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User manual ZOOM G7.1UT

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User guide ZOOM G7.1UT

Detailed instructions for use are in the User's Guide.

Operation Manual © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited. SAFETY PRECAUTIONS Usage Precautions SAFETY PRECAUTIONS In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows: This symbol indicates explanations about extremely dangerous matters. If users ignore this Warning symbol and handle the device the wrong way, serious injury or death could result. This symbol indicates explanations about dangerous matters. If users ignore this symbol and handle the device the wrong way, bodily injury and damage to the equipment could result. Warning Caution Contents SAFETY PRECAUTIONS Usage Precautions .......................................... 2 Features .................................................. 4 Terms Used in This Manual ................... 5 Controls and Functions ......................... 6 Getting Connected .................................. 8 Power-On ................................................ 9 Quick Guide 1 (Play Mode/Manual Mode Operation) ........................................... 10 Quick Guide 2 (Edit Mode/Store Mode Operation) ........................................... 12 Selecting Patches for Playing (Play Mode) ........................................ 14 Panel display ...................................... 14 Selecting a patch ............................... 14 Adjusting the sound ........................... 15 Using the Energizer ............................ 16 · Take care that no foreign objects (coins or pins etc.) or liquids can enter the unit. Using the Function Foot Switch.......... 34 Specifying the tempo for a patch ...... 35 Connecting cables and input and output jacks You should always turn off the power to the G7.1ut and all other equipment before connecting or disconnecting any cables. Also make sure to disconnect all connection cables and the power cord before moving the G7.1ut. MIDI Usage Examples .......................... 37 What you can do with MIDI................ 37 Selecting the MIDI channel ................ 37 Sending and receiving patch switching information via MIDI (program change) ............................. 38 Sending and receiving pedal/switch/key operation information via MIDI (control change) ................................ 41 Sending and receiving G7.1ut internal data via MIDI ..................................... 44 Alterations Never open the case of the G7.1ut or attempt to modify the product in any way since this can result in damage to the unit. Caution Volume Caution Other Functions ..................................... 46 Using the ARRM function................... Using the G7.1ut as audio interface for a computer................................... Muting the direct output when using a USB connection ............................. About the editor/librarian software.... Adjusting the display contrast ........... 46 48 49 50 50 Please observe the following safety tips and precautions to ensure hazard-free use of the G7.1ut. Do not use the G7.1ut at a loud volume for a long time since this can cause hearing impairment. Power requirements Warning · Be sure to use only an AC adapter which supplies 15 V DC, 1.5A (Zoom AD-0012). The use of an adapter other than the specified type may damage the unit and pose a safety hazard. · Connect the AC adapter only to an AC outlet that supplies the rated voltage required by the adapter. · When disconnecting the AC adapter from the AC outlet, always grasp the adapter itself and do not pull at the cable. · During lightning or when not using the unit for an extended period, disconnect the AC adapter from the AC outlet. · Do not pinch the power cord, bend it forcedly, or place heavy objects on the power cord. Usage Precautions Electrical interference For safety considerations, the G7.1ut has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device, and protection from external interference. However, equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be placed near the G7.1ut, as the possibility of interference cannot be ruled out entirely. With any type of digital control device, the G7.1ut included, electromagnetic interference can cause malfunctioning and can corrupt or destroy data. Care should be taken to minimize the risk of damage. Switching Modules On and Off With Your Foot During Play (Manual Mode) ...... 18 Using the Internal Tuner (Bypass/Mute Condition) ................... 20 Using the chromatic tuner ................. 20 Using other tuner types ..................... 22 Linking Effects ...................................... 51 Switching between live performance sound and direct recording sound ... 51 Using the Amp Select Function ......... 52 Changing the insert position of the pre-amp section and WAH/EFX1 module ............................................... 52 Changing the Sound of a Patch (Edit Mode) ......................................... 23 Patch configuration............................. 23 Basic edit mode steps ....................... 23 Changing a patch name ..................... 26 Storing Patches and Banks (Store Mode) ....................................... 27 Storing/swapping patches ................ 