shifted component to the original sound, resulting in a pulsating character. Higher setting values result in faster modulation. + 0 TIME GAIN (Gain) - 1 30 -(Off indication) The function of this parameter depends on the effect type selected for the DIST module. · When a clean type effect such as C1 or bE or an enhancer effect is selected Higher setting values emphasize the outline of the sound. · When a distortion effect such as dr or FU is selected Higher setting values result in stronger distortion. Effect Types and Parameters Effect Types and Parameters OFF (Off) Turns the EQ module off. CONTOUR EQ module extended parameters These parameters serve to adjust the effect operation for the effect type selected with the EQ module basic parameters. Pd PEDAL DIST (Pedal Distortion) Using the expression pedal connected to the CONTROL IN jack, the GAIN value (1 - 30) can be controlled. CONTOUR (Contour) 0 0 10 -(Off indication) · 4 BAND EQ is selected Using the 0 value as a reference (flat setting), negative values cause an increasing boost in the low range and positive values cause an increasing boost in the high range. When the EQ module is On, this parameter is always active. Check this parameter if the 4-band EQ effect type setting does not seem to produce the desired results. · PHASE SHIFT is selected Using the 0 value as a reference, changing the value towards negative or positive makes the phaser effect stronger. (Negative values result in reversed phase for the effect sound feedback.) ZOOM 506 II BASS 24 ZOOM 506 II BASS 25 ZNR/AMP ZNR/AMP module basic parameters Serves for making the ZNR module and AMP module settings. ZNR is a noise reduction circuit developed by ZOOM, allowing control over the noise threshold. The AMP module is a bass guitar amp simulator that can be switched on or off. PEDAL CHORUS 1 (Pedal Chorus 1) CP Using the expression pedal (FP01/FP02) connected to the CONTROL IN jack, the chorus 1 intensity can be adjusted. c1 c9 cP F1 F9 FP S1 S9 SP r1 r5 r6 r9 CHORUS 2 (Chorus 2) This is a bright sounding chorus effect with depth and spread. Higher rightdigit setting values result in a more pronounced chorus effect. 01 59 A1 ZNR ZNR (ZOOM Noise Reduction) serves for reducing noise during play pauses or silent passages. Higher setting values result in more efficient noise reduction. Set the value as high as possible without causing the sound to be cut off unnaturally. PEDAL CHORUS 2 (Pedal Chorus 2) Using the expression pedal (FP01/FP02) connected to the CONTROL IN jack, the chorus 2 intensity can be adjusted. FLANGER (Flanger) This effect produces a unique, undulating sound by shifting the pitch up and down. Higher right-digit setting values result in faster modulation. AMP (Amp Simulator) The amp simulator adds the character of a bass guitar amplifier to the output signal. When this setting is selected, the amp simulator is on and ZNR is off. PEDAL FLANGER (Pedal Flanger) Using the expression pedal (FP01/FP02) connected to the CONTROL IN jack, the flanger modulation rate can be adjusted. The adjustable range is larger than available with F1 - F9. A2 A9 oF Effect Types and Parameters ZNR+AMP (ZNR + Amp Simulator) ZNR and amp simulator are both on. Increasing the right- digit value results in more efficient noise reduction. Set the value as high as possible without causing the sound to be cut off unnaturally. STEP (Step) This effect introduces a filter which changes randomly, resulting in an auto-arpeggio sound. Higher right-digit setting values give faster step sound change. OFF (Off) ZNR and amp simulator are both off. Effect Types and Parameters MOD MOD module basic parameters This effect module comprises modulation effects such as chorus, flanger, and octaver. Use the [+]/[-] keys to select the effect type and adjust the effect intensity. PEDAL STEP (Pedal Step) Using the expression pedal (FP01/FP02) connected to the CONTROL IN jack, the step sound change rate can be adjusted. CRY1 (Cry 1) This effect changes the sound in a similar way as a talking simulator. Higher right-digit setting values result in more pronounced sound change. CHORUS (Chorus) This effect mixes a variable pitch-shifted component to the original signal, resulting in full-bodied and expansive sound. Higher setting values result in a more pronounced chorus effect. PITCH CRY2 (Cry 2) This is a cry effect with a different sound character. Higher right-digit setting values result in more pronounced sound change. C1 C9 PITCH Effect sound (left channel) + Original sound 0 TIME