27 Storing/swapping banks .................... 28 Returning patches to factory default condition ........................................... 29 Effect Types and Parameters .............. 54 How to read the parameter table....... 54 COMP module ........................................ WAH/EFX1 module ................................. ZNR module............................................ PRE AMP module ................................... EQ module .............................................. CABINET module.................................... MOD/EFX2 module................................. DELAY module........................................ REVERB module ..................................... TOTAL module........................................ 55 55 57 58 59 60 60 64 65 66 Environment Warning To prevent the risk of fire, electric shock or malfunction, avoid using your G7.1ut in environments where it will be exposed to: · · · · · Extreme temperatures Heat sources such as radiators or stoves High humidity or moisture Excessive dust or sand Excessive vibration or shock Cleaning Use a soft, dry cloth to clean the G7.1ut. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, wax, or solvents (such as paint thinner or cleaning alcohol), since these may dull the finish or damage the surface. Using the Expression Pedal ................ 30 About the built-in expression pedal .................................................. 30 Assigning control targets to the built-in expression pedal .................. 30 Adjusting the built-in expression pedal................................................... 32 Using an external expression pedal.................................................. 33 Keep a minimum distance of 5 cm around the unit for sufficient ventilation. Do not impede the ventilation openings with objects such as newspapers or curtains. Please keep this manual in a convenient place for future reference. * MIDI is a registered trademark of Association of Musical Electronics Industry(AMEI). Troubleshooting.................................... 68 Specifications ....................................... 69 MIDI implementation chart................. 70 Handling Warning Caution · Never place objects filled with liquids, such as vases, on the G7.1ut since this can cause electric shock. · Do not place naked flame sources, such as lighted candles, on the G7.1ut since this can cause fire. · The G7.1ut is a precision instrument. Do not exert undue pressure on the keys and other controls. Also take care not to drop the unit, and do not subject it to shock or excessive pressure. * Microsoft and Windows XP are registered trademarks of Microsoft Corporation. * Macintosh is a registered trademark of Apple Computer. * All other trademarks, product names, and company names mentioned in this document are the property of their respective owners. * Manufacturer names and product names mentioned in this document are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with ZOOM CORPORATION. 2 ZOOM G7.1ut ZOOM G7.1ut 3 Features Thank you for selecting the ZOOM G7.1ut (simply called the "G7.1ut" in this manual). The G7.1ut is a sophisticated Multi Effect Processor with the following features. Latest technology for top performance Terms Used in This Manual This section explains some important terms that are used throughout the G7.1ut documentation. Effect module As shown in the illustration below, the G7.1ut can be thought of as a combination of several single effects. Each of these is referred to as an effect module. In addition to modules such as the compressor effect module (COMP), amp simulator/distortion effect module (PRE-AMP), and modulation effect module (MOD/EFX2), the G7.1ut also provides a module for ZNR (ZOOM Noise Reduction). Parameters such as effect intensity can be adjusted for each module individually, and modules can be switched on and off as desired. The module series ZNR, PRE-AMP, EQ, and CABINET operates as a virtual preamplifier which is controlled with the knobs and keys on the pre-amp section of the panel. Effect type Most effect modules comprise several different effects which are referred to as effect types. For example, the modulation effect module (MOD/ EFX2) comprises chorus, flanger, pitch shifter, delay, and other effect types. Only one of these can be selected at any time. Effect parameter All effect modules have aspects that can be controlled. These are called effect parameters, adjusted with the parameter knobs 1 ­ 4 on the panel. When thinking of an effect module as a compact effect, the parameters change the tone and effect intensity similar to the knobs on the device. Patch In the G7.1ut, effect module combinations are stored and called up in units referred to as patches. A patch comprises information about the on/off status of each effect module, about the effect type used in each module, and about effect parameter settings. Expression pedal settings and tempo settings are also stored for each patch individually. Bank and group Patches are organized in preset groups (A, b) which Pre-amp section CABINET MOD/EFX2 DELAY REVERB OUTPUT Excellent sound quality is assured by signal processing featuring 96 kHz/24 bit sampling and internal 32-bit processing. Frequency response remains flat to 40 kHz, and input converted noise is an amazing -120 dB or better. The built-in USB port serves for direct connection to a computer. You can use the G7.1ut as audio interface for the computer, allowing direct recording with the supplied DAW software. Versatile array of 92 effects are read-only, and user groups (U, u) which can be modified. Since each group comprises 40 patches, groups A, b, U, and u offer a total of 160 patches. In the G7.1ut, patches are called up four at a time and selected with the foot switches. These four patches are together referred to as a bank. There are ten banks in a group, numbered 0 through 9. User groups BANK 9 PATCH BANK BANK 0 BANK 0 1 BANK 0 BANK 0 PATCH BANK 00 PATCH BANK10 11 BANK PATCH 2 BANK 9 PATCH BANK BANK 0 BANK 0 1 BANK 0 BANK 0 PATCH BANK 00 PATCH BANK10 11 BANK PATCH 2 Out of a versatile palette of 92 effects, up to nine (including ZNR) can be used simultaneously. Recreate the sound of famous amps and compact effects, use the 6-band guitar equalizer, or select from many other great effects. The G7.1ut easily surpasses the usual feature complement in this class. Ready-to-go patches Preset groups BANK 9 PATCH BANK BANK 0 BANK 0 1 BANK 0 BANK 0 PATCH BANK 00 PATCH BANK10 11 BANK PATCH 2 BANK 9 PATCH BANK BANK 0 BANK 0 1 BANK 0 BANK 0 PATCH BANK 00 PATCH BANK10111 PATCH 1 BANK PATCH 2 PATCH PATCH PATCH 1 2 PATCH PATCH11 12 2 3 PATCH PATCH 2 PATCH BANK 0 PATCH PATCH PATCH 2 PATCH 2 PATCH PATCHPATCH PATCH PATCHPATCH333 4 1 PATCH 22 3 PATCH PATCH PATCH PATCH PATCH 33 PATCH PATCHPATCH444 2 PATCH 33 4 PATCH PATCH PATCH PATCH 44 PATCH 3 44 PATCH PATCH 4 Effect module combinations and settings can be stored and recalled as patches. The G7.1ut offers 80 preset patches that are ready to use right out of the box, plus 80 user patches which can be freely rewritten, giving you a total of 160 choices. The muting interval when switching patches has been reduced to less than 7 milliseconds, which makes for virtually seamless patch changes. Great for stage work or direct recording PATCH PATCH 1 PATCH 1 PATCH 11 PATCH PATCHPATCH PATCH 11 2 PATCH BANKPATCH222 3 0 PATCH PATCH PATCH 22 PATCH PATCHPATCH PATCH PATCHPATCH333 4 1 PATCH 22 3 PATCH3 PATCH PATCH 3 PATCH PATCH33 4 PATCH PATCHPATCH444 2 PATCH PATCH PATCH4 PATCH4 4 PATCH PATCH 3 4 PATCH PATCH 4 PATCH PATCH 1 PATCH 1 PATCH 11 PATCH PATCHPATCH PATCH 11 2 PATCH BANKPATCH222 3 0 PATCH PATCH PATCH 22 PATCH PATCHPATCH PATCH PATCHPATCH333 4 1 PATCH 22 3 PATCH3 PATCH PATCH 3 PATCH PATCH33 4 PATCH PATCHPATCH444 2 PATCH PATCH PATCH4 PATCH4 4 PATCH PATCH 3 4 PATCH PATCH 4 PATCH PATCH 1 PATCH 1 PATCH 11 PATCH PATCHPATCH PATCH 11 2 PATCH BANKPATCH222 3 0 PATCH PATCH PATCH 22 PATCH PATCHPATCH PATCH PATCHPATCH333 4 1 PATCH 22 3 PATCH3 PATCH PATCH 3 PATCH PATCH33 4 PATCH PATCHPATCH444 2 PATCH PATCH PATCH4 PATCH4 4 PATCH PATCH 3 4 PATCH PATCH 4 Group U Group u Group A Group b The pre-amp section features two channels, and each distortion type has two dedicated algorithms, one for live playing and one for direct recording. The CABINET effect simulates amp and mic recording characteristics, and the algorithm is automatically switched according to the CABINET on/off setting. An amp select feature matches the sound to the amp you are using. Connecting the G7.1ut to the power amplifier input of the guitar amp is no problem: simply set the -10 dBm/+4 dBm switch to the +4 dBm position. Built-in auto-chromatic tuner supports special tuning requirements Modes The G7.1ut has five different operation modes, as listed below. Play mode In this mode, patches can be selected and played. This is the default mode of the G7.1ut that is always active when power is turned on. Manual mode In this mode, you play your instrument while using the foot switches to turn modules on and off. Edit mode In this mode, the effect parameters of a patch can be edited (changed). Store mode This mode serves for storing edited patches. It also allows changing the store positions of patches. Bypass/mute mode When the G7.1ut is in the bypass condition, effect processing is temporarily turned off and only the original sound is heard. In the mute mode, all sound is turned off. The built-in tuner can be used in either condition. In addition to the standard auto-chromatic tuner, various other tuning methods are possible. The tuner is designed to allow easy use on stage. Expression pedal supplied as standard Adjust effect tone or volume in real time with the expression pedal that is built right into the unit. The possibilities for creative play are endless. The CONTROL IN jack on the rear panel lets you connect an external pedal (FP01/FP02) and use it as a dedicated volume pedal. Tube powered energizer The tube-based Energizer shapes the analog output signal to produce that characteristic warm and dynamic sound that is the hallmark of a tube amplifier. Programmable function switch The user-programmable function switch further enhances flexibility and lets you optimize the unit for any application. Use it to switch pre-amp channels, set the delay time, turn hold delay on and off, or for various other tasks. Please take the time to read this manual carefully, in order to get the most out of your G7.1ut and to ensure optimum performance and reliability. Channel B INPUT COMP WAH/EFX1 ZNR ZNR PRE-AMP EQ PRE-AMP EQ Channel A 4 ZOOM G7.1ut ZOOM G7.1ut 5 Controls and Functions Controls and Functions Control section Top panel Pre-amp section Control section Tube section [GROUP/BANK] indicator Display [TYPE] knob Parameter knobs 1­4 [PEDAL SETTING] key [AMP SELECT/SYSTEM] key [BYPASS/TUNER] key [EXIT] key [PAGE] key [STORE/SWAP] key Pre-amp section BANK [W]/[Q] foot switches Foot switches 1 ­ 4 [FUNCTION] (CH A/B) foot switch Expression pedal [LEVEL] knob [BASS] knob [MIDDLE] knob [TREBLE] knob [PRESENCE] knob [PRE-AMP A/B] keys Rear panel [AMP TYPE] knob [GAIN] knob INPUT jack -10 dBm/+4 dBm switch OUTPUT R jack OUTPUT L/MONO jack PHONES jack POWER switch AC IN connector MIDI IN connector MIDI OUT connector Effect module keys CONTROL IN jack LEVEL knob USB port AUX IN jack Tube section [TUBE] control [BOOST] control 6 ZOOM G7.1ut ZOOM G7.1ut 7 Getting Connected Refer to the examples shown below when making connections. Power-On The steps for turning on the G7.1ut are described below. Connection example (1) -10 dBm/+4 dBm switch 1. When connecting to the guitar input on the front panel of a guitar amplifier, set the switch to "-10 dBm". Use a monaural shielded cable to connect the guitar. Make sure that any connected guitar amplifier is turned off. In addition, fully turn down the volume control at the guitar amplifier. Rear panel Use mono cables for connection to guitar amplifiers. When using only one guitar amplifier, use the OUTPUT L/MONO jack. Connect optional expression pedal (FP01/FP02) 2. Guitar Guitar amplifiers Expression pedal Plug the AC adapter into an AC outlet and plug the cable from the adapter into the AC IN connector of the G7.1ut. LEVEL knob 3. 4. Use a monaural cable to connect the guitar to the INPUT jack of the G7.1ut. Use a monaural cable to connect the OUTPUT L/MONO jack to the guitar amplifier (when using one amplifier) and the OUTPUT R jack to the second guitar amplifier (when using two amplifiers). HINT The G7.1ut has a so-called "Amp Select" feature that lets you match the unit to various kinds of amplifiers. If necessary, select the appropriate setting for your amplifier the first time you use the G7.1ut ( p. 52). AC adapter Headphones MTR Rhythm machine 7. Use a stereo Y adapter cable to connect a rhythm machine (ZOOM RT-223 or similar) or a CD/MD player or similar. The signal supplied to the AUX IN jack is not processed by the internal effects, it is supplied to the OUTPUT L/MONO and OUTPUT R jacks as is. The signal is also sent to the USB port. Computer MIDI interface Patch switching and pedal operation information can be sent and received as MIDI messages. HINT To monitor with headphones, plug the headphone cable into the PHONES jack of the G7.1ut. To shut down the system, turn power to the respective components off in the reverse order than during powerup. 5. By connecting the USB port to a computer, the G7.1ut can be used as an audio interface. Turn power on in the following order: G7.1ut guitar amplifier(s) HINT When the -10 dBm/+4 dBm switch on the rear panel is set to "-10 dBm" and the LEVEL knob is turned fully up, the G7.1ut has unity gain (output level is the same as input level). NOTE Proceed with care when powering up the system. If you turn on power to the G7.1ut while the guitar amplifier is already on, there is a risk of hearing damage and damage to the speakers. Connection example (2) Guitar -10 dBm/+4 dBm switch When connecting to the power amplifier input on the rear panel of a guitar amplifier, set the switch to "+4 dBm". The G7.1ut incorporates a feature for matching its characteristics to the amplifier (amp select function). For details, see page 52. 6. Guitar amplifier (rear panel) Play your guitar and adjust the volume control on the guitar amplifier, on the guitar, and the LEVEL knob on the rear panel of the G7.1ut to obtain optimum listening volume. 8 ZOOM G7.1ut ZOOM G7.1ut 9 Quick Guide 1 (Play Mode/Manual Mode Operation) Quick Guide 1 (Play Mode/Manual Mode Operation) Pre-amp operation This section explains various basic steps, allowing you to use the G7.1ut right away. [Pre-amp section] Pre-amp module output level [LEVEL] knob Mid range boost/cut [MIDDLE] knob Ultra-high range boost/cut [PRESENCE] knob Selecting a patch (play mode) Immediately after power-on, the unit will be in play mode, which is for playing your instrument while selecting patches. The pre-amp section allows you to adjust distortion type, intensity, and EQ for two channels (A/B) separately. Distortion type [AMP TYPE] knob 1. To select a patch, use foot switches 1 ­ 4. [Indication in play mode] Group name/Bank number [GAIN] knob Distortion intensity [BASS] knob Low range boost/cut [TREBLE] knob High range boost/cut 1. Select the channel for which to make a setting with the [PRE-AMP A/B] keys. The key light shows which channel is currently selected. U0 U0 Patch name HINT You can switch between channel A and B with the [FUNCTION] (CH A/B) foot switch ( p. 34). AmpDrive TMLVL100 AmpDrive TMLVL100 LVL100 ÉBpmTp ÉBpmTp BpmTp Patch level Function foot switch assignment 2. Turn the knobs of the pre-amp section to make adjustments. The sound of the channel selected in step 1 changes. When you operate a knob, the name of the parameter and the current setting value appear on the display. To return to play mode (or manual mode), press the [EXIT] key. HINT · You can switch patches within the same group/bank by turning parameter knob 1. · You can adjust the patch level (output level of the individual patch) by turning parameter knob 2. Turning a module on and off with your foot (manual mode) In manual mode, you can use foot switches 1 ­ 4 to switch a module on and off. NOTE The changes that you have made to a patch will be lost when you select another patch. To keep the changes, store the patch first ( p. 13). 2. To select a patch from another group/bank, use the BANK [W]/[Q] foot switches to select the group/bank and then use foot switches 1 ­ 4. HINT You can switch the group/bank by turning the [TYPE] knob. 1. In play mode, keep the BANK [W] foot switch depressed for more than one second. The G7.1ut switches to manual mode. NOTE In manual mode, the foot switches do not select patches. However, the [TYPE] knob (group/bank selection) and parameter knob 1 (patch selection) function the same as in play mode. Please note that you go back to "play mode" when you change patches. 2. Press the foot switch for the module to be switched on and off. [Foot switch and corresponding modules] WAH/EFX1 module MOD/EFX2 module DELAY module PRE-AMP module 3. To return to play mode, press the BANK [W] foot switch. ZOOM G7.1ut 10 ZOOM G7.1ut 11 Quick Guide 2 (Edit Mode/Store Mode Operation) Quick Guide 2 (Edit Mode/Store Mode Operation) This section explains how to edit a selected patch and how to store the changes you have made. Storing a patch (store mode) 1. In play mode, manual mode, or edit mode, press the [STORE/SWAP] key. [Display in store mode] Store target group name/bank number Store source patch name Editing a patch (edit mode) 1. Press the effect module key for the module to edit. The unit switches to edit mode. By repeatedly pressing the effect module key, the respective module can be toggled between on and off. [Display in edit mode ] Module name Effect type name U0 :PATCH NEWDrive £:PATCH TMSTORE? U0-1 é STORE?åU0-1 TMSTORE?åU0-1 Store target group name, bank number, patch number 2. The indication "PATCH" appears in the top right of the display and the indication "STORE?" in the bottom left. Make sure that the operation is what you intend to do. In this condition, you can store individual patches. If the display is different, use parameter knob 2 to bring up the "STORE?" indication and parameter knob 3 to bring up the "PATCH" indication. HINT In store mode, you can swap patches as well as store and swap entire banks ( p. 27 ­ 28). MOD:Chorus ¡Depth =100 é Depth Parameter value Parameter number/Parameter name NOTE If you press the PRE-AMP/EQ module key, the display will be different. For details, see page 24. 3. Use the BANK [W]/[Q] foot switches and foot switches 1 ­ 4 to select the store target bank and patch number. NOTE · Only user group patches can be specified as store target. · When a patch from a user group is selected, this patch becomes the default store target. · When a patch from a preset group is selected, the first user group patch becomes the default store target. 2. Use the [TYPE] knob and parameter knobs 1 ­ 4 to make adjustments. HINT [TYPE] knob Changes the effect type. · The effect type (distortion type) of the PRE-AMP module can be changed with the [AMP TYPE] knob. · The major parameters of the PRE-AMP/EQ module can be edited with the knobs of the preamp section, in the same way as in play mode. 4. Press the [STORE/SWAP] key once more. The store process is carried out, and the unit returns to play mode. HINT You can return the user group patches easily to the factory default settings ( p. 29). NOTE Parameter knobs 1 ­ 4 Change the respective parameter. For information on parameters assigned to the knobs, see page 55 ­ 67. The changes that you have made to a patch will be lost when you select another patch. To keep the changes, store the patch first. 12 ZOOM G7.1ut ZOOM G7.1ut 13 Selecting Patches for Playing (Play Mode) Selecting Patches for Playing (Play Mode) HINT · In play mode, you can select a patch by turning parameter knob 1. · When you press a foot switch whose LED is lit, the same patch is called up once more. Adjusting the sound In play mode, you can use the knobs on the panel to adjust the basic parameters of the pre-amp section (distortion type and intensity, EQ boost/ cut etc.). Immediately after you turn on the G7.1ut, it is always in the mode for selecting and using patches (play mode). The most recently used patch is automatically called up again. The various operation steps in play mode are described in this section. Panel display In play mode, the following information is shown on the panel. 2. To switch to a patch in another bank, use the BANK [W]/[Q] foot switches to change the bank and then use foot switches 1 ­ 4 to select the patch. 1. 2. In play mode, select the patch. Press one of the [PRE-AMP A/B] keys to select the pre-amp channel A or B for which to make the adjustment. Group name (A, b, U, u) Shows the number of the Groups A and b are read-only groups parameter knob that (preset groups). Groups U and u are controls the patch level. read/write enabled groups (user groups). A0 Bank number (0 ­ 9) Patch level Shows the output level setting (2 ­ 100) for the currently selected patch "E" symbol If the currently displayed setting value differs from the original patch setting, the indication "E" (for "Edited") appears. BANK [W]/[Q] foot switches Foot switches 1­4 NewDrive TMLVL100 LVL100 ÉBpmTp BpmTp é Patch name Function foot switch assignment Shows the function assigned to the function foot switch ( p. 34). [PRE-AMP A/B] keys The key for the channel (A or B) that is currently selected for the pre-amp section is lit. When you repeatedly press the BANK [Q] foot switch, the G7.1ut switches the group/bank as follows. User groups Preset groups The pre-amp section of the G7.1ut has two separate channels which allow individual settings. Simply pressing one of the [PRE-AMP A/B] keys instantly switches the channel. HINT A0 HINT Effect module Keys for modules that are active in the keys currently selected patch are lit in red. Foot switch The LED of the foot switch for the currently 1 ­ 4 LEDs selected patch is lit. A1 A9 B0 B9 You can switch between channel A and B with the [FUNCTION] (CH A/B) foot switch ( p. 34). 3. In play mode, you can switch the group/bank by turning the [TYPE] knob. NOTE · When using the BANK [W]/[Q] foot switches to change banks, press and release the switch quickly. · If you keep the BANK [W] foot switch depressed for more than one second, the G7.1ut switches to manual mode ( p. 18). · If you keep the BANK [Q] foot switch depressed for more than one second, the G7.1ut switches to the bypass condition (effects off). If you keep the switch depressed further, the G7.1ut switches to the mute condition (original sound and effect sound both off) ( p. 20). To change the distortion type, turn the [AMP TYPE] knob. The [AMP TYPE] knob selects the distortion type (the amp or compact effect that is being simulated). When you turn the knob, the name of the new amp type appears on the display. PRE-AMP oe­ø­­­ FD Clean é­oe­oeµµ [AMP TYPE] knob Type name "E" symbol Selecting a patch This section explains how to select a patch in play mode. HINT · When you have changed the distortion type, the "E" symbol appears on the display, and the [STORE/SWAP] key lights up. · If the currently displayed setting value differs from the original patch setting, the indication "E" (for "Edited") appears. 1. Press a foot switch 1 ­ 4 whose LED is not lit. The LED of the pressed switch lights up, indicating that a new patch has been called up. 14 ZOOM G7.1ut ZOOM G7.1ut 15 Selecting Patches for Playing (Play Mode) · The lit [STORE/SWAP] key indicates that one or more items (including items not currently displayed) have been changed from the contents of the original patch. If all items are returned to their original settings, the key will go out. Selecting Patches for Playing (Play Mode) The patch level is a parameter that controls the output level of the respective patch. The setting range is 2 ­ 100. A setting of 80 results in unity gain (no level increase or decrease). NOTE The changes that you have made to a patch will be lost when you select another patch. To keep the changes, store the patch first ( p. 27). 4. To change other major parameters in the pre-amp section, operate the respective knob (see illustration below). When you turn a knob, the name and the current setting of the respective parameter appear on the display. Operating the [BASS], [MIDDLE], [TREBLE], or [PRESENCE] knob will boost or cut the respective band, and the setting is reflected in the graph on the right side of the display. counterclockwise, the effect is off. Turning the knob clockwise gradually increases the tube circuit gain, resulting in warmer, more solid crunch or drive sound. Normally, you should set the control to a position where distortion is not too audible, but you can set it higher when you purposely want to emphasize the tube distortion. [BOOST] control Using the Energizer The G7.1ut incorporates an Energizer function that processes the analog output signal using a tube circuit. This feature is suitable for making the guitar stand out in an ensemble setting, or for adding that characteristic tube distortion sound. HINT · The Energizer is active in all modes. · The Energizer settings are not stored as part of the patch. Name of currently adjusted parameter Presence oe­ø­­­ -12dB é­oe­oeµµ Parameter value Graphic representation of boost/cut setting in each band This control boosts specific frequency bands to make the sound more pronounced. When the knob is turned fully counterclockwise, the effect is off. Turning the knob clockwise gradually boosts the low frequencies and the area around 2 kHz. Especially when using a small guitar amp or an audio system with flat response, this can be helpful to produce more dynamic sound. The [BOOST] control is useful in such situations, and for bringing the sound of the guitar more to the foreground when playing in a band. NOTE HINT When you perform step 3 or step 4, the G7.1ut switches to edit mode. To return to play mode, press the [EXIT] key. (For details on edit mode, see page 23.) To adjust the Energizer, use the control knobs of the tube section on the panel. The control functions are explained below. 5. To adjust the overall level of the patch, turn parameter knob 2 in play mode. [TUBE] control [BOOST] control · The intensity of the distortion achieved with the [TUBE] control depends on the guitar and type of pickup. · When both controls are fully turned up, the volume level will be higher and excessive distortion may occur. [TUBE] control This control adds characteristic tube distortion to the sound, making the guitar stand out more distinctly. When the knob is turned fully [PRESENCE] knob Ultra-high range boost/cut [GAIN] knob Distortion intensity [LEVEL] knob Pre-amp module output level [TREBLE] knob High range boost/cut [MIDDLE] knob Mid range boost/cut [BASS] knob Low range boost/cut 16 ZOOM G7.1ut ZOOM G7.1ut 17 Switching Modules On and Off With Your Foot During Play (Manual Mode) Switching Modules On and Off With Your Foot During Play (Manual Mode) module. The condition where foot switches 1 ­ 4 are used to switch the major modules in a patch on and off individually is called "manual mode". In this mode, the single effects of the G7.1ut can be controlled with your foot like independent compact effects. NOTE The changes that you have made to a patch will be lost when you select another patch. To keep the changes, store the patch first ( p. 27). 1. 2. In play mode, select a patch. Press and hold the BANK [W] foot switch for at least 1 second. In manual mode, the following information appears on the panel (see illustration below). NOTE In manual mode, you cannot use the foot switches to select patches. However, the [TYPE] knob (group/bank selection) and the parameter knob 1 (patch selection) operate in the same way as in play mode. Please note that you go back to "play mode" when you change patches. In manual mode, you can use foot switches 1 ­ 4 to switch the major effect modules on or off. The module/switch allocation is as follows. Hold down for 1 second or more The LED of the BANK [W] foot switch lights up and the G7.1ut switches to manual mode. Patch level Shows the output level of the currently selected patch. 3. To switch a module between on and off, press the foot switch for that Foot switch 1 Foot switch 3 WAH/EFX1 MOD/EFX2 module module Foot switch 2 Foot switch 4 PRE-AMP DELAY module module Shows the number of the parameter knob that controls the patch level. [PRE-AMP A/B] keys The key for the channel (A or B) that is currently selected for the pre-amp section is lit. HINT · When a module is switched on/off, the [STORE/ SWAP] key lights up. · In manual mode, you can use the knobs on the panel as in play mode to adjust pre-amp parameters, patch level, and the tube energizer. For an explanation of operation procedures, see "Adjusting the sound" in the section on play mode ( p. 15). · From manual mode you can switch to edit mode for editing patches. For details on edit mode, see page 23. LVL100 NewDrive TMLVL100 ÉBpmTp BpmTp é Function foot switch assignment Shows the function assigned to the function foot switch ( p. 34). "E" symbol If the currently displayed setting value differs from the original patch setting, the indication "E" (for "Edited") appears. Effect module keys Keys for modules that are active in the currently selected patch are lit in red. 4. To return to play mode, press the BANK [W] foot switch. BANK [W] foot switch LED This is always lit when the G7.1ut is in manual mode. When you press this foot switch in manual mode, the unit returns to play mode. Foot switch 1 - 4 LEDs When the module for the respective foot switch is on, the respective LED is lit. 18 ZOOM G7.1ut ZOOM G7.1ut 19 Using the Internal Tuner (Bypass/Mute Condition) Using the Internal Tuner (Bypass/Mute Condition) The G7.1ut incorporates a tuner function that supports regular chromatic tuning as well as special tuning. This section explains the steps for using the tuner. E Note Note [GROUP/BANK] [GROUP/BANK] Note indicator indicator Using the chromatic tuner To use the chromatic tuner function, proceed as follows. MUTE Release switch when "MUTE" is shown 1. In play mode, manual mode, or edit mode, press and hold the BANK [Q] foot switch. AbB A BB B C DB D EB E F GB G After the G7.1ut is turned on, the tuner reference pitch is always "440 Hz (center A = 440 Hz). The adjustment range using parameter knob 3 is center A = 435 ­ 445 Hz, in 1-Hz steps. CHROMATC 442Hz TMCHROMATC £442Hz >< > HINT When the G7.1ut is turned off and on again, the reference pitch will be reset to 440 Hz. After "BYPASS" or "MUTE" was shown, the display automatically switches to the tuning display. Tuner type Reference pitch The > < symbols in the lower part of the display show by how much the pitch differs from the displayed note. TMCHROMATC £440Hz CHROMATC 440Hz > >< To use the tuner, the G7.1ut must be set to the bypass condition (effects off) or mute condition (original sound and effect sound both off). To switch to the bypass condition NOTE You can switch to the mute condition by pressing and holding the [BYPASS/TUNER] key. Hold the BANK [Q] foot switch for about 1 second, until the indication "BYPASS" appears on the display. Then release the foot switch. The G7.1ut is now in the bypass condition. HINT · The built-in expression pedal functions as a volume pedal in the bypass condition (in the mute condition, the pedal has no effect). · By turning the parameter knob 2, you can select other tuner types besides the chromatic tuner. For more information, see the next section. · The number shown in reverse on the display indicates that the corresponding parameter knob can be used for adjustment. BYPASS Release switch when "BYPASS" is shown TMCHROMATC £440Hz CHROMATC 440Hz >< > > > > > > >< > < < < < 3. 5. Pitch is low When tuning is completed, press one of the BANK [W]/[Q] foot switches. Pitch is correct The G7.1ut returns to the previous mode. If the G7.1ut was in edit mode, it will be switched to play mode. HINT Pitch is high The bypass/mute condition can be canceled by pressing the [BYPASS/TUNER] key, [EXIT] key, or one of the foot switches 1 ­ 4. 2. HINT You can switch to the bypass condition by pressing the [BYPASS/TUNER] key. Play the open string to tune. The [GROUP/BANK] indicator shows the note which is closest to the current pitch. Tune the string of your instrument while checking the note and pitch indication. HINT First you should perform rough tuning to bring up the desired note indication, and then watch the lower part of the display and fine tune the pitch. To switch to the mute condition Hold the BANK [Q] foot switch until the indication "BYPASS" changes to "MUTE". Then release the foot switch. The G7.1ut is now in the mute condition. 4. To change the reference pitch of the tuner, turn parameter knob 3. 20 ZOOM G7.1ut ZOOM G7.1ut 21 Using the Internal Tuner (Bypass/Mute Condition) Using other tuner types Besides chromatic tuning, the G7.1ut offers various other tuning types such as standard tuning for guitar and bass, open tuning, etc. To use these functions, proceed as follows. setting "b" (one semitone lower), "bb" (two semitones lower), and "bbb" (three semitones lower). Optional tuning to 1 - 3 semitones lower Changing the Sound of a Patch (Edit Mode) The condition where you can change the effect types and settings that make up a patch is called "edit mode". This section describes how to use this mode. TMGUITAR GUITAR >< >< HINT £ ¢Str1 Str1 Patch configuration As shown in the "Patch configuration" illustration below, the G7.1ut can be thought of as a series of several single effects (effect modules). A combination of these modules and the settings for each module are stored as a patch. Almost all modules comprise several different effects (called effect types), one of which is selected at any given time. For example, the MOD/EFX2 module allows selection of either CHORUS, PITCH SHIFTER, DELAY, etc. The elements that determine the sound of a patch are called effect parameters. Each effect type has its own parameters that can be controlled with knobs on the panel. Even within the same module, when the effect type is different, the effect parameters that can be controlled will also be different. In the module configuration shown below, the ZNR, PRE-AMP, EQ, and CABINET modules operate as a virtual pre-amp section. Depending on the application, this section can be inserted after the WAH/EFX1 module or after the DELAY module ( p. 52). For the ZNR, PRE-AMP and EQ modules, different settings can be made in two channels (A/B). Basic edit mode steps The basic steps that are normally taken in edit mode are explained here. For details on effect types and parameters for each module, see the section "Effect Types and Parameters" on page 54 ­ 67. 1. Switch the G7.1ut to the bypass or mute condition as described in step 1 of "Using the chromatic tuner". The display shows the tuning indication. Turn parameter knob 2 to select the tuner type. The available tuner types and the corresponding note names for each string are listed below. If you select "OPEN A" as tuner type, the [GROUP/BANK] indicator and display indication will be as follows. Tuner type Reference pitch When the G7.1ut is turned off and on again, the reference pitch will be reset to 440 Hz. 2. 4. 5. 6. 7. Play the open string of the indicated number and adjust the pitch. Turn parameter knob 4 to switch to other strings. Tune other strings in the same way. 1. Select the patch to edit. The patch can be from a preset group (A/b) or user group (U/u). However, if you have edited a patch from a preset group, it can only be stored in a user group ( p. 27). In play mode or manual mode, press the effect module key (see illustration on next page) to select the module on which to operate. The G7.1ut switches to edit mode, and the display changes as follows. [Module other than PRE-AMP/EQ] Module name Effect type name 2. DB 3. TMOPEN A OPEN >< >< £440Hz 440Hz ¢Str2 Str2 String number Correct note for selected string When tuning is completed, press one of the BANK [W]/[Q] foot switches. The G7.1ut returns to the previous mode. If the G7.1ut was in edit mode, it will be switched to play mode. If necessary, turn parameter knob 3 to change the reference pitch of the tuner. The setting range is center A = 435 ­ 445 Hz, in 1-Hz steps. If "GUITAR" or "BASS" has been selected as tuner type, turning parameter knob 3 further anticlockwise from the "435" setting selects the HINT When the G7.1ut is turned off and on again, the tuner type setting will be reset to the default (chromatic tuner). MOD:Chorus ¡Depth Depth =100 Parameter number Currently selected parameter and its setting value HINT Tuner type STR1 STR2 STR3 String number STR4 STR5 STR6 STR7 GUITAR BASS OPEN A OPEN G OPEN E OPEN D DADGAD · On every display screen, the number shown in reverse indicates the parameter knob that can be used to adjust the parameter. E B G D A E B G D A E B E DB A E A E D B G D G D

